SATB and Piano Choral; Piano Accompaniment (SATB with Piano) SKU: HL.49045962...(+)
SATB and Piano Choral;
Piano Accompaniment (SATB
with Piano)
SKU:
HL.49045962
Classics Newly
Arranged: 8 Classical
Themes SATB and
Piano. Edited by
Manfred Sievritts. Choral
Collection. Classical.
Softcover. 48 pages.
Schott Music #ED20506.
Published by Schott Music
(HL.49045962).
Famous catchy
tunes of classical
instrumental music have
been rearranged for
four-part mixed choir in
the pop, swing, rock and
Latinstyles. This express
transfer from the
'serious' world of the
original versions into
the 'more modern' genres
makes us smile - not
least due to the
not-so-serious texts.
Bach, Mozart, Vivaldi,
Haydn, even Beethoven:
Would they have smiled
too? You bet! Content
text: The Quattro
Stagioni-Song (Antonio
Vivaldi: Violinkonzert
op. 8) Siciliano Bossa
Nova (J. S. Bach:
Siziliano aus der
Flotensonate BWV 1031)
Our Little Nightmusic (W.
A. Mozart: Eine kleine
Nachtmusik KV 525) The
Alla Turca (W. A. Mozart:
Alla Turca, 3. Satz aus
der Klaviersonate KV 331)
Fate of Beethoven (L. van
Beethoven: 5. Symphonie
op. 67) Elisa's
Dedication (L. van
Beethoven: Fur Elise)
John the Bastian (J.S.
Bach) Kettledrum Song (J.
Haydn).
Piano Solo SKU: BU.EBR-A104 Composed by Marc-Antoine Charpentier. Anacrou...(+)
Piano Solo
SKU:
BU.EBR-A104
Composed
by Marc-Antoine
Charpentier. Anacrouse.
Transcription pour piano
+ Biographie + Notes sur
l'oeuvre. Score. Editions
Bourges #EBR-A104.
Published by Editions
Bourges (BU.EBR-A104).
Piano Solo SKU: BU.EBR-A091 Composed by Tomasco Giovanni Albinoni. Anacro...(+)
Piano Solo
SKU:
BU.EBR-A091
Composed
by Tomasco Giovanni
Albinoni. Anacrouse.
Transcription pour piano
Biographie Notes sur
l'oeuvre. Score. Editions
Bourges #EBR-A091.
Published by Editions
Bourges (BU.EBR-A091).
Piano (Piano Solo) SKU: HL.49046935 Solo Piano. Composed by Gregor...(+)
Piano (Piano Solo)
SKU: HL.49046935
Solo Piano.
Composed by Gregory
Spears. Piano Solo.
Classical. Softcover. 98
pages. Duration 6180
seconds. Schott Music
#ED30418. Published by
Schott Music
(HL.49046935).
ISBN
9781705169353. UPC:
842819116837.
9.25x12.0x0.5
inches.
SEVEN DAYS
is a cycle for solo piano
in 21 movements, most
lasting between three and
seven minutes,
distributed in the form
of a custom app produced
by the 92Y and released
during their Fall 2021
season. Using the app on
their phones, listeners
are asked to listen to
three movements a day
according to an
approximate schedule -
one movement in the
morning, one in the
afternoon, and another
sometime in the evening -
for seven days. The music
is performed by Pedja
Muzijevic and presented
alongside paintings by
Gloria Maximo. (Please
visit 92Y.org for
information on how to
download the Seven Days
app.) The work is
designed as a listening
experience that tunes us
into the passing of time,
connecting us both to the
present moment as well as
the cycle of the week.
The experience invites
music to inhabit and
structure our everyday -
to find us where we are
in the world. The
morning-afternoonevening
schedule is meant to
focus participants on the
dawn-to-dusk cycle as
well as to create a
communal listening
ritual. It is also an
experiment in large-scale
form, designed to draw
attention to musical
material developing
across a week-long
expanse, interspersed
with vast silences. SEVEN
DAYS was shaped by a year
spent in relative
isolation due to the
pandemic. While it is a
work composed during a
time of quarantine, it
will be experienced first
by an audience in the
process of returning to a
more normal world. In
that sense, it is an
artwork born out of a
year of relatively
cloistered existence that
seeks to preserve aspects
of that experience as we
move forward. The piece
was also inspired by the
work of Morton Feldman
and Chantal Akerman,
whose large-scale works
consider time, process,
and stillness. Their art
struck me with a fresh
relevance during the
silent stretches of the
pandemic year 2020. It
was also a year in which
writings about time,
penned by contemplatives
like Henry David Thoreau
and Thomas Merton, held
new weight. All of this
in turnresonated with
Gloria Maximo's profound
paintings, which I've
long admired. SEVEN DAYS
is an artwork we are
invited to do - using
music to point our
attention to the present
moment, the everyday, and
the seemingly mundane. It
is a piece listeners are
also asked to live within
as it unfolds over a week
rather than to witness it
live. The key players
here are time and the
listener's own
surroundings, starring
together alongside music
and art in a wordless
drama. -Gregory
Spears.
Piano Solo - Easy SKU: BU.EBR-A070 Composed by Peter Ilyich Tchaikovsky. ...(+)
Piano Solo - Easy
SKU:
BU.EBR-A070
Composed
by Peter Ilyich
Tchaikovsky. This
edition: French Edition.
Classique. Anacrouse.
Partition + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A070. Published by
Editions Bourges
(BU.EBR-A070).
Piano Solo - Moderately Easy SKU: BU.EBR-A033 Composed by Ludwig van Beet...(+)
Piano Solo - Moderately
Easy
SKU:
BU.EBR-A033
Composed
by Ludwig van Beethoven.
This edition: French
Edition. Classique.
Anacrouse. Partition +
Biographie + Notes sur
l'oeuvre. Score. Editions
Bourges #EBR-A033.
Published by Editions
Bourges (BU.EBR-A033).
Klassische Meisterwerke bearbeitet fur Gitarre solo. Arranged by Bridget Merm...(+)
Klassische Meisterwerke
bearbeitet fur Gitarre
solo.
Arranged by Bridget
Mermikides. Classical.
Book
with Online Audio.
Composed
2022. 160 pages. Hal
Leonard
#DHP 1145549-404.
Published by
Hal Leonard
(44 Solos for Ceremonies and Receptions). For Piano. Book; Masterworks; Piano Co...(+)
(44 Solos for Ceremonies
and Receptions). For
Piano. Book; Masterworks;
Piano Collection; Piano
Supplemental. Wedding
Performer Series. Love;
Masterwork; Pop; Wedding.
Advanced. 192 pages.
Published by Alfred Music
Publishing
Piano Solo - Medium SKU: BU.EBR-A057 Composed by Franz Schubert. This edi...(+)
Piano Solo - Medium
SKU: BU.EBR-A057
Composed by Franz
Schubert. This edition:
French Edition.
Classique. Anacrouse.
Partition + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A057. Published by
Editions Bourges
(BU.EBR-A057).
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
(HC) SKU: HL.49020804 Essays before a Sonata. Composed by Charles ...(+)
(HC)
SKU:
HL.49020804
Essays
before a Sonata.
Composed by Charles Ives.
Edited by Werner
Baertschi. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Charles Ives, der
radikale Neuerer, der in
seinen Kompositionen mit
den gangigen
musikalischen Formen
seiner Zeit brach, legt
hier seinen
philosophischen
Standpunkt, seine
Gedanken zu seinen
Kompositionen und zu
Fragen seiner Zeit dar.
286 pages. Schott Music
#ATL 6118. Published by
Schott Music
(HL.49020804).
ISBN
9783254001184.
German.
Obwohl
Charles Ives (1874-1954)
eine grundliche
musikalische Ausbildung
an der Yale University
genossen hatte, schlug er
sehr bald eine
erfolgreiche Laufbahn als
Versicherungskaufmann ein
und widmete sich seiner
musikalischen Arbeit nur
abends und an den
Wochenenden. In fast
volliger Isolation vom
Musikgeschehen der Zeit
schuf er ein
umfangreiches OEuvre,
dessen grosse Bedeutung
erst in den 60er Jahren
entdeckt wurde: Ives
entpuppt sich darin als
radikaler Neuerer, der
sowohl mit der damals
gangigen musikalischen
Syntax als auch den
auffuhrungspraktischen
Bedingungen seiner Zeit
weitgehend brach.
Allerdings ware es
verfehlt, ihn bloss zum
musikalischen Enfant
terrible abzustempeln,
das sich dank seiner
materiellen
Unabhangigkeit uber die
Grenzen des
Musikbetriebes
hinwegsetzen konnte.
Dafur war Ives ein viel
zu reflektierender,
verantwortungsbewusster
Mensch, der zudem fest in
der denkerischen
Tradition des
neuenglischen
Transzendentalismus
verwurzelt war. So
gesehen erstaunt es kaum,
dass Ives sich ausser der
Musik - und
gewissermassen parallel
dazu - noch eines andern
Mediums, des
literarisch-philosophisch
en Essays, bediente, um
seinen Uberzeugungen
Ausdruck zu
verschaffen.Dies gilt
insbesondere fur Ives'
tiefsinnigsten und
ausgereiftesten Text, die
Essays before a Sonata
(1920), der als
Begleitschrift zur
zweiten Klaviersonate
(Concord, Mass.,
1840-1860) des
Komponisten konzipiert
war. Allerdings sind die
Essays keineswegs ein
Werkkommentar im
traditionellen Sinne: Sie
gehen zwar von konkreten
musikasthetischen Fragen
(namlich der Problematik
der Programmmusik) aus,
weiten sich aber zu einer
sehr subjektiv gefarbten
Darstellung von vier
hochbedeutenden
amerikanischen
Schriftstellern des 19.
Jahrhunderts aus - die
Rede ist von Ralph Waldo
Emerson, Nathaniel
Hawthorne, Bronson Alcott
und Henry David Thoreau.
Die vier Hauptabschnitte
der Essays, die den vier
behandelten Autoren
entsprechen, geben in
ihrem innigen Konnex zu
den vier Satzen der
Concord-Sonata - er
erstreckt sich von vagen
inhaltlichen
Vorstellungen und Bildern
bis hin zu ganz konkreten
syntaktischen und
formalen Parallelen -
Aufschluss uber die
Kompositionsprinzipien
nicht nur der
Concord-Sonata, sondern
der Musik Ives' ganz
allgemein, so dass man
die Essays before a
Sonata als sehr gelungene
und in ihrer
Ausfuhrlichkeit wohl
einmalige Paraphrase von
Musik bezeichnen darf.Das
Nachwort zu den 114
Liedern (1922) ist mit
den Essays insofern
verwandt, als es zwei
langere Stellen aus ihnen
zitiert. Diese
Zitierpraxis - man
begegnet ihr auch in
Ives' Musik - ist
bezeichnend fur Ives'
Denkweise: Ives macht von
seinem Stoff sehr
flexiblen Gebrauch, er
setzt ihn in der Art von
Versatzstucken immer
wieder neu zusammen und
kommt so immer wieder zu
einem neuen, anders
gearteten Ganzen. So geht
Ives im Nachwort weniger
allgemein
kunstphilosphischen
Problemen als der ganz
individuellen Frage nach,
warum er die Musik nur
als Nebenberuf ausuben
wollte. Seine Antwort,
die er mit seinem
typischen Yankee-Humor
vortragt, macht
einerseits deutlich, wie
sehr Ives von einem
puritanischen
Verantwortungsgefuhl
gegenuber der
Gesellschaft gepragt war,
und zeigt andererseits
Ives' tiefen Glauben an
eine Musik, die fest im
Alltagsleben verwurzelt
und somit denkbar weit
von der europaischen
Tradition der art pour
l'art entfernt war.Die
Memos (ca. 1932-34)
schliesslich sind ein
Dokument ganz anderer
Art: Weder sollten sie,
wie die beiden andern
hier vorgelegten Texte,
ein bestimmtes
musikalisches Werk
begleiten, noch besitzen
sie den hohen
gedanklichen Ausspruch
der Essays und des
Nachworts. Es sind
autobiographische
Aufzeichnungen, die Ives
ursprunglich diktierte,
deren Manuskripte er aber
danach mehrmals durchsah
und korrigierte. Sie
gliedern sich in drei
lose aneinandergereihte
Teile: Im Anlass
betitelten Abschnitt
nimmt Ives auf teils
humoristische, teils
sarkastische Weise zu den
Anfeindungen Stellung,
die ihm die damals
sparlichen Auffuhrungen
seiner Werke bescherten.
Im Sammelalbum gibt er
einen chronologischen
Uberblick uber Entstehung
und Gehalt seiner
wichtigsten Werke. Und in
den Erinnerungen
verschafft Ives nochmals
den Grundpositionen
seiner idealistischen
Musikasthetik, seiner
Abneigung gegen jede Form
von Kommerz und Routine
und seiner Verachtung
aller musikalischen
Kleingeister Ausdruck.
Uberdies sind die Memos -
trotz ihrer defensiven
Grundhaltung - so
humorvoll, engagiert und
bildreich verfasst, dass
sie nicht nur die
detaillierteste, sondern
auch die wohl anregendste
Primarquelle zum Leben
und Werk dieses
vielleicht
eigenwilligsten
Komponisten des fruhen
20. Jahrhunderts
bilden.
Composed by
Greg Gilpin. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Graduation;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-48923. Published by
Alfred Music (AP.48923).
UPC: 038081562476.
English.
Carefully
placed staccatos and
well-chosen chord
inversions illuminate the
gospel style of this
original anthem of hope.
It's a perfect pep talk
or pick-me-up theme song
for whenever your program
needs a lift. A solo
voice becomes a duet
before all the singers
join in and grow with
intensity. Several
ascending key changes
raise spirits, ensuring
that the uplifting
message resonates.
Everything will be
alright, everything will
be okay, 'cause I can see
a new horizon on a brand
new day. If you don't
perform with the kickin'
SoundTrax accompaniment,
be sure to add a groovin'
drummer and riffing organ
of your own. We dare you
(and your audience) not
to clap along!
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Composed by Jaco Pastorius. For Bass Guitar. Artist/Personality; Bass Guitar Met...(+)
Composed by Jaco
Pastorius. For Bass
Guitar.
Artist/Personality; Bass
Guitar Method or
Supplement; Book; DVD;
Digital Download;
Method/Instruction.
Alfred's Artist Series.
Jazz/Fusion. 32 pages.
Published by Alfred Music
Composed by
Greg Gilpin. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Graduation;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-48925. Published by
Alfred Music (AP.48925).
UPC: 038081562490.
English.
Carefully
placed staccatos and
well-chosen chord
inversions illuminate the
gospel style of this
original anthem of hope.
It's a perfect pep talk
or pick-me-up theme song
for whenever your program
needs a lift. A solo
voice becomes a duet
before all the singers
join in and grow with
intensity. Several
ascending key changes
raise spirits, ensuring
that the uplifting
message resonates.
Everything will be
alright, everything will
be okay, 'cause I can see
a new horizon on a brand
new day. If you don't
perform with the kickin'
SoundTrax accompaniment,
be sure to add a groovin'
drummer and riffing organ
of your own. We dare you
(and your audience) not
to clap along!
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Composed by Greg Gilpin.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Graduation; Secular.
Choral Octavo. 16 pages.
Alfred Music #00-48924.
Published by Alfred Music
(AP.48924).
UPC:
038081562483.
English.
Carefully
placed staccatos and
well-chosen chord
inversions illuminate the
gospel style of this
original anthem of hope.
It's a perfect pep talk
or pick-me-up theme song
for whenever your program
needs a lift. A solo
voice becomes a duet
before all the singers
join in and grow with
intensity. Several
ascending key changes
raise spirits, ensuring
that the uplifting
message resonates.
Everything will be
alright, everything will
be okay, 'cause I can see
a new horizon on a brand
new day. If you don't
perform with the kickin'
SoundTrax accompaniment,
be sure to add a groovin'
drummer and riffing organ
of your own. We dare you
(and your audience) not
to clap along!
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Choir Secular SKU: AP.48926 Composed by Greg Gilpin. This edition: SoundT...(+)
Choir Secular
SKU:
AP.48926
Composed by
Greg Gilpin. This
edition: SoundTrax CD.
Choral Octavo;
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Graduation; Secular. CD.
Alfred Music #00-48926.
Published by Alfred Music
(AP.48926).
UPC:
038081562506.
English.
Carefully
placed staccatos and
well-chosen chord
inversions illuminate the
gospel style of this
original anthem of hope.
It's a perfect pep talk
or pick-me-up theme song
for whenever your program
needs a lift. A solo
voice becomes a duet
before all the singers
join in and grow with
intensity. Several
ascending key changes
raise spirits, ensuring
that the uplifting
message resonates.
Everything will be
alright, everything will
be okay, 'cause I can see
a new horizon on a brand
new day. If you don't
perform with the kickin'
SoundTrax accompaniment,
be sure to add a groovin'
drummer and riffing organ
of your own. We dare you
(and your audience) not
to clap along!
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.