Marching Blues Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053844-140 Composed by Hayat...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053844-140
Composed by Hayato
Hirose. Applause Series.
March. Score Only.
Composed 2005. 40 pages.
De Haske Publications
#DHP 1053844-140.
Published by De Haske
Publications
(BT.DHP-1053844-140).
English-German-French-
Dutch.
Marching
Blues was written in the
blues and swing-jazz
style of the great big
bands. It is an ideal
show march that can be
used for encores, popular
performances, family
concerts and much more.
It is unusual in that it
features a 28 bar solo
for tuba, tenor
saxophone, or baritone
saxophone. From small
ensembles to large bands,
Marching Blues will bring
great joy to all
generations of performers
and audiences at any
occasion.
Marching
Blues is geschreven
in de blues- en
swingjazzstijl van de
grote bigbands. Deze
ideale showmars is
perfect voor toegiften,
optredens voor een breed
publiek,
familieconcerten,
enzovoort. Het bevat een
solo van 28 matenvoor
tuba, tenorsaxofoon of
baritonsaxofoon. Van
kleine ensembles tot
grote bands zal
Marching Blues bij
elke gelegenheid veel
plezier opleveren voor
alle generaties
muzikanten en
toehoorders.
Ma
rching Blues wurde in
einem Blues- und
Swing-Jazz- Stil
geschrieben, der gut zur
Big Band passt. Das
Stück ist ein idealer
Show-Marsch, der als
Zugabe, in
Unterhaltungsmusikprogram
men, Familienkonzerten
und vielem mehr
eingesetzt werden kann.
Es enthält ein 28
Takte langes Solo für
Tuba, Tenorsaxophon oder
Baritonsaxophon. Ob
kleine oder große
Ensembles - Marching
Blues bringt zu
vielen Anlässen jungen
wie älteren Spielern
und Zuhörern
Spaß.
Marchi
ng Blues è scritta in
uno stile nel quale si
incrociano influssi di
blues e swing-jazz delle
grandi big band. Ideale
per sfruttare il talento
dei musicisti, questa
marcia sviluppa un assolo
di 28 misure, affidato
alla tuba, sax tenore o
sax baritono.
Indipendentemente dal
tipo d’organico
(piccolo ensemble
strumentale o organico
completo), questa marcia
incanter esecutori e
pubblico.
Marching Blues Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053844-010 Composed by Hayat...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053844-010
Composed by Hayato
Hirose. Applause Series.
March. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053844-010. Published by
De Haske Publications
(BT.DHP-1053844-010).
English-German-French-
Dutch.
Marching
Blues was written in the
blues and swing-jazz
style of the great big
bands. It is an ideal
show march that can be
used for encores, popular
performances, family
concerts and much more.
It is unusual in that it
features a 28 bar solo
for tuba, tenor
saxophone, or baritone
saxophone. From small
ensembles to large bands,
Marching Blues will bring
great joy to all
generations of performers
and audiences at any
occasion.
Marching
Blues is geschreven
in de blues- en
swingjazzstijl van de
grote bigbands. Deze
ideale showmars is
perfect voor toegiften,
optredens voor een breed
publiek,
familieconcerten,
enzovoort. Het bevat een
solo van 28 matenvoor
tuba, tenorsaxofoon of
baritonsaxofoon. Van
kleine ensembles tot
grote bands zal
Marching Blues bij
elke gelegenheid veel
plezier opleveren voor
alle generaties
muzikanten en
toehoorders.
Ma
rching Blues wurde in
einem Blues- und
Swing-Jazz- Stil
geschrieben, der gut zur
Big Band passt. Das
Stück ist ein idealer
Show-Marsch, der als
Zugabe, in
Unterhaltungsmusikprogram
men, Familienkonzerten
und vielem mehr
eingesetzt werden kann.
Es enthält ein 28
Takte langes Solo für
Tuba, Tenorsaxophon oder
Baritonsaxophon. Ob
kleine oder große
Ensembles - Marching
Blues bringt zu
vielen Anlässen jungen
wie älteren Spielern
und Zuhörern
Spaß.
Marchi
ng Blues è scritta in
uno stile nel quale si
incrociano influssi di
blues e swing-jazz delle
grandi big band. Ideale
per sfruttare il talento
dei musicisti, questa
marcia sviluppa un assolo
di 28 misure, affidato
alla tuba, sax tenore o
sax baritono.
Indipendentemente dal
tipo d’organico
(piccolo ensemble
strumentale o organico
completo), questa marcia
incanter esecutori e
pubblico.
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002207-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002207-140
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Score
Only. Composed 2000. 96
pages. De Haske
Publications #DHP
1002207-140. Published by
De Haske Publications
(BT.DHP-1002207-140).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in
2001.ATTILA, King of the
Huns, often named
“The scourge of
God,†is the
central figure of the
first movement, mainly
characterized by fear,
threat, aggression, and
cruelty. Attila’s
brother, Buda, however,
has a more heroic theme,
while his beloved wife,
Rika, has a lyrical
melody. The exciting
ending of this opening
movement illustrates the
dreaded speed of
Attila’s troops:
they pursued their
victims and killed them
all!
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo.
Galea et Bellum Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1185781-010 The Unrevealed...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1185781-010
The Unrevealed Story
of Skelte van Aysma.
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2018. De
Haske Publications #DHP
1185781-010. Published by
De Haske Publications
(BT.DHP-1185781-010).
English-German-French-
Dutch.
‘Galea
et Bellum’ was
commissioned by the
Excelsior Schraard music
society (Friesland, the
Netherlands). The work
tells the story of a rare
helmet that was
discovered in a church in
the Frisian village of
Schettens in 2015. It
uses the hymn ‘Ah,
how fleeting, ah how
insignificant’ as
a leitmotif.
Galea et
Bellum is geschreven
in opdracht van
muziekvereniging
Excelsior Schraard. Het
werk verhaalt over een
zeldzame helm die in 2015
werd ontdekt in een kerk
in het Friese dorpje
Schettens. Als leidmotief
wordt het lied ‘Ach
wie flüchtig, ach wie
nichtig ist der Menschen
Leben’ gebruikt.
Een ideaal wedstrijdwerk
met veel uitdaging voor
uw orkest.
Das
Werk erzählt die
Geschichte eines Helms,
der 2015 in einer Kirche
des friesischen Dorfs
Schettens entdeckt wurde.
Als Leitmotiv dient das
Kirchenlied Ach wie
flüchtig, ach wie
nichtig“ aus dem
17. Jahrhundert, das
anfangs fragmentarisch
erscheint, zum Ende des
Werkes hin aber in voller
Größe erklingt. Ein
hervorragendes
Wettbewerbsstück mit
vielen Herausforderungen
für Ihr Orchester!
Galea et
Bellum (L’elmo
e la guerra) è stato
commissionato dalla
Societ musicale Excelsior
di Schraard (Paesi
Bassi). Il lavoro
racconta la storia di un
raro elmo ritrovato in
una chiesa nel villaggio
di Schettens nel 2015.
Come leitmotiv è stato
usato l'inno Ach wie
flüchtig, ach wie
nichtig, che appare
inizialmente solo in
frammenti, ma raggiunge
il pieno sviluppo verso
la fine del lavoro.
Galea et Bellum Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1185781-140 The Unrevealed...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1185781-140
The Unrevealed Story
of Skelte van Aysma.
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2018. 52 pages.
De Haske Publications
#DHP 1185781-140.
Published by De Haske
Publications
(BT.DHP-1185781-140).
English-German-French-
Dutch.
‘Galea
et Bellum’ was
commissioned by the
Excelsior Schraard music
society (Friesland, the
Netherlands). The work
tells the story of a rare
helmet that was
discovered in a church in
the Frisian village of
Schettens in 2015. It
uses the hymn ‘Ah,
how fleeting, ah how
insignificant’ as
a leitmotif.
Galea et
Bellum is geschreven
in opdracht van
muziekvereniging
Excelsior Schraard. Het
werk verhaalt over een
zeldzame helm die in 2015
werd ontdekt in een kerk
in het Friese dorpje
Schettens. Als leidmotief
wordt het lied ‘Ach
wie flüchtig, ach wie
nichtig ist der Menschen
Leben’ gebruikt.
Een ideaal wedstrijdwerk
met veel uitdaging voor
uw orkest.
Das
Werk erzählt die
Geschichte eines Helms,
der 2015 in einer Kirche
des friesischen Dorfs
Schettens entdeckt wurde.
Als Leitmotiv dient das
Kirchenlied Ach wie
flüchtig, ach wie
nichtig“ aus dem
17. Jahrhundert, das
anfangs fragmentarisch
erscheint, zum Ende des
Werkes hin aber in voller
Größe erklingt. Ein
hervorragendes
Wettbewerbsstück mit
vielen Herausforderungen
für Ihr Orchester!
Galea et
Bellum (L’elmo
e la guerra) è stato
commissionato dalla
Societ musicale Excelsior
di Schraard (Paesi
Bassi). Il lavoro
racconta la storia di un
raro elmo ritrovato in
una chiesa nel villaggio
di Schettens nel 2015.
Come leitmotiv è stato
usato l'inno Ach wie
flüchtig, ach wie
nichtig, che appare
inizialmente solo in
frammenti, ma raggiunge
il pieno sviluppo verso
la fine del lavoro.
Nightlife in Paris Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3.5 SKU: BT.DHP-1216333-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3.5
SKU:
BT.DHP-1216333-015
Composed by Peter Kleine
Schaars. Peter's Compact
Collection. Original
Light Music. Set (Score &
Parts). Composed 2021. De
Haske Publications #DHP
1216333-015. Published by
De Haske Publications
(BT.DHP-1216333-015).
English-German-French-
Dutch.
The
magnificent shows at the
Moulin Rouge have left
their mark on the
collective imagination of
all who read about them.
For decades, a small but
spectacular band formed
one of the basic
ingredients in this
internationally
famedcabaret theatre.
With the first sounds of
this composition by Peter
Kleine Schaars, the
exciting Parisian
nightlife immediately
comes to mind. The
musette takes us to
quartier Pigalle, the
red-light district of
Paris, and when thedoors
of the Moulin Rouge open,
we hear the recognizable
rhythms of a contemporary
disco: a combination of
the rhythmic cells 8 / 4
and 3 / 14. In addition,
the composition has been
highlighted with a
plentiful and varied use
of rhythmic cell 5.
Naturally, the themes and
accompaniments have been
divided equally among all
parts.
Die
großartigen Shows im
Moulin Rouge prägten
das kollektive
Bewusstsein all jener,
die sich damit
beschäftigt haben.
Jahrzehntelang war eine
kleine, aber fantastische
Band Bestandteil dieses
international
bekanntenKabaretttheaters
. Mit den ersten
Klängen der
Komposition von Peter
Kleine Schaars fühlt
man sich sofort in das
aufregende Pariser
Nachtleben versetzt. Die
Musette führt uns ins
Quartier Pigalle, das
Rotlichtviertel von
Paris, undwenn sich die
Türen des Moulin Rouge
öffnen, erklingen die
bekannten Rhythmen einer
modernen Disco: eine
Kombination der
Rhythmus-Einheiten 8 / 4
und 3 / 14. Darüber
hinaus ist die
Komposition durch eine
vielfältige Verwendung
derRhythmus-Einheit 5
geprägt. Die Themen
und Begleitungen
verteilen sich dabei
gleichmäßig auf
alle Stimmen.
Nightlife in Paris Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3.5 SKU: BT.DHP-1216333-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3.5
SKU:
BT.DHP-1216333-215
Composed by Peter Kleine
Schaars. Peter's Compact
Collection. Original
Light Music. Score Only.
Composed 2021. 26 pages.
De Haske Publications
#DHP 1216333-215.
Published by De Haske
Publications
(BT.DHP-1216333-215).
English-German-French-
Dutch.
The
magnificent shows at the
Moulin Rouge have left
their mark on the
collective imagination of
all who read about them.
For decades, a small but
spectacular band formed
one of the basic
ingredients in this
internationally
famedcabaret theatre.
With the first sounds of
this composition by Peter
Kleine Schaars, the
exciting Parisian
nightlife immediately
comes to mind. The
musette takes us to
quartier Pigalle, the
red-light district of
Paris, and when thedoors
of the Moulin Rouge open,
we hear the recognizable
rhythms of a contemporary
disco: a combination of
the rhythmic cells 8 / 4
and 3 / 14. In addition,
the composition has been
highlighted with a
plentiful and varied use
of rhythmic cell 5.
Naturally, the themes and
accompaniments have been
divided equally among all
parts.
Die
großartigen Shows im
Moulin Rouge prägten
das kollektive
Bewusstsein all jener,
die sich damit
beschäftigt haben.
Jahrzehntelang war eine
kleine, aber fantastische
Band Bestandteil dieses
international
bekanntenKabaretttheaters
. Mit den ersten
Klängen der
Komposition von Peter
Kleine Schaars fühlt
man sich sofort in das
aufregende Pariser
Nachtleben versetzt. Die
Musette führt uns ins
Quartier Pigalle, das
Rotlichtviertel von
Paris, undwenn sich die
Türen des Moulin Rouge
öffnen, erklingen die
bekannten Rhythmen einer
modernen Disco: eine
Kombination der
Rhythmus-Einheiten 8 / 4
und 3 / 14. Darüber
hinaus ist die
Komposition durch eine
vielfältige Verwendung
derRhythmus-Einheit 5
geprägt. Die Themen
und Begleitungen
verteilen sich dabei
gleichmäßig auf
alle Stimmen.
Fire & Ice Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0991724-010 Rock Openening...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0991724-010
Rock Openening or
Ending. Composed by
Otto M. Schwarz. Applause
Series. Original Light
Music. Set (Score &
Parts). Composed 1999. De
Haske Publications #DHP
0991724-010. Published by
De Haske Publications
(BT.DHP-0991724-010).
Otto M. Schwarz
composed Fire & Ice for a
symphonic rock project
commissioned by the
national music schools of
the Austrian cities of
Imst and Pitztal. In
these cities, winter
tourism plays an
important role in the
economy with spectacular
weekly displays by winter
sportsmen and women. The
performances of the
freestyle acrobats take
place in the evening and
draw huge crowds. Using
torches and other
pyrotechnics, these
acrobats entertain the
audience by means of
fire, lights, snow, ice
and acrobatics. This
piece makes a perfect
opening or final work for
any concert. It will
especially be a favourite
among younger audience
members.
De
nachtvoorstellingen met
vuur, licht, sneeuw, ijs
en acrobatiek van de
zogenaamde
‘freestyle-acrobate
n’ zijn bijzonder
geliefd in
wintersportgebieden. Otto
M. Schwarz gebruikte dit
gegeven als thema in
Fire & Ice, dat
zeergeschikt is voor de
opening of afsluiting van
een concert. Dit muzikale
spektakel zal beslist
alom waardering
oogsten.
Die
österreichische Region
Imst und Pitztal wird vom
Wintertourismus mit all
den wöchentlichen
Shows der Wintersportler
beherrscht. Besonders die
Nachtvorstellungen der
Freestyle-Akrobaten
erfreuen sich großer
Beliebtheit. Mit Fackeln
und Pyrotechnik verstehen
sie, eine atemberaubende
Show aus Feuer, Licht,
Schnee, Eis und Akrobatik
zu gestalten. In Fire
& Ice setzte Otto M.
Schwarz diese Elemente
und Kontraste gekonnt in
Musik um. Dieses
wirkungsvolle Stück
wird bei jedem Publikum
gut ankommen.
Le grandi
stazioni sciistiche
accolgono numerosi
turisti e molti
spettacoli sono
organizzati per
intrattenere gli amanti
degli sport invernali. Le
dimostrazioni di sci
acrobatico freestyle
attirano sempre molta
gente. Sciatori
realizzano figure
acrobatiche utilizzando
differenti mezzi
pirotecnici come torce.
Una disciplina
spettacolare dove si
mescolano fuoco, luci,
neve e ghiaccio. Fire &
Ice è un brano
dinamico che può
essere interpretato
all’inizio o alla
fine di un concerto.
Fire & Ice Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0991724-140 Rock Openening...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0991724-140
Rock Openening or
Ending. Composed by
Otto M. Schwarz. Applause
Series. Original Light
Music. Score Only.
Composed 1999. De Haske
Publications #DHP
0991724-140. Published by
De Haske Publications
(BT.DHP-0991724-140).
Otto M. Schwarz
composed Fire & Ice for a
symphonic rock project
commissioned by the
national music schools of
the Austrian cities of
Imst and Pitztal. In
these cities, winter
tourism plays an
important role in the
economy with spectacular
weekly displays by winter
sportsmen and women. The
performances of the
freestyle acrobats take
place in the evening and
draw huge crowds. Using
torches and other
pyrotechnics, these
acrobats entertain the
audience by means of
fire, lights, snow, ice
and acrobatics. This
piece makes a perfect
opening or final work for
any concert. It will
especially be a favourite
among younger audience
members.
De
nachtvoorstellingen met
vuur, licht, sneeuw, ijs
en acrobatiek van de
zogenaamde
‘freestyle-acrobate
n’ zijn bijzonder
geliefd in
wintersportgebieden. Otto
M. Schwarz gebruikte dit
gegeven als thema in
Fire & Ice, dat
zeergeschikt is voor de
opening of afsluiting van
een concert. Dit muzikale
spektakel zal beslist
alom waardering
oogsten.
Die
österreichische Region
Imst und Pitztal wird vom
Wintertourismus mit all
den wöchentlichen
Shows der Wintersportler
beherrscht. Besonders die
Nachtvorstellungen der
Freestyle-Akrobaten
erfreuen sich großer
Beliebtheit. Mit Fackeln
und Pyrotechnik verstehen
sie, eine atemberaubende
Show aus Feuer, Licht,
Schnee, Eis und Akrobatik
zu gestalten. In Fire
& Ice setzte Otto M.
Schwarz diese Elemente
und Kontraste gekonnt in
Musik um. Dieses
wirkungsvolle Stück
wird bei jedem Publikum
gut ankommen.
Le grandi
stazioni sciistiche
accolgono numerosi
turisti e molti
spettacoli sono
organizzati per
intrattenere gli amanti
degli sport invernali. Le
dimostrazioni di sci
acrobatico freestyle
attirano sempre molta
gente. Sciatori
realizzano figure
acrobatiche utilizzando
differenti mezzi
pirotecnici come torce.
Una disciplina
spettacolare dove si
mescolano fuoco, luci,
neve e ghiaccio. Fire &
Ice è un brano
dinamico che può
essere interpretato
all’inizio o alla
fine di un concerto.
An English Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-225-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-225-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2007.
Anglo Music Press #AMP
225-010. Published by
Anglo Music Press
(BT.AMP-225-010).
9x12
inches.
English-German-French-Dut
ch.
Christmas as
celebrated in England is
a relatively newtradition
dating from the time of
Queen Victoria.
Herhusband Prince Albert
was from Germany and he
broughtmany German
Christmas traditions with
him, including
theChristmas tree and
Christmascards, and even
carols such asHark, the
Herald Angels Sing.
Philip Sparke has however
useda varied selection of
English melodies to
arrange into his?Festival
of Carols?.The choir
parts are seperately
available (order no. AMP
227-050).
Hoewel
de Engelsen een lange
traditie kennen in het
zingen van carols zijn
veel van de melodieën
die er worden gezongen
afkomstig van het
Europese vasteland - of
uit Amerika. Desondanks
heeft Philip Sparke een
gevarieerde selectievan
Engelse melodieën
kunnen samenstellen voor
dit prachtige
‘Festival of
Carols’ - dat
zowel met als zonder koor
kan worden
uitgevoerd.
Weihna
chten, wie es heute in
England gefeiert wird,
ist eine relativ junge
Tradition aus dem 19,
Jahrhundert, die der
deutsche Ehemann von
Königin Victoria mit
in seine neue Heimat
brachte. Viele
gebräuchliche
Weihnachtslieder stammen
ebenfalls nichtaus
England. Philip Sparke
gelang es jedoch, eine
abwechslungsreiche
Sammlung von Liedern aus
seiner Heimat zu diesem
schönen englischen
Weihnachtslieder-Festival
“ zu formen.Die
optional einsetzbaren
Chorstimmen sind unter
der Artikelnummer
AMP227-050 separat
erhältlich.
Like a Child Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000752-140 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000752-140
Composed by Andreas
Ludwig Schulte. Score
Only. Gobelin Music
Publications #GOB
000752-140. Published by
Gobelin Music
Publications
(BT.GOB-000752-140).
The young have
the future. This is the
statement made at the
beginning of ‘Like
a Child’ by
Andreas Ludwig
Schulte. The opening
radiates strength and
ambition, but one is also
made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan!
I'm So Excited Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043705-140 Arranged by Peter...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043705-140
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Original
Light Music. Score Only.
Composed 2004. De Haske
Publications #DHP
1043705-140. Published by
De Haske Publications
(BT.DHP-1043705-140).
The sisters
Ruth, Anita and June
Pointer from West Oakland
in California learned how
to sing in the sixties in
church where their father
was a minister. At the
beginning of the 1970s
they entered the music
business, where they
proved to have a mastery
of many styles -
including rhythm & blues,
jazz, and country.
However, the Pointer
Sisters acquired
international fame at the
beginning of the eighties
with their soul-like pop
music. A great hit was
the up-tempo number
I’m So
Excited, which is
still a success on every
dance floor. This
sparkling arrangement by
Peter Kleine Schaars
certainly provides the
excitement that is
suggested in the
title.
Die
Pastorentöchter Ruth,
Anita und June Pointer
aus Kalifornien lernten
in den 60er-Jahren in der
Kirche ihres Vaters das
Singen. Anfang der
70er-Jahre stiegen sie
ins Musikgeschäft ein
und bewiesen ihr
Können in vielen
Stilen - darunter Rhythm
& Blues, Jazz und
Country. Der
internationale Ruhm kam
jedoch zu Beginn der 80er
mit ihrer soulartig
angehauchten Popmusik.
Ein Riesenhit war I'm
So Excited, heute
noch ein Erfolg auf allen
Tanzflächen. Diese
spritzige Bearbeitung
für Blasorchester
sorgt mit Sicherheit
für Aufregung - das im
Titel versprochene
?excitement!
Like a Child Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000752-010 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000752-010
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 160
pages. Gobelin Music
Publications #GOB
000752-010. Published by
Gobelin Music
Publications
(BT.GOB-000752-010).
The young have
the future. This is the
statement made at the
beginning of ‘Like a
Child’ by Andreas
Ludwig Schulte. The
opening radiates strength
and ambition, but one is
also made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan!
Essential Classics Orchestre d'harmonie [Conducteur] - Débutant De Haske Publications
Concert Band/Harmonie - very easy, easy SKU: BT.DHP-1094806-401 Small ...(+)
Concert Band/Harmonie -
very easy, easy
SKU:
BT.DHP-1094806-401
Small Masterpieces for
Great Performances.
Arranged by Jan de Haan.
Essential Elements. Score
Only. Composed 2009. 80
pages. De Haske
Publications #DHP
1094806-401. Published by
De Haske Publications
(BT.DHP-1094806-401).
ISBN 9789043132657.
9x12 inches.
English.
ESSENTIAL
CLASSICS is a collection
of pieces ideally suited
to introduce beginning
bands, whether in or
outside of school, to the
classical repertoire. The
easy arrangements make
the most popular melodies
of all time accessible to
young musicians, without
the frustration of
playing music that is too
difficult for them. Now
they can enjoy music from
instrumental works and
operas to oratorios and
lieder, from Tylman
Susato to George
Gershwin. The pieces are
arranged in ascending
order of difficulty,
coinciding with the
progress students are
making in Volumes 1 and 2
of ESSENTIAL ELEMENTS the
complete method for music
education in schools and
bands. But even without
ESSENTIALELEMENTS,
ESSENTIAL CLASSICS is an
excellent source of
repertoire by itself. In
addition to the music the
individual parts contain
short snippets of
information about the
music, composer and
genre, written in a style
younger players will
understand. The full
score contains more
in-depth information on
the music. No matter how
you use ESSENTIAL
CLASSICS with your band,
your players will love
all the fun and engaging
arrangements it as to
offer.
Die
deutschsprachige Ausgabe
dieser Reihe ist unter
dem Titel Bläserklasse
Klassik
erhältlich.
ESSENTIAL
CLASSICS è il
materiale ideale per far
familiarizzare le bande
principianti o junior con
il repertorio della
musica classica. Gli
arrangiamenti, ideati in
ordine progressivo di
difficolt , sono ideali
per sviluppare le prime
conoscenze gi acquisite e
rinforzare la capacit di
applicazione in un
contesto strutturato in
maniera pedagogica e
motivante. Da Susato a
Gershwin,
dall’oratorio al
lied, passando per
l’opera e altri
generi musicali,
ESSENTIAL CLASSICS
propone
un’immersione
nell’universo
classico. La versione
integrale di ogni
arrangiamento è
disponibile sul CD di
accompagnamento venduto
separatamente.
Charles
Aznavour, the son of
Armenian immigrants, was
born in 1924, in Paris.
He finally launched his
singing career in France
with great effort;
despite his lack of star
looks and less than
remarkable voice.
However, he had two
things going for
him:powerful on-stage
charisma and great
willpower. It took him
about twenty years to
reach the top but when he
did, his determination
certainly paid off. He
became a star
singer/songwriter in
France and his chansons
were embraced throughout
the rest ofthe world as
well. The typical French
atmosphere that pervades
his music can be clearly
experienced in this
medley for concert band.
Charles Aznavour,
1924 in Paris als Sohn
armenischer Einwanderer
geboren, brachte es zu
einem der größten
Chansonniers Frankreichs
im 20. Jahrhundert. Er
feierte sowohl als
Liedautor, Interpret als
auch als Filmschauspieler
große Erfolge. Die
typischfranzösische
Atmosphäre, die
Charles Aznavour in seine
Musik packte, ist auch in
dieser Bearbeitung für
Blasorchester deutlich
spürbar. Das Medley
von Roland Kernen
lässt vier
unvergessene Chansons von
Aznavour Revue passieren.
Battlefront Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS111F Composed by Sean O'Loughlin. ...(+)
Band concert band - Grade
1
SKU: CF.BPS111F
Composed by Sean
O'Loughlin. SWS. Carl
Fischer Beginning
Performance Series. Full
score. With Standard
notation. 16 pages.
Duration 2 minutes, 19
seconds. Carl Fischer
Music #BPS111F. Published
by Carl Fischer Music
(CF.BPS111F).
ISBN
9781491147900. UPC:
680160905409. 9 x 12
inches.
Battlefront
is a cinematic
composition for the
developing concert band.
The music is bold and
rhythmic throughout but
also contains contrasting
lyrical sections that
allow for valuable
teaching moments. The
prominent use of the
lower voices in the
melodic passages is a
perfect opportunity for
them to take the lead
while showing the high
voices how to accompany,
strengthening your
ensemble's unity and
awareness.
Battlefront Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS111 Composed by Sean O'Loughlin. S...(+)
Band concert band - Grade
1
SKU: CF.BPS111
Composed by Sean
O'Loughlin. SWS FS. Carl
Fischer Beginning
Performance Series. Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+3+6+3+1+1
+2+6+16+2 pages. Duration
2 minutes, 19 seconds.
Carl Fischer Music
#BPS111. Published by
Carl Fischer Music
(CF.BPS111).
ISBN
9781491147207. UPC:
680160904709. 9 x 12
inches.
Battlefront
is a cinematic
composition for the
developing concert band.
The music is bold and
rhythmic throughout but
also contains contrasting
lyrical sections that
allow for valuable
teaching moments. The
prominent use of the
lower voices in the
melodic passages is a
perfect opportunity for
them to take the lead
while showing the high
voices how to accompany,
strengthening your
ensemble's unity and
awareness.
Marching Blues Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band - Grade 3 SKU: BT.DHP-1053844-040 Composed by Hayato Hirose....(+)
Concert Band - Grade 3
SKU:
BT.DHP-1053844-040
Composed by Hayato
Hirose. Applause Series.
March. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053844-040. Published by
De Haske Publications
(BT.DHP-1053844-040).
English-German-French-
Dutch.
Marching
Blues was written in the
blues and swing-jazz
style of the great big
bands. It is an ideal
show march that can be
used for encores, popular
performances, family
concerts and much more.
It is unusual in that it
features a 28 bar solo
for tuba, tenor
saxophone, or baritone
saxophone. From small
ensembles to large bands,
Marching Blues will bring
great joy to all
generations of performers
and audiences at any
occasion.
Marching
Blues is geschreven
in de blues- en
swingjazzstijl van de
grote bigbands. Deze
ideale showmars is
perfect voor toegiften,
optredens voor een breed
publiek,
familieconcerten,
enzovoort. Het bevat een
solo van 28 matenvoor
tuba, tenorsaxofoon of
baritonsaxofoon. Van
kleine ensembles tot
grote bands zal
Marching Blues bij
elke gelegenheid veel
plezier opleveren voor
alle generaties
muzikanten en
toehoorders.
March
ing Blues wurde in einem
Blues- und Swing-Jazz-
Stil geschrieben, der gut
zur Big Band passt. Das
Stück ist ein idealer
Show-Marsch, der als
Zugabe, in
Unterhaltungsmusikprogram
men, Familienkonzerten
und vielem mehr
eingesetzt werden kann.
Es enthält ein 28
Takte langes Solo für
Tuba, Tenorsaxophon oder
Baritonsaxophon. Ob
kleine oder große
Ensembles - Marching
Blues bringt zu vielen
Anlässen jungen wie
älteren Spielern und
Zuhörern Spaß.
Marchi
ng Blues è scritta in
uno stile nel quale si
incrociano influssi di
blues e swing-jazz delle
grandi big band. Ideale
per sfruttare il talento
dei musicisti, questa
marcia sviluppa un assolo
di 28 misure, affidato
alla tuba, sax tenore o
sax baritono.
Indipendentemente dal
tipo d’organico
(piccolo ensemble
strumentale o organico
completo), questa marcia
incanter esecutori e
pubblico.
Démophon Overture Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125314-010 Composed by Luigi...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125314-010
Composed by Luigi
Cherubini. Arranged by
Tohru Takahashi. Great
Classics. Classical. Set
(Score & Parts). Composed
2012. De Haske
Publications #DHP
1125314-010. Published by
De Haske Publications
(BT.DHP-1125314-010).
In het jaar 1788
debuteerde de Italiaanse
componist Luigi Cherubini
in Parijs met zijn opera
Demophon. Van de
dramatische ouverture
schreef Tohru Takahashi
een arrangement voor
blaasorkest. Bijzondere
partijen zijn weggelegd
voor hobo, fagot en
saxofoon. Omdat de
belangrijkste stemmen als
cues in de partituur zijn
opgenomen, kunt u het
werk ook met een kleinere
bezetting uitvoeren.
Démophon Overture Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125314-140 Composed by Luigi...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125314-140
Composed by Luigi
Cherubini. Arranged by
Tohru Takahashi. Great
Classics. Classical.
Score Only. Composed
2012. 40 pages. De Haske
Publications #DHP
1125314-140. Published by
De Haske Publications
(BT.DHP-1125314-140).
In het jaar 1788
debuteerde de Italiaanse
componist Luigi Cherubini
in Parijs met zijn opera
Demophon. Van de
dramatische ouverture
schreef Tohru Takahashi
een arrangement voor
blaasorkest. Bijzondere
partijen zijn weggelegd
voor hobo, fagot en
saxofoon. Omdat de
belangrijkste stemmen als
cues in de partituur zijn
opgenomen, kunt u het
werk ook met een kleinere
bezetting uitvoeren.
The Best of Village People Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043728-010 Arranged by Loren...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043728-010
Arranged by Lorenzo
Bocci. De Haske Pop
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2004. De Haske
Publications #DHP
1043728-010. Published by
De Haske Publications
(BT.DHP-1043728-010).
Everything
started when two
Frenchmen, Jacques Morali
and Henri Belolo, after
having sold over ten
records with their band,
the Ritchie Family,
decided to try out
something new. The basic
idea was to form a new
group inspired by the
American male myths of
the seventies: cowboys,
Indians, men in leather
clothes, soldiers and
policemen. This is how
the Village People were
born.Their secret was
their energy,
cheerfulness and tongue
in cheek humour combined
with strong disco beat
and an arresting visual
presence. Even now a
Village People song is
guaranteed to fill the
dance floor in any club
or disco. The Best of
Village People is a
medley including the
following pieces: In
theNavy,Y.M.C.A. and
Macho Man.
Het
begon allemaal toen twee
Fransen, Jacques Morali
en Henry Belolo, besloten
iets nieuws te proberen,
nadat zij meer dan tien
miljoen platen hadden
verkocht met hun groep
The Ritchie Family. Het
idee was een nieuwe groep
te vormendie was ge
nspireerd op de
Amerikaanse machomythen
van de jaren zeventig:
cowboys, indianen, mannen
in leer, soldaten en
politieagenten. Zo kwamen
de Village People in het
leven. Hun geheim lag in
het feit dat ze een
pakkende
discobeatcombineerden met
een energiek, kleurrijk
en humoristisch optreden.
The Best of Village
People is een medley die
de volgende nummers
bevat: In the
Navy,Y.M.C.A. en Macho
Man.
Village
People, die amerikanische
Gruppe aus den 70-er
Jahren haben längst
Kultstatus erlangt. Ihr
Erfolgsrezept bestand aus
farbenfrohen Auftritten
in Kostümen, die
Cowboys, Indianer,
Männer in Leder und
Polizisten - die
männlichen Mythen
Amerikas -
widerspiegelten und vor
allem aber
mitreißenden,
fröhlichen Partyhits,
die bis heute aus keiner
Disco und von keinem Fest
wegzudenken sind. Lorenzo
Bocci schuf ein Medley
für Blasorchester aus
den drei größten
Hits von Village People,
das seine Wirkung
garantiert nicht
verfehlen
wird.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043728-140 Arranged by Loren...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043728-140
Arranged by Lorenzo
Bocci. De Haske Pop
Collection. Original
Light Music. Score Only.
Composed 2004. De Haske
Publications #DHP
1043728-140. Published by
De Haske Publications
(BT.DHP-1043728-140).
Everything
started when two
Frenchmen, Jacques Morali
and Henri Belolo, after
having sold over ten
records with their band,
the Ritchie Family,
decided to try out
something new. The basic
idea was to form a new
group inspired by the
American male myths of
the seventies: cowboys,
Indians, men in leather
clothes, soldiers and
policemen. This is how
the Village People were
born.Their secret was
their energy,
cheerfulness and tongue
in cheek humour combined
with strong disco beat
and an arresting visual
presence. Even now a
Village People song is
guaranteed to fill the
dance floor in any club
or disco. The Best of
Village People is a
medley including the
following pieces: In
theNavy,Y.M.C.A. and
Macho Man.
Het
begon allemaal toen twee
Fransen, Jacques Morali
en Henry Belolo, besloten
iets nieuws te proberen,
nadat zij meer dan tien
miljoen platen hadden
verkocht met hun groep
The Ritchie Family. Het
idee was een nieuwe groep
te vormendie was ge
nspireerd op de
Amerikaanse machomythen
van de jaren zeventig:
cowboys, indianen, mannen
in leer, soldaten en
politieagenten. Zo kwamen
de Village People in het
leven. Hun geheim lag in
het feit dat ze een
pakkende
discobeatcombineerden met
een energiek, kleurrijk
en humoristisch optreden.
The Best of Village
People is een medley die
de volgende nummers
bevat: In the
Navy,Y.M.C.A. en Macho
Man.
Village
People, die amerikanische
Gruppe aus den 70-er
Jahren haben längst
Kultstatus erlangt. Ihr
Erfolgsrezept bestand aus
farbenfrohen Auftritten
in Kostümen, die
Cowboys, Indianer,
Männer in Leder und
Polizisten - die
männlichen Mythen
Amerikas -
widerspiegelten und vor
allem aber
mitreiÃ?enden,
fröhlichen Partyhits,
die bis heute aus keiner
Disco und von keinem Fest
wegzudenken sind. Lorenzo
Bocci schuf ein Medley
für Blasorchester aus
den drei grö�ten
Hits von Village People,
das seine Wirkung
garantiert nicht
verfehlen
wird.
On the Movieset Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000758-140 Composed by John E...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-000758-140
Composed by John Emerson
Blackstone. Score Only.
36 pages. Gobelin Music
Publications #GOB
000758-140. Published by
Gobelin Music
Publications
(BT.GOB-000758-140).
Glitter and
glamour, good-looking
people, a lot of Bling
Bling and fast cars
images like these will
cross our minds when we
think of the movie world.
However, reality proves
to be different : as a
rule, a tremendous amount
of work will have been
done on the set before a
film is ready to be shown
on the big screen. A
visit to an actual movie
set inspired John Emerson
Blackstone to write a
composition bearing the
same name. He had both
seen a number of
characteristic attributes
and heard the typical
phrases used in film
making, and he
incorporated them into
‘On the Movie Set’
.
In the first
part, ‘The
Clapboard’, a
‘director’s
assistant’ is supposed
to shout “Quieton the
set’” and
“Action!”, as is done
before a real scene is
shot. Subsequently, in
order to create the right
atmosphere, the clacking
of a ‘Clapboard’
should be heard.
During a romantic scene
we should be transported
to another world by means
of sweet sounds in the
background, so romantic
music is of course heard
in the next part, ‘Love
Scene’. At the end
of a long working day
‘It’s a wrap’ is
called on the set to
inform everyone that the
filming on that day is
completed.
Now
there is only one more
thing left to dream of :
an Oscar.....
Perf. Note: The use
of the right props will
add to the performance
and appreciation of ‘On
the Movie Set’. A red
carpet and a glamorous
reception should give
your audience the feeling
they are attending a real
‘opening night’!
‘Glamour’ en
‘Glitter’, mooie
mensen, veel ‘bling
bling’ en snelle
auto’s. Zomaar een
aantal zaken waar we aan
denken als het om de
filmwereld gaat. Maar
voordat de film klaar is
voor de bioscoop moet er
doorgaans hard gewerkt
wordentijdens het draaien
op de filmset. Een
bezoekje op een filmset
inspireerde John Emerson
Blackstone tot het
schrijven van ‘On the
Movieset’. Hij zag een
aantal zeer
karakteristieke
attributen en hoorde
kreten die hij
verwerktein deze
compositie.
In
het eerste deel: ‘The
Clapboard’, is het de
bedoeling dat de
assistent van de
regisseur ‘de bekende
kreten’ (Quiet on the
set of And Action!)
roept, voordat er een
take opgenomen wordt.
Daarnamoet natuurlijk met
een ‘Clapboard’
geklakt worden. Bij
een ‘Love Scene’
hoort uiteraard
sfeerverhogende
romantische muziek. Want
zwijmelen bij een film
gaat nu eenmaal niet
zonder zoete klanken.
Aan het einde van
eenlange dag klinkt
altijd ‘It’s a
wrap’. Dit betekent dat
het laatste shot van de
dag gemaakt is.
Nu maar hopen dat er een
oscar in het verschiet
ligt.
Perf.
Note: Het gebruik van
de juiste rekwisieten
zalde uitvoering en
waardering van ‘On the
Movieset’ ten goede
komen. Een rode loper en
een chique ontvangst
zullen uw gasten een echt
‘premi?re’ gevoel
geven.
On the Movieset Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000758-010 Composed by John E...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-000758-010
Composed by John Emerson
Blackstone. Set (Score &
Parts). Gobelin Music
Publications #GOB
000758-010. Published by
Gobelin Music
Publications
(BT.GOB-000758-010).
Glitter and
glamour, good-looking
people, a lot of Bling
Bling and fast cars
images like these will
cross our minds when we
think of the movie world.
However, reality proves
to be different : as a
rule, a tremendous amount
of work will have been
done on the set before a
film is ready to be shown
on the big screen. A
visit to an actual movie
set inspired John Emerson
Blackstone to write a
composition bearing the
same name. He had both
seen a number of
characteristic attributes
and heard the typical
phrases used in film
making, and he
incorporated them into
‘On the Movie Set’
.
In the first
part, ‘The
Clapboard’, a
‘director’s
assistant’ is supposed
to shout “Quieton the
set’” and
“Action!”, as is done
before a real scene is
shot. Subsequently, in
order to create the right
atmosphere, the clacking
of a ‘Clapboard’
should be heard.
During a romantic scene
we should be transported
to another world by means
of sweet sounds in the
background, so romantic
music is of course heard
in the next part, ‘Love
Scene’. At the end
of a long working day
‘It’s a wrap’ is
called on the set to
inform everyone that the
filming on that day is
completed.
Now
there is only one more
thing left to dream of :
an Oscar.....
Perf. Note: The use
of the right props will
add to the performance
and appreciation of ‘On
the Movie Set’. A red
carpet and a glamorous
reception should give
your audience the feeling
they are attending a real
‘opening night’!
‘Glamour’ en
‘Glitter’, mooie
mensen, veel ‘bling
bling’ en snelle
auto’s. Zomaar een
aantal zaken waar we aan
denken als het om de
filmwereld gaat. Maar
voordat de film klaar is
voor de bioscoop moet er
doorgaans hard gewerkt
wordentijdens het draaien
op de filmset. Een
bezoekje op een filmset
inspireerde John Emerson
Blackstone tot het
schrijven van ‘On the
Movieset’. Hij zag een
aantal zeer
karakteristieke
attributen en hoorde
kreten die hij
verwerktein deze
compositie.
In
het eerste deel: ‘The
Clapboard’, is het de
bedoeling dat de
assistent van de
regisseur ‘de bekende
kreten’ (Quiet on the
set of And Action!)
roept, voordat er een
take opgenomen wordt.
Daarnamoet natuurlijk met
een ‘Clapboard’
geklakt worden. Bij
een ‘Love Scene’
hoort uiteraard
sfeerverhogende
romantische muziek. Want
zwijmelen bij een film
gaat nu eenmaal niet
zonder zoete klanken.
Aan het einde van
eenlange dag klinkt
altijd ‘It’s a
wrap’. Dit betekent dat
het laatste shot van de
dag gemaakt is.
Nu maar hopen dat er een
oscar in het verschiet
ligt.
Perf.
Note: Het gebruik van
de juiste rekwisieten
zalde uitvoering en
waardering van ‘On the
Movieset’ ten goede
komen. Een rode loper en
een chique ontvangst
zullen uw gasten een echt
‘premi?re’ gevoel
geven.
Boreas Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000248-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000248-010
Composed by Jan Bosveld.
Set (Score & Parts). 45
pages. Gobelin Music
Publications #GOB
000248-010. Published by
Gobelin Music
Publications
(BT.GOB-000248-010).
In Greek
mythology, Boreas is the
God of the North
Wind. When thinking
of the north wind we
particularly think of the
bleak wind coming from
the freezing cold north,
but in Homers' work we
see a more varied
picture. As shown in
the following two
stories, Boreas often
does play the role of a
storm wind that blows
forth heavy dark clouds
while whipping up the
dark waves of the
tempestuous sea to
mountainous heights.
When the stake of the
fallen Patroclos refuses
to burn, Achilles begs
for some wind. When
Iris, the swift messenger
of the Gods, asks the
winds for assistance,
they raise themselves up
with tremendous roaring
and rush to Troy.
Upon theirarrival they
blow the divine fire of
Patroclos' stake far up
into the sky. When
Troy was destroyed, the
Greeks returned home.
After many wanderings,
Odysseus, however, ends
up with the beautiful
nymph, Calypso, who keeps
him as a prisoner. As
ordered by Zeus, Calypso
frees him and sends him
off on a handmade wooden
raft. At sea,
Odysseus is threatened by
the aggressive sea god,
Poseidon, who stirs up
the winds and thrashes
the waves with his
trident. The goddess,
Athena, stems the
violence of all the winds
except for the north
wind, and thus it is
Boreas, who sends
Odysseus to the land of
the hospitable
Phaiakes.
Jan
Bosveld composed Boreas
for OLTO, a music
association in Loenen,
The Netherlands, for
which he had served as
conductor for many years.
Turbulent movement in
both tempo and dynamics
characterize this
composition. The result
is a whirling piece that
races by in a positive
manner. Boreas is in de
Griekse mythologie de god
van de noordenwind.
Bij noordenwind
denken wij vooral aan de
gure wind uit het
ijskoude noorden, bij
Homerus echter zien we
een meer gevariëerd
beeld. Natuurlijk
speelt Boreas, zoals uit
de twee onderstaande
verhalen blijkt, meestal
de rol van de stormwind
die de zware zwarte
wolken voor zich uit
blaast en de donkere
golven van de onstuimige
zee torenhoog
opzwiept.
Boreas Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000248-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000248-140
Composed by Jan Bosveld.
Score Only. 24 pages.
Gobelin Music
Publications #GOB
000248-140. Published by
Gobelin Music
Publications
(BT.GOB-000248-140).
In Greek
mythology, Boreas is the
God of the North
Wind. When thinking
of the north wind we
particularly think of the
bleak wind coming from
the freezing cold north,
but in Homers' work we
see a more varied
picture. As shown in
the following two
stories, Boreas often
does play the role of a
storm wind that blows
forth heavy dark clouds
while whipping up the
dark waves of the
tempestuous sea to
mountainous heights.
When the stake of the
fallen Patroclos refuses
to burn, Achilles begs
for some wind. When
Iris, the swift messenger
of the Gods, asks the
winds for assistance,
they raise themselves up
with tremendous roaring
and rush to Troy.
Upon theirarrival they
blow the divine fire of
Patroclos' stake far up
into the sky. When
Troy was destroyed, the
Greeks returned home.
After many wanderings,
Odysseus, however, ends
up with the beautiful
nymph, Calypso, who keeps
him as a prisoner. As
ordered by Zeus, Calypso
frees him and sends him
off on a handmade wooden
raft. At sea,
Odysseus is threatened by
the aggressive sea god,
Poseidon, who stirs up
the winds and thrashes
the waves with his
trident. The goddess,
Athena, stems the
violence of all the winds
except for the north
wind, and thus it is
Boreas, who sends
Odysseus to the land of
the hospitable
Phaiakes.
Jan
Bosveld composed Boreas
for OLTO, a music
association in Loenen,
The Netherlands, for
which he had served as
conductor for many years.
Turbulent movement in
both tempo and dynamics
characterize this
composition. The result
is a whirling piece that
races by in a positive
manner. Boreas is in de
Griekse mythologie de god
van de noordenwind.
Bij noordenwind
denken wij vooral aan de
gure wind uit het
ijskoude noorden, bij
Homerus echter zien we
een meer gevariëerd
beeld. Natuurlijk
speelt Boreas, zoals uit
de twee onderstaande
verhalen blijkt, meestal
de rol van de stormwind
die de zware zwarte
wolken voor zich uit
blaast en de donkere
golven van de onstuimige
zee torenhoog
opzwiept.
A Sacred Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
By Brant Karrick. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet ...(+)
By Brant Karrick. For
Concert Band (Piccolo,
Flute 1/2, Oboe, Bassoon,
Clarinet in Bb 1/2,
Clarinet in Bb 3, Bass
Clarinet, Alto Saxophone
1/2, Tenor Saxophone,
Baritone Saxophone,
Trumpet in Bb 1, Trumpet
in Bb 2/3, Horn in F 1/2,
Trombone 1, Trombone 2/3,
Euphonium, (Baritone
T.C.), Tuba,). Band
Music. Pioneer Band
Series. Grade 3. Score
and parts. Duration 7:20.
Published by C. Alan
Publications
Angels and Demons Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-001206-140 A Fantasy. ...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-001206-140
A Fantasy.
Composed by Marc
Cunningham.
MasterBlasters Series.
Concert Piece. Score
Only. Composed 2013. 33
pages. Gobelin Music
Publications #GOB
001206-140. Published by
Gobelin Music
Publications
(BT.GOB-001206-140).
9x12 inches.
English-German-French-Dut
ch.
Angels and
demons are just two of
the mythical creatures
that appear in Marc
Cunningham’s
imaginative three-part
composition for concert
band. The ‘good’ are
always shown in
opposition to the
‘evil’ in this work.
Musically, this
con_x001D_flict is
expressed as diatonic
versus chromatic,
consonance versus
dissonance, and darker
sounds opposed to
lighter-sounding
sections. Which is
victorious at the end of
the piece? You might be
in for a surprise…
Engeltjes en
demonen zijn maar enkele
van de
fantasie_x001F_-figuren
die aan bod komen in dit
driedelige werk van Marc
Cunningham. De componist
zet de tegenstellingen
van de _x001F_figuren ook
muzikaal in de verf door
diatoniek tegen
chromatiek, consonanten
tegen dissonanten en
donkere klanken tegen
hoge klanken te plaatsen.
Wie wint aan het einde?
Daarvoor moet u het eerst
spelen!
Engel und
Dämonen“ sind nur
einige der mythischen
Gestalten, die in Marc
Cunninghams
fantasievoller
dreiteiliger Komposition
für Blasorchester Revue
passieren. Dabei stellt
er immer die Guten“ in
Kontrast zu den bösen
Kräften. Musikalisch
drückt sich dieses
Spannungsverhältnis in
Diatonik versus
Chromatik, Konsonanz
versus Dissonanz und
dunkle gegenüber heller
klingenden Abschnitten
aus. Welche Kräfte am
Ende siegen? Lassen Sie
sich
überraschen...
Anges et Démons ne
contient que quelques
unes des _x001C_figures
légendaires nées dans
le monde fantastique
imaginé par Marc
Cunningham. Dans cette
oeuvre en trois parties
composée pour orchestre
d’harmonie, les forces
du mal et celles du bien
s’affrontent de
manière incessante.
Musicalement, cette
tension s’exprime en
diatoniques contre
chromatiques, en
consonances contre
dissonances et motifs
ténébreux contre
passages lumineux. Qui
remportera la
bataille_x001E_? Vous
serez
surpris..._x001E_!
Angels and Demons
(angeli e demoni) sono
solo alcuni dei tanti
personaggi mitici che
_x001E_figurano in questa
composizione in tre
movimenti nella quale le
forze del bene e del male
si affrontano
incessantemente.
Musicalmente questa
tensione si esprime in
diatonismo contro
cromatismo, in consonanze
contro dissonanze e
motivi tenebrosi in
contrasto con motivi
luminosi.
Angels and Demons Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-001206-010 A Fantasy. ...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-001206-010
A Fantasy.
Composed by Marc
Cunningham.
MasterBlasters Series.
Concert Piece. Set (Score
& Parts). Composed 2013.
33 pages. Gobelin Music
Publications #GOB
001206-010. Published by
Gobelin Music
Publications
(BT.GOB-001206-010).
9x12 inches.
English-German-French-Dut
ch.
Angels and
demons are just two of
the mythical creatures
that appear in Marc
Cunningham’s
imaginative three-part
composition for concert
band. The ‘good’ are
always shown in
opposition to the
‘evil’ in this work.
Musically, this
con_x001D_flict is
expressed as diatonic
versus chromatic,
consonance versus
dissonance, and darker
sounds opposed to
lighter-sounding
sections. Which is
victorious at the end of
the piece? You might be
in for a surprise…
Engeltjes en
demonen zijn maar enkele
van de
fantasie_x001F_-figuren
die aan bod komen in dit
driedelige werk van Marc
Cunningham. De componist
zet de tegenstellingen
van de _x001F_figuren ook
muzikaal in de verf door
diatoniek tegen
chromatiek, consonanten
tegen dissonanten en
donkere klanken tegen
hoge klanken te plaatsen.
Wie wint aan het einde?
Daarvoor moet u het eerst
spelen!
Engel und
Dämonen“ sind nur
einige der mythischen
Gestalten, die in Marc
Cunninghams
fantasievoller
dreiteiliger Komposition
für Blasorchester Revue
passieren. Dabei stellt
er immer die Guten“ in
Kontrast zu den bösen
Kräften. Musikalisch
drückt sich dieses
Spannungsverhältnis in
Diatonik versus
Chromatik, Konsonanz
versus Dissonanz und
dunkle gegenüber heller
klingenden Abschnitten
aus. Welche Kräfte am
Ende siegen? Lassen Sie
sich
überraschen...
Anges et Démons ne
contient que quelques
unes des _x001C_figures
légendaires nées dans
le monde fantastique
imaginé par Marc
Cunningham. Dans cette
oeuvre en trois parties
composée pour orchestre
d’harmonie, les forces
du mal et celles du bien
s’affrontent de
manière incessante.
Musicalement, cette
tension s’exprime en
diatoniques contre
chromatiques, en
consonances contre
dissonances et motifs
ténébreux contre
passages lumineux. Qui
remportera la
bataille_x001E_? Vous
serez
surpris..._x001E_!
Angels and Demons
(angeli e demoni) sono
solo alcuni dei tanti
personaggi mitici che
_x001E_figurano in questa
composizione in tre
movimenti nella quale le
forze del bene e del male
si affrontano
incessantemente.
Musicalmente questa
tensione si esprime in
diatonismo contro
cromatismo, in consonanze
contro dissonanze e
motivi tenebrosi in
contrasto con motivi
luminosi.
Feelings is a
well-known easy listening
hit that was written
halfway through the
1970s, by the Brazilian
singer-songwriter Morris
Albert. However, the
melody is derived from a
French song (Pour toi)
from 1957, written by
Louis Gaste, who made
this claim successfully.
Over the years, Feelings
has been performed by
famous artists like Ella
Fitzgerald, Frank Sinatra
and Elvis Presley.
Numerous arrangements
have been made for
various instrumentations.
This arrangement by
Roland Kernen does
justice to the
original.
Feeli
ngs is een bekende
easy-listeninghit van
halverwege de jaren
zeventig. Het nummer werd
geschreven door de
Braziliaanse
singer-songwriter Morris
Albert. De
oorspronkelijke melodie
is echter afkomstig van
een Frans lied(Pour
toi) uit 1957, van de
hand van Louis Gaste, die
dit met succes claimde.
In de loop der jaren is
Feelings
uitgevoerd door beroemde
artiesten als Ella
Fitzgerald, Frank Sinatra
en Elvis Presley. Ook
zijn er
talrijkearrangementen
gemaakt voor diverse
bezettingen. Dit
arrangement van Roland
Kernen doet recht aan het
origineel.
Der
gefühlvolle Song
Feelings machte
Morris Albert, einen
gebürtigen
Brasilianer, im Jahre
1975 über Nacht zum
Weltstar. In den
folgenden Jahren sangen
sich auch berühmte
Künstler, wie Ella
Fitzgerald, Nina Simone,
Sarah Vaughan und Johnny
Mathis mit dem
romantischen Liebeslied
in die Hitparaden. Mit
der stimmungsvollen
Blasorchesterbearbeitung
von Roland Kernen bringen
Sie jedes Publikum zum
Schmelzen!