For High Voice and Piano. Composed by Francis Poulenc (1899-1963). Vocal Coll...(+)
For High Voice and Piano.
Composed by Francis
Poulenc
(1899-1963). Vocal
Collection. Softcover.
168
pages. Editions Durand
#DF16403. Published by
Editions Durand
27 Christmas Favorites - Includes A Play-Along CD in Today's Musical Styles (Flu...(+)
27 Christmas Favorites -
Includes A Play-Along CD
in Today's Musical Styles
(Flute Book). By Benjamin
R. Hanby; Felix
Mendelssohn Bartholdy;
Franz Gruber; George
Frideric Handel; James
Pierpont; James R.
Murray; John Francis
Wade; John Henry Hopkins;
Lewis Redner; Richard
Storrs Willis;
Theodoricus Petrus Of
Nyland; Thomas Helmore.
Arranged by Sandy
Feldstein. Text: Charles
Wesley; Edmund H. Sears;
John Francis Wade; John
Mason Neale; Joseph Mohr;
Phillips Brooks. For
Flute. Score and Audio
CD. 32 pages. Published
by Carl Fischer. (O5543)
27 Christmas Favorites (Alto Sax Book - Includes CD). By Benjamin R. Hanby; Feli...(+)
27 Christmas Favorites
(Alto Sax Book - Includes
CD). By Benjamin R.
Hanby; Felix Mendelssohn
Bartholdy; Franz Gruber;
George Frideric Handel;
James Pierpont; James R.
Murray; John Francis
Wade; John Henry Hopkins;
Lewis Redner; Richard
Storrs Willis;
Theodoricus Petrus Of
Nyland; Thomas Helmore.
Arranged by Sandy
Feldstein. Text: Charles
Wesley; Edward H. Sears;
John Francis Wade; John
Mason Neale; William
Sandy. For Alto
Saxophone. Score and
Audio CD. 32 pages.
Published by Carl
Fischer.
Piano SKU: BR.MN-901 17 Landschaften und ihre Musik. Composed by F...(+)
Piano
SKU:
BR.MN-901
17
Landschaften und ihre
Musik. Composed by
Francis Schneider. Solo
instruments; Softcover.
Musikverlag Nepomuk.
Francis Schneider
improvisiert am Klavier.
Er schreibt zu seinem
Werk: Die 17 Orte in
diesem Buch sind Orte, zu
welchen ich eine starke
Beziehung habe: Sie
wecken Musik in mir.
...
Music pedagogy.
Book. Breitkopf and
Haertel #MN 901.
Published by Breitkopf
and Haertel (BR.MN-901).
ISBN 9783765199233.
8.5 x 8.5
inches.
... Back at
home, at the instrument,
I put myself in a relaxed
state and connect
inwardly with the place
in question. Music
emerges, I let it flow,
give it form, give it
time and space. IT plays,
I just let it happen.In
each piece I start from a
theme characteristic of
the corresponding place
and then let the music
unfold freely. Nothing is
written down. The only
thing that counts is the
place, its music and the
play in the here and
now.The 17
places:Engelberg, Ridges
on the Stoos, Comologno:
La Barca, Grosser Mythen,
Above Brione sopra
Minusio, Juf, Grimsel,
The Silsersee, The
Caumasee near Flims, By
the Lac des Tailleres,
The Murg Lakes, St.
Ursanne, The Giessbach
Falls, The
Klimsenkapelle, By
Lavertezzo, Creux-du-Van,
By the Castle of
Leuk.
Francis
Schneider improvises on
the piano. He writes of
his work, The 17 places
in this book are places
to which I have a strong
relationship: They awaken
music in me. ....
Piano SKU: BR.MN-903 Meditatives Improvisieren am Klavier. Compose...(+)
Piano
SKU:
BR.MN-903
Meditatives
Improvisieren am
Klavier. Composed by
Francis Schneider. Solo
instruments; Softbound.
Musikverlag Nepomuk. Fast
nichts und doch so viel
stammt aus der Feder des
Pianisten,
Klavierpadagogen und
Nepomuk-Verlegers Francis
Schneider. Der Autor
schreibt im Vorwort:
Meditative
Klavierimprovisation ist
auf allen Stufen
faszinierend, bereichernd
und begluckend. Music
pedagogy. Book. Composed
2011. 92 pages. Breitkopf
and Haertel #MN 903.
Published by Breitkopf
and Haertel (BR.MN-903).
ISBN 9783765199257.
8.5 x 8.5 inches.
German.
Das Heft
richtet sich an alle, die
seit etwa 3 bis 5 Jahren
einen Klavierunterricht
besucht haben: an
Jugendliche, junge
Erwachsene, an
Wiedereinsteigende, an
Fortgeschrittene. Ich
stelle mir vor, dass es
neben dem horbaren Strom
von Tonen und Musik auch
noch einen unhorbaren
Strom gibt. Die
Improvisationsmodelle
sind Moglichkeiten, sich
diesen verborgenen Strom
zu erschliessen, in ihn
hineinzutauchen und ihn
horbar zu machen.Marco
Weller, 1. winner of the
Breitkopf-Klavierimprovis
ationswettbewerb 2015
(age group 13+ years)
improvising on Der Monch
am Meer and Flug nach
Arras.
,,Fast
nichts und doch so viel
stammt aus der Feder des
Pianisten,
Klavierpadagogen und
Nepomuk-Verlegers Francis
Schneider. Der Autor
schreibt im Vorwort:
Meditative
Klavierimprovisation ist
auf allen Stufen
faszinierend, bereichernd
und begluckend..
(27 Christmas Favorites - Includes A Play-Along CD in Today's Musical Styles (Cl...(+)
(27 Christmas Favorites -
Includes A Play-Along CD
in Today's Musical Styles
(Clarinet Book)). By
Felix Mendelssohn
Bartholdy John Francis
Wade. Arranged by Sandy
Feldstein. For Clarinet.
Score and audio CD.
Standard notation. 32
pages. Published by Carl
Fischer
Composed by Captian Francis Saltus Van Boskerck / Capt. Alfred H. Miles / Charle...(+)
Composed by Captian
Francis Saltus Van
Boskerck / Capt. Alfred
H. Miles / Charles A.
Zimmerman / Edmund L.
Gruber / Lt. Col.Robert
Crawford. Arranged by
Larry Clark / Greg
Gilpin. Flexible Band
Series. Score and
part(s). With Standard
notation. Duration 7
minutes, 7 seconds. Carl
Fischer #XPS13. Published
by Carl Fischer
(CF.XPS13).
Guitar - intermediate SKU: M7.VOGG-816 Composed by Gernot Roedder. This e...(+)
Guitar - intermediate
SKU: M7.VOGG-816
Composed by Gernot
Roedder. This edition:
Ring/Spiral binding.
Sheet music with 2 CDs.
152 pages. Voggenreiter
#VOGG 816. Published by
Voggenreiter
(M7.VOGG-816).
ISBN
9783802408168.
German.
Für
Gitarristen der
Mittelstufe Ãœber 60
der bekanntesten und
wichtigsten Stücke
für die Konzertgitarre
(Solo und Duo) aus drei
Jahrhunderten in
traditioneller Notation -
die unentbehrliche
Stückesammlung, die in
keinem gutsortierten
Notenregal fehlen darf!
Endlich alle Stücke,
die man sich bisher in
Einzelausgaben anschaffen
oder aus Dutzenden von
Sammlungen
zusammenstellen musste,
in einem einzigen Band!
Von Aguado und Bach bis
zu Sor und Tárrega,
hier findet sich für
jeden
Gitarristengeschmack das
Richtige. Alle Stücke
spielfertig eingerichtet
mit Fingersätzen und
Lagenangaben. Die beiden
aufwendig produzierten
Begleit-CDs sind nicht
nur ein idealer Begleiter
beim Ãœben, sondern
auch ein absoluter
Hörgenuss für jeden
Liebhaber klassischer
Gitarrenmusik.
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext. 1x
50.329/21 oboe 1, 1x
50.329/22 oboe 2, 1x
50.329/31 clarino 1, 1x
50.329/32 clarino 2, 1x
50.329/41 timpani.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Francisci
Seraphici Mh 826. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1803. MH
826. 64 pages. Duration
45 minutes. Carus Verlag
#CV 50.329/09. Published
by Carus Verlag
(CA.5032909).
ISBN
9790007223922. Key: D
major. Language:
Latin.
Johann
Michael Haydn worked for
over 40 years at the
Court of the Prince
Bishop in Salzburg, in
whose employment he
composed most of his
music. However, the Missa
sub titulo Sancti
Francisci Seraphici was
composed in 1803 on
commission from the
Viennese Imperial Court,
on the occasion of the
name day of Emperor Franz
I. Two years previously,
his wife Empress Marie
Theresia had already
commissioned a large Mass
with a gradual, an
offertory and a Te Deum
on the occasion of her
own name day (Missa sub
titulo Sanctae Theresiae,
50.328). Both Masses are
impressive because of
their size and their
unusually large
instrumental forces.
Score and parts available
separately - see item
CA.5032900.
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Francisci
Seraphici Mh 826. Sacred
vocal music, Masses,
Latin. Single Part,
Viola. Composed 1803. MH
826. 20 pages. Duration
45 minutes. Carus Verlag
#CV 50.329/13. Published
by Carus Verlag
(CA.5032913).
ISBN
9790007223953. Key: D
major. Language:
Latin.
Johann
Michael Haydn worked for
over 40 years at the
Court of the Prince
Bishop in Salzburg, in
whose employment he
composed most of his
music. However, the Missa
sub titulo Sancti
Francisci Seraphici was
composed in 1803 on
commission from the
Viennese Imperial Court,
on the occasion of the
name day of Emperor Franz
I. Two years previously,
his wife Empress Marie
Theresia had already
commissioned a large Mass
with a gradual, an
offertory and a Te Deum
on the occasion of her
own name day (Missa sub
titulo Sanctae Theresiae,
50.328). Both Masses are
impressive because of
their size and their
unusually large
instrumental forces.
Score and part available
separately - see item
CA.5032900.
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Francisci
Seraphici Mh 826. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. Composed 1803.
MH 826. 24 pages.
Duration 45 minutes.
Carus Verlag #CV
50.329/11. Published by
Carus Verlag
(CA.5032911).
ISBN
9790007223939. Key: D
major. Language:
Latin.
Johann
Michael Haydn worked for
over 40 years at the
Court of the Prince
Bishop in Salzburg, in
whose employment he
composed most of his
music. However, the Missa
sub titulo Sancti
Francisci Seraphici was
composed in 1803 on
commission from the
Viennese Imperial Court,
on the occasion of the
name day of Emperor Franz
I. Two years previously,
his wife Empress Marie
Theresia had already
commissioned a large Mass
with a gradual, an
offertory and a Te Deum
on the occasion of her
own name day (Missa sub
titulo Sanctae Theresiae,
50.328). Both Masses are
impressive because of
their size and their
unusually large
instrumental forces.
Score and part available
separately - see item
CA.5032900.
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Francisci
Seraphici Mh 826. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1803. MH
826. 32 pages. Duration
45 minutes. Carus Verlag
#CV 50.329/49. Published
by Carus Verlag
(CA.5032949).
ISBN
9790007223977. Key: D
major. Language:
Latin.
Johann
Michael Haydn worked for
over 40 years at the
Court of the Prince
Bishop in Salzburg, in
whose employment he
composed most of his
music. However, the Missa
sub titulo Sancti
Francisci Seraphici was
composed in 1803 on
commission from the
Viennese Imperial Court,
on the occasion of the
name day of Emperor Franz
I. Two years previously,
his wife Empress Marie
Theresia had already
commissioned a large Mass
with a gradual, an
offertory and a Te Deum
on the occasion of her
own name day (Missa sub
titulo Sanctae Theresiae,
50.328). Both Masses are
impressive because of
their size and their
unusually large
instrumental forces.
Score and part available
separately - see item
CA.5032900.
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Francisci
Seraphici Mh 826. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. Composed 1803.
MH 826. 24 pages.
Duration 45 minutes.
Carus Verlag #CV
50.329/12. Published by
Carus Verlag
(CA.5032912).
ISBN
9790007223946. Key: D
major. Language:
Latin.
Johann
Michael Haydn worked for
over 40 years at the
Court of the Prince
Bishop in Salzburg, in
whose employment he
composed most of his
music. However, the Missa
sub titulo Sancti
Francisci Seraphici was
composed in 1803 on
commission from the
Viennese Imperial Court,
on the occasion of the
name day of Emperor Franz
I. Two years previously,
his wife Empress Marie
Theresia had already
commissioned a large Mass
with a gradual, an
offertory and a Te Deum
on the occasion of her
own name day (Missa sub
titulo Sanctae Theresiae,
50.328). Both Masses are
impressive because of
their size and their
unusually large
instrumental forces.
Score and part available
separately - see item
CA.5032900.
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Francisci
Seraphici Mh 826. Sacred
vocal music, Masses,
Latin. Choral Score.
Composed 1803. MH 826. 36
pages. Duration 45
minutes. Carus Verlag #CV
50.329/05. Published by
Carus Verlag
(CA.5032905).
ISBN
9790007107307. Key: D
major. Language:
Latin.
Johann
Michael Haydn worked for
over 40 years at the
Court of the Prince
Bishop in Salzburg, in
whose employment he
composed most of his
music. However, the Missa
sub titulo Sancti
Francisci Seraphici was
composed in 1803 on
commission from the
Viennese Imperial Court,
on the occasion of the
name day of Emperor Franz
I. Two years previously,
his wife Empress Marie
Theresia had already
commissioned a large Mass
with a gradual, an
offertory and a Te Deum
on the occasion of her
own name day (Missa sub
titulo Sanctae Theresiae,
50.328). Both Masses are
impressive because of
their size and their
unusually large
instrumental forces.
Score available
separately - see item
CA.5032900.
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Francisci
Seraphici Mh 826. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1803. MH
826. Duration 45 minutes.
Carus Verlag #CV
50.329/19. Published by
Carus Verlag
(CA.5032919).
ISBN
9790007133597. Key: D
major. Language:
Latin.
Johann
Michael Haydn worked for
over 40 years at the
Court of the Prince
Bishop in Salzburg, in
whose employment he
composed most of his
music. However, the Missa
sub titulo Sancti
Francisci Seraphici was
composed in 1803 on
commission from the
Viennese Imperial Court,
on the occasion of the
name day of Emperor Franz
I. Two years previously,
his wife Empress Marie
Theresia had already
commissioned a large Mass
with a gradual, an
offertory and a Te Deum
on the occasion of her
own name day (Missa sub
titulo Sanctae Theresiae,
50.328). Both Masses are
impressive because of
their size and their
unusually large
instrumental forces.
Score and parts available
separately - see item
CA.5032900.
Piano SKU: BR.MN-8401 Composed by Francis Schneider. Solo instruments; So...(+)
Piano
SKU:
BR.MN-8401
Composed
by Francis Schneider.
Solo instruments;
Softcover. Musikverlag
Nepomuk. Music pedagogy.
Score. 20 pages. Duration
18'. Breitkopf and
Haertel #MN 8401.
Published by Breitkopf
and Haertel (BR.MN-8401).
ISBN 9790004790151.
8.5 x 11.5
inches.
Der Autor:
,,Diese acht Ragtimes
sind aus dem Unterricht
heraus entstanden, zum
Teil in Zusammenarbeit
mit Schulern. Sie sind
als Brucke zwischen den
vielen einfachen Stucken
dieser Art und den
grossen oft sehr
schwierigen Original-
kompositionen Scott
Joplins gedacht.
Piano SKU: BR.MN-9829 Werke grosser Meister - in Musik gesetzt. Co...(+)
Piano
SKU:
BR.MN-9829
Werke
grosser Meister - in
Musik gesetzt.
Composed by Francis
Schneider. Solo
instruments; Softcover.
Musikverlag Nepomuk.
Music pedagogy; Romantic.
Score. 28 pages.
Breitkopf and Haertel #MN
9829. Published by
Breitkopf and Haertel
(BR.MN-9829).
ISBN
9790004791202. 9 x 12
inches.
<> Der Komponist
lauscht in bekannte
Gemalde hinein und macht
ihre Musik horbar: Werke
von Renoir, van Gogh und
Picasso; von Monet, Klee
und Miro; von Macke und
Hopper; von Haring und
Tinguely (alle Bilder
vierfarbig im Heft).
Piano SKU: BR.MN-9142 Aus meinem musikalischen Tagebuch - 15 Stucke fu...(+)
Piano
SKU:
BR.MN-9142
Aus
meinem musikalischen
Tagebuch - 15 Stucke fur
Klavier. Composed by
Francis Schneider. Solo
instruments; Softcover.
Musikverlag Nepomuk.
Music pedagogy; Romantic.
Score. 28 pages. Duration
20'. Breitkopf and
Haertel #MN 9142.
Published by Breitkopf
and Haertel (BR.MN-9142).
ISBN 9790004790304. 9
x 12 inches.
15
wilde, ruhige, heitere
und nachdenkliche Stucke
aus dem musikalischen
Tagebuch. Schon
gestaltet: Umschlag von
Alban Welti,
Titelgestaltung im Heft:
Dora Hirter.
For Medium/Low Voice and Piano. Composed by Francis Poulenc (1899-1963). ...(+)
For Medium/Low Voice
and Piano. Composed
by Francis Poulenc
(1899-1963). Vocal
Collection. Classical.
Softcover. 168 pages.
Editions Durand #DF16404.
Published by Editions
Durand (HL.50601036).
Piano SKU: BR.MN-505 Funf leise Stucke. Composed by Francis Schnei...(+)
Piano
SKU:
BR.MN-505
Funf
leise Stucke.
Composed by Francis
Schneider. Solo
instruments; Softcover.
Musikverlag Nepomuk.
Music pedagogy. Score. 8
pages. Duration 6'.
Breitkopf and Haertel #MN
505. Published by
Breitkopf and Haertel
(BR.MN-505).
ISBN
9790004790045. 8.5 x 11.5
inches.
Auf leisen
Sohlen kommt der 'Clown',
das 'Kristall' ist
erstarrt, und doch
inwendig voller
Schonheit, 'Fuchsien'
bluhen in aller Stille
und haben doch auch ihre
eigene Musik, der 'Blick
in die Ferne' hat seinen
Klang, und: Wie tont das
'Geheimnis'?
Viola and piano SKU: BR.MN-9595 Composed by Meinrad Schutter. Solo instru...(+)
Viola and piano
SKU:
BR.MN-9595
Composed
by Meinrad Schutter. Solo
instruments; Softcover.
Musikverlag Nepomuk.
Early modern; Music
post-1945. Score.
Composed 1989/96. 20
pages. Duration 5'.
Breitkopf and Haertel #MN
9595. Published by
Breitkopf and Haertel
(BR.MN-9595).
ISBN
9790004790649. 8.5 x 11.5
inches.
Ein
humorvolles Stuck von
impressionistischer
Farbigkeit in der Form
eines dreiteiligen
Marsches angelegt. Eine
Hommage a Francis
Poulenc.
Piano SKU: BR.MN-12055 Composed by Francis Schneider. Solo instruments; S...(+)
Piano
SKU:
BR.MN-12055
Composed
by Francis Schneider.
Solo instruments;
Softcover. Musikverlag
Nepomuk. Music pedagogy.
Score. 40 pages.
Breitkopf and Haertel #MN
12055. Published by
Breitkopf and Haertel
(BR.MN-12055).
Play Along Christmas (27 Christmas Favorites). By Richard Willis John Francis Wa...(+)
Play Along Christmas (27
Christmas Favorites). By
Richard Willis John
Francis Wade. Arranged by
Sandy Feldstein. For
Violin. Solo part.
Standard notation. 32
pages. Published by Carl
Fischer
Accordion (M III) (AKK) SKU: HL.49035500 Composed by Francis Heilmann. Th...(+)
Accordion (M III) (AKK)
SKU: HL.49035500
Composed by Francis
Heilmann. This edition:
Saddle stitching. Sheet
music. Edition Schott. 8
pages. Schott Music #MH
134020. Published by
Schott Music
(HL.49035500).
Piano SKU: BR.MN-12046 52 pianistische Knacknusse furs ganze Jahr....(+)
Piano
SKU:
BR.MN-12046
52
pianistische Knacknusse
furs ganze Jahr.
Composed by Francis
Schneider. Solo
instruments. Musikverlag
Nepomuk. Music pedagogy;
Romantic. Score. 52
pages. Duration 60'.
Breitkopf and Haertel #MN
12046. Published by
Breitkopf and Haertel
(BR.MN-12046).
ISBN
9790004791691. 8.5 x 11.5
inches.
Diese 52
kurzen Stucke bieten den
Spielenden vielfaltige
Moglichkeiten, sich
selbst
musikalisch-kreativ
einzubringen. Es geht
etwa darum, eine Melodie
weiterzufuhren, einem
Rhythmus musikalische
Gestalt zu verleihen,
uber einen Bass zu
improvisieren, kurze
Stucke zu transponieren
oder einzelne Takte wie
Puzzleteile zu einem
Stuck zusammenzufugen.
Manchmal geht es aber
auch nur darum, etwas
wegzulassen, und manchmal
muss man auch gar nichts
tun: Man spielt das Stuck
wie notiert. Auf zu einer
faszinierenden
Entdeckungsreise!