By Burt Bacharach. Arranged by Jay Rouse. For SATB choir and piano accompaniment. Choral. Octavo. Published by Shawnee Press.

SATB chorus and piano - Medium

SKU: JK.01569

Composed by Charles V. Standford. Arranged by Brent Jorgensen. Choral SATB, Difficulty Medium, Piano Choir, Seasonal Music Pioneer Day, Book of Mormon, Eternal Life, Jesus Christ - Savior, Praise and Worship, Prophets, Restoration, Scriptures, Testimony, Truth. Christian, Inspirational. Duration 2:45. Jackman Music Corporation #01569. Published by Jackman Music Corporation (JK.01569).

Matthew 3:16-17, 3 Nephi 11:6-8, Joseph Smith--History 1:17, Doctrine and Covenants 18:34-36.

Resto ration anthem for mixed chorus (SATB) and piano accompaniment.
Whose is that voice declaring truth at last?
A prophet speaks, a blessing unsurpassed...
...Sinc e Jesus all our sins and sorrows bore,
Death is rebuked and rules the earth no more.
Eternal life awaits beyond that door. Alleluia!

Composer : Charles V. Standford
Arranger: Brent Jorgensen
Lyricist: Jan Underwood Pinborough
Difficulty: Medium
Performance time: 2:45
Reference: Matthew 3:16-17, 3 Nephi 11:6-8, Joseph Smith--History 1:17, Doctrine and Covenants 18:34-36.

Composed by William J Gaither. Arranged by Mark Hayes. For SATB choir, piano (with optional full orchestra, duet). Sacred Anthem, General, Lent, Patriotic. Octavo. Lorenz Publishing Company #10/4706L. Published by Lorenz Publishing Company

SATB choir, piano

SKU: LO.10-5747L

Composed by Molly Ijames. Choral. Sacred Anthem, General. Lorenz Publishing Company #10/5747L. Published by Lorenz Publishing Company (LO.10-5747L).

ISBN 9780787778019.

Here is a setting of this classic hymn unlike any you've heard before. Molly clothes this well-known melody in a gentle, folk-like style featuring a rhythmic piano accompaniment, beautiful choral layering, and unexpected harmonic surprises. This one will require a little work, but it will be well worth the effort.

By Andrae Crouch; Larry Shackley. For SATB choir and piano. Octavo. Published by Lorenz Publishing Company

Composed by Lloyd Larson. Choral, cantatas. Eastertide, Lent. SATB with performance CD. Lorenz Publishing Company #55/1191L. Published by Lorenz Publishing Company (LO.55-1191L).

Composed by Lloyd Larson. Choral, cantatas. Eastertide, Holy Week. Choral score. Lorenz Publishing Company #55/1190L. Published by Lorenz Publishing Company (LO.55-1190L).

SATB Choir, Piano

SKU: CA.926610

From: Sonne, Mond und Sterne. Composed by Peter Schindler. Carus digital: Extra digital products. Full Score. Duration 3 minutes. Published by Carus Verlag (CA.926610).

ISBN 9790007295578. German.

Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on old texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.- choral work of medium difficulty- will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background-cross-over between jazz, chanson, and chamber music Peter Schindler about Was ist die Welt?A strict Allegro ben ritmato symbolises how inexorable the course of the world is. The choir chants the question about what Welt (the world) actually is. Hectic bustle is expressed through a pulsing basic motif. This is repeated constantly and moves through the parts. A lyrical B flat minor in the central section allows us to float like shadows on the way into a dream.The song text is a collage. The first verse, by the Baroque poet Christian Hoffmann von Hoffmannswaldau, is concerned with the vanitas motif: the world, and everything which seems beautiful to us, is ephemeral. The second and third verses were written in the 18th century by Johann Gottfried Herder. Here, the poet expounds the view that real life does not take place in the world and that people's mathematical abilities are insufficient to measure space and time.

Choral SATB Choir and Piano

SKU: CF.CM9787

Composed by Coty Raven Morris. Arranged by Saleel Menon. Duration 3:45. Carl Fischer Music #CM9787. Published by Carl Fischer Music (CF.CM9787).

ISBN 9781491164587. UPC: 680160923496. Key: D major. English. Original.

The text for the first voicing (SSA) of this piece came to me in the fall of 2020 while teaching at Crosby High School in Crosby, Texas. My students, though enthusiastic to be back in Choir, were struggling to cope with the civil unrest around them, in addition to the pandemic. When considering how I could help them navigate this time, I realized that they were in need of some sort of consistency, of feeling grounded in themselves. As we  focused on building of community and citizenship, this text and tune came to mind, each phrase highlighting an element of personal and community wellness.I lead with my spirit keeping love in the circle around me. (Social)Expressing my spirit (Occupational)Loving what I can see and cannot see, I'll take care of the vessel I am in (Physical)I love with me that's under the skin (Emotional)Taking care of my mind (Intellectual)Envisioning the me I want to be (Spiritual)I had the honor of collaborating with composer/educator Saleel Menon to create the beautiful piano accompaniment and SATB setting.Who I Want To Be opens with a solo functioning as a mantra throughout the tune. As the piece continues, voices join in unison and harmony to emphasize the intent.When the repeats in mm. 48–51 occur, invite students to share some of their own mantras and affirmations, or feel free to borrow from the words my students in the Crosby HS choir inspired me to write:Allow yourself graceI am persistentI am fragile, not brokenYou are worthyI am worthyI know that your success is not my demise!The only validation I need is my ownI believe in myselfI see youIt’s okay to not be okayBreatheI love and I am lovedPrepare yourself for not only a powerful performance, but a rewarding experience and conversations with your students.THIS is the piece you want stuck in your students’ heads!~CRM.

Choral (Single, SATB)

SKU: HP.C6375

Arranged by Joel Raney. Piano Accompaniment. Ceremonies, Baptism, Dedication, Children, Salvation. Octavo. 12 pages. Hope Publishing Company #C6375. Published by Hope Publishing Company (HP.C6375).

UPC: 763628163754.

Bapti sm anthem This Ceremony for Infant Dedication or Baptism includes opening music for the choir, an optional liturgy for baptism or dedication - churches are encouraged to use their own liturgy or modify this to fit their needs. An optional piano underscore for the ceremony is included, and following the ceremony, the choir sings again drawing the whole presentation to a lovely close with words; We thank you, Lord, for children; help us teach them what we know as they live, and dream, and grow..

Five Centuries Of Choral Music For Mixed Voices by Various. For Choral (SATB). Choral Collection. Renaissance, Baroque, Classical Period, 20th Century and Vocal Standards. Difficulty: medium. Vocal score (6 copies needed for performance). Vocal score and piano accompaniment. 156 pages. G. Schirmer #ED2529. Published by G. Schirmer

SATB chorus, Piano Piano (SATB) - early intermediate

SKU: CR.984299

Composed by Brian Hanson. Choral. With music. Concordia Publishing House #984299. Published by Concordia Publishing House (CR.984299).

ISBN 9780758661807. 7 x 10.25 inches.

This familiar Christmas carol is given an ethereal setting by Brian L. Hanson. Supported by a gentle, lilting accompaniment, the strains of 'Still, Still, Still' interweave in both the accompaniment and choral parts. Soaring vocal lines, rich harmonies, and imaginative text painting point to the wonder and mystery of Christmas.

In the bleak midwinter,
Frosty wind made moan,
Earth stood hard as iron,
Water like a stone;
Snow had fallen, snow on snow,
Snow on snow,
In the bleak midwinter,
Long ago.

Heaven cannot hold Him,
Nor earth sustain;
Hea v'n and earth shall flee away
When He comes to reign;
In the bleak midwinter,
A stable place sufficed
The Lord God Almighty,
Je sus Christ.

Still, still, still,
One can hear the falling snow.
For all is hushed, the world is sleeping,
Ho ly star its vigil keeping.
Sti ll, still, still,
One can hear the falling snow.

What can I give Him,
Poor as I am?
If I were a shepherd,
I would bring a lamb;
If I were a Wise Man,
I would do my part;
Yet what I can I give Him—
W hat can I give Him?
Give my heart.

Choral SATB choir; piano (SATB choir)

SKU: HP.C6159

Arranged by Lloyd Larson. Piano with Optional Orchestra. Christmas, Sacred. Octavo. Hope Publishing Company #C6159. Published by Hope Publishing Company (HP.C6159).

UPC: 763628161590.

Frenc h carol This dynamic setting features the French carol NOEL NOUVLET and the familiar words 'Sing we now of Christmas, sing we now Noel,' which lead beautifully into a refrain of 'What Child Is This. 'Culled from Lloyd's top-selling cantata, Were You There on That Christmas Night, code no. 8611, this regal carol is available in both SATB and SAB opt. Two-Part Mixed settings with piano or orchestral accompaniment.

SATB choir

SKU: GI.G-EH1010

Composed by Elaine Hagenberg. Music Education. Octavo. 16 pages. GIA Publications #EH1010. Published by GIA Publications (GI.G-EH1010).

William Wordsworth's reflection of a time gone by acknowledges past heartaches while creating a dream world where beautiful memories reign. As the voices subtly rise and fall to trace a distant rainbow, an ethereal piano accompaniment glistens above. Then together, they soar to new heights to “find strength in what remains behind.”  .

Composed by Traditional French Carol. For Choral, Flute, Oboe (SATB). Fred Bock Publications. 12 pages. Fred Bock Music Company #BG2599. Published by Fred Bock Music Company

Alto, Mixed choir (SATB), Piano

SKU: BA.BA11309

Composed by Camille Saint-Saens. Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Score. Baerenreiter Verlag #BA11309. Published by Baerenreiter Verlag (BA.BA11309).

ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.

It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.

It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.

In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.

Saint-Sa ëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.

The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding