Orchestra (Study Score) SKU: HL.49010314 Composed by Wolfgang Amadeus Moz...(+)
Orchestra (Study Score)
SKU: HL.49010314
Composed by Wolfgang
Amadeus Mozart. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
10 pages. Eulenburg
Edition #ETP 830.
Published by Eulenburg
Edition (HL.49010314).
ISBN 9783795771799.
UPC: 841886013858.
5.25x7.5x0.048
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Attempted
Reconstruction of the
Original Version of the
'Masonic Funeral Music'
K. 477 (479a).
Composed by Wolfgang
Amadeus Mozart. Edited by
Philippe A. Autexier.
Arranged by Gustave
Sandre. Softcover.
Orchester-Bibliothek
(Orchestral Library). In
1785, Mozart repeatedly
visited the Viennese
Freemasons' Lodge Zur
wahren Eintracht, where
on 12 August Carl von
Konig was elevated to the
rank of a Master. It was
fort his ceremony that
Mozart composed the
,,Meistermusik. Classical
period. Part. 2 pages.
Breitkopf and Haertel #OB
5148-19. Published by
Breitkopf and Haertel
(BR.OB-5148-19).
ISBN
9790004329696. 9 x 12
inches.
In 1785,
Mozart repeatedly visited
the Viennese Freemasons
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the Meistermusik
(Master Music) for mens
chorus and orchestra. The
score does not contain
the choral parts, perhaps
because they were doubled
by the oboe I and
clarinet parts, a
pecularity undoubtedly
suited to the singing
capacity of the Lodge
members. From a detailed
analyses of the work and
of the Freemasons
practices, on can infer
that the text was drawn
from the third
Lamentation of Jeremiah.
Mozart at least entered
the correct date of
composition of the Master
Music in his own work
catalogue, namely Jully
(1785).For a performance
without chorus which most
probably took place on 9
December 1785, Mozart
added three new, low wind
parts which emphasize the
gloomy mood of the work.
It is with these added
parts that the work has
come down to us as the
Maurerische Trauermusik
(Masonic Funeral
Music).
In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
Meistermusik.
SKU: CA.721200 Composed by Wolfgang Amadeus Mozart. Contemporary Choir Mu...(+)
SKU: CA.721200
Composed by Wolfgang
Amadeus Mozart.
Contemporary Choir Music.
Kyrie Und Agnus Dei. Full
score. 12 pages. Carus
Verlag #CV 07.212/00.
Published by Carus Verlag
(CA.721200).
ISBN
9790007166946.
From
the outset my two vocal
versions of Mozart
orchestral works were
conceived as twins. Both
models shared not only
key of C minor, but the
fact that they were
composed towards the end
of Mozart's life seemed
to suggest they were
predestined to be
arranged as a pair; and
finally, their formal
structure and, above all,
the quotation of a cantus
firmus in each piece
seemed to bind these two
works together. It was
more difficult to
consider which text was
now suitable to render
vocally what previously
was an orchestral
movement. Naturally it
should stand out and
textually the movement
should be raised to
another level. The answer
was to use another
language here. Therefore,
I chose the texts Kyrie
eleison and Agnus Dei,
i.e., the opening and
concluding texts of the
Ordinary of the Mass. For
a performance of both
vocal versions in concert
I suggest joining them by
playing Mozart's great F
minor Fantasy K. 608 as
an instrumental
intermezzo between them.
(Heribert Breuer) Kyrie:
Vocal arrangement of the
Choral of the Zauberflote
Agnus Dei: Vocal
arrangement of
Maurerische Trauermusik
KV 477.
Attempted
Reconstruction of the
Original Version of the
'Masonic Funeral Music'
K. 477 (479a).
Composed by Wolfgang
Amadeus Mozart. Edited by
Philippe A. Autexier.
Arranged by Gustave
Sandre. Softcover.
Orchester-Bibliothek
(Orchestral Library). In
1785, Mozart repeatedly
visited the Viennese
Freemasons' Lodge Zur
wahren Eintracht, where
on 12 August Carl von
Konig was elevated to the
rank of a Master. It was
fort his ceremony that
Mozart composed the
,,Meistermusik. Classical
period. Part. 2 pages.
Breitkopf and Haertel #OB
5148-26. Published by
Breitkopf and Haertel
(BR.OB-5148-26).
ISBN
9790004329702. 9 x 12
inches.
In 1785,
Mozart repeatedly visited
the Viennese Freemasons
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the Meistermusik
(Master Music) for mens
chorus and orchestra. The
score does not contain
the choral parts, perhaps
because they were doubled
by the oboe I and
clarinet parts, a
pecularity undoubtedly
suited to the singing
capacity of the Lodge
members. From a detailed
analyses of the work and
of the Freemasons
practices, on can infer
that the text was drawn
from the third
Lamentation of Jeremiah.
Mozart at least entered
the correct date of
composition of the Master
Music in his own work
catalogue, namely Jully
(1785).For a performance
without chorus which most
probably took place on 9
December 1785, Mozart
added three new, low wind
parts which emphasize the
gloomy mood of the work.
It is with these added
parts that the work has
come down to us as the
Maurerische Trauermusik
(Masonic Funeral
Music).
In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
Meistermusik.
Attempted
Reconstruction of the
Original Version of the
'Masonic Funeral Music'
K. 477 (479a).
Composed by Wolfgang
Amadeus Mozart. Edited by
Philippe A. Autexier.
Arranged by Gustave
Sandre. Folder.
Orchester-Bibliothek
(Orchestral Library). In
1785, Mozart repeatedly
visited the Viennese
Freemasons' Lodge Zur
wahren Eintracht, where
on 12 August Carl von
Konig was elevated to the
rank of a Master. It was
fort his ceremony that
Mozart composed the
,,Meistermusik. Classical
period. Set of parts. 18
pages. Breitkopf and
Haertel #OB 5148-30.
Published by Breitkopf
and Haertel
(BR.OB-5148-30).
ISBN
9790004329719. 9 x 12
inches.
In 1785,
Mozart repeatedly visited
the Viennese Freemasons
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the Meistermusik
(Master Music) for mens
chorus and orchestra. The
score does not contain
the choral parts, perhaps
because they were doubled
by the oboe I and
clarinet parts, a
pecularity undoubtedly
suited to the singing
capacity of the Lodge
members. From a detailed
analyses of the work and
of the Freemasons
practices, on can infer
that the text was drawn
from the third
Lamentation of Jeremiah.
Mozart at least entered
the correct date of
composition of the Master
Music in his own work
catalogue, namely Jully
(1785).For a performance
without chorus which most
probably took place on 9
December 1785, Mozart
added three new, low wind
parts which emphasize the
gloomy mood of the work.
It is with these added
parts that the work has
come down to us as the
Maurerische Trauermusik
(Masonic Funeral
Music).
In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
Meistermusik.
Attempted
Reconstruction of the
Original Version of the
'Masonic Funeral Music'
K. 477 (479a).
Composed by Wolfgang
Amadeus Mozart. Edited by
Philippe A. Autexier.
Arranged by Gustave
Sandre. Softcover.
Orchester-Bibliothek
(Orchestral Library). In
1785, Mozart repeatedly
visited the Viennese
Freemasons' Lodge Zur
wahren Eintracht, where
on 12 August Carl von
Konig was elevated to the
rank of a Master. It was
fort his ceremony that
Mozart composed the
,,Meistermusik. Classical
period. Part. 2 pages.
Breitkopf and Haertel #OB
5148-15. Published by
Breitkopf and Haertel
(BR.OB-5148-15).
ISBN
9790004329672. 9 x 12
inches.
In 1785,
Mozart repeatedly visited
the Viennese Freemasons
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the Meistermusik
(Master Music) for mens
chorus and orchestra. The
score does not contain
the choral parts, perhaps
because they were doubled
by the oboe I and
clarinet parts, a
pecularity undoubtedly
suited to the singing
capacity of the Lodge
members. From a detailed
analyses of the work and
of the Freemasons
practices, on can infer
that the text was drawn
from the third
Lamentation of Jeremiah.
Mozart at least entered
the correct date of
composition of the Master
Music in his own work
catalogue, namely Jully
(1785).For a performance
without chorus which most
probably took place on 9
December 1785, Mozart
added three new, low wind
parts which emphasize the
gloomy mood of the work.
It is with these added
parts that the work has
come down to us as the
Maurerische Trauermusik
(Masonic Funeral
Music).
In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
Meistermusik.
Attempted
Reconstruction of the
Original Version of the
'Masonic Funeral Music'
K. 477 (479a).
Composed by Wolfgang
Amadeus Mozart. Edited by
Philippe A. Autexier.
Arranged by Philippe A.
Autexier. Choir; stapled.
Partitur-Bibliothek
(Score Library). In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
,,Meistermusik. Classical
period. Full score. 20
pages. Breitkopf and
Haertel #PB 5148.
Published by Breitkopf
and Haertel (BR.PB-5148).
ISBN 9790004208908. 9
x 12 inches.
In
1785, Mozart repeatedly
visited the Viennese
Freemasons Lodge Zur
wahren Eintracht, where
on 12 August Carl von
Konig was elevated to the
rank of a Master. It was
fort his ceremony that
Mozart composed the
Meistermusik (Master
Music) for mens chorus
and orchestra. The score
does not contain the
choral parts, perhaps
because they were doubled
by the oboe I and
clarinet parts, a
pecularity undoubtedly
suited to the singing
capacity of the Lodge
members. From a detailed
analyses of the work and
of the Freemasons
practices, on can infer
that the text was drawn
from the third
Lamentation of Jeremiah.
Mozart at least entered
the correct date of
composition of the Master
Music in his own work
catalogue, namely Jully
(1785).For a performance
without chorus which most
probably took place on 9
December 1785, Mozart
added three new, low wind
parts which emphasize the
gloomy mood of the work.
It is with these added
parts that the work has
come down to us as the
Maurerische Trauermusik
(Masonic Funeral
Music).
In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
Meistermusik.
Attempted
Reconstruction of the
Original Version of the
'Masonic Funeral Music'
K. 477 (479a).
Composed by Wolfgang
Amadeus Mozart. Edited by
Philippe A. Autexier.
Arranged by Gustave
Sandre. Softcover.
Orchester-Bibliothek
(Orchestral Library). In
1785, Mozart repeatedly
visited the Viennese
Freemasons' Lodge Zur
wahren Eintracht, where
on 12 August Carl von
Konig was elevated to the
rank of a Master. It was
fort his ceremony that
Mozart composed the
,,Meistermusik. Classical
period. Part. 2 pages.
Breitkopf and Haertel #OB
5148-16. Published by
Breitkopf and Haertel
(BR.OB-5148-16).
ISBN
9790004329689. 9 x 12
inches.
In 1785,
Mozart repeatedly visited
the Viennese Freemasons
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the Meistermusik
(Master Music) for mens
chorus and orchestra. The
score does not contain
the choral parts, perhaps
because they were doubled
by the oboe I and
clarinet parts, a
pecularity undoubtedly
suited to the singing
capacity of the Lodge
members. From a detailed
analyses of the work and
of the Freemasons
practices, on can infer
that the text was drawn
from the third
Lamentation of Jeremiah.
Mozart at least entered
the correct date of
composition of the Master
Music in his own work
catalogue, namely Jully
(1785).For a performance
without chorus which most
probably took place on 9
December 1785, Mozart
added three new, low wind
parts which emphasize the
gloomy mood of the work.
It is with these added
parts that the work has
come down to us as the
Maurerische Trauermusik
(Masonic Funeral
Music).
In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
Meistermusik.