Composed by Mizzy McCaskill and Dona Gilliam. Saddle-stitched. Book and online audio. Published by Mel Bay Publications, Inc

Introduzione & Capriccio. Composed by Jan Masseus. Study score. With Standard notation. Donemus #1457. Published by Donemus (PR.524034040).

Composed by Daniel Ruyneman (1886-1963). With Standard notation. Donemus #524-02733. Published by Donemus (PR.524027330).

Composed by Cecilia Royer-Cardona. Classical, Instructional. Score and parts. 4 (score); 1 (parts) pages. Duration 2 minutes, 40 seconds. Published by FLEX Editions (FL.FX073689).

Composed by Trinity College London. For flute and piano. Educational. Sheet music. 30 pages. Published by Trinity College London

Composed by Trinity College London. For flute and piano. Educational. Sheet music. 42 pages. Published by Trinity College London

Composed by Trinity College London. Educational. Sheet music. Trinity College London #TCL 320018. Published by Trinity College London (TL.TCL320018).

Composed by Trinity College London. Educational. Sheet music. Trinity College London #TCL 320049. Published by Trinity College London (TL.TCL320049).

Composed by Trinity College London. Educational. Sheet music. Trinity College London #TCL 320025. Published by Trinity College London (TL.TCL320025).

Composed by John La Montaine (1920-). Fredonia Press #FRD04. Published by Fredonia Press

Woodwinds - Flute Flute and Piano

SKU: AY.FRD05

Composed by John La Montaine. Woodwinds - Flute. Fredonia Press #FRD05. Published by Fredonia Press (AY.FRD05).

ISBN 9790302114406.

The product available here for purchase is the solo flute part and piano reduction for John La Montaine's Concerto for Flute. Premiered on April 12, 1981 by Keith Bryan and the National Gallery Orchestra, John La Montaine's Concerto for Flute and Orchestra is best summed up in this review from Paul Hume at The Washington Post: The world premiere of a flute concerto by John La Montaine was the centerpiece. La Montaine clearly had a great time writing the concerto, since he filled it with wit and open, songful beauty. The formal design is neatly broken up into imaginative divisions. There are some exotic touches for woodblocks, and bass clarinet, but the heart of the work lies in the brilliance of the writing for the soloist. The cadenza in the final movement is impressively introduced and beautifully concluded..

Composed by John La Montaine (1920-). Fredonia Press #FRD03. Published by Fredonia Press

Composed by John La Montaine (1920-). Fredonia Press #FRD43. Published by Fredonia Press

Flute and Piano - early intermediate

SKU: BT.DHP-1125290-400

Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Composed 2013. 56 pages. De Haske Publications #DHP 1125290-400. Published by De Haske Publications (BT.DHP-1125290-400).

ISBN 9789043141758. 9x12 inches. English-German-French-Dut ch.

Performance pieces for piano and flute in which the level of difficulty for both players is similar are always in demand. The 20 pieces in this book — arrangements of well-known tunes as well as original compositions — are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team — after all playing together is almost always at the heart of music!

Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en fluit waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De 20 stukken in dit boek — zowel bewerkingen van bekende liedjes als originele composities — zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team — in de muziek draait het immers vrijwel altijd om samenspel!

Es gibt immer Bedarf an Stücken für Klavier und Querflöte, in denen die Stimmen für beide Spieler ähnlich schwer sind. Die 20 Stücke in diesem Buch — die sowohl bekannte Melodien als auch originale Kompositionen umfassen — richten sich an Instrumentalschüler , die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt Spaß. Two is a Team — denn schließlich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!

La littérature musicale semblerait être dénuée de morceaux de concert pour piano et fl te traversière dont le degré de difficulté soit peu près le même pour les deux musiciens. Les 20 morceaux de ce recueil — arrangements d’airs connus et compositions originales — sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec d’autres est un des grands plaisirs qu’apporte la pratique de la musique !

Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile un’esecuzione con l’accompagnamento del piano.

Leduc. Classical. Softcover. 44 pages. Alphonse Leduc #AL25476. Published by Alphonse Leduc

(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm Ferling. Edited by Amy Porter. Arranged by Cyrille Rose. For flute and piano. Carl Fischer Classic Studies. Book and CD. 44 pages. Published by Carl Fischer

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

With online audio of piano accompaniments. Composed by Andrew Lloyd Webber. Broadway. Softcover Audio Online. 56 pages. Published by Hal Leonard

Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 2

SKU: FL.FX073430

Composed by Cecilia Royer-Cardona. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX073430. Published by FLEX Editions (FL.FX073430).

The Lunaire is a moth. But be careful, it dances too close to the lamppost and it gonna burn its wings... - Cecilia ROYER-CARDONA ;

A piece to be played for exams from 3 years of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 20 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Cecilia ROYER-CARDONA;.

Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 2

SKU: FL.FX073431

Composed by Cecilia Royer-Cardona. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX073431. Published by FLEX Editions (FL.FX073431).

The butterfly called Paon-du-Jour is often seen on the butterfly trees in our regions. It is graceful and beautiful, but like other butterflies, has a very short life... thus a smooth end with the few last wing flapping. - Cecilia ROYER-CARDONA ;

A piece to be played for exams from 2 years of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 2; Duration: 1 mn 55 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Cecilia ROYER-CARDONA;.

Flute and Piano - very easy, easy

SKU: BT.DHP-1185897-404

Flöte. Arranged by Markus Schenk. Hören, Lesen und Spielen. Opera or Operetta. Book with Part and Audio-Online. Composed 2018. 28 pages. De Haske Publications #DHP 1185897-404. Published by De Haske Publications (BT.DHP-1185897-404).

ISBN 9789043154574. German.

Hören , lesen & spielen ist die bewährte Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Sie ist gemäß den aktuellen Erkenntnissen und Ansprüchen der Musikerziehung konzipiert. Die perfekte Ergänzung zur Methode in drei Bänden bilden diverse Bücher mit Spielliteratur. Sie sind genau auf den Lernfortschritt in Hören, lesen & spielen abgestimmt, können aber auch unabhängig von der Schule eingesetzt werden.

Einige der schönsten Melodien, die je für Opern geschrieben wurden, sind im Opern-Spielbuch versammelt. Berühmte Arien, aber auch Chorsätze und Ouvertüren wurden so bearbeitet, dass sieparallel zu allen drei Bänden von Hören, lesen & spielen verwendet werden können. Sie sind in ansteigendem Schwierigkeitsgrad angeordnet. Die Schüler können sich von den Klavieraufnahmen begleiten lassen, die online zum direkten Abspielen oder Herunterladen zur Verfügung stehen. Die Klavierbegleitungen liegen der Ausgabe darüber hinaus auch in gedruckter Form bei.