Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Single Part, Violin 2.
Composed 1739. HWV 53. 56
pages. Duration 165
minutes. Carus Verlag #CV
55.053/12. Published by
Carus Verlag
(CA.5505312).
ISBN
9790007226589. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score and part
available separately -
see item CA.5505300.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Choral Score. Composed
1739. HWV 53. Duration
165 minutes. Carus Verlag
#CV 55.053/05. Published
by Carus Verlag
(CA.5505305).
ISBN
9790007162603. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score available
separately - see item
CA.5505300.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Single Part, Cello.
Composed 1739. HWV 53. 60
pages. Duration 165
minutes. Carus Verlag #CV
55.053/14. Published by
Carus Verlag
(CA.5505314).
ISBN
9790007226602. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score and part
available separately -
see item CA.5505300.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1739. HWV 53.
102 pages. Duration 165
minutes. Carus Verlag #CV
55.053/49. Published by
Carus Verlag
(CA.5505349).
ISBN
9790007145767. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score and part
available separately -
see item CA.5505300.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Single Part, Viola.
Composed 1739. HWV 53. 44
pages. Duration 165
minutes. Carus Verlag #CV
55.053/13. Published by
Carus Verlag
(CA.5505313).
ISBN
9790007226596. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score and part
available separately -
see item CA.5505300.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Full score. Composed
1739. HWV 53. 304 pages.
Duration 165 minutes.
Carus Verlag #CV
55.053/01. Published by
Carus Verlag
(CA.5505301).
ISBN
9790007143367. Language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes. Score available
separately - see item
CA.5505300.
Oratorio. Composed
by George Frideric
Handel. Edited by Felix
Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel. Saul Hwv
53 Kartoniert. Sacred
vocal music, Oratorios.
Full score. Composed
1739. HWV 53. Duration
165 minutes. Carus Verlag
#CV 55.053/00. Published
by Carus Verlag
(CA.5505300).
ISBN
9790007167639. Text
language:
English/German.
Sau
l, published for the
first time in the version
conducted by Handel
himself. Saul is one of
the most dramatic of
Handel's oratorios. To a
greater extent than
almost any other oratorio
it reveals with its
gripping dramatic power
its proximity to opera of
its time. The score
demands what was at the
time Handel's most varied
orchestra. The normal
opera orchestra of the
day was augmented by
trombones, harp, solo
organ, carillon
(Glockenspiel) and large
kettledrums. The choir
functions for the first
time as a central
participant in dramatic
action, while also
undertaking commentating
functions as in a Greek
tragedy. This new edition
makes use for the first
time of musical material
revealed by the latest
Handel research, based as
its most important source
on the conducting score
from which Handel himself
directed his
performances. Only this
research has shown which
arias, choruses,
recitatives and
instrumental pieces,
after he had made
numerous corrections in
his autograph, Handel
chose for his
performances, and in what
order they were given.
The result has produced,
apart from many changes
of details (e.g.
autograph instructions
concerning the use of the
organ), uncommon ordering
of individual pieces, and
passages with altered
notes.
(A Festival of Carols). By Mark Hayes. For SATB choir. Cantatas. Christmas, Sacr...(+)
(A Festival of Carols).
By Mark Hayes. For SATB
choir. Cantatas.
Christmas, Sacred. Bulk
performance CDs (10
pack). Duration 35
minutes. Published by
Lorenz Publishing Company
Arranged by Hal H. Hopson. Classics and Sacred. Print Music Single (Conductor/Or...(+)
Arranged by Hal H.
Hopson. Classics and
Sacred. Print Music
Single
(Conductor/Organist Score
(spiral)). 113 pages.
Published by Hope
Publishing Company.
Composed by Daniel Mattix. Arranged by Daniel Mattix. For SATB choir with option...(+)
Composed by Daniel
Mattix. Arranged by
Daniel Mattix. For SATB
choir with optional
B-flat trumpet and 6
handbells (part
included). Easter,
Introit, Voices and
Bells. Octavo. Published
by Hope Publishing
Company
Composed by Daniel Mattix. Arranged by Daniel Mattix. For SATB choir with option...(+)
Composed by Daniel
Mattix. Arranged by
Daniel Mattix. For SATB
choir with optional
B-flat trumpet and 6
handbells (part
included). Easter,
Introit, Voices and
Bells.
Performance/Accompaniment
CD. Published by Hope
Publishing Company
By C.J. Adams. For SATB choir, C instrument. Good Friday, Holy Week, Lent/Holy W...(+)
By C.J. Adams. For SATB
choir, C instrument. Good
Friday, Holy Week,
Lent/Holy Week, Maundy
Thursday, Sacred. Octavo.
12 pages. Published by
Hope Publishing Company
Choral (SATB) SKU: HL.428623 A Gathering of Carols, Choir and Candleli...(+)
Choral (SATB)
SKU:
HL.428623
A
Gathering of Carols,
Choir and
Candlelight. Composed
by Various. Arranged by
Various. Shawnee Sacred.
Advent, Christmas,
Christmas/Advent Sacred.
Softcover. 72 pages.
Published by Shawnee
Press (HL.428623).
ISBN 9781705163191.
UPC: 196288063940.
6.75x10.5x0.19
inches.
This choral
compilation brings
together beloved carols
and new seasonal lyrics
with celebrated music
from Bach, Handel, Mozart
and others. As a
collection, you can use
this resource throughout
Advent and Christmas, or
use the optional
narration to present the
entire work as a cantata.
A full line of support
products is available to
enable your performance
options. Score and Parts
(instrumentation varies
by song) available as a
digital download. For the
Accompaniment Tracks:
Audio is accessed online
using the unique code
generated upon purchase
and can be streamed or
downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
HL00428625: Accompaniment
Tracks Songs include:
Canon de Noel; Procession
of Light; A Classic
Advent Flourish; Advent
Alleluia; Celebration for
Advent; He Shall Feed His
Flock; An Etude Carol;
Christ Is Born! Let Earth
and Heaven Rejoice;
Adoramus Te; Christmas
Jubilate.
Composed by Victor C Johnson. For SATB choir, piano. Te Deum Choral Series. Sacr...(+)
Composed by Victor C
Johnson. For SATB choir,
piano. Te Deum Choral
Series. Sacred Anthem,
Ascension, General.
Octavo. Lorenz Publishing
Company #10/4719L.
Published by Lorenz
Publishing Company
Cantata for the 12th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Lobe den
Herren, den machtigen.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Organ. Composed
1725. BWV 137. 16 pages.
Duration 18 minutes.
Carus Verlag #CV
31.137/49. Published by
Carus Verlag
(CA.3113749).
ISBN
9790007049096. Key: C
major. Language:
German/English. Text:
Neander, Joachim. Text:
Joachim
Neander.
Bach's
chorale cantata Lobe den
Herren, den machtigen
Konig der Ehren BWV 137,
has long been, thanks to
its popular chorale text,
one of the most
frequently-performed
works by the Kantor of
St. Thomas's. Unlike the
cantatas in the cycle of
chorale cantatas, the
text of the hymn is not
only used in the opening
and final chorales, but
Bach uses it in all the
movements. The new
edition reflects the
current state of research
and presents this work in
Carus's clear-to-read
music setting. Score and
part available separately
- see item
CA.3113700.
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano
SKU: PR.312419280
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 12
pages. Duration 5:30.
Theodore Presser Company
#312-41928. Published by
Theodore Presser Company
(PR.312419280).
ISBN
9781491137925. UPC:
680160692613.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
(An Easter Introit). By Jay L. Althouse. For SATB choir with optional brass quin...(+)
(An Easter Introit). By
Jay L. Althouse. For SATB
choir with optional brass
quintet and timpani (2 Bb
trumpets, french horn,
trombone, tuba and
timpani). Introit.
Easter. Score and
instrumental parts.
Published by Hope
Publishing Company
Wonderful Peace Chorale SATB SATB [Octavo] - Intermédiaire Kjos Music Company
By Steve Sandberg. Edited by Bradley Ellingboe. For SATB choir. Music for the Ch...(+)
By Steve Sandberg. Edited
by Bradley Ellingboe. For
SATB choir. Music for the
Church Year. Sacred,
Choral. Grade 3-4. Choral
octavo. 16 pages.
Published by Neil A. Kjos
Music Company
By Jack Schrader. Edited by Fred Green. Arranged by Lanny Allen. For SATB choir....(+)
By Jack Schrader. Edited
by Fred Green. Arranged
by Lanny Allen. For SATB
choir. Service Music.
Sacred. Choral octavo. 8
pages. Published by Hope
Publishing Company
Orchestra solo soprano/baritone voices, SATB choir, flute, oboe, clarinet, basso...(+)
Orchestra solo
soprano/baritone voices,
SATB choir, flute, oboe,
clarinet, bassoon,
trumpet, 2 horns,
trombone, timpani,
percussion, 2 violins,
viola, cello/double bass,
jazz bass, piano
SKU:
CA.1060100
Szenische Kantate in
zwei Akten. Composed
by Peter Schindler.
German title: Sonne, Mond
und Sterne. Lieder for
choir, Sacred vocal music
- Jazz, Cantatas. Full
score. Duration 110
minutes. Carus Verlag #CV
10.601/00. Published by
Carus Verlag
(CA.1060100).
ISBN
9790007096687. Language:
German.
In his new
work Sonne, Mond und
Sterne (Sun, moon and
stars), composer Peter
Schindler combines texts
from five centuries to
form a kaleidoskope of
life. The music, closely
reflecting the many and
diverse texts, borrows
influences from classical
music and jazz, chanson,
pop and chamber music,
and is merged into a
unique and unmistakable
musical language by Peter
Schindler.
(Following the Path of Salvation Through Hymns). By Mary Mcdonald. Arranged by J...(+)
(Following the Path of
Salvation Through Hymns).
By Mary Mcdonald.
Arranged by Jean Anne
Shafferman. For SATB
choir, piano (with
optional orchestration).
Cantatas. Holy Week,
Eastertide, Sacred.
Choral score and
performance CD. Published
by Lorenz Publishing
Company
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc SKU: CA.270...(+)
Soli SATB, Coro SATB, 2
Fl, 2 Ob, 2 Cor, 2 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.2708209
Composed by Jan Dismas
Zelenka. Edited by
Wolfgang Horn. 1x
27.082/21 flute 1, 1x
27.082/22 flute 2, 1x
27.082/23 oboe 1, 1x
27.082/24 oboe 2, 1x
27.082/31 horn 1, 1x
27.082/32 horn 2, 3x
27.082/33 Trombone 1+2
and timpani. Harmony
parts. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts. ZWV
14. Duration 38 minutes.
Carus Verlag #CV
27.082/09. Published by
Carus Verlag
(CA.2708209).
ISBN
9790007242985. Language:
Latin.
Jan Dismas
Zelenka's Missa Sancti
Josephi occupies a key
position among his circa
twenty large masses. In
this mass, probably
composed in 1732 for a
feast of a Saint (thus,
without a Credo), for the
first time the composer
took up the operatic
style of Johann Adolf
Hasse - the latter had
first performed his opera
Cleofide in Dresden in
1731. Zelenka's
unmistakable
individuality created a
completely independent
work with great technical
demands which in many
details presages the
important masses among
his late works. The sole
source for the first
edition of this mass,
published here for the
first time, is a
considerably damaged
autograph score which. It
is preserved in the
Sachsische Landes- und
Universitatsbibliothek
Dresden. For the Carus
edition the experienced
Zelenka scholar Wolfgang
Horn has expertly
reconstructed the missing
passages. Score and parts
available separately -
see item CA.2708200.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. 1x 27.197/21
flute 1, 1x 27.197/22
flute 2, 1x 27.197/23
oboe 1, 1x 27.197/24 oboe
2, 5x 27.197/31 trumpet
1-4 and timpani.
Stuttgart Urtext Edition.
Harmony parts. Sacred
vocal music, Praise and
thanks. Set of Orchestra
Parts. ZWV 146. Duration
28 minutes. Carus Verlag
#CV 27.197/09. Published
by Carus Verlag
(CA.2719709).
ISBN
9790007200930. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and parts available
separately - see item
CA.2719700.
Forth He Came at Easter Chorale SATB SATB, Orgue [Set de Parties séparées] Hope Publishing Company
By Allen Pote. For SATB choir and organ or piano with brass and timpani (3 B-fla...(+)
By Allen Pote. For SATB
choir and organ or piano
with brass and timpani (3
B-flat trumpets, 2
trombones [horn sub for
trombone I], and
timpani). Easter, Sacred.
Brass parts. Published by
Hope Publishing Company
By John F. Wade. Arranged by Douglas Benton. For SATB voices and organ with opti...(+)
By John F. Wade. Arranged
by Douglas Benton. For
SATB voices and organ
with optional 3-5 octave
handbells, 2 B-flat
trumpets, 2 trombones
(opt. horn in F), tuba,
cymbals, timpani and
congregation. The Douglas
J. Benton Choral Series.
ADESTE FIDELES, Hymntune,
Christmas, Sacred.
Octavo. 12 pages.
Published by Hope
Publishing Company