(2+1.2+1.2(+1).2(+1)/4.4. 3.1,timp,3 perc,hp,str)

SKU: TM.13330SC

Composed by Gustav Holst. Score. Published by Lucks Music Library (TM.13330SC).

Comic opera The Perfect Fool in 1918-22, which begins with a ballet danced by Spirits of Earth, Water, and Fire. Optional instruments: Flute II, Oboe II, Trumpets III-IV, Xylophone, and Celeste.

(2+1.2+1.2(+1).2(+1)/4.4. 3.1,timp,3 perc,hp,str)

SKU: TM.13330SET

Composed by Gustav Holst. Set Type: D. Set of parts. Published by Lucks Music Library (TM.13330SET).

Comic opera The Perfect Fool in 1918-22, which begins with a ballet danced by Spirits of Earth, Water, and Fire. Optional instruments: Flute II, Oboe II, Trumpets III-IV, Xylophone, and Celeste.

SATB divisi with S, S, MS, and ATB Soli (German Language Edition). Composed by Robert Schumann. Choral Extended Work; Larger Works; Masterworks; Performance Music Ensemble. Kalmus Edition. Masterwork; Romantic; Secular. Book. 120 pages. Kalmus Classic Edition #00-K06780. Published by Kalmus Classic Edition

Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Tenor Voice Solo, Alto Voice Solo, Bass Voice Solo, Mixed choir:SSATB, Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, 3V, Va, Bassi(Vc, double bass, bassoon, harpisc., Org))

SKU: BA.BA04014

Oratorio in three acts. Composed by George Frideric Handel. Edited by Kenneth Nott. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 30. Complete edition, Score. HWV 70. Baerenreiter Verlag #BA04014_00. Published by Baerenreiter Verlag (BA.BA04014).

ISBN 9790006442935. 33 x 26 cm inches. Text Language: English. Preface: Nott, Kenneth. Text: Thomas Morell.

“Jeph tha” is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind.
In “Jephtha”, Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis , thereby portraying convincing and complex characters.

The chorus “How Dark, O Lord, are Thy Decrees” at the end of part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.

The vocal score is based on volume I/30 of the “Halle Handel Edition” (BA 4014), which contains the complete critical version of the music of the oratorio for the first time.

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MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
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Composed by Antonio Vivaldi (1678-1741). For SATB vocal soli, SATB/SATB choir, 2 orchestras: 2 oboes, 2 trumpets, 2 violins, viola, basso continuo, [timpani]. Stuttgart Urtext Edition. German title: Dixit Dominus. Cantatas, Motets, Epiphany, Daily hours. Level 4. Complete orchestral parts. Language: Latin/English. RV 594. Duration 25 minutes. Published by Carus Verlag

(2.2.0.1/2.3.0.0,timp,org ,str)

SKU: TM.07119SC

Composed by George Frideric Handel. Score. Lucks Music Library #A2615. Published by Lucks Music Library (TM.07119SC).

Vocal Score I - in English, okay but not perfect match to orchestral parts. Parts written to match Vocal Score II - in German. Not compatible with Schirmer vocal score.

(2.2.0.1/2.3.0.0,timp,org ,str)

SKU: TM.07119SET

Composed by George Frideric Handel. Set Type: A. Set of parts. Published by Lucks Music Library (TM.07119SET).

Vocal Score I - in English, okay but not perfect match to orchestral parts. Parts written to match Vocal Score II - in German. Not compatible with Schirmer vocal score.

Composed by Bob Chilcott. Vocal score. 48 pages. Duration 10'. Published by Oxford University Press (OU.9780193417304).