(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edit...(+)
(Soli,Ch,Orch)
SKU:
BA.BA05938-01
Composed by Johann
Sebastian Bach. Edited by
Manuel Bärwald. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Sebastian Bach. Neue
Ausgabe samtlicher Werke.
Revidierte Edition
(NBArev) 6. Edition of
selected works, Score.
Composed 1725. BWV 245.
Baerenreiter Verlag
#BA05938_01. Published by
Baerenreiter Verlag
(BA.BA05938-01).
ISBN
9790006556335. 33 x 26.2
cm inches. Language:
German. Preface: Barwald,
Manuel.
The St.
John Passion, Bach's
first passion oratorio,
can hardly be understood
asonework. Between 1724
and 1750 the work was
performed at least four
times in various Leipzig
churches under the
composer's direction and
for every one of these
occasions it was revised
- sometimes quite
substantially.
Thi
s edition presents the
St. John Passion in its
second version of 1725,
of which only excerpts
were rendered in the New
Bach Edition volume II/4
(1973). This version as
well as the last one of
1749 constitute the two
versions that have come
down to us almost in
their
entirety.
Most
recently found sources -
in particular the
libretto print of the
passion rediscovered in
2015 - are taken into
consideration in this
edition for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Feel the Spirit Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Oxford University Press
(A cycle of spirituals). Composed by John Rutter (1945-). For mezzo-soprano voic...(+)
(A cycle of spirituals).
Composed by John Rutter
(1945-). For
mezzo-soprano voice solo,
SATB choir, large
orchestra/chamber
orchestra. Mixed Voices.
Vocal score. Duration 30
minutes. Published by
Oxford University Press
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB ch...(+)
Solo tenor voice
(Evangelist), solo bass
voice (Jesus), SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
violins, viola, viola da
gamba, basso continuo
SKU: CA.3124582
Version IV.
Composed by Johann
Sebastian Bach. Edited by
Peter Wollny. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title:
Johannespassion 1749.
Innovative practice aids,
Sacred vocal music,
Oratorios, Passions, Lent
and Passiontide. Single
Part, Laute. Composed
1749. BWV 245. 4 pages.
Duration 120 minutes.
Carus Verlag #CV
31.245/82. Published by
Carus Verlag
(CA.3124582).
ISBN
9790007211448. Language:
German/English.
Wit
h the unfinished revision
(1739) as an appendix.
The St. John Passion
ranks among the great
vocal works from Bach's
Leipzig years. In
contrast to his other
large-scale choral works,
however, Bach never gave
this work a definitive
final form. Rather, for
every performance he made
numerous changes. All
previous editions of the
St. John Passion have
combined readings from
various layers of
sources. The wish often
expressed by conductors
to perform an authentic
version is made possible
for the first time with
the present edition in
this fourth and final
version which was
performed under Bach's
direction in 1749. At the
same time, with the aid
of the appendix it is
possible to perform the
work in the traditional
mixed version.. Score and
part available separately
- see item
CA.3124500.
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB ch...(+)
Solo tenor voice
(Evangelist), solo bass
voice (Jesus), SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
violins, viola, viola da
gamba, basso continuo
SKU: CA.4033140
Version IV.
Composed by Johann
Sebastian Bach. Arranged
by Paul Horn. Hymns by
Martin Luther: War Gott
nicht mit uns diese Zeit.
German title: Faksimile
Johannes-Passion Bwv 245.
Post card. Composed 1749.
BWV 245. 100 pages.
Duration 120 minutes.
Carus Verlag #CV
40.331/40. Published by
Carus Verlag
(CA.4033140).
ISBN
9790007104825. Language:
German/English.
Wit
h the unfinished revision
(1739) as an appendix.
The St. John Passion
ranks among the great
vocal works from Bach's
Leipzig years. In
contrast to his other
large-scale choral works,
however, Bach never gave
this work a definitive
final form. Rather, for
every performance he made
numerous changes. All
previous editions of the
St. John Passion have
combined readings from
various layers of
sources. The wish often
expressed by conductors
to perform an authentic
version is made possible
for the first time with
the present edition in
this fourth and final
version which was
performed under Bach's
direction in 1749. At the
same time, with the aid
of the appendix it is
possible to perform the
work in the traditional
mixed version.. Score
available separately -
see item CA.4033100.
Der
Fromme stirbt.
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. This
edition: Paperbound,
Complete edition.
Gottfried August Homilius
- Selected Works.
Johannespassion Ga 3.
Innovative practice aids,
Sacred vocal music,
Passions. Single Part,
Organ. HoWV I.4. 80
pages. Duration 119
minutes. Carus Verlag #CV
37.103/49. Published by
Carus Verlag
(CA.3710349).
ISBN
9790007091354. Language:
German.
The
oratorio Passions by
Homilius were among the
last compositions of
their kind in the 18th
century. In an oratorio
Passion the chorus is
restricted mainly to
singing the chorales and
the interjections of the
crowd; only the
conclusion of a Passion
provides an opportunity
for an extensive choral
movement. In the St. John
Passion the final chorus
emphasizes the supreme
importance of the
Crucifixion as the climax
of St. John's Gospel. The
free elements of the
composition take the
forms customary at the
time: da capo arias are
predominant. Score and
part available separately
- see item
CA.3710300.
St. John Passion (Johannes-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Der
Fromme stirbt.
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. This
edition: Complete
edition. 1x 37.103/21
flute 1, 1x 37.103/22
flute 2, 1x 37.103/23
oboe 1, 1x 37.103/24 oboe
2, 2x 37.103/25 bassoon,
1x 37.103/31 horn 1, 1x
37.103/32 horn 2.
Gottfried August Homilius
- Selected Works.
Johannespassion Ga 3.
Innovative practice aids,
Sacred vocal music,
Passions. Set of
Orchestra Parts. HoWV
I.4. 136 pages. Duration
119 minutes. Carus Verlag
#CV 37.103/09. Published
by Carus Verlag
(CA.3710309).
ISBN
9790007214234. Language:
German.
The
oratorio Passions by
Homilius were among the
last compositions of
their kind in the 18th
century. In an oratorio
Passion the chorus is
restricted mainly to
singing the chorales and
the interjections of the
crowd; only the
conclusion of a Passion
provides an opportunity
for an extensive choral
movement. In the St. John
Passion the final chorus
emphasizes the supreme
importance of the
Crucifixion as the climax
of St. John's Gospel. The
free elements of the
composition take the
forms customary at the
time: da capo arias are
predominant. Score and
parts available
separately - see item
CA.3710300.
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB ch...(+)
Solo tenor voice
(Evangelist), solo bass
voice (Jesus), SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
violins, viola, viola da
gamba, basso continuo
SKU: CA.3124581
Version IV.
Composed by Johann
Sebastian Bach. Edited by
Peter Wollny. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title:
Johannespassion 1749.
Innovative practice aids,
Sacred vocal music,
Oratorios, Passions, Lent
and Passiontide. Single
Part, 2 Violen d'amore.
Composed 1749. BWV 245. 8
pages. Duration 120
minutes. Carus Verlag #CV
31.245/81. Published by
Carus Verlag
(CA.3124581).
ISBN
9790007211431. Language:
German/English.
Wit
h the unfinished revision
(1739) as an appendix.
The St. John Passion
ranks among the great
vocal works from Bach's
Leipzig years. In
contrast to his other
large-scale choral works,
however, Bach never gave
this work a definitive
final form. Rather, for
every performance he made
numerous changes. All
previous editions of the
St. John Passion have
combined readings from
various layers of
sources. The wish often
expressed by conductors
to perform an authentic
version is made possible
for the first time with
the present edition in
this fourth and final
version which was
performed under Bach's
direction in 1749. At the
same time, with the aid
of the appendix it is
possible to perform the
work in the traditional
mixed version.. Score and
part available separately
- see item
CA.3124500.
St. John Passion (Johannes-Passion) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Der
Fromme stirbt.
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. This
edition: Complete
edition. Gottfried August
Homilius - Selected
Works. Johannespassion Ga
3. Innovative practice
aids, Sacred vocal music,
Passions. Set of
Orchestra Parts. HoWV
I.4. Duration 119
minutes. Carus Verlag #CV
37.103/19. Published by
Carus Verlag
(CA.3710319).
ISBN
9790007134303. Language:
German.
The
oratorio Passions by
Homilius were among the
last compositions of
their kind in the 18th
century. In an oratorio
Passion the chorus is
restricted mainly to
singing the chorales and
the interjections of the
crowd; only the
conclusion of a Passion
provides an opportunity
for an extensive choral
movement. In the St. John
Passion the final chorus
emphasizes the supreme
importance of the
Crucifixion as the climax
of St. John's Gospel. The
free elements of the
composition take the
forms customary at the
time: da capo arias are
predominant. Score and
parts available
separately - see item
CA.3710300.
Der Fromme stirbt.
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. This
edition: Paperbound,
Complete edition.
Gottfried August Homilius
- Selected Works.
Johannespassion Ga 3.
Innovative practice aids,
Sacred vocal music,
Passions. Study score.
HoWV I.4. Duration 119
minutes. Carus Verlag #CV
37.103/07. Published by
Carus Verlag
(CA.3710307).
ISBN
9790007142742. Language:
German.
The
oratorio Passions by
Homilius were among the
last compositions of
their kind in the 18th
century. In an oratorio
Passion the chorus is
restricted mainly to
singing the chorales and
the interjections of the
crowd; only the
conclusion of a Passion
provides an opportunity
for an extensive choral
movement. In the St. John
Passion the final chorus
emphasizes the supreme
importance of the
Crucifixion as the climax
of St. John's Gospel. The
free elements of the
composition take the
forms customary at the
time: da capo arias are
predominant. Score
available separately -
see item CA.3710300.
Der
Fromme stirbt.
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. This
edition: Complete
edition. Gottfried August
Homilius - Selected
Works. Johannespassion Ga
3. Innovative practice
aids, Sacred vocal music,
Passions. Choral Score.
HoWV I.4. Duration 119
minutes. Carus Verlag #CV
37.103/05. Published by
Carus Verlag
(CA.3710305).
ISBN
9790007127435. Language:
German.
The
oratorio Passions by
Homilius were among the
last compositions of
their kind in the 18th
century. In an oratorio
Passion the chorus is
restricted mainly to
singing the chorales and
the interjections of the
crowd; only the
conclusion of a Passion
provides an opportunity
for an extensive choral
movement. In the St. John
Passion the final chorus
emphasizes the supreme
importance of the
Crucifixion as the climax
of St. John's Gospel. The
free elements of the
composition take the
forms customary at the
time: da capo arias are
predominant. Score
available separately -
see item CA.3710300.
(Wie der Hirsch schreit). Composed by Felix Bartholdy Mendelssohn (1809-1847). E...(+)
(Wie der Hirsch schreit).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
John Michael Cooper. For
solo voices, choir,
orchestra (soprano voice
solo/2 tenor voice
solos/2 bass voice
solos/SATB choir/2
flutes/2 oboes/2
clarinets/2 bassoons/4
horns/2 trumpets/3
trombones/timpani/2
violins/viola/cello/doubl
e bass/organ). This
edition: Urtext edition.
Paperback. Score.
Language: German/English,
Text Language:
German/English. Opus 42.
Published by Baerenreiter
Verlag
A
Symphony-Cantata after
Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper.
Arranged by Felix
Bartholdy Mendelssohn.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. Vocal
Score. Opus 52, MWV A 18.
Baerenreiter Verlag
#BA09092_90. Published by
Baerenreiter Verlag
(BA.BA09092-90).
ISBN
9790006565801. 27 x 19 cm
inches. Text Language:
German, English. Preface:
John Michael Cooper.
Text: Mendelssohn
Bartholdy, Felix (nach
der Luther-Bibel und
Martin Rinckart) /
Monicke, Charles
Henry.
Serenade in three
parts. Composed by
George Frideric Handel.
Edited by Artie Heinrich.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) I, 9.2. 2nd
version. Complete
edition, Score. HWV 49.
Duration 1 hour, 20
minutes. Baerenreiter
Verlag #BA10700_00.
Published by Baerenreiter
Verlag (BA.BA10700).
ISBN 9790006550135. 33
x 26 cm inches. Text
Language: English,
Italian. Preface:
Heinrich, Artie. Text:
Gay, John / Hughes, John
/ Pope, Alexander /
Giuvo,
Nicola.
Handel set
the myth about the love
of the shepherd Acis for
the sea nymph Galatea
from Ovid’s
“Metamorphosesâ€
a total of three
times: in the cantata
“Aci, Galatea e
Polifemo†HWV 72
(1708), the masque
“Acis and
Galatea†HWV 49a
(1718) and finally the
pasticcio-like serenata
“Acis and
Galatea†HWV 49b
(1732) of which the
original version is now
made available in its
complete form for the
first time.
A
particular charm is
provided by the use of
two languages in the
serenata. The work was
originally conceived in
English, as was required
for the first
performance. However,
Handel’s Italian
singers were criticised
for their poor command of
English, – so in
the end, many numbers
were sung in Italian.
The extensive
appendix to the vocal
score includes the
additional arias and
newly composed movements
for the versions used in
the 1734 and 1736
performances.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Four Passion Meditations Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Oxford University Press
Composed by Bob Chilcott. Vocal score. 28 pages. Duration 15'. Oxford University...(+)
Composed by Bob Chilcott.
Vocal score. 28 pages.
Duration 15'. Oxford
University Press
#9780193519763. Published
by Oxford University
Press (OU.9780193519763).
Messiah HWV 56 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Reduction] Barenreiter
(Oratorio in three parts). By George Frideric Handel (1685-1759). Edited by John...(+)
(Oratorio in three
parts). By George
Frideric Handel
(1685-1759). Edited by
John Tobin; Max
Schneider. For soprano
voice solo, 2 alto voice
solos, tenor voice solo,
bass voice solo, SSATB
choir, 2 oboes, bassoon,
2 trumpets, timpani,
strings, basso continuo.
This edition: Paperback,
Urtext edition. Level 4;
UK Grade 7. Piano
reduction. Language:
English. HWV 56. Duration
3 hours. Published by
Baerenreiter Verlag
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Special days.
Choral Score. Composed
1738(?). BWV 30. 12
pages. Duration 40
minutes. Carus Verlag #CV
31.030/05. Published by
Carus Verlag
(CA.3103005).
ISBN
9790007205386. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violin 2. Sacred vocal
music, Cantatas, Special
days. Single Part, Violin
2. Composed 1738(?). BWV
30. 12 pages. Duration 40
minutes. Carus Verlag #CV
31.030/12. Published by
Carus Verlag
(CA.3103012).
ISBN
9790007205416. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and part available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. 1x 31.030/21
flute 1, 1x 31.030/22
flute 2, 1x 31.030/23
oboe 1, 1x 31.030/24 oboe
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Special days. Set of
Orchestra Parts. Composed
1738(?). BWV 30. Duration
40 minutes. Carus Verlag
#CV 31.030/09. Published
by Carus Verlag
(CA.3103009).
ISBN
9790007205393. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and parts available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Viola. Sacred vocal
music, Cantatas, Special
days. Single Part, Viola.
Composed 1738(?). BWV 30.
12 pages. Duration 40
minutes. Carus Verlag #CV
31.030/13. Published by
Carus Verlag
(CA.3103013).
ISBN
9790007205423. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and part available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Special days.
Single Part, Cello/Double
Bass. Composed 1738(?).
BWV 30. 16 pages.
Duration 40 minutes.
Carus Verlag #CV
31.030/14. Published by
Carus Verlag
(CA.3103014).
ISBN
9790007205430. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and part available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas, Special
days. Set of Orchestra
Parts. Composed 1738(?).
BWV 30. Duration 40
minutes. Carus Verlag #CV
31.030/19. Published by
Carus Verlag
(CA.3103019).
ISBN
9790007140229. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and parts available
separately - see item
CA.3103000.
Cantata for the Feast
of John the Baptist.
Composed by Johann
Sebastian Bach. Edited by
Julia Doht. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Special
days. Single Part, Organ.
Composed 1738(?). BWV 30.
24 pages. Duration 40
minutes. Carus Verlag #CV
31.030/49. Published by
Carus Verlag
(CA.3103049).
ISBN
9790007205447. Text
language:
German/English.
The
cantata Freue dich,
erloste Schar BWV 30 is
one of Bach's last church
cantatas. Originally
composed as a parody of
the cantata Angenehmes
Wiederau BWV 30a for the
Feast of St. John's Day
in 1738, it still enjoys
a great popularity today.
Its extraordinary length
(12 movements) made it
possible for Bach to
employ four vocal
soloists who, together
with instrumental
soloists, choir and
orchestra contribute to
the generally festive
character of this work.
Score and part available
separately - see item
CA.3103000.
Arranged by Johann
Sebastian Bach and
ed./arr. by Gustav
Schreck/ John Ebenezer
West/ German libretto by
Martin Luther. English
translation by Paul
England. Choral Octavo.
Kalmus Choral Library.
Score. LudwigMasters
Publications #36-A249391.
Published by
LudwigMasters
Publications
(AP.36-A249391).
ISBN
9781932419481. UPC:
659359518904.
English.
The
CANTATA No. 4: CHRIST LAG
IN TODES BANDEN, BWV 4,
is one of the earliest
church cantatas by J.S.
Bach (1685-1750). Bach
wrote it for an
application to a job
opportunity at a Lutheran
church in Mulhausen. It
is the first of his
cantatas to construct its
textual and melodic
material on a chorale.
His first cantata for
Easter Sunday, it was
later revised in Leipzig
in 1724 and 1725 with
additional instrumental
parts in order to harness
the rich musical
resources available to
the composer. The
original version has not
survived. The piano
reduction for this vocal
score was completed by
Gustav Schreck, and the
edition was edited by
John Ebenezer West.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Holy Wee...(+)
Composed by Howard
Goodall
(1958-).
Multi-Movement/Large
Choral Work. Holy Week,
Lent,
Triduum/Three Days,
Tenebrae,
21st Century.
Vocal/choral
score. Published by
MorningStar Music
Publishers