Marimba

SKU: HL.14011922

Composed by Karsten Fundal. Music Sales America. Classical. Book [Softcover]. Music Sales #KP01128. Published by Music Sales (HL.14011922).

ISBN 9788759871638. English.

This work is the first of four pieces in the Mobius series.

(Flute and Piano). By Franz Xaver Mozart. Edited by Karsten Nottelmann and Rolf Koenen. For Flute, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1180. Published by G. Henle

By Franz Xaver Mozart. Edited by Karsten Nottelmann. Piano. Henle Music Folios. Softcover. 131 pages. G. Henle Verlag #HN958. Published by G. Henle Verlag

For Church Services and Concerts. Edited by Gross, Uwe-Karsten; Gottsche, Gunther Martin. For Organ. Collection. Published by Baerenreiter-Ausgaben (German import).

Clarinet

SKU: HL.14011933

Composed by Karsten Fundal. Music Sales America. Classical. Book [Softcover]. Edition Wilhelm Hansen #WH30248. Published by Edition Wilhelm Hansen (HL.14011933).

ISBN 9788759859902.

Work for Clarinet solo. The composer writes 'The title refers to several levels in the piece. Partly a method I have used, where three lines are weaved, so they become one line, here the clarinet which can (nearly) only play one tone at the time. Either the three parts disappear and become one waving melodic line as in the beginning of the piece. Or they are put in different registers of the clarinet, so they are heard as separate lines weaving into one another. On a different level there is three different sequences, which are also weaved into one another; one which rises (for instance in the beginning), and one which falls, and one which falls in parallels in several registers. These three sequences become faster and faster every time they reappear. The idea of weaving melodic lines was inspired by Bach's pieces for solo strings, where he in a marvellous way established several simultaneous melodic lines, without simultaneous sounding notes. This happened by weaving parts, which in other works would sound simultaneously, into one another, so that only one note was heard at the time. This meant that in that long line, which was heard as the instrument's development of the piece, other melodies were weaving around each other with different focuses. Woven Lines was commissioned by DUT with support from the Danish Arts' Council.'.

For Church Services and Concerts. Edited by Uwe- Karsten Gross, Gunther Martin Gottsche. Stapled. Performance score, anthology. 68 pages. Baerenreiter Verlag #BA11210. Published by Baerenreiter Verlag

SKU: HL.372999

Piano Studies by 12 Composers. Composed by Various. Edited by Christina Bjø, e, and rkø. Piano. Softcover. 84 pages. Duration 235 seconds. Edition Wilhelm Hansen #WH33216. Published by Edition Wilhelm Hansen (HL.372999).

ISBN 9781705148877. UPC: 196288015642.

Inclu des pieces by Anders Koppel, Anders Nordentoft, John Frandsen, Peter Bruun, Eva Noer Kondrup, Anders Brodsgaard, Birgitte Alsted, Andy Pape, Karsten Fundal, Amir Mahyar Tafreshipour, Mogens Christensen, and Erik Orum von Spreckelsen.

SKU: BA.BVK02164

Der Musiker und das Erbe des Vaters. Composed by Karsten Nottelmann. Hardback. Schriftenreihe der Internat. Stiftung Mozarteum 14,1+2. Book. Baerenreiter Verlag #BVK02164_00. Published by Baerenreiter Verlag (BA.BVK02164).

ISBN 9783761821640. 24.5 x 18 cm inches. Language: German.

By Franz Xaver Mozart. Edited by Karsten Nottelmann and Rolf Koenen. For Piano. Henle Music Folios. Softcover. 128 pages. G. Henle #HN959. Published by G. Henle

Orchestra

SKU: HL.14011919

Composed by Karsten Fundal. Music Sales America. Score. Music Sales #KP01477. Published by Music Sales (HL.14011919).

ISBN 9788759878644. English-Danish.

Orc hestration: 3(pic)(afl).2+ca.1+2bcl.2 +cbn/4.3.3.1/timp.2perc/h p/pf/strParts are for hire: hire@ewh.dkProgramnote Hush er et studie i morke og lys, kold og varm lyd. Jeg har ogsa i dette stykke forsogt at introducere staerke folelsesmaessige udtryk, ved brug af instrumentale farver og tonale virkemidler. Titlen Hush er forbundet med et slags indre digt jeg har haft i tankerne medens jeg komponerede. Da jeg jo ikke er digter i ord, er det ufuldstaendigt og utilstraekkeligt i sin form, men derfor alligevel meget godt beskrivende for stykkets vaesen. Det lyder nogenlunde sadan her i mit hoved:Hush little heart- hush.!!was time running too fast or did the hours sometimesseem long?,Were your beats too many or were they too few in the end?Hush little heart- hushdid you see too little or did you sometimes see too much?,was life too small or was it sometimes larger than life?was your thirst quenched or did you end up drained?hush, hush, little heart- hush!!,Don't be afraid, maybe you knew all the time:that one day you would have to be still-or maybe you didn't?Is that why you were beating so fast?hush, hush little heart-hush,- be comforted, 'cause even as you feel so small Your very existence is strange and beautiful - so, hush, hush, be comforted, be still my beating heart.

For Church Services and Concerts. Edited by Gross, Uwe-Karsten;G!Ttsche, Gunther Martin. For Organ. Collection. Published by Baerenreiter-Ausgaben (German import).

For Church Services and Concerts. Edited by Gross, Uwe-Karsten; Gottsche, Gunther Martin. For Organ. Collection. Published by Baerenreiter Verlag (German import).

Edited by Gro , Uwe-Karsten;G!Ttsche, Gunther Martin. For Organ. Collection (paperbound). Published by Baerenreiter-Ausgaben (German import).

Guitar

SKU: HL.14024144

Guitar. By Thomas Krakowski. By Karsten Fundal. Music Sales America. Classical. Book [Softcover]. Music Sales #KP01043. Published by Music Sales (HL.14024144).

ISBN 9788759879429. English.

For guitar
1996
Edited by Thomas Krakowski