Full Orchestra (Full Score) - Grade 4 SKU: HL.4492291 Composed by Pasek a...(+)
Full Orchestra (Full
Score) - Grade 4
SKU:
HL.4492291
Composed
by Pasek and Paul.
Arranged by Sean
O'Loughlin. HL Full
Orchestra. Movies.
Softcover. Published by
Hal Leonard (HL.4492291).
UPC: 888680738952.
9.0x12.0x0.059
inches.
From the
songwriting team who
brought us Dear Evan
Hansen and La La Land,
the blockbuster movie
musical The Greatest
Showman is based on the
true story of P.T. Barnum
with Hugh Jackman in the
title role. This
arrangement of the
powerful songs from the
film is a dynamic musical
montage for the concert
stage. Includes Come
Alive, The Greatest Show,
A Million Dreams, Rewrite
the Stars and This Is
Me.
Orchestra SKU: HL.14015535 Composed by Herbert Howells. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14015535
Composed
by Herbert Howells. Music
Sales America. 20th
Century. Score. 36 pages.
Music Sales #NOV890201.
Published by Music Sales
(HL.14015535).
ISBN
9780711986220.
8.25x11.75x0.135
inches.
Howells
wrote Penguinski for a
visit made to the Royal
College of Music in
London on 10 May 1933.
This score pays light and
affectionate tribute to
the considerable
popularity of Stravinksy
in London from the teens
of the twentieth century.
In Penguinski Howells
creates a knockabout
piece which shadowboxes
Petrushka. Whilst
underlining Howells's
versatility, the score
gives a colourful insight
into the prevailing
influences of the time,
and is an intriguing
example of how Stravinsky
must have sounded to his
English
contemporaries.
Orchestral Score. Composed by John Powell. Sheet music. Study score. Compose...(+)
Orchestral Score.
Composed by
John Powell. Sheet music.
Study score. Composed
2014
(2021). 404 pages. Omni
Music
Publishing #OMNI 50799.
Published by Omni Music
Publishing
Composed by Doug Spata.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert;
Ragtime. Score. 8 pages.
Duration 1:40.
Highland/Etling
#00-45874S. Published by
Highland/Etling
(AP.45874S).
UPC:
038081523781.
English.
Here's a
fun, jazzy, all-pizzicato
selection for early
beginners to play at one
of their first concerts!
Showtime Rag is built
around a strong, steady
beat. This original by
Doug Spata uses only the
D and A strings, and
half, quarter, and eighth
notes with very limited
independence to keep
everyone together. Each
section gets a melody,
making it the perfect way
to show off those
beginning skills.
(1:40).
Orchestra SKU: LO.30-2422L Composed by Ruth Elaine Schram. Choral. Sacred...(+)
Orchestra
SKU:
LO.30-2422L
Composed
by Ruth Elaine Schram.
Choral. Sacred Anthem,
General, Lent. Orchestral
score and parts. Lorenz
Publishing Company
#30/2422L. Published by
Lorenz Publishing Company
(LO.30-2422L).
UPC:
000308121483.
How
great is the
Father’s love for
us! Full of awe and
wonder, this song of
reverent faith opens
quietly, with unison
voices. The vocals
thicken gradually as the
verses rise in successive
keys, warmly supported by
the artful accompaniment.
Lyrical and reflective,
it’s a gift of
love for our gracious,
compassionate God. (From
the cantata The Living
Last Supper. SATB
– 55/1110L; SAB
– 55/1116L.)
Instrumentation: Flute,
Oboe, 2 Clarinets,
Percussion, Violin 1 & 2,
Viola, Cello, and
Bass.
Orchestral Score. Composed by John Powell. This edition: Paperback/Softcover...(+)
Orchestral Score.
Composed by
John Powell. This
edition:
Paperback/Softcover.
Sheet
music. Study score.
Composed
2010. 412 pages. Omni
Music
Publishers #OMNI 50792.
Published by Omni Music
Publishers
Composed by Doug Spata.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert;
Ragtime. Score and
Part(s). 62 pages.
Duration 1:40.
Highland/Etling
#00-45874. Published by
Highland/Etling
(AP.45874).
UPC:
038081523774.
English.
Here's a
fun, jazzy, all-pizzicato
selection for early
beginners to play at one
of their first concerts!
Built around a strong,
steady beat, this
original by Doug Spata
uses only the D and A
strings, and half,
quarter, and eighth notes
with very limited
independence to keep
everyone together. Each
section gets a melody,
making it the perfect way
to show off those
beginning skills.
(1:40).
Composed by Hanson Howard. Arranged by Todd Parrish. Folio. Score and part(s...(+)
Composed by Hanson
Howard.
Arranged by Todd Parrish.
Folio. Score and part(s).
138+Cover pages. Duration
4
minutes, 47 seconds. Carl
Fischer Music #AS66.
Published by Carl Fischer
Music
(I. Thrice Welcome, II. In the Shadow of the Mountain). Composed by Howard Shore...(+)
(I. Thrice Welcome, II.
In the Shadow of the
Mountain). Composed by
Howard Shore. Arranged by
Victor L�³pez.
Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Form: Suite.
Movie. Grade 3.5. 230
pages. Published by
Alfred Music
Philadelphia Orchestra Critical Edition. Composed by Howard Hanson (1896-...(+)
Philadelphia Orchestra
Critical Edition.
Composed by Howard Hanson
(1896-1981). Edited by
Clinton F. Nieweg.
Contemporary. Full score
(large). With Standard
notation. 104 pages. Carl
Fischer #SC00042L.
Published by Carl Fischer
(CF.SC42L).
(I. Thrice Welcome, II. In the Shadow of the Mountain). Composed by Howard Shore...(+)
(I. Thrice Welcome, II.
In the Shadow of the
Mountain). Composed by
Howard Shore. Arranged by
Victor L�³pez.
Orchestra. Full
Orchestra; Score. Pop
Concert Full Orchestra.
Form: Suite. Movie. Grade
3.5. 24 pages. Published
by Alfred Music
Composed by Howard Shore, arranged by Michael Story, edited by George Megaw. Con...(+)
Composed by Howard Shore,
arranged by Michael
Story, edited by George
Megaw. Conductor's score
for orchestra. With full
score notation. Published
by Alfred Publishing.
By Howard Shore. Arranged by Douglas E. Wagner. Orchestra. Full Orchestra; Score...(+)
By Howard Shore. Arranged
by Douglas E. Wagner.
Orchestra. Full
Orchestra; Score. Pop
Concert Full Orchestra.
Light Concert; Movie.
Grade 3. 32 pages.
Published by Alfred Music
Publishing
By Howard Shore. Arranged by Douglas E. Wagner. Orchestra. Full Orchestra; Part(...(+)
By Howard Shore. Arranged
by Douglas E. Wagner.
Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Light Concert;
Movie. Grade 3. 252
pages. Published by
Alfred Music Publishing
Orchestra SKU: HL.14027834 Composed by Niels Rosing-schow. Music Sales Am...(+)
Orchestra
SKU:
HL.14027834
Composed
by Niels Rosing-schow.
Music Sales America. 20th
Century. Score Only.
Composed 2002. Edition
Wilhelm Hansen #WH30290.
Published by Edition
Wilhelm Hansen
(HL.14027834).
(Featuring: Lily?s Theme / Underworld / Dragon Flight / Neville / A New Head...(+)
(Featuring: Lily?s Theme
/
Underworld / Dragon
Flight /
Neville / A New
Headmaster /
The Resurrection Stone /
Showdown / A New
Beginning
with Hedwig's Theme). By
Alexandre Desplat and
John
Williams. Arranged by
Jerry
Brubaker. Orchestra. Full
Orchestra; Part(s);
Score. Pop
Concert Full Orchestra.
Form:
Medley. Light Concert;
Movie;
Pop. Grade 4. 226 pages.
Published by Alfred Music
Publishing
(Featuring: Lily?s Theme / Underworld / Dragon Flight / Neville / A New Head...(+)
(Featuring: Lily?s Theme
/
Underworld / Dragon
Flight /
Neville / A New
Headmaster /
The Resurrection Stone /
Showdown / A New
Beginning
with Hedwig's Theme). By
Alexandre Desplat and
John
Williams. Arranged by
Jerry
Brubaker. Orchestra. Full
Orchestra; Score. Pop
Concert
Full Orchestra. Form:
Medley.
Light Concert; Movie;
Pop.
Grade 4. 28 pages.
Published
by Alfred Music
Publishing
By Cole Porter. Arranged by John Whitney. For Full Orchestra. Full Orchestra. Po...(+)
By Cole Porter. Arranged
by John Whitney. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Conductor
Score & Parts. 188 pages.
Published by Alfred
Publishing. Level: 4
(grade 4).
By Jim Henson And Sam Pottle. Arranged by Elliot Del Borgo. Essential Elements S...(+)
By Jim Henson And Sam
Pottle. Arranged by
Elliot Del Borgo.
Essential Elements String
Orchestra Series -
Performer Level. Size
9x12 inches. 37 pages.
Published by Hal Leonard.
Cole Porter Salute Orchestre [Conducteur] - Intermédiaire Alfred Publishing
(Featuring: Another Opâ??ninâ?? / Another Show / In the Still of the Night / A...(+)
(Featuring: Another
Opâ??ninâ?? / Another
Show / In the Still of
the Night / Anything Goes
/ Night and Day). By Cole
Porter. Arranged by John
Whitney. Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Grade 4.
Conductor Score. 32 pages
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edit...(+)
Orchestra (Score)
SKU:
HL.49045561
Richard Strauss Werke
Complete Edition Score
Band 4. Composed by
Richard Strauss. Edited
by Stefan Schenk and
Walter Werbeck. This
edition: Hardback/Hard
Cover. Sheet music.
Edition Schott.
Classical. Hardcover.
Composed 1888-1891. Op.
23. 236 pages. Duration
18'. Schott Music
#RSW304. Published by
Schott Music
(HL.49045561).
ISBN
9783901974045.
Stra
uss's first tone poem
distinguishes itself from
all other subsequent
orchestral compositions
in its existence in three
different versions. Even
among the operas and
other compositions in his
hand there is no other
work with a comparable
history of origin and
publication. What is
more, the final version
of Macbeth is the only
valid form of the work
and the only variant with
further sources (cf.
Critical Report) in
addition to the autograph
score. In contrast, the
second version has only
been preserved in an
autograph score and
autograph piano reduction
(the orchestral parts
which must have existed
have obviously not
survived). This was never
printed and was replaced
by the published third
version. The two
surviving versions should
therefore not be
considered to be of equal
status. Unlike the case
of Ariadne auf Naxos in
which the earlier version
was for a time the sole
valid alternative and was
yet never completely
displaced by the soon
dominating later version
of the opera, only the
final third version of
Macbeth is considered as
valid. Right from the
outset, it was a matter
of course for the editors
of the present volume to
include the second
version as a first
publication (in addition
to the above-mentioned
surviving pages of the
first version), albeit in
different forms. The
surviving pages of the
first version are
reproduced in facsimile
and the second version,
as a subordinate form of
the work, appears
alongside Strauss's piano
reduction in a modified
source edition, i.e.
without intervention on
the part of the editors.
The ultimate third
version is published as a
full edition (please
refer to the Critical
Report for further
details). In order to
facilitate a comparative
study of the second and
third versions, the
relevant page numbers of
the score are placed
opposite one another (the
autograph piano reduction
of the second version is
included at the end of
the music section of the
volume). The editors hope
that this synoptic
representation will
prompt interest in
further studies on
Strauss's art of
orchestration: a field of
research which has still
remained insufficiently
examined. A study of
Macbeth namely
illuminates as clearly as
could be wished how much
significance Strauss
allotted to sound
alongside form. The
subjects were not merely
intended to generate an
individual figure, but
also specific tonal
colours, and the
instrumentation was
simultaneously designed
to provide an optimal
communication of
thematic-motivic texture
to the audience. The 'new
path' threw up
consequences which caused
Strauss a considerable
amount of difficulty. He
was however a fast
learner and had already
swum free with Don Juan
and all the more with Tod
und Verklarung.