Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810214 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810214
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Violoncello.
Sacred vocal music.
Single Part, Cello. Warb
E 22. Duration 12
minutes. Carus Verlag #CV
38.102/14. Published by
Carus Verlag
(CA.3810214).
ISBN
M-007-25261-8.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810200 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810200
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music. Full Score. Warb E
22. Duration 12 minutes.
Carus Verlag #CV
38.102/00. Published by
Carus Verlag
(CA.3810200).
ISBN
M-007-25076-8.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Violin 2. Warb E
14. 4 pages. Duration 5
minutes. Carus Verlag #CV
38.104/12. Published by
Carus Verlag
(CA.3810412).
ISBN
9790007215088. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Choral
Score. Warb E 14.
Duration 5 minutes. Carus
Verlag #CV 38.104/05.
Published by Carus Verlag
(CA.3810405).
ISBN
9790007215057. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Set of
Orchestra Parts. Warb E
14. Duration 5 minutes.
Carus Verlag #CV
38.104/19. Published by
Carus Verlag
(CA.3810419).
ISBN
9790007215118. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and parts available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext. 1x
38.104/21 oboe 1, 1x
38.104/22 oboe 2, 1x
38.104/31 horn 1, 1x
38.104/32 horn 2.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Set of
Orchestra Parts. Warb E
14. Duration 5 minutes.
Carus Verlag #CV
38.104/09. Published by
Carus Verlag
(CA.3810409).
ISBN
9790007215064. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and parts available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Violin. Warb E 14.
4 pages. Duration 5
minutes. Carus Verlag #CV
38.104/11. Published by
Carus Verlag
(CA.3810411).
ISBN
9790007215071. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Organ. Warb E 14. 4
pages. Duration 5
minutes. Carus Verlag #CV
38.104/49. Published by
Carus Verlag
(CA.3810449).
ISBN
9790007215125. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Viola. Warb E 14. 4
pages. Duration 5
minutes. Carus Verlag #CV
38.104/13. Published by
Carus Verlag
(CA.3810413).
ISBN
9790007215095. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, basso continuo.
Warb E 14. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 38.104/14.
Published by Carus Verlag
(CA.3810414).
ISBN
9790007215101. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Vocal
score. Warb E 14.
Duration 5 minutes. Carus
Verlag #CV 38.104/03.
Published by Carus Verlag
(CA.3810403).
ISBN
9790007143978. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score available
separately - see item
CA.3810400.
By Johann Christoph Bach and Johann Sebastian Bach (1685-1750). Edited by Melame...(+)
By Johann Christoph Bach
and Johann Sebastian Bach
(1685-1750). Edited by
Melamed, Daniel. Arranged
by Paul Horn. For
SATB/SATB Choir, [Basso
continuo]. BWV Anh. III
159. Full score available
separately - see item
CA.3500300. Sacred,
Motets; Stuttgart Urtext
editions. Level 3. Set of
parts. Language:
German/English. 4 pages
By Johann Christoph Bach and Johann Sebastian Bach (1685-1750). Edited by Melame...(+)
By Johann Christoph Bach
and Johann Sebastian Bach
(1685-1750). Edited by
Melamed, Daniel. Arranged
by Paul Horn. For
SATB/SATB Choir, [Basso
continuo]. BWV Anh. III
159. Full score available
separately - see item
CA.3500300. Sacred,
Motets; Stuttgart Urtext
editions. Level 3. Part:
Basso continuo. Language:
German/English. 2 pages
By Johann Christoph Bach, Johann Sebastian Bach. Edited by Melamed, Daniel. Arra...(+)
By Johann Christoph Bach,
Johann Sebastian Bach.
Edited by Melamed,
Daniel. Arranged by Paul
Horn. For SATB/SATB
Choir, [Basso continuo].
BWV Anh. III 159. Motets;
Stuttgart Urtext
editions. Score.
Language: German/English.
20 pages. Published by
Carus Verlag (German
import).
(Ich lasse dich nicht). By Johann Christoph Bach / Johann Sebastian Bach. Edited...(+)
(Ich lasse dich nicht).
By Johann Christoph Bach
/ Johann Sebastian Bach.
Edited by Daniel Melamed.
Arranged by Paul Horn.
For SATB/SATB Choir,
[Basso continuo]. F-Moll
(F minor). Stuttgart
Urtext Edition. Score
available separately -
see item CA.3500300.
Choir 1: instrument 4
part Sacred, Motets;
Stuttgart Urtext editions
Ave Maria Chorale SATB SATB, Clavier [Octavo] - Facile GIA Publications
By Johann Sebastian; Gounod Bach. Arranged by Richard Proulx. For Voices: SATB (...(+)
By Johann Sebastian;
Gounod Bach. Arranged by
Richard Proulx. For
Voices: SATB (or unison).
Instruments: String
quartet (2 violins,
viola, cello, bass);
organ (instruments
optional). Choral Sacred.
Level: easy. 5 pages.
Published by GIA
Publications.