Concert Band - Grade 0.5 SKU: AP.39601S Composed by Robert Sheldon. Conce...(+)
Concert Band - Grade 0.5
SKU: AP.39601S
Composed by Robert
Sheldon. Concert Band;
Performance Music
Ensemble; Single Titles.
Sound Innovations for
Concert Band. Score. 12
pages. Alfred Music
#00-39601S. Published by
Alfred Music (AP.39601S).
UPC: 038081455617.
English.
This
energetic piece for
beginning band provides
drama and imagination to
any program. Exploring
rhythm in common time
while highlighting
dynamics and style,
audiences will never
imagine that only a
handful of notes are
used! (1:55) Correlates
to Sound Innovations for
Concert Band Book 1,
Level 3.
Commonwealth Orchestre d'harmonie - Intermédiaire Excelcia Music Publishing
Concert Band - Grade 3.5 SKU: XC.RCB2408 Composed by Robert Sheldon. Rhap...(+)
Concert Band - Grade 3.5
SKU: XC.RCB2408
Composed by Robert
Sheldon. Rhapsody Grade
3-3.5. Contest/Festival.
Set of parts. Excelcia
Music Publishing
#RCB2408. Published by
Excelcia Music Publishing
(XC.RCB2408).
9 x 12
inches.
Located in
the Commonwealth of
Virginia, Fairfax County
has quite an interesting
story to tell, from the
times of the
Revolutionary War to the
Civil War, to its
prominent position as one
of the premiere suburbs
of our nation’s
capital, and most
populous jurisdiction in
Virginia. This piece
serves to acknowledge the
history of this region
while representing its
vibrancy and character.
The opening patriotic
soundscape offers a
backdrop to the energetic
piece that follows. A
juxtaposition of those
themes brings the piece
to a close.
Commonwealth Orchestre d'harmonie [Conducteur] - Intermédiaire Excelcia Music Publishing
Concert Band - Grade 3.5 SKU: XC.RCB2408FS Composed by Robert Sheldon. Rh...(+)
Concert Band - Grade 3.5
SKU: XC.RCB2408FS
Composed by Robert
Sheldon. Rhapsody Grade
3-3.5. Contest/Festival.
Score. Excelcia Music
Publishing #RCB2408FS.
Published by Excelcia
Music Publishing
(XC.RCB2408FS).
9 x 12
inches.
Located in
the Commonwealth of
Virginia, Fairfax County
has quite an interesting
story to tell, from the
times of the
Revolutionary War to the
Civil War, to its
prominent position as one
of the premiere suburbs
of our nation’s
capital, and most
populous jurisdiction in
Virginia. This piece
serves to acknowledge the
history of this region
while representing its
vibrancy and character.
The opening patriotic
soundscape offers a
backdrop to the energetic
piece that follows. A
juxtaposition of those
themes brings the piece
to a close.
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2
SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105).
ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major.
Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march.
Cadets' Cavalcade Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS124F Composed by Joseph Compello. ...(+)
Band concert band - Grade
1
SKU: CF.BPS124F
Composed by Joseph
Compello. Sws. Bps. Full
score. 12 pages. Duration
1:30. Carl Fischer Music
#BPS124F. Published by
Carl Fischer Music
(CF.BPS124F).
ISBN
9781491156155. UPC:
680160914692. 9 x 12
inches.
Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in the Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes The
idea for this easy march
is a parade with horses,
hence the title Cadets'
Cavalcade. It may be
taught and performed in
common time, but the feel
is in 2 at the indicated
tempo. Directors who wish
to perform it a little
faster or slower than 80
should feel free to do
so. All cues are for
endurance considerations.
Bands that are capable of
playing from beginning to
end without rests may
ignore the cues. When
cymbals are just
following the bass drum
line, be certain that the
player observes the
proper
balance. Personal
NoteMy high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in the Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of
music.Performance
NotesThe idea for this
easy march is a parade
with horses, hence the
title Cadets' Cavalcade.
It may be taught and
performed in common time,
but the feel is in 2 at
the indicated tempo.
Directors who wish to
perform it a little
faster or slower than 80
should feel free to do
so. All cues are for
endurance considerations.
Bands that are capable of
playing from beginning to
end without rests may
ignore the cues. When
cymbals are just
following the bass drum
line, be certain that the
player observes the
proper balance.
Band concert band - Grade 1 SKU: CF.BPS124 Composed by Joseph Compello. F...(+)
Band concert band - Grade
1
SKU: CF.BPS124
Composed by Joseph
Compello. Folio. Bps. Set
of Score and Parts.
8+2+4+4+2+5+2+2+4+4+3+6+2
+3+1+1+2+1+12 pages.
Duration 1:30. Carl
Fischer Music #BPS124.
Published by Carl Fischer
Music (CF.BPS124).
ISBN 9781491156148.
UPC: 680160914685. 9 x 12
inches.
Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in the Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes The
idea for this easy march
is a parade with horses,
hence the title Cadets'
Cavalcade. It may be
taught and performed in
common time, but the feel
is in 2 at the indicated
tempo. Directors who wish
to perform it a little
faster or slower than 80
should feel free to do
so. All cues are for
endurance considerations.
Bands that are capable of
playing from beginning to
end without rests may
ignore the cues. When
cymbals are just
following the bass drum
line, be certain that the
player observes the
proper
balance. Personal
NoteMy high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in the Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of
music.Performance
NotesThe idea for this
easy march is a parade
with horses, hence the
title Cadets' Cavalcade.
It may be taught and
performed in common time,
but the feel is in 2 at
the indicated tempo.
Directors who wish to
perform it a little
faster or slower than 80
should feel free to do
so. All cues are for
endurance considerations.
Bands that are capable of
playing from beginning to
end without rests may
ignore the cues. When
cymbals are just
following the bass drum
line, be certain that the
player observes the
proper balance.
Divergence Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.024-4685-00 Composed by Robert W. Smith. Young Concert Ba...(+)
Grade 2
SKU:
CL.024-4685-00
Composed by Robert W.
Smith. Young Concert
Band. Rising Band Series
for Developing Bands!
Audio recording available
separately (item
CL.WFR396). Score and set
of parts. Composed 2018.
Duration 2 minutes, 6
seconds. C.L. Barnhouse
#024-4685-00. Published
by C.L. Barnhouse
(CL.024-4685-00).
Divergence can
be defined as drawing
apart as lines from a
common center. Divergence
for the young band is
based on that concept
with melodic lines that
draw apart from a common
musical center. Melodic
lines pull apart and
interact within choirs.
Woodwinds diverge from
brass providing
contrasting and
interacting harmonic
effects. Divergent lines
continue to develop
throughout the piece
leading to a powerful and
exciting conclusion. An
excellent selection for
concert and festival
performance.
Divergence Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.024-4685-01 Composed by Robert W. Smith. Young Concert Ba...(+)
Grade 2
SKU:
CL.024-4685-01
Composed by Robert W.
Smith. Young Concert
Band. Rising Band Series
for Developing Bands!
Audio recording available
separately (item
CL.WFR396). Extra full
score. Composed 2018.
Duration 2 minutes, 6
seconds. C.L. Barnhouse
#024-4685-01. Published
by C.L. Barnhouse
(CL.024-4685-01).
Divergence can
be defined as drawing
apart as lines from a
common center. Divergence
for the young band is
based on that concept
with melodic lines that
draw apart from a common
musical center. Melodic
lines pull apart and
interact within choirs.
Woodwinds diverge from
brass providing
contrasting and
interacting harmonic
effects. Divergent lines
continue to develop
throughout the piece
leading to a powerful and
exciting conclusion. An
excellent selection for
concert and festival
performance.
Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
Concert band - Grade 4-5 SKU: P2.W0004 Composed by James Grant. Published...(+)
Concert band - Grade 4-5
SKU: P2.W0004
Composed by James Grant.
Published by Potenza
Music (P2.W0004).
Tribute: Those
Who Serve, scored for
Grade 4/5 band, is
dedicated to the bravery,
heroism and sacrifice of
First Responders. The
music is based on an
earlier work for
orchestra, called
Tribute, commissioned by
conductor Michael
Gagliardo and the Etowah
Youth Symphony Orchestra
to commemorate the events
of September 11, 2001. I
composed the original
Tribute in the spring of
2002 while in residence
at Copland House in
Cortlandt Manor, NY,
where Aaron Copland lived
and worked the last
thirty years of his life.
With gratitude to Copland
House and as my own
tribute to Mr. Copland,
the orchestral version of
Tribute opened and closed
with the composer's
initials A.C. featured in
the strings as major
chords on A and C.
Mercifully, the current
version for band has been
transposed up a half-step
to the key of B-flat. A
central section in D-flat
features robust quotes
from Copland's Fanfare
for the Common Man, a
work that is at the
spiritual core of
Tribute: Those Who
Serve.Tribute: Those Who
Serve invites us to pause
and reflect on the daily
acts of valor exhibited
by the many First
Responders in our local
communities--law
enforcement officials,
firefighters, search and
rescue teams, emergency
medical technicians and
citizen volunteers, to
name but a few. My hope
is that Tribute: Those
Who Serve will inspire
community and school
bands nationwide to hold
events to honor the brave
women and men who serve
with consummate
commitment and
determination in our
local communities,
selflessly standing tall
in times of local and
national crisis.
Home on the Range Orchestre d'harmonie - Débutant Eighth Note Publications
Concert Band - Grade 1.5 SKU: AP.81-CB224476 Composed by Cowboy Song. Arr...(+)
Concert Band - Grade 1.5
SKU:
AP.81-CB224476
Composed by Cowboy Song.
Arranged by David
Marlatt. Concert Band.
Score and Part(s).
Duration 2:30. Eighth
Note Publications
#81-CB224476. Published
by Eighth Note
Publications
(AP.81-CB224476).
ISBN
9781778930416. UPC:
685462030422.
English.
Home on
the Range by David
Marlatt is a classic
cowboy song. It has gone
by a number of names, the
most common being Home on
the Range and Western
Home. It was officially
adopted as the state song
of Kansas in 1947 and is
commonly regarded as the
unofficial anthem of the
American West. Melody
flows throughout the
ensemble giving all
players interesting
melodic and harmonic
parts to play.
(2:30).
Grade 3 SKU: CL.LDP-7186-00 Composed by La Plante. Concert Band. Score an...(+)
Grade 3
SKU:
CL.LDP-7186-00
Composed by La Plante.
Concert Band. Score and
set of parts. Composed
2007. Daehn Publications
#LDP-7186-00. Published
by Daehn Publications
(CL.LDP-7186-00).
Courtly
pageantry, simple beauty
and rambunctious fun
abound in this wonderful
setting! A delightful
suite of Mr. Purcells
Riggadoon. Over the Hills
and Far Away, and Lazy
Pirate’s Jig. Music to
delight the king, the
commoner and everyone
else!
Grade 3 SKU: CL.LDP-7186-01 Composed by La Plante. Concert Band. Extra fu...(+)
Grade 3
SKU:
CL.LDP-7186-01
Composed by La Plante.
Concert Band. Extra full
score. Composed 2007.
Daehn Publications
#LDP-7186-01. Published
by Daehn Publications
(CL.LDP-7186-01).
Courtly
pageantry, simple beauty
and rambunctious fun
abound in this wonderful
setting! A delightful
suite of Mr. Purcells
Riggadoon. Over the Hills
and Far Away, and Lazy
Pirate’s Jig. Music to
delight the king, the
commoner and everyone
else!
Radiant Orchestre d'harmonie [Conducteur] - Intermédiaire Excelcia Music Publishing
Concert Band - Grade 5 SKU: XC.MCB2005FS Composed by Tyler Arcari. Maestr...(+)
Concert Band - Grade 5
SKU: XC.MCB2005FS
Composed by Tyler Arcari.
Maestro Band Series.
Concert and Contest.
Concert and contest.
Score. Excelcia Music
Publishing #MCB2005FS.
Published by Excelcia
Music Publishing
(XC.MCB2005FS).
UPC:
812598032888. 9 x 12
inches.
Inspired by
the phrygian dominant
scale’s
commonality in multiple
dance styles, Radiant is
an intense new concert
work for advanced
ensembles. Brisk melodic
lines and embellishments
are paired with an
infectious dance rhythm
that propels this work
from beginning to
end.
Radiant Orchestre d'harmonie - Intermédiaire Excelcia Music Publishing
Concert Band Concert Band - Grade 5 SKU: XC.MCB2005 Composed by Tyler Arc...(+)
Concert Band Concert Band
- Grade 5
SKU:
XC.MCB2005
Composed
by Tyler Arcari. Maestro
Band Series. Concert and
Contest. Concert and
contest. Set of parts.
Excelcia Music Publishing
#MCB2005. Published by
Excelcia Music Publishing
(XC.MCB2005).
UPC:
812598034097. 9 x 12
inches.
Inspired by
the phrygian dominant
scale’s
commonality in multiple
dance styles, Radiant is
an intense new concert
work for advanced
ensembles. Brisk melodic
lines and embellishments
are paired with an
infectious dance rhythm
that propels this work
from beginning to
end.
Gemini Concerto Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie and Trumpet Solo - Grade 5 SKU: BT.AMP-460-140 F...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 5
SKU:
BT.AMP-460-140
For
Trumpet, Euphonium and
Band. Composed by
Philip Sparke. Elite
Series. Solo & Concerto.
Score Only. Composed
2019. 53 pages. Anglo
Music Press #AMP 460-140.
Published by Anglo Music
Press (BT.AMP-460-140).
Two Symphonic Interludes Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000915-010 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000915-010
Composed by Harrie
Janssen. Set (Score &
Parts). Gobelin Music
Publications #GOB
000915-010. Published by
Gobelin Music
Publications
(BT.GOB-000915-010).
Based on the
poems by German poet Carl
Hauptmann (late
Romanticism) and the
English poet William
Wordsworth (early
Romanticism).
Carl Hauptmann was in
poor health as a child,
but highly intelligent.
He studied philosophy,
psychology and biology.
In the latter he was
admitted to the degree of
doctor. His marriage
provided financial
independence, so that he
could focus on his
studies. Hauptmann
wrote various novels,
plays, poetry and
scientific works.
Night
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now the covering veil is
lifting quite: come
and look! See the
magicland before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
the dreaming country
sleeps. By the path
the shadow black and hogh
of a beach. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O my
soul! Drink of
solitude!
Carl
Hauptmann
Wordsworth 'introduced' a
new type of poetry, based
on the speech of the
common man. This was his
answer to the poetry of
the classicism which was
bound by rigid rules. His
definition of poetry was:
the spontaneous overflow
of powerful feelings from
emotions recollected in
tranquility.
My
heart leaps up when I
behold a rainbow in the
sky
My heart
leaps up when I behold A
rainbow in the sky:
So was it when my life
began. So is it now I
am a man. So be it
when I shall grow
old, Or let me
die! The Child is
father of the Man.
And I could wish my days
to be Bound each to each
by natural
piety.
William
Wordsworth
In a
truly poetic manner
Harrie Janssen has
transformed the
contemplative thoughts of
the poets into two
compositions for Concert
Band.
Two
Symphonic Interludes is
gebaseerd op gedichten
van de Duitse dichter
Carl Hauptmann (laat
Romantiek) en de Engelse
dichter William
Wordsworth (vroeg
Romantiek).
Carl
Hauptmann had als kind
een zeer zwakke
gezondheidmaar was zeer
intelligent. Hij
studeerde Filosofie,
Psychologie en Biologie.
In het laatste vak
promoveerde hij. Het
huwelijk zorgde voor
financiele
onafhankelijkheid zodat
hij zich kon richten op
zijn verdere studie.
Hauptmannschreef enkele
romans, toneelstukken,
poëzie en
wetenschappelijke
werken.
NIGHT -
Carl Hauptmann
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now thecovering veil is
lifting quite: come
and look! See the
magic land before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
thedreaming country
sleeps. By the path
the shadow black and hogh
of a beech. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O
mysoul! Drink of
solitude!
Wordsworth
'introduceerde' een nieuw
soort poëzie, gebaseerd
op de taal van de gewone
man. Het was een reactie
op de aan strenge regels
gebonden poëzie van het
Classicisme. Zijn
definitievan poëzie
luidde: 'the spontaneous
overflow of powerful
feelings from emotions
recollected in
tranquility'.
My
heart leaps up when I
behold a rainbow in the
sky - William
Wordsworth
My
heart leaps up whenI
behold A rainbow in
the sky: So was it
when my life began.
So is it now I am a
man. So be it when I
shall grow old, Or
let me die! The Child
is father of the Man.
And I could wish my days
to be
Falafel Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000614-140 Composed by Peter ...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-000614-140
Composed by Peter Martin.
Score Only. 16 pages.
Gobelin Music
Publications #GOB
000614-140. Published by
Gobelin Music
Publications
(BT.GOB-000614-140).
Nowadays,
vegetarian dishes are
quite common on the menu.
Music for vegetarians is
also becoming more
popular. Let yourself be
carried away with the
whimsical and stirring
music from Israel.
Een vegetarisch
gerecht is meer regel dan
uitzondering op de
menukaart. Ook de muziek
voor vegetariërs neemt
een sterke vlucht. Laat u
meevoeren in de grillige
en opzwepende muziek van
Israël.
Two Symphonic Interludes Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000915-140 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000915-140
Composed by Harrie
Janssen. Score Only.
Gobelin Music
Publications #GOB
000915-140. Published by
Gobelin Music
Publications
(BT.GOB-000915-140).
Based on the
poems by German poet Carl
Hauptmann (late
Romanticism) and the
English poet William
Wordsworth (early
Romanticism).
Carl Hauptmann was in
poor health as a child,
but highly intelligent.
He studied philosophy,
psychology and biology.
In the latter he was
admitted to the degree of
doctor. His marriage
provided financial
independence, so that he
could focus on his
studies. Hauptmann
wrote various novels,
plays, poetry and
scientific works.
Night
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now the covering veil is
lifting quite: come
and look! See the
magicland before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
the dreaming country
sleeps. By the path
the shadow black and hogh
of a beach. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O my
soul! Drink of
solitude!
Carl
Hauptmann
Wordsworth 'introduced' a
new type of poetry, based
on the speech of the
common man. This was his
answer to the poetry of
the classicism which was
bound by rigid rules. His
definition of poetry was:
the spontaneous overflow
of powerful feelings from
emotions recollected in
tranquility.
My
heart leaps up when I
behold a rainbow in the
sky
My heart
leaps up when I behold A
rainbow in the sky:
So was it when my life
began. So is it now I
am a man. So be it
when I shall grow
old, Or let me
die! The Child is
father of the Man.
And I could wish my days
to be Bound each to each
by natural
piety.
William
Wordsworth
In a
truly poetic manner
Harrie Janssen has
transformed the
contemplative thoughts of
the poets into two
compositions for Concert
Band.
Two
Symphonic Interludes is
gebaseerd op gedichten
van de Duitse dichter
Carl Hauptmann (laat
Romantiek) en de Engelse
dichter William
Wordsworth (vroeg
Romantiek).
Carl
Hauptmann had als kind
een zeer zwakke
gezondheidmaar was zeer
intelligent. Hij
studeerde Filosofie,
Psychologie en Biologie.
In het laatste vak
promoveerde hij. Het
huwelijk zorgde voor
financiele
onafhankelijkheid zodat
hij zich kon richten op
zijn verdere studie.
Hauptmannschreef enkele
romans, toneelstukken,
poëzie en
wetenschappelijke
werken.
NIGHT -
Carl Hauptmann
Twilight floats above the
valley's night mists
are hanging, there's
a whispering brook.
Now thecovering veil is
lifting quite: come
and look! See the
magic land before our
gaze: tall as dreams
the silver mountains
stand, crossed by
silent silver paths
shining from a secret
land. Noble, pure,
thedreaming country
sleeps. By the path
the shadow black and hogh
of a beech. a wisp of
a white smoke creeps to
the dark'ning sky.
Where the valley is the
darkest hued countless
little lights shine
silently. O
mysoul! Drink of
solitude!
Wordsworth
'introduceerde' een nieuw
soort poëzie,
gebaseerd op de taal van
de gewone man. Het was
een reactie op de aan
strenge regels gebonden
poëzie van het
Classicisme. Zijn
definitievan poëzie
luidde: 'the spontaneous
overflow of powerful
feelings from emotions
recollected in
tranquility'.
My
heart leaps up when I
behold a rainbow in the
sky - William
Wordsworth
My
heart leaps up whenI
behold A rainbow in
the sky: So was it
when my life began.
So is it now I am a
man. So be it when I
shall grow old, Or
let me die! The Child
is father of the Man.
And I could wish my days
to be
Gemini Concerto Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie and Trumpet Solo - Grade 5 SKU: BT.AMP-460-010 F...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 5
SKU:
BT.AMP-460-010
For
Trumpet, Euphonium and
Band. Composed by
Philip Sparke. Elite
Series. Solo & Concerto.
Set (Score & Parts).
Composed 2019. Anglo
Music Press #AMP 460-010.
Published by Anglo Music
Press (BT.AMP-460-010).
Choral Music Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0971104-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0971104-010
Composed by Jacob De
Haan. Inspiration Series.
Hymns & Chorals. Set
(Score & Parts). Composed
1997. De Haske
Publications #DHP
0971104-010. Published by
De Haske Publications
(BT.DHP-0971104-010).
Jacob de Haan
was commissioned to write
Choral Music a concert
band from Dinxperlo
(Netherlands). This band
gave the work its
premiere in 1997 during
the World Music Contest
in Kerkrade. Choral Music
is based on the chorale
Sollt ich meinem Gott
nicht singen by the
seventeenth century
German composer Johann
Schop. Contrary to the
title, Choral Music has
nothing in common with a
traditional choral
arrangement. This
contrasting work has a
flashing beginning and
only much later following
on several thematic
changes does Jacob de
Haan allow the chorale
melody to develop into
its original form.
Following this episode
the chorale becomes a
toccata developing into a
whirlwind finish.
Falafel Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000614-010 Composed by Peter ...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-000614-010
Composed by Peter Martin.
Set (Score & Parts). 58
pages. Gobelin Music
Publications #GOB
000614-010. Published by
Gobelin Music
Publications
(BT.GOB-000614-010).
Nowadays,
vegetarian dishes are
quite common on the menu.
Music for vegetarians is
also becoming more
popular. Let yourself be
carried away with the
whimsical and stirring
music from Israel.
Een vegetarisch
gerecht is meer regel dan
uitzondering op de
menukaart. Ook de muziek
voor vegetariërs neemt
een sterke vlucht. Laat u
meevoeren in de grillige
en opzwepende muziek van
Israël.
Concert Band/Harmonie - Grade 5 SKU: HL.44010957 Composed by Philip Spark...(+)
Concert Band/Harmonie -
Grade 5
SKU:
HL.44010957
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert Piece. Score
Only. Composed 2010. Hal
Leonard #AMP294.
Published by Hal Leonard
(HL.44010957).
As
a native Londoner,
composer Philip Sparke
has always been attracted
to the great cities of
the world, fascinated by
their varied moods and
human diversity. London,
Chicago, Tokyo, Paris,
Rome and New York all
have their own characters
but also share much in
common. This overture is
a salute to the energy
and grandeur of such
cities. A fantastic new
concert work for
moderately advanced
bands.
Als echte
Londenaar is Philip
Sparke altijd al
gefascineerd door de
metropolen van de wereld
en de verschillende
sferen en diversiteit aan
mensen die wereldsteden
eigen zijn. Deze
ouverture is een hommage
aan de energie en
prachtvan zulke grote
steden. Hun talrijke
contrasterende
eigenschappen
weerspiegelen zich in
wisselende stemmingen.
Het zijn deze stemmingen
die de bedrijvigheid, de
majestueuze architectuur
en de prettige maar ook
minder prettige
aspectenvan een leven in
de stad
belichten.
Als
Londoner war Philip
Sparke schon immer
fasziniert von den
Metropolen dieser Welt,
den diversen Stimmungen
und der Vielfaltigkeit
menschlichen Lebens.
Diese Ouvertüre ist
ein Salut an die Energie
und die Pracht solcher
Grossstadte. Ihre
kontrastierenden
Eigenschaften spiegeln
sich in wechselnden
Stimmungen wider, welche
die Betriebsamkeit der
Grossstadt, die
majestatische Architektur
sowie die eleganten und
weniger vornehmen Aspekte
des stadtischen Lebens
beleuchten.
Cette
ouverture rend hommage a
la grandeur et a
l'energie des plus
grandes villes du monde.
Philip Sparke y depeint
les contrastes de
caractere a travers des
atmospheres sans cesse
changeantes. Les couleurs
sonores et les chiff
rages de mesure
multicontrastes decrivent
les avantages et les
inconvenients de la vie
dans une metropole.
Questa ouverture
rende omaggio alla
grandezza e all'energia
delle piu grandi ed
importanti citta del
mondo. Philip Sparke
dipinge le diversita
delle citta e dei loro
abitanti attraverso
atmosfere che cambiano
per rappresentare e
descrivere al meglio le
mille diversita che
caratterizzano ogni
metropoli.
Enter the Olympians Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 2 SKU: MH.0-931329-91-4 Composed by Steve Rouse. Sui...(+)
Concert band - Grade 2
SKU:
MH.0-931329-91-4
Composed by Steve Rouse.
Suitable for middle
school and high school
bands. Conductor score
and set of parts.
Duration 3:30. Published
by Manhattan Beach Music
(MH.0-931329-91-4).
ISBN
9780931329913.
Ente
r the Olympians honors
the competitive spirit.
Although intended
primarily for concert
use, it can be used to
honor teams and
individual competitors
everywhere. While
composer in residence of
the Meet The Composer
Louisville Residency, I
was commissioned to
create a new score for
the twenty-plus middle
school bands of the
Jefferson County Public
School System. The work
was to be appropriate for
widely diverse bands:
interesting to advanced
students, yet accessible
to less advanced students
or bands with limited
instrumentation. For
interest, Enter the
Olympians uses pedal
tones with harmonies
suspended above them,
canonic fanfare motives,
other harmonies not
common at this grade
level, and a mid-section
that features the lower
instruments playing the
melody. The work's
repetition of essential
materials and its secure
scoring style broaden its
accessibility. Ensemble
instrumentation: 8 Flute,
2 Oboe, 6 Bb Clarinet 1,
6 Bb Clarinet 2, 2 Bb
Bass Clarinet, 5 Eb Alto
Saxophone, 2 Bb Tenor
Saxophone, 1 Eb Baritone
Saxophone, 4 Bb Trumpet
1, 4 Bb Trumpet 2, 3 F
Horn, 3 Trombone 1, 7
Trombone 2, Euphonium,
and Bassoon, 2 Euphonium
T.C., 4 Tuba, 2 Timpani,
2 Percussion 1
(Glockenspiel), 3
Percussion 2 (Snare Drum,
Bass Drum), 3 Percussion
3 (Crash Cymbal,
Suspended Cymbal).
Concert band - Grade 2 SKU: MH.0-931329-92-2 Composed by Steve Rouse. Sui...(+)
Concert band - Grade 2
SKU:
MH.0-931329-92-2
Composed by Steve Rouse.
Suitable for middle
school and high school
bands. Conductor Full
Score. Duration 3:30.
Published by Manhattan
Beach Music
(MH.0-931329-92-2).
ISBN
9780931329920.
Ente
r the Olympians honors
the competitive spirit.
Although intended
primarily for concert
use, it can be used to
honor teams and
individual competitors
everywhere. While
composer in residence of
the Meet The Composer
Louisville Residency, I
was commissioned to
create a new score for
the twenty-plus middle
school bands of the
Jefferson County Public
School System. The work
was to be appropriate for
widely diverse bands:
interesting to advanced
students, yet accessible
to less advanced students
or bands with limited
instrumentation. For
interest, Enter the
Olympians uses pedal
tones with harmonies
suspended above them,
canonic fanfare motives,
other harmonies not
common at this grade
level, and a mid-section
that features the lower
instruments playing the
melody. The work's
repetition of essential
materials and its secure
scoring style broaden its
accessibility. Ensemble
instrumentation: 8 Flute,
2 Oboe, 6 Bb Clarinet 1,
6 Bb Clarinet 2, 2 Bb
Bass Clarinet, 5 Eb Alto
Saxophone, 2 Bb Tenor
Saxophone, 1 Eb Baritone
Saxophone, 4 Bb Trumpet
1, 4 Bb Trumpet 2, 3 F
Horn, 3 Trombone 1, 7
Trombone 2, Euphonium,
and Bassoon, 2 Euphonium
T.C., 4 Tuba, 2 Timpani,
2 Percussion 1
(Glockenspiel), 3
Percussion 2 (Snare Drum,
Bass Drum), 3 Percussion
3 (Crash Cymbal,
Suspended Cymbal).
Capriccio Espagnol Orchestre d'harmonie [Conducteur et Parties séparées] Baton Music
Opus 34. Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Arr...(+)
Opus 34. Composed
by Nikolay Andreyevich
Rimsky-Korsakov
(1844-1908). Arranged by
Christiaan Janssen. Full
score and set of parts.
Duration 14:00. Published
by Baton Music
(BF.BM381-SET).
In the Groove Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.48111 Composed by Brian Beck. Concert Ba...(+)
Concert Band - Grade 1.5
SKU: AP.48111
Composed by Brian Beck.
Concert Band; Performance
Music Ensemble; Single
Titles. Sound Innovations
for Concert Band. Score
and Part(s). 144 pages.
Duration 3:00. Alfred
Music #00-48111.
Published by Alfred Music
(AP.48111).
UPC:
038081558738.
English.
This
12-bar blues introduces
style and articulation
common in jazz music
while keeping the range
and rhythms well within
reach of younger players.
With cool percussion
grooves, syncopation,
simple chromatic lines,
and interesting
harmonies, In the Groove
by Brian Beck will surely
be an audience favorite.
Correlated to Sound
Innovations, Book 1,
Level 6. (3:00).
Flash! Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.46653 Composed by Brian Beck. Concert Ba...(+)
Concert Band - Grade 1.5
SKU: AP.46653
Composed by Brian Beck.
Concert Band; Performance
Music Ensemble; Single
Titles. Alfred Debut
Series. Score and
Part(s). 134 pages.
Duration 1:40. Alfred
Music #00-46653.
Published by Alfred Music
(AP.46653).
ISBN
9781470655938. UPC:
038081539515.
English.
Start your
next concert with a
flash!. . . of notes and
rhythms. Flash!
introduces different
styles, accidentals, and
harmonies not common in
younger band
literature.