Now Thank We All Our God arranged by Carl F. Mueller for SATB choir with Piano accompaniment.The melody upon which this harmonization and arrangement is based first appeared anonymously in Praxis Pictatis Melica (1648). The authorship of the melody has been variously assigned to Johann Cruger (1598-1662) Martin Rinkart (1586-1649) and Luca Marenzio (1560-1599).

for SATB, piano, and optional bass and drum kit ad lib. A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written or serve as a guide, and bass and drums can join in ad lib. / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / OXFORD UNIVERSITY PRESS

In Flanders Fields is a series of poignant and evocative choral works with a theme of reconciliation and remembrance set to iconic texts by John McCrae and Rupert Brooke.Alan Smith was born in London in 1962 and spent his childhood in Croydon. He sang with various local choirs and attended the nearby Royal School of Church Music where he began organ lessons with Michael Fleming at the age of ten. He was appointed as Organist and Choirmaster of a local church at the age of 16 and later became Organ Scholar at Kings' College London where he studied from 1981 to 1984. As part of his music degree he specialized in composition studying with Nicola LeFanu David Lumsdaine and George Nicholson.Following postgraduate training at the London Institute of Education Alan began his teaching career. After working in various schools he became Head of Music at Hazelwick School Crawley in 1990 a post he continues to hold. In the same year he came to some prominence by winning the RSCM's annual composing competition. His successful entry Let the Peoples Praise You became his first published piece and continues to be widely performed. Since then his choral compositions have won several awards most recently the Thornesian Prize in 2003 and an honorable mention in the 2004 Vanguard Premieres Competition.Alan's output is predominantly of choral and vocal music much of it written for specific choirs or occasions and his catalogue runs to over 150 works. In the UK his music is published by Animus Curiad Cantiones Press Escorial Edition Fagus Music and RSCM while in America he is published by Abingdon Press CanticaNOVA OUP Pavane and Roger Dean.Since 1998 Alan has been Director of Music at St Andrew's church in Burgess Hill West Sussex where he lives with his wife and three children.

Aus: Die Deutsche Liturgie. Par MENDELSSOHN-BARTHOLDY FELIX. For the Protestant church service according to the new Prussian Agenda of 1829 Mendelssohn set to music the Kyrie, Gloria, Sanctus, Honour to the Father and various Amens and Alleluias. The entire printing with all the orders of service in the complete edition of the German liturgy make it easy to integrate these pieces even today into a church service. / Mottet / Répertoire / Choeur SATB/SATB

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. J. S. Bach's Johannes Passion BWV 245 for SATB and Piano. Die Johannespassion zählt neben der doppelchörigen Matthäuspassion, dem Weihnachtsoratorium, dem Magnificat und der h-Moll-Messe zu den groß en Vokalwerken der Leipziger Jahre Johann Sebastian Bachs. Im Gegensatz zu den ubrigen oratorischen Werken hat Bach / Musique religieuse / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Par BEDNALL DAVID. David Bednall 's Shall I Compare Thee To A Summer's Day? for SATB double choir unaccompanied. A setting of Shakespeare 's much-loved Sonnet 18, Bednall 's expressive work highlights this timeless text with sumptuous harmony, including pleasing tonal shifts and topical false relations. Various choral textures are explored, from the imitative lines of 'Sometime too hot', to the warm richness of the closing pages, where the choir divides into eight parts. This work is part of the New Horizons series and a Piano reduction is included for rehearsal purposes. / Niveau : Intermédiaire / Feuillet / Choeur Mixte (SATB) et Orgue

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir Jerry Blackstone conductor thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund.   Composer's note:   Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watchedand heard (safety tracking empowerment and pride) has in some sense always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm hacking subjugation and embarrassment). The work takes its title from the British social research organisation Mass-Observation which aimed to record everyday life in the United Kingdom. Founded in 1937 Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work on the street and at various public occasions including public meetings sporting and religious events. Scored for chorus and percussion sextet  Mass Observation ebbs and flows between various polarities (human voices and percussion instruments pitched and unpitched sounds clear and opaque tonalities) over the course of its thirteen movements. There is a ritualistic nature to the overall pacing of the work reminiscent of a liturgical mass setting. The two groups of musicians are rarely aligned: for much of the piece they watch and listen to one another in silence.    Duration approximately: 40 Minutes  

The Part-songs of John Ireland that lay scattered throughout and across various sources and publishers have been fondly and faithfully brought together into this superb edition. This volume features five settings of poems and classic English lyric verse in wonderful arrangements for SATB choir with a Piano accompaniment for practice purposes only.

A work for unaccompanied SATB choir using text taken from various Byzantine sources pertaining to the Holy Spirit.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

The Mask is a cycle of five poems by various authors set to music and arranged for SATB chorus and piano accompaniment. Composed in 1990 by William Bolcom these settings present a challenge to both the choir and the pianist. Available: SATB.

Sounds And Sweet Airs is a work by Paul Mealor for SATB Choir with hand-held Percussion and Accordion. The various hand-held Percussion instruments are to be performed by members of the choir for this work which lasts around 4 minutes. This is the Vocal Score. Commissioned by Ty Cerdd for the National Youth Choir of Wales’s 2015 Tour of Argentina it was first performed by them at Llandaff Cathedral on 24th July 2015. A separate Accordion Part is available to purchase separately order number NOV165506-01.

J.S. Bach's Messe in B minor for SATB and Orchestra.Bach's B minor Mass is among the greatest and most ambitious works of all time. The various stages of composition of the Mass occupied the composer for over two decades: beginning with the Sanctus (1724) by way of the 'Missa' of 1733 to the remaining mo

Par WOOLRICH JOHN. This lullaby for large unaccompanied SATB chorus was commissioned by the Crouch End Festival Chorus in 1993. John Woolrich interweaves various folk texts in his lilting musical setting, which juxtaposes the peacefulness of sleep with moments of anxiety and tension for the parent whose son is far from home. The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles./ Recueil / Piano, Chant et Guitare

A thrilling setting of English, Basque and Latin texts that proclaim the joy of singing to God. Already much-loved around the world from various performances at the 2011 World Choral Symposium and the 2013 Tolosa International Choral Festival / Choeur SATB A Cappella