Extracted from the Critical Edition. Composed by Claude Debussy (1862-191...(+)
Extracted from the
Critical Edition.
Composed by Claude
Debussy (1862-1918).
Edited by Edmond
Lema�®tre. Editions
Durand. Editions Durand
#DD16356. Published by
Editions Durand
(HL.50565854).
Violin, Violoncello & Piano or CD Play Back / Play Along - Grade 1 SKU: MA.EM...(+)
Violin, Violoncello &
Piano or CD Play Back /
Play Along - Grade 1
SKU: MA.EMR-47425
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
Bertrand Moren. Score and
parts. Duration 19'27.
Editions Marc Reift #EMR
47425. Published by
Editions Marc Reift
(MA.EMR-47425).
The Partridge /
Merrily We Roll Along /
Little Mozart / Le Bon
Roi Dagobert / Jingle
Bells / How To Slur / How
To Play Staccato / J'ai
du Bon Tabac / Serenade /
Slurring Is Fun / Flea
Jumps / Ode To Joy / Ah
vous dirais-je Maman /
Old Mac Donald ...
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Jonathan Del Mar. This
edition: urtext edition.
Paperback. Score, Set of
parts. Opus 1.
Baerenreiter
Verlag #BA10943_00.
Published
by Baerenreiter Verlag
For Piano Trio. Composed by Emily Howard. Piano Trio; Single Titles; Trio. P...(+)
For Piano Trio. Composed
by
Emily Howard. Piano Trio;
Single Titles; Trio.
Peters
Contemporary Chamber
Series.
Classical; Contemporary.
Score
and Part(s). 16 pages.
Edition
Peters #98-EP73325.
Published
by Edition Peters
Plainscapes Piano Trio: piano, violon, violoncelle Schott
(Piano Trio). By Peteris Vasks (1946-). For Cello, Piano/Keyboard, Violin, Piano...(+)
(Piano Trio). By Peteris
Vasks (1946-). For Cello,
Piano/Keyboard, Violin,
Piano Trio (Score and
Parts). Ensemble.
Softcover. 50 pages.
Schott Music #ED21375.
Published by Schott Music
Piano Trio (Ensemble) SKU: HL.51481525 Composed by Robert Schumann. Edite...(+)
Piano Trio (Ensemble)
SKU: HL.51481525
Composed by Robert
Schumann. Edited by Ernst
Herttrich. Henle Music
Folios. Classical.
Softcover. 80 pages. G.
Henle #HN1525. Published
by G. Henle
(HL.51481525).
UPC:
840126989762.
9.0x12.0x0.296
inches.
The Fantasy
Pieces op. 88 are
Schumann's first
contribution to the genre
of the piano trio and
date from his very
prolific “chamber
music year†1842.
However, Schumann needed
an unusually long time to
give the work its final
form: the Fantasy Pieces
were released only in the
autumn of 1850 after
several revisions. The
brevity and the modest
technical demands of the
four charming character
pieces make them an ideal
entry into the world of
Schumann's chamber music
also for non-professional
musicians. The Fantasy
Pieces, taken from the
volume Schumann •
Piano Trios HN 916, are
now available from Henle
for the first time also
as a practical single
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Russian Rag Piano Trio: piano, violon, violoncelle Bote and Bock
Score and Parts Piano Trio (Score & Parts) SKU: HL.48025074 For Piano ...(+)
Score and Parts Piano
Trio (Score & Parts)
SKU: HL.48025074
For Piano Trio Score
and Parts. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 16 pages.
Duration 180 seconds.
Bote & Bock #M202536179.
Published by Bote & Bock
(HL.48025074).
ISBN
9783793143147. UPC:
196288059721.
9.0x12.0x0.061
inches.
Russian Rag
is one of Elena
Kats-Chernins most famous
pieces. It was arranged
by her for various
instrumentations and was
used, among other things,
as film music in the clay
animation film Mary &
Max. The composer herself
says: Ragtimes are such
fun to write and they
have a somewhat dark
melancholy. Russian music
often has a melancholic
quality, and I was
brought up on Rachmaninov
and Tchaikovsky,
Prokofiev and
Shostakovich. I rarely
write in major keys it
seems and Russian Rag is
no exception, however it
concludesoptimistically
on a major chord..
Sanctuary Piano Trio: piano, violon, violoncelle Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.114418250 Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano
SKU:
PR.114418250
Composed
by Stacy Garrop.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2013. 40+16+16
pages. Duration 23
minutes. Theodore Presser
Company #114-41825.
Published by Theodore
Presser Company
(PR.114418250).
UPC:
680160640959. 9 x 12
inches.
In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G.
Sanctuary Piano Trio: piano, violon, violoncelle Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.11441825S Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano
SKU:
PR.11441825S
Composed
by Stacy Garrop.
Contemporary. Score. With
Standard notation.
Composed 2013. 40 pages.
Duration 23 minutes.
Theodore Presser Company
#114-41825S. Published by
Theodore Presser Company
(PR.11441825S).
UPC:
680160643745. 9 x 12
inches.
In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G.