(Lesson Book 1 2-CD Set). By Nancy Faber and Randall Faber. For Piano. Faber Pi...(+)
(Lesson Book 1 2-CD
Set). By Nancy Faber and
Randall Faber. For Piano.
Faber Piano Adventures®.
Primer/Level 1. CD only.
Faber Music #CD1016.
Published by Faber Music
(84 Early Intermediate Selections Spanning Seven Centuries - Medieval to Modern)...(+)
(84 Early Intermediate
Selections Spanning Seven
Centuries - Medieval to
Modern). Edited by
Willard A. Palmer. For
Piano. Piano Collection.
Essential Keyboard
Repertoire. Masterwork.
Early Intermediate /
Intermediate. Book. 160
pages. Published by
Alfred Music Publishing
Piano - easy to intermediate SKU: HL.49044781 12 Emotional Piano Piece...(+)
Piano - easy to
intermediate
SKU:
HL.49044781
12
Emotional Piano
Pieces. Composed by
Hans-Guenter Heumann.
This edition:
Paperback/Soft Cover.
Sheet music with CD.
Piano Solo. Twelve very
emotional New Age pieces
for piano take the
listeners on a musical
journey during which each
of them follows his heart
and his inner voice.
Expressive compositions:
melancholy and lamenting,
comforting,
affectionately soothing,
motivating, and.
Softcover. 72 pages.
Schott Music #ED22262.
Published by Schott Music
(HL.49044781).
ISBN
9783795744878.
This
third solo album for
piano, Go Your Own Way,
is dedicated to the
eternal question of which
path to take in life.
Twelve very emotional New
Age pieces for piano take
the pianist and the
audience on a musical
journey during which each
of them follows his heart
and his inner voice. The
road of life is often
rocky and paved with
tears. And yet, everybody
should take it as a
fighter and leave his own
mark. This requires
courage and confidence in
order not to despair or
be broken. The bottom
line of all this is that
the way is the goal and
that everybody has to go
it. These expressive
compositions are highly
nuanced like piano
playing, exciting, rich
in contrast and exploring
boundaries like life:
melancholy and lamenting,
comforting,
affectionately soothing,
motivating, confident,
breath-taking, and
passionate.
Twelve
very emotional New Age
pieces for piano take the
listeners on a musical
journey during which each
of them follows his heart
and his inner voice.
Expressive compositions:
melancholy and lamenting,
comforting,
affectionately soothing,
motivating, and
passionate.
Boogie for Piano Piano seul [Partition + CD] - Intermédiaire De Haske Publications
Piano - intermediate SKU: BT.0371-98-400-DHI 9 Boogie-Woogies for Pian...(+)
Piano - intermediate
SKU:
BT.0371-98-400-DHI
9 Boogie-Woogies for
Piano. Composed by
Kurt Brunthaler and
Markus Schenk. Jazz. Book
with CD. Composed 1998.
24 pages. De Haske
International
#0371-98-400 DHI.
Published by De Haske
International
(BT.0371-98-400-DHI).
ISBN 9789043101974.
International.
Nine
pieces in 1930’s
boogie woogie style with
play-along backingCD
featuring a live band.
Titles include: Best
Friend Boogie, BlueNote
Boogie, Cool Boogie and
Game Boy Boogie!
Boogie woogie, de
muziek uit de jaren 1930,
herleeft in dit boek.
Negen stukken, met
pakkende, eigentijdse
titels als Dino
Boogie en Game Boy
Boogie worden op de
bijgeleverde cd swingend
voorgespeeld en begeleid
dooreen fantastische live
boogie-band.
Mit
Begleitung der Combo auf
der CD macht das Spielen
dieser neun originalen
Boogie Woogies von Markus
Schenk und Kurt
Brunthaler richtig
Spaß!
Il
boogie-woogie ha fatto
danzare l’America
ed in seguito
l’Europa per un
decennio, al punto che
è difficile
immaginarsi gli anni
’30 con un altro
sottofondo musicale. Con
Boogie for Winds,
il boogiewoogie ha
conservato il suo
carattere originale. Sul
CD, ogni brano è
dapprima eseguito a
titolo dimostrativo. Lo
strumento solista può
in seguito interpretare i
nove brani “in
diretta†con
l’accompagnamento
di un ensemble
orchestrale.
Piano SKU: HL.268914 Piano. Composed by Sadie Harrison. Music Sale...(+)
Piano
SKU:
HL.268914
Piano. Composed by
Sadie Harrison. Music
Sales America. Classical.
Softcover. 8 pages.
Duration 120 seconds.
University of York Music
Press #M570367993.
Published by University
of York Music Press
(HL.268914).
This tiny piece
was written as a response
to hearing the premiere
of Nicola LeFanu's
momentous orchestral work
The Crimson Bird on 17
February 2017. Nicola was
my teacher and supervisor
from 1986 to 1989, during
my studies at King's
College London. Although
my formal study with her
lasted just these three
years, her influence on
my creative life has been
immense and invaluable,
and continues to be felt
in every piece I write.
Luna ... is marked 'A
starlit lullaby'. Its
final notes, E and F,
supply the letters of
Nicola's surname missing
from the title. The work
was recorded by Philippa
Harrison on Return of the
Nightingales-Music for
solo piano (Prima Facie
2017). - Sadie
Harrison.
A Guide for Complementing Melodies on the Keyboard. Piano Instruction. Improv...(+)
A Guide for Complementing
Melodies on the Keyboard.
Piano Instruction.
Improvisation,
Instruction.
Softcover Audio Online.
72
pages. Published by Hal
Leonard
An Innovative Method Enhanced with Audio and MIDI Files for Practice and Perform...(+)
An Innovative Method
Enhanced with Audio and
MIDI Files for Practice
and Performance. By Kenon
D. Renfrow, E. L.
Lancaster. For Piano.
Piano - Alfred's Group
Piano for Adults.
Alfred's Group Piano for
Adults. Book and CD-ROM.
360 pages. Published by
Alfred Publishing.
The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Com...(+)
The Greatest Love Of All
Composed by Michael
Masser, Linda Creed
Homecoming Composed by
Hagood Hardy
Weve Got Tonight Composed
by Bob Seger
Song From M*a*s*h
(Suicide Is Painless)
Composed by Johnny
Mandel, Mike Altman
Misty Composed by Erroll
Garner, Johnny Burke
Other Side Of Midnight
Composed by Michel
Legrand
The Rose Composed by
Amanda Mc Broom
Tears In Heaven Composed
by Eric Clapton, Will
Jennings
Theme From New York, New
York Composed by Fred
Ebb, John Kander
Heart Composed by Richard
Adler, Jerry Ross
Hey There Composed by
Richard Adler, Jerry Ross
Colors Of My Life
Composed by Cy Coleman,
Michael Stewart
Over The Rainbow Composed
by Harold Arlen, E.y.
Harburg
Separate Lives Love Theme
From "white Nights"
Theme From Ice Castles
Composed by Marvin
Hamlisch, Carole Bayer
Sager
Tonight I Celebrate My
Love Composed by Michael
Masser, Gerry Goffin
In This Life Composed by
Mike Reid, Allen Shamblin
Up Where We Belong
Composed by W Jennings, B
Sainte, Marie, J Nitzsche
From A Distance Composed
by Julie Gold
I Will Always Love You
Composed by Dolly Parton
Oh! What It Seemed To Be
Composed by Bennie
Benjamin, George David
Weiss, Frankie
I Believe I Can Fly
Composed by R. Kelly
Valentine Composed by Jim
Brickman, Jack Kugell
How Do I Live Composed by
Diane Warren
Colors Of The Wind
Composed by Stephen
Schwartz, Alan Menken
A Dream Is A Wish Your
Heart Makes Composed by
Mack David, Al Hoffman,
Jerry Livingston
see less... Tell Him
Composed by Linda
Thompson, David Foster
Con Te Patiro / Time To
Say Goodbye Composed by
Lucio Quarantotto,
Francesco Sartori
Karen's Theme Composed by
Richard Carpenter
The Prayer Composed by
Carole Bayer Sager, David
"babyface" Foster
My One True Friend
Composed by Carole Bayer
Sager, Carole King
Love Solo Composed by Dan
Coates
I Don't Want To Miss A
Thing Composed by Diane
Warren
As Time Goes By Composed
by Herman Hupfeld
La Vie En Rose Composed
by Louiguy, Piaf
(French), David (Eng.)
What's New? Composed by
Bob Haggart, Johnny Burke
Summer Me, Winter Me
Composed by Michel
Legrand, Alan, Marilyn
Bergman
Evergreen Composed by
Barbra Streisand, Paul
Williams
Arthur's Theme (Best That
You Can Do) Composed by
Burt Bacharach, Carole
Bayer Sager
Can You Read My Mind
Composed by John
Williams, Leslie Bricusse
Love And Marriage
Composed by Jimmy Van
Heusen, Sammy Cahn
Desperado Composed by Don
Henley, Glenn Frey
The Wind Beneath My Wings
Composed by Jeff Silbar,
Larry Henley
How Do You Keep The Music
Playing? Composed by
Michel Legrand, Alan
Bergman
Anywhere The Heart Goes
Composed by Henry
Mancini, Will Jennings
Once Before I Go Composed
by Dean Pitchford, Peter
Allen
Star Wars - Main Theme
Composed by John Williams
Open Arms Composed by
Steve Perry, Jonathan
Cain
Canon In D Composed by
Johann Pachelbel
That's What Friends Are
For Composed by Burt
Bacharach, Carole Bayer
Sager
Friends Or Lovers Both To
Each Composed by Paul
Gordon, Jay Gruska
Forever Composed by Kenny
Loggins, Eva Loggins,
David Foster
Saving All My Love For
You Composed by Gerry
Goffin, Michael Masser
Miss Celie's Blues
Composed by Quincy Jones,
Rod Temperton, And
Anne's Theme Composed by
Hagood Hardy
One Moment In Time
Composed by Albert
Hammond, John Bettis
Kei's Song Composed by
David Benoit
I Say A Little Prayer
Composed by Burt
Bacharach, Hal David
Happy Birthday To You
Composed by Mildred J.
Hill, Patty S. Hill
May You Always Composed
by Larry Marks, Dick
Charles
If My Friends Could See
Me Now Composed by Cy
Coleman, Dorothy Fields
You Can Always Count On
Me Composed by Cy
Coleman, David Zippel
Ashokan Farewell Composed
by Jay Ungar
Everything I Do I Do It
For You Composed by Bryan
Adams, Robert Lange,
Michael Kamen
Send In The Clowns
Composed by Stephen
Sondheim
She Loves Me Composed by
Sheldon Harnick, Jerry
Bock
How Could I Ever Know?
Composed by Marsha
Norman, Lucy Simon
My Unknown Someone
Composed by Cy Coleman,
Adolph Green, Betty
Comden
Favorite Son Composed by
Cy Coleman, Adolph Green,
Betty Comden
I Swear Composed by Gary
Baker, Frank Myers
I Can Love You Like That
Composed by S Diamond, M
Derry, J Kimball
Beauty And The Beast
Composed by Howard
Ashman, Alan Menken
Angel Eyes Composed by
Jim Brickman
If You Believe Composed
by Jim Brickman
Because You Loved Me
Composed by Diane Warren
Un-break My Heart
Composed by Diane Warren
Ragtime Composed by
Stephen Flaherty, Lynn
Ahrens
Complete Advanced Piano
Solos (Music for All
Occasions). Arranged by
Dan Coates. For solo
piano. Piano -
Intermediate / Advanced
Collection; Piano
Supplemental. The
Professional Touch
Series. Contemporary
Instrumental and Pop. SMP
Level 9 (Advanced).
Collection. Standard
notation (does not
include words to the
songs). 304 pages.
Published by Alfred Music
Publishing
By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Ma...(+)
By Dennis Alexander,
Gayle Kowalchyk, E. L.
Lancaster, Victoria
McArthur, and Martha
Mier. Edited by Morton
Manus. For Piano. Piano
Method. Premier Piano
Course. Book. 48 pages.
Published by Alfred
Publishing.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano
SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202.
What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement.
Piano SKU: AP.12-0571539637 Focus, practise, perform, engage. Comp...(+)
Piano
SKU:
AP.12-0571539637
Focus, practise,
perform, engage.
Composed by Mark Tanner.
Reference Textbooks;
Textbook - Piano. Faber
Edition. Book. Faber
Music #12-0571539637.
Published by Faber Music
(AP.12-0571539637).
ISBN 9780571539635.
English.
EPTA's The
Mindful Pianist presents
amateurs and
professionals with a
fresh perspective on
playing and performing.
Applying the concept of
mindfulness to the piano,
this invaluable text
explores the crucial
connection between mind
and body: how an alert,
focussed mind fosters
playing that is more
compelling, more refined
and ultimately more
rewarding. It tackles the
issues encountered by
pianists when practising,
performing, improvising
and preparing for an
exam: how to choose
repertoire and memorise
it; how to set about
making an initial survey
of a new piece; and how
to take a more
level-headed view of our
aspirations. Drawing on
the expert advice of 25
leading pianists and
educationalists, this
unique book offers a
wealth of exercises and
musical examples to help
every player succeed in
becoming a mindful
pianist.
Piano - advanced SKU: CR.977869 Composed by Various. Piano. Performance s...(+)
Piano - advanced
SKU:
CR.977869
Composed by
Various. Piano.
Performance score. With
music. Concordia
Publishing House #977869.
Published by Concordia
Publishing House
(CR.977869).
ISBN
9780758665850. 8.5 X 11
inches.
The hymn
tunes of master composers
such as Thomas Tallis
(TALLIS' CANON), Jean
Sibelius (FINLANDIA), and
Gustav Holst (THAXTED)
are featured in this
exceptional collection of
piano settings. The hymn
settings have been
written by modern-day
composers in a variety of
styles, forms, and
techniques. This
collection will be sought
after by students,
teachers, and church
musicians, and is great
for creative use in both
recitals and worship.
Contains:
TALLIS'
CANON by Thomas Tallis,
setting by Timothy
Shaw
SONG 1 by
Orlando Gibbons, setting
by Matthew Machemer
WESTMINSTER ABBEY by
Henry Purcell, setting by
Sandra Eithun
POTSDAM by Johann
Sebastian Bach, setting
by Mark Knickelbein
AUSTRIA by Franz
Joseph Haydn, setting by
Kevin Hildebrand
HYMN TO JOY by Ludwig
van Beethoven, setting by
David von Kampen
MENDELSSOHN DA PACEM
by Felix Mendelssohn,
setting by Jeffrey
Blersch
FINLANDIA by Jean
Sibelius, setting by Jon
D. Vieker
KINGSFOLD by Ralph
Vaughan Williams, setting
by Benjamin M. Culli
THAXTED by Gustav
Holst, setting by Jacob
B. Weber
Piano - Level 1 SKU: LO.50-1019 Interactive band method for students, ...(+)
Piano - Level 1
SKU:
LO.50-1019
Interactive band
method for students,
teachers & parents.
Composed by Mark T.
Barnard. Band Method.
Band method. Heritage
Music Press #50/1019.
Published by Heritage
Music Press (LO.50-1019).
UPC:
000308023206.
Begin
your band students'
learning journey on the
right foot with Now Go
Home and Practice!, a
book built on the
arrangements of James
Swearingen who is well
known for his musically
sound compositions for
young instrumentalists.
The book is sequenced so
that all instrumentalists
learn the same first
notes, allowing them to
start making music
together instantly! As
the book progresses,
pitches are introduced in
the order that makes the
most sense for each
instrument. For the
less-experienced teacher,
a guide for building a
band program is included.
Setting this method
apart, parental resources
are included. You can
spend your time
developing students'
technique instead of
drafting parent letters.
Student pages are also
included throughout this
comprehensive, 368-page
resource so you know what
the students and parents
in your program are
seeing. The student book
contains information
about instrument assembly
and care, playing
position, first tones,
and tuning as well as
parent tips.
(Piano Music Appropriate for the Auditions of the National Guild of Piano Teache...(+)
(Piano Music Appropriate
for the Auditions of the
National Guild of Piano
Teachers) Edited by
Ardella Schaub, June
Davidson, Leo Podolsky.
Collection for easy solo
piano. 48 pages.
Published by
Summy-Birchard Inc.
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB)
SKU:
HL.49042462
No.
1-4. Composed by Carl
Maria von Weber. Edited
by Markus Bandur. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. Op.
24+39+49+70. 372 pages.
Schott Music #WGA1071.
Published by Schott Music
(HL.49042462).
ISBN
9783795794637. German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Piano - easy SKU: BT.LCM9790570121779 Exam Material. Book Only. 36 pages....(+)
Piano - easy
SKU:
BT.LCM9790570121779
Exam Material. Book Only.
36 pages. London College
Music #LCM9790570121779.
Published by London
College Music
(BT.LCM9790570121779).
English.
London
College of Music Piano
handbooks contain all of
the material that is
needed to take an LCM
exam in a single
publication — a
wide selection of pieces,
all of the required
technical work, and
guidance and examples for
the supporting tests.
Accompanying the pieces
are performance notes
written by a team of
leading pianists,
teachers and composers,
bringing the music to
life with their unique
interpretative
insights.
Composed by Modest Petrovich Mussorgsky (1839-1881). Masterworks; Piano Solo; So...(+)
Composed by Modest
Petrovich Mussorgsky
(1839-1881). Masterworks;
Piano Solo; Solo; Solo
Small Ensembles. Kalmus
Edition. Classical
Period. Collection. With
standard notation,
fingerings and
introductory text (does
not include words to the
songs). 35 pages. Kalmus
Classic Edition
#00-K03688. Published by
Kalmus Classic Edition