Composed by Carol
Neuen-Rabinowitz & Lynne
Latham. Performance Music
Ensemble; String Trio.
Ludwig Masters. Score.
Latham Music Enterprises
#36-52702617. Published
by Latham Music
Enterprises
(AP.36-52702617).
ISBN
9781628764048. UPC:
660355066030.
English.
Appropriat
e for the concert stage
or gigs, these ten trio
arrangements will thrill
players and audiences.
From exciting Bach
"Allegros" to
intense Spanish waltzes
and dances, this volume
has something for
everyone. All parts
are interesting and
moderately difficult
(grade 4 and above).
Due to ensemble and
rhythmic challenges,
rehearsal is recommended.
This book appears
on the Ohio state contest
list.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Drum Kit SKU: BT.OKP118-237 Drumset. Learning Music Together. Meth...(+)
Drum Kit
SKU:
BT.OKP118-237
Drumset. Learning
Music Together. Method.
Book with Online Audio.
Composed 2019. 72 pages.
Oldenkamp-Kastelein
Publications #OKP118-237.
Published by
Oldenkamp-Kastelein
Publications
(BT.OKP118-237).
English.
Followi
ng the huge success of
their instrumental method
Look, Listen &
Learn, Michiel
Oldenkamp and Jaap
Kastelein have focussed
their attention on school
bands and devised a
completely new method
that can be used in both
instrumental lessons and
class bands or wind
ensembles.
Learning Music
Together is
the new method for young
wind players and
percussionists, aged
eight and above.
Learning Music
Together has
been developed in close
collaboration with
professionals from the
class band world, music
schools, and academies in
the Netherlands and
Germany.
Learning
Music Together
combines
instrumental lessons with
a course for class band.
The drum lessons offer
drum -specific items such
as new notes and
technical exercises while
at the same time
supporting the learning
of the class band, with a
focus on rhythm, melodic
structure and playing
music together.
The
method consists of two
volumes. Volume One
introduces the first
instrumental notes in
unison and then develops
part-playing with duets.
Volume Two builds on the
skills taught in the
first volume and
introduces pieces in
three parts.In addition,
supplementary material is
available on the
extensive website, e.g.
demo- and accompaniment
tracks for all pieces,
additional pieces of
music (well-known songs)
and video tutorials.
Learning Music
Together is
logically structured and
illustrated in a
child-friendly way - a
perfect combination for
young musicians!
Composed by George Frideric Handel (1685-1759). Arranged by Robert Van Howten. F...(+)
Composed by George
Frideric Handel
(1685-1759). Arranged by
Robert Van Howten. For
2-part mixed voices,
organ or piano, optional
B-flat trumpet. General.
Medium. Octavo. Duration
2 minutes, 15 seconds.
Published by Laurendale
Associates
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 256 pages.
Published by Hal Leonard.
Composed by Michael Jon Clarke and Sigurlina Jonsdottir. Saddle-stitched, Childr...(+)
Composed by Michael Jon
Clarke and Sigurlina
Jonsdottir.
Saddle-stitched,
Children. Book and online
audio. Published by Mel
Bay Publications, Inc
(MB.30507M).
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Set
of parts. 56 pages.
Duration 12'. Breitkopf
and Haertel #OB 5364-30.
Published by Breitkopf
and Haertel
(BR.OB-5364-30).
ISBN
9790004337431. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Trombone (trumpet or tuba) SKU: M7.AHW-1101 Original Unabridged Editio...(+)
Trombone (trumpet or
tuba)
SKU:
M7.AHW-1101
Original Unabridged
Edition. Composed by
Donald and Reinhardt.
Sheet music. 270 pages.
Charles Colin Corp. #AHW
1101. Published by
Charles Colin Corp.
(M7.AHW-1101).
English.
I
simply can't say it
better than the Doc
himself. Read what he
says about the Pivot
System, then grab some
samples, then a physical
book shipped right to
your home above. From the
Forward During the
initial or formative
years of a player's
career, he acquires the
mechanical habits which
determine the extent of
his development
invariably by pure
chance. If he happens to
be numbered among the few
fortunate ones who
unconsciously utilize
their physical factors to
advantage, eventually
someone will mistakenly
refer to him as being a
'natural' or 'born with
it.' If, as is more
likely the case, he
happens to be one whose
physical factors clash or
function incorrectly, he
inadvertently seals his
own fate. Either he can
give up shortly after
high school as most do,
or he can continue down
the blind alley of his
own circumscribed
potential. Most of these
unfortunates merely
resign themselves to a
career of mediocrity ('I
never had the chops'),
shying away (rom the
'lead book' in favor of
second, third or fourth
parts. A few (even worse)
go on mouthpiece jags or
scavenger hunts for no
pressure systems, etc. ,
always seeking, but never
finding the 'gimmick'
which will 'straighten
out my chops.' Some,
however, after a thorough
analysis, adopt the
scientific principles
which utilize every one
of their playing factors
with maximum efficiency.
These principles are what
is called the PIVOT
SYSTEM. - Doc
Reinhardt.
SATB choir - medium SKU: PL.1970M Composed by Margaret Woodley. Evensong....(+)
SATB choir - medium
SKU: PL.1970M
Composed by Margaret
Woodley. Evensong. Choral
score. Paraclete Press
#1970M. Published by
Paraclete Press
(PL.1970M).
This makes an
excellent companion piece
to Woodley's Magnificat
and Nunc Dimittis listed
above. In alternating
major and minor, these
responses vary in texture
and mood. A fine set to
add to the Evensong
repertoire.
11 Miniaturen. Composed by Claus Kuhnl. Edition Breitkopf. In these eleven s...(+)
11 Miniaturen. Composed
by
Claus Kuhnl. Edition
Breitkopf.
In these eleven short
piano
pieces, the composer
follows
the cue of such
modern-day
masters as Olivier
Messiaen,
Karlheinz Stockhausen,
Helmut
Lachenmann and Nicolaus
A.
Huber.
Pedagogical. Breitkopf
and
Haertel #EB-9175.
Published
by Breitkopf and Haertel
Grade 2.5 SKU: CL.031-3289-01 Composed by Johann Melchior Molter. Jazz En...(+)
Grade 2.5
SKU:
CL.031-3289-01
Composed by Johann
Melchior Molter. Jazz
Ensemble. Barnhouse
Medium Jazz Series. Audio
recording available
separately (item
CL.991-2003-01). Extra
full score. Composed
2003. Duration 3 minutes,
50 seconds. C.L.
Barnhouse #031-3289-01.
Published by C.L.
Barnhouse
(CL.031-3289-01).
A medium tempo
swing tune built on
Preacher changes that
will work great with
mid-level bands. Includes
a written plunger solo
for trumpet and lots of
great ensemble writing.
Ranges are very
reasonable but the 1st
Trumpet does have a few
written Bb's above the
staff. Very tasty chart
that's a superb choice
for any concert or
contest performance!
Soli SATB, SATB Choir, Ob (auch Obdc), 2 Vl, Va, Bc - Level 3 SKU: CA.3108064...(+)
Soli SATB, SATB Choir, Ob
(auch Obdc), 2 Vl, Va, Bc
- Level 3
SKU:
CA.3108064
Cantata
for Reformation Day.
First Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott. Ein
Feste Burg (Erste Leipz.
Fassung). Sacred vocal
music, Cantatas,
Reformation day. Single
Part, basso continuo.
Composed 1728/31. BWV
80b. 16 pages. Duration
30 minutes. Carus Verlag
#CV 31.080/64. Published
by Carus Verlag
(CA.3108064).
ISBN
9790007206826. Key: D
major. Language:
German/English. Text:
Luther, Martin / Franck,
Salomo.
The
Reformation cantata Ein
feste Burg ist unser Gott
BWV 80b, published by
Carus-Verlag for the
first time in a practical
performing edition,
remained unknown to Bach
scholars until well into
the 20th century. The
evidence of its existence
is three fragments of the
first folio of Bach's
score, which can be dated
to the years 1728-1731.
By contrast, the
long-familiar expanded
new version of the
cantata with its powerful
opening chorus (BWV 80)
dates from the 1730s or
1740s. It only survives
in a copy of Bach's
score, but this allows
conclusions to be drawn
about the history of the
versions; thus, by using
the fragments mentioned
above, it has been
possible to reconstruct
the first version. This
result is a Bach cantata
which is less extensive
and in a more concise
normal format, with
reduced wind instruments.
A relaxed, contrapuntal
four-part chorale
movement with the first
and last verses of the
Lutheran hymn forms the
framework, and the other
movements are the same as
in the later new version.
This simpler cantata is
also entirely suitable
for celebrating
Reformation Day, as Bach
did around 1730. Score
and part available
separately - see item
CA.3108000.
Prayer of Being CD Chorale [Conducteur et Parties séparées] Brookfield Press
Choral (ChoirTrax CD) SKU: HL.283911 Composed by John Leavitt. Brookfield...(+)
Choral (ChoirTrax CD)
SKU: HL.283911
Composed by John Leavitt.
Brookfield Choral Series.
General Worship, Sacred.
CD. Duration 145 seconds.
Published by Brookfield
Press (HL.283911).
UPC: 888680795603.
5.0x5.0x0.189 inches. Old
English Prayer/John
Leavitt. I Corinthians
11:3, I Thessalonians
5:23, James 3:1-5,
Jeremiah 1:9.
A
classic prayer is
caressed with winsome
music in this brief and
beautiful offering.
Meeting the constant need
for effective worship
responses, this piece
rises above utility and
achieves the rare goals
of artistry and ministry.
Chorally satisfying, the
harmonies are pleasantly
contemporary and the
melody organic to the
ancient text. Your choir
will sound its best when
singing this refreshing,
worshipful setting. Score
and Parts (fl 1-2, ob, cl
1-2, bn, perc 1-2, hp, vn
1-2, va, vc, db)
available as a digital
download.
Score and Parts Concert Band (Score & Parts) SKU: HL.4007788 Concert B...(+)
Score and Parts Concert
Band (Score & Parts)
SKU: HL.4007788
Concert Band Grade 4
10:45 Score and
Parts. Composed by
Itaru Sakai. De Haske
Concert Band. Concert
Band. Softcover. Duration
645 seconds. De Haske
Publications
#DHP1063946040. Published
by De Haske Publications
(HL.4007788).
ISBN
9781705174036. UPC:
196288093992.
The
Hida High School is in a
highland city called
Takayama in Gifu
Prefecture. Takayama City
has some of the highest
mountains in Japan,
atmospheric rows of
houses and streets, and a
beautiful landscape. The
magnificent views from
these mountains can be
described as a paradise
above the clouds. When
the composer visited
there in the summer of
2001, the lovely flowers
spreading through the
valley and the refreshing
air welcomed him. The
flowers looked as if they
were fashionably dressed
and fully enjoying
conversation and a short
summer at a reunion
party. The composer was
inspired by this scenery
to compose this piece.
The musical party opens
with happy greetings of a
reunion andjoyful themes
follow one after another.
A light xylophone solo, a
waltz and an adagio
featuring alternate solos
by alto saxophone,
euphonium and trumpet
lead to a brilliant
finale featuring brass
and percussion played in
irregular time. A
beautiful musical picture
that your band will enjoy
performing for many
years.
Concert Band Concert Band - Grade 1 SKU: FJ.B1135S Score Only. Com...(+)
Concert Band Concert Band
- Grade 1
SKU:
FJ.B1135S
Score
Only. Composed by
Lloyd Conley. Arranged by
Lloyd Conley. Concert
Band; Concert Band
Resources; Warm-Ups. FJH
Beginning Band. Score.
Duration 5:00. The FJH
Music Company Inc
#98-B1135S. Published by
The FJH Music Company Inc
(FJ.B1135S).
English.
This
collection of original
compositions and
arrangements provides
excellent warm-up and
tone-building materials
while making these
elements more appealing
to young minds. Five
percussion parts are
provided and may be used
in any way to involve all
the members of the
section. A great way to
enhance the sound and
intonation of your band.
(5:00).
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Voice and piano SKU: BR.EB-8881 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8881
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass)
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 120
pages. Breitkopf and
Haertel #EB 8881.
Published by Breitkopf
and Haertel (BR.EB-8881).
ISBN 9790004184714. 9
x 12 inches. German /
English.
The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass).
