(A Sheet Music Compendium (Piano/Vocal/Guitar)). For Guitar; Keyboard; Piano; Vo...(+)
(A Sheet Music Compendium
(Piano/Vocal/Guitar)).
For Guitar; Keyboard;
Piano; Voice. This
edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords.
Billboard Magazine.
Pop/Rock. 304 pages.
Published by Alfred Music
Publishing
Book/Online Audio. Guitar Method. Instructional, Rock and Play Along. Softcover ...(+)
Book/Online Audio. Guitar
Method. Instructional,
Rock and Play Along.
Softcover Audio Online.
With guitar tablature,
standard notation, chord
names, guitar chord
diagrams, instructional
text, guitar notation
legend and introductory
text. 64 pages. Published
by Hal Leonard
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 128 pages.
Published by Hal Leonard.
Trio SKU: BR.EB-9459 Composed by Helmut Lachenmann. Chamber music; staple...(+)
Trio
SKU:
BR.EB-9459
Composed
by Helmut Lachenmann.
Chamber music; stapled.
Edition Breitkopf. Music
post-1945. Sheet Music.
Composed 1968. 20 pages.
Duration 14'. Breitkopf
and Haertel #EB 9459.
Published by Breitkopf
and Haertel (BR.EB-9459).
ISBN 9790004189368.
10.5 x 14
inches.
TemA was
written in the summer of
1968. In spite of
Ligeti's Aventures it may
be considered one of the
first compositions in
which the breathing plays
a role as an
accoustically transmitted
energy process (Holliger,
Globokar, Kagel, Schnebel
and Stockhausen in Hymnen
have already worked on
this phenomenon
independently of each
other and from different
points of view).
Moreover, temA marks for
me the first step into
that musique concrete
instrumentale in which
the mechanical conditions
of the sound production
are incorporated into the
composition. This
characterizes my later
pieces such as
Kontrakadenz, Air,
Pression etc. more
consistently. In temA,
unlike what happened in
my previous works, the
naturalistic extreme
cases were consciously
accepted but at the same
time integrated into a
very rigorous musical
context which was also to
give a new meaning to the
traditional playing
conceptions. The
violation of the tabus
felt in the nearly 70s
(not only regarding this
piece) lay to a less
degree in the phenomenon
of the sound deformation
(snoring, pressed
strings, soundless
blowing etc.), since such
an alienation was
perfectly tolerated as an
humoristic, dadaistic or
expressionistic element.
Rather the shock was
caused by the technical
logic of the movements
which rendered relative
the sheer surrealistic
effect and had to be
taken seriously instead
of in an humoristic
way.(Helmut Lachenmann,
translation: Roger
Clement)CD:Linda Hirst,
Martin Fahlenbock, Lucas
Fels CD Montaigne Auvidis
MO 782023ensemble
phorminxCD WER 6682
2Bibliography:Hiekel,
Jorn Peter: Escaped from
Paradise? Construction of
Identity and Elements of
Ritual in Vocal Works by
Helmut Lachenmann and
Giacinto Scelsi, in:
Vocal Music and
Contemporary Identities.
Unlimited Voices in East
Asia and the West (=
Routledge Research in
Music 3), hrsg. von
Christian Utz und
Frederick Lau, London und
New York: Routledge 2013,
pp. 158-174.ders.: Helmut
Lachenmann und seine
Zeit, Laaber: Laaber
2023, S.
202-213.Meyer-Kalkus,
Reinhart: Klangmotorik
und verkorpertes Horen in
der Musik Helmut
Lachenmanns, in: Der Atem
des Wanderers. Der
Komponist Helmut
Lachenmann, hrsg. von
Hans-Klaus Jungheinrich,
Mainz: Schott 2006, pp.
91-110.ders.: Stimme und
Atemsyntax in
Vortragskunst, Prosa und
Musik, in: Musik &
Asthetik, Heft 51 (Juli
2009), pp.
73-106.Nonnenmann, Karl
Rainer: Auftakt der
instrumentalen musique
concrete. Helmut
Lachenmanns temA, in:
MusikTexte 67/68 (1997),
pp. 106-114.Saxer,
Marion: Kunstgesang als
Klangsymbol. Belcanto in
experimenteller
Vokalmusik nach 1960, in:
Musik & Asthetik, Heft 92
(Oktober 2019), S. 5-25
Weber,Barbara Balba: ,,Es
musste einfach schick
sein, beim Musikhoren
etwas zuriskieren.
Weltbezuge bei
Lachenmann: Perspektive
der Musikvermittlung,
in:Zuruck zur Gegenwart?
Weltbezuge in neuer
Musik, hrsg. von Jorn
Peter
Hiekel(Veroffentlichungen
des Instituts fur Neue
Musik und Musikerziehung
Darmstadt55), Mainz:
Schott 2015, pp.
160-169.
Sail Away Voix seule [Partition] Boosey and Hawkes
155 American Folk Songs to Sing, Read and Play. By Eleanor Locke. Boosey and Haw...(+)
155 American Folk Songs
to Sing, Read and Play.
By Eleanor Locke. Boosey
and Hawkes Kodaly. Size
6.9x10 inches. 161 pages.
Published by Boosey and
Hawkes.
Cantor, SATB choir, congregation, organ SKU: CA.9197200 Composed by Gerha...(+)
Cantor, SATB choir,
congregation, organ
SKU: CA.9197200
Composed by Gerhard
Kronberg. This edition:
Paperbound. German title:
Dt. Messe Fur Die
Verstorbenen 5010601.
Sacred vocal music,
Masses, German, Mourning,
death. Full score. 12
pages. Carus Verlag #CV
91.972/00. Published by
Carus Verlag
(CA.9197200).
SSAATTBB choir SKU: CA.149100 Composed by Jan Pieterszoon Sweelinck. Edit...(+)
SSAATTBB choir
SKU:
CA.149100
Composed by
Jan Pieterszoon
Sweelinck. Edited by
Gerhard Trubel. German
title: Halleluja! Lobet
den Herrn. Sacred vocal
music, Psalms, German,
Praise and thanks,
Morning, midday, evening.
Full score. Carus Verlag
#CV 01.491/00. Published
by Carus Verlag
(CA.149100).
ISBN
9790007004415. Key: E
flat major. Language:
German.
