Violin - intermediate SKU: BT.DOW-04528-400 Violin, Strings and Basso ...(+)
Violin - intermediate
SKU:
BT.DOW-04528-400
Violin, Strings and
Basso Continuo.
Composed by Antonio
Vivaldi. Dowani 3 Tempi
Play Along. Book with CD.
Composed 2010. 16 pages.
Dowani #DOW 04528-400.
Published by Dowani
(BT.DOW-04528-400).
Violin - easy to intermediate SKU: HL.49005772 Christmas Music Violin ...(+)
Violin - easy to
intermediate
SKU:
HL.49005772
Christmas Music Violin
and Piano. Composed
by Various. Edited by
Curt Bö and hme. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 52 pages.
Schott Music #ED5550.
Published by Schott Music
(HL.49005772).
ISBN
9790001062367. UPC:
884088072544.
9.0x12.0x0.155
inches.
(Violin Part). For violin. Method/Instruction; SmartMusic; String - Violin (Suzu...(+)
(Violin Part). For
violin.
Method/Instruction;
SmartMusic; String -
Violin (Suzuki). Suzuki
Violin School.
Instructional and
Technique. Instructional
book. 28 pages. Published
by Alfred Music
Publishing
(Violin Part). Composed by Dr. Shinichi Suzuki. For Violin. This edition: Revise...(+)
(Violin Part). Composed
by Dr. Shinichi Suzuki.
For Violin. This edition:
Revised. Book; CD;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. 32 pages.
Published by Alfred Music
(Violin Part). Composed by William Preucil, Jr. and Shinichi Suzuki. For Violin....(+)
(Violin Part). Composed
by William Preucil, Jr.
and Shinichi Suzuki. For
Violin. This edition:
Revised. Book;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. Published by
Alfred Music
Violin SKU: AP.44719 Volume 8. International Edition. By Li...(+)
Violin
SKU:
AP.44719
Volume
8. International
Edition. By Linda
Perry and William
Preucil, Jr. This
edition:
Performance/Accompaniment
CD; International.
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. CD. Alfred Music
#00-44719. Published by
Alfred Music (AP.44719).
ISBN 9781470627508.
UPC: 038081508375.
English.
Teach
violin with the popular
Suzuki Violin School. The
Suzuki Method of Talent
Education is based on
Shinichi Suzuki's view
that every child is born
with ability, and that
people are the product of
their environment.
According to Shinichi
Suzuki, a world-renowned
violinist and teacher,
the greatest joy an adult
can know comes from
developing a child's
potential so he/she can
express all that is
harmonious and best in
human beings. Students
are taught using the
mother-tongue approach.
Each series of books for
a particular instrument
in the Suzuki Method is
considered a Suzuki music
school, such as the
Suzuki Violin School.
Suzuki lessons are
generally given in a
private studio setting
with additional group
lessons. The student
listens to the recordings
and works with their
Suzuki violin teacher to
develop their potential
as a musician and as a
person.
This
performance/accompaniment
CD of the Suzuki violin
method, Volume 8, is
integral for Suzuki
violin lessons and
features recordings by
William Preucil Jr. and
piano accompaniments by
Linda Perry, as well as
piano accompaniments
recorded alone.
The
Suzuki Method is based on
the principle that all
children possess ability
and that this ability can
be developed and enhanced
through a nurturing
environment. All children
learn to speak their own
language with relative
ease and if the same
natural learning process
is applied in teaching
other skills, these can
be acquired as
successfully. Suzuki
referred to the process
as the Mother Tongue
Method and to the whole
system of pedagogy as
Talent Education. The
important elements of the
Suzuki approach to
instrumental teaching
include the following:an
early start (aged 3-4 is
normal in most
countries); the
importance of listening
to music; learning to
play before learning to
read; -the involvement of
the parent; a nurturing
and positive learning
environment; a high
standard of teaching by
trained teachers; the
importance of producing a
good sound in a balanced
and natural way; core
repertoire, used by
Suzuki students across
the world; social
interaction with other
children. Suzuki students
from all over the world
can communicate through
the language of
music.
(Piano Acc.). Composed by Dr. Shinichi Suzuki. For Violin. This edition: Revised...(+)
(Piano Acc.). Composed by
Dr. Shinichi Suzuki. For
Violin. This edition:
Revised. Book;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. 40 pages.
Published by Alfred Music
11 Well-Known Pieces for Solo Violin As Part of a String Quartet. Fentone Play A...(+)
11 Well-Known Pieces for
Solo Violin As Part of a
String Quartet. Fentone
Play Along Books. Book
and CD Package. Size 9x12
inches. 20 pages.
Published by Fentone
Music/De Haske.
For Violin. Composed by Various. Music Sales America. Classical Period, Broadway...(+)
For Violin. Composed by
Various. Music Sales
America. Classical
Period, Broadway and
Folk. Violin solo book
(no accompaniment,
softcover). 96 pages.
Music Sales #AM33671.
Published by Music Sales
By Andrew Skirrow (Arranger) ; Christopher Hussey (Arranger). For Violin. Baroqu...(+)
By Andrew Skirrow
(Arranger) ; Christopher
Hussey (Arranger). For
Violin. Baroque, Popular,
Classical, Play Along.
Sheet Music and Audio
CDs. 32 pages. Published
by Wise Publications.
By Koji Toyoda. Arranged by Dr. Shinichi Suzuki. This edition: Performance CD. M...(+)
By Koji Toyoda. Arranged
by Dr. Shinichi Suzuki.
This edition: Performance
CD. Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. Instructional and
Technique. Performance
CD. 1 pages. Alfred Music
#00-0919. Published by
Alfred Music
by Craig Duncan. For violin. solos. Building Excellence. Classic. Level: Beginni...(+)
by Craig Duncan. For
violin. solos. Building
Excellence. Classic.
Level: Beginning. Book.
Size 8.75x11.75. 40
pages. Published by Mel
Bay Publications, Inc.
Violin - Grade 7 SKU: TL.TCL014870 Repertoire. Trinity College London #TC...(+)
Violin - Grade 7
SKU:
TL.TCL014870
Repertoire. Trinity
College London #TCL
014870. Published by
Trinity College London
(TL.TCL014870).
ISBN
9780857364609.
Sele
cted pieces for Trinity
College London violin
exams for 2016-2019,
expertly graded and
edited by leading music
educators. This item
contains only the violin
part.
(Violin). Arranged by Colin Cowles. For Violin. Fentone Instrumental Books. Play...(+)
(Violin). Arranged by
Colin Cowles. For Violin.
Fentone Instrumental
Books. Play Along. Book
with CD. 24 pages.
Fentone Music #F831.
Published by Fentone
Music . Sheet music +
CD. Play Along.
Play Handel (Violin) Violon [Partition + CD] - Intermédiaire De Haske Publications
Violin. By George Frideric Handel. (Violin). De Haske Play-Along Book. Book & CD...(+)
Violin. By George
Frideric Handel.
(Violin). De Haske
Play-Along Book. Book &
CD Package. Size 9x12
inches. 24 pages.
Published by De Haske
Publications.
(Violin Easy Instrumental Play-Along Book with Online Audio Tracks). By Various....(+)
(Violin Easy Instrumental
Play-Along Book with
Online Audio Tracks). By
Various. For Violin
(Violin). Easy
Instrumental Play-Along.
Softcover. 8 pages.
Published by Hal Leonard
Violin Position Shifts Violon [Partition + Accès audio] - Intermédiaire De Haske Publications
36 pieces with position changes. Method. Book with Online Audio. Composed 20...(+)
36 pieces with position
changes. Method. Book
with
Online Audio. Composed
2021.
64 pages. De Haske
Publications #DHP
1053839-404.
Published by De Haske
Publications
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Bongos, Cello, Clarinet,
Contrabass, Crotales,
Cymbals, English Horn,
Field Drum, Flute,
Glockenspiel, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Piano, Snare
Drum, Triangle, Trumpet,
Vibraphone, Viola and
more.
SKU:
PR.416411770
For
Violin, Piano, and
Chamber Orchestra.
Composed by William
Kraft. Full score. With
Standard notation.
Duration 17 minutes.
Theodore Presser Company
#416-41177. Published by
Theodore Presser Company
(PR.416411770).
UPC:
680160091508.
I was
tempted to call the piece
Throw Back because it
consciously employs
rhythmic and harmonic
approaches characteristic
of the earlier part of
the twentieth century,
much of which plays a
part in forging my
musical personality.
Going along with the
impetus, I have paid
homage by subtly
interpolating stylistic
or actual references to
such unexpected
bedfellows as Scriabin,
Ravel, Debussy, Piston,
Roussel, and Ysaye. I
hope I will be musically
forgiven. In one
continuous movement,
there are three definite
internal sections:
Presto-Largo-Allegro. The
first section opens with
a very soft percussion
cadenza. If the acoustics
allow it, the player will
use sponge pottery
mallets (sponge-headed
mallets employed to
smooth the interior of a
pot as it is being
spin-dried). No matter
how hard the
percussionist strikes the
drums, the dynamic cannot
go above pp (pianissimo).
This cadenza serves as a
basis for the first
movement. The elements of
the cadenza are taken by
the orchestra to make the
first major statement,
similar to the classical
concerto; but rather than
making a restatement, the
soloists, when they come
in, begin with
variational ideas. The
second section is given
over to the soloists, and
is lyrical. The third
section begins with an
alternation between
strict rhythmic pulsation
and free-sounding
timbres, as if reluctant
to leave the second
section behind. The
rhythmic aspect takes
over more and more as the
piece progresses toward
its conclusion. Double
Play was commissioned by
the Saint Paul Chamber
Orchestra with financial
assistance from the
Northwest Area
Foundation. It received
its premiere on January
7, 1983, in St. Paul,
with the St. Paul Chamber
Orchestra; Pinchas
Zukerman, violinist; Marc
Neikrug, piano; and the
composer conducting.