Moonlight Serenade Ensemble de saxophones [Conducteur et Parties séparées] - Intermédiaire Jazz Lines Publications
By Terry Gibbs on More Vibes on Velvet. Edited by Dylan Canterbury, Rob DuBoff, ...(+)
By Terry Gibbs on More
Vibes on Velvet. Edited
by Dylan Canterbury, Rob
DuBoff, and Rob DuBoff.
Arranged by Manny Albam.
For Jazz Saxophone
Ensemble with Featured
Soloist and Rhythm
Section. Ballad. Medium.
Full score and parts.
Published by Jazz Lines
Publications
By Paul Leddington Wright. Arranged by Paul Leddington Wright. Text: Frances R. ...(+)
By Paul Leddington
Wright. Arranged by Paul
Leddington Wright. Text:
Frances R. Havergal. For
SATB Choir With Descant.
(Accompaniment: Organ).
Lenten Triptych. Hymn and
Sacred. Level: Medium
Easy Adult. 4 pages.
Duration 2 min, 41 sec.
Published by Hinshaw
Music Inc.
Thine is the Glory Chorale SATB SATB, Cuivre(s) [Octavo] Hope Publishing Company
By George Frideric Handel (1685-1759). Arranged by Paul Leddington Wright. For S...(+)
By George Frideric Handel
(1685-1759). Arranged by
Paul Leddington Wright.
For SATB choir with
optional brass quintet
and percussion. Hymntune,
Easter. Octavo. Published
by Hope Publishing
Company
Composed by Thomas C. Griggs, John Hugh McNaughton, Alexander Schreiner, Loren F...(+)
Composed by Thomas C.
Griggs, John Hugh
McNaughton, Alexander
Schreiner, Loren F.
Wheelwright. Arranged by
David Len Allen. For
SATBB choir. Sacred.
Medium / Medium-Difficult
(accompaniment). Octavo.
Duration 3:30. Published
by Jackman Music
Corporation
Piano/Vocal/Guitar. This edition: Piano/Vocal/Guitar. Artist/Personality; Book...(+)
Piano/Vocal/Guitar. This
edition:
Piano/Vocal/Guitar.
Artist/Personality; Book;
Personality Book;
Piano/Vocal/Chords.
Pop/Rock. 152 pages.
Published by Alfred Music
By Marcus Smith, H. R. Palmer, Murray Boren, David A. Zabriskie, Royce Isham, Ro...(+)
By Marcus Smith, H. R.
Palmer, Murray Boren,
David A. Zabriskie, Royce
Isham, Robert P.
Manookin, Reid Nibley,
Robert Galbraith, Tracy
Y. Cannon, Robert
Cundick, Charles H.
Gabriel, Harrison
Millard, Lorin F.
Wheelwright And Philip
Paul Bliss. Arranged by
Compiled By Clayne W.
Robison - Settings By
Marcus Smith, Robert Lee
Rowberry, Murray Boren,
David Zabriskie, Royce
Isham, Robert P.
Manookin, Reid Nibley,
Robert Galbraith, Robert
Cundick, Daniel Bradwhaw,
Murray Boren, Ronald
Staheli. Text: John
Jacques, Robert Morris,
Robert Keen, Virginia
Maughan, Marcus Smith,
John 15:1, 2, 4-6, Orson
Hyde, attributed to
Bernard of Clairvaux,
Robert Galbraith,
Revelation 7:13-17, Frank
I. Kooyman, Job
14:14;19:25,26, Charles
H. Gabriel, Anne Steele,
Laurie M. Hofford, Lorin
F. Wheelwright and Philip
Paul Bliss. For Vocal
Solo Book. Published by
Jackman Music
Corporation. Level:
Varied.
By Edvard Grieg. Arranged by Brendan Mcbrien. Music by Edvard Grieg / arr. Brend...(+)
By Edvard Grieg. Arranged
by Brendan Mcbrien. Music
by Edvard Grieg / arr.
Brendan McBrien. For
String Orchestra. String
Orchestra. String
Orchestra. Conductor
Score. 12 pages.
Published by Alfred
Publishing. Level: 3
(grade 3).
By Edvard Grieg. Arranged by Brendan Mcbrien. Music by Edvard Grieg / arr. Brend...(+)
By Edvard Grieg. Arranged
by Brendan Mcbrien. Music
by Edvard Grieg / arr.
Brendan McBrien. For
String Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score and Parts. 2 pages.
Published by Alfred
Publishing.
By Stuart K. Hine (1899-1989). Arranged by Paul Leddington Wright. For SATB cho...(+)
By Stuart K. Hine
(1899-1989). Arranged by
Paul Leddington Wright.
For SATB choir and organ
w/optional brass, timpani
and congregation . Choral
octavo. Published by Hope
Publishing Company
22 Songs by the Creators of Kismet, Song of Norway and Grand Hotel. By George Fo...(+)
22 Songs by the Creators
of Kismet, Song of Norway
and Grand Hotel. By
George Forrest, Robert
Wright.
Piano/Vocal/Chords
Composer Collection
(Arrangements for piano
and voice with guitar
chords). Size 9x12
inches. 104 pages.
Published by Scheffel
Music Corp.
Composed by Kees Vlak (1938-). Original Compositions/Countries. Molenaar Origina...(+)
Composed by Kees Vlak
(1938-). Original
Compositions/Countries.
Molenaar Original
Compositions. Recorded on
Above and Beyond
(ML.311050720). Full set.
Duration 6 minutes, 20
seconds. Published by
Molenaar Edition
(ML.012405070).
First! Formation musicale - Solfège [Edition pour professeur] Alfred Publishing
(14 Songs About Inventive, Interesting, and Innovative People (Teacher's Handboo...(+)
(14 Songs About
Inventive, Interesting,
and Innovative People
(Teacher's Handbook)). By
Sally K. Albrecht and Jay
Althouse. This edition:
Teacher's Handbook (100%
Reproducible).
Classroom/Pre-School;
General Music and
Classroom Publications;
Reproducible. Book. 52
pages
Featuring: Opening Overture / Mine Escape / Pirates vs. Natives vs. Heroes vs...(+)
Featuring: Opening
Overture / Mine Escape /
Pirates vs. Natives vs.
Heroes vs. Chickens /
Transfiguration /
Fetching the Boys.
Composed by John Powell.
Arranged by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble; Single Titles.
Pop Concert Band. Form:
Medley. Movie. Part(s);
Score. 232 pages.
Duration 3:45. Alfred
Music #00-44929.
Published by Alfred Music
(AP.44929).
Featuring: Opening Overture / Mine Escape / Pirates vs. Natives vs. Heroes vs...(+)
Featuring: Opening
Overture / Mine Escape /
Pirates vs. Natives vs.
Heroes vs. Chickens /
Transfiguration /
Fetching the Boys.
Composed by John Powell.
Arranged by Douglas E.
Wagner. Concert Band;
Score. Pop Concert Band.
Form: Medley. Movie. 32
pages. Published by
Alfred Music (AP.44929S).
By Sydney H. Nicholson. Arranged by Paul Leddington Wright. For SATB choir and o...(+)
By Sydney H. Nicholson.
Arranged by Paul
Leddington Wright. For
SATB choir and organ with
optional brass,
percussion and
congregation (2 B-flat
trumpets, trombone, horn
(opt. trombone), tuba,
timpani). Hymn Concertato
Series. Conductor's score
and brass parts.
Published by Hope
Publishing Company
Lift High the Cross Chorale SATB SATB, Orgue [Octavo] Hope Publishing Company
By Sydney H. Nicholson. Arranged by Paul Leddington Wright. For SATB choir and o...(+)
By Sydney H. Nicholson.
Arranged by Paul
Leddington Wright. For
SATB choir and organ with
optional brass,
percussion and
congregation. Hymn
Concertato Series.
Octavo. 12 pages.
Published by Hope
Publishing Company
Mothers Day Medley Chorale SSAB, Piano [Octavo] - Intermédiaire Jackman Music Corporation
By Jeanne B. Lawler / Lorin F. Wheelwright. Arranged by A. Laurence Lyon. Text: ...(+)
By Jeanne B. Lawler /
Lorin F. Wheelwright.
Arranged by A. Laurence
Lyon. Text: Phyllis
Luch/Lorin F.
Wheelwright. For SSAB
Choir. Mothers Day.
Published by Jackman
Music Corporation.
Level: Medium /
Medium-Difficult
(accompaniment).
Trumpet and orchestra SKU: BR.MR-2239B Set of parts. Composed by G...(+)
Trumpet and orchestra
SKU: BR.MR-2239B
Set of parts.
Composed by Giacomo
Antonio Perti. Edited by
Keith Wright and Mark
Latham. Orchestra;
stapled. Musica Rara.
Symphony; Baroque. Score
and parts. 28 pages.
Breitkopf and Haertel #MR
2239b. Published by
Breitkopf and Haertel
(BR.MR-2239B).
ISBN
9790004488478. 9 x 12
inches.
There are
two known manuscript
sources for the present
edition of this sinfonia
avanti l'opera. In the
Dean and Chapter Library
of Durham Cathedral it
appears as the twelfth,
and last, piece in a
collection of late
seventeenth-century
Italian instrumental
music. No composer is
given and identification
was only possible
following the discovery,
in 1993, of a concordant
source in the Biblioteca
Estense, Modena, where
the work appears as the
sinfonia to Perti's opera
L'Inganno scoperto per
Vendetta, first performed
in Venice as part of the
1690/1 season.It is
sometimes hard to
ascertain the original
functional purpose behind
many of the trumpet works
written by composers of
the Bolognese school as
it would appear that some
were used as sonate da
chiesa, to celebrate mass
in the basilica of San
Petronio, Bologna, whilst
also serving as operatic
sinfonie. To confuse the
issue further, there are
several instances of
composers 'borrowing'
each other's works: for
example, it has recently
been discovered that the
Torelli trumpet sinfonia
a 4 catalogued as G4 in
Giegling was used as the
overture to Perti's opera
Nerone fatto Cesare
(1693). So far as the
present edition is
concerned, however,
stylistic considerations
would appear to confirm
that the work is indeed
by Perti and that it was
originally conceived as
the overture to L'Inganno
scoperto per Vendetta. A
couple of clues hint at a
secular raison d'etre:
the Durham source is
marked Serenatto
(presumably a corruption
of serenata, a term often
used in lieu of sinfonia)
and the last movement of
the Modena source is
marked Menuet, a term
more often associated
with sonate da camera
than with works of
ecclesiastical
provenance.Both the
Modena and Durham sources
for the present edition
are virtually
note-perfect and
occasional inaccuracies
were easily corrected by
comparing the sources
with each other and with
the part-books in Durham.
Whilst the Modena source
lacks the second violin
part in the outer
movements it contains
fuller dynamic markings
and tempi indications
than the Durham source
and these have been
followed in the present
edition with no editorial
additions. Notation has
been modernised and, in
the piano reduction
edition, right-hand
arpeggio-figurations
rendered more pianistic.
Parts are provided for
trumpet in D and B flat.
I am grateful to the Dean
and Chapter of Durham and
to the Biblioteca
Estense, Modena, for
providing microfilm of
the manuscripts. I should
also record my thanks to
Keith Wright for
realising the
figured-bass which
appears in the full-score
edition.Mark Latham,
Brancepeth Castle, June
1997.
By Becki Slagle Mayo, Don Shaffer, Donna Butler, Lynn Shaw Bailey, Mark Patterso...(+)
By Becki Slagle Mayo, Don
Shaffer, Donna Butler,
Lynn Shaw Bailey, Mark
Patterson, Ruth Elaine
Schram, and Vicki Hancock
Wright. For Choral
(Unison Book/CD). Glory
Sound. 56 pages.
Published by GlorySound
Performed by Michael Bolton, Percy Sledge, composed by Andrew Wright, Calwin Lew...(+)
Performed by Michael
Bolton, Percy Sledge,
composed by Andrew
Wright, Calwin Lewis.
Single for voice, piano
and guitar chords. Db
Major. 5 pages. Published
by Alfred Publishing.
SKU: GI.G-CD-952 Composed by M. Roger Holland, II. Sacred. CD. GIA Public...(+)
SKU: GI.G-CD-952
Composed by M. Roger
Holland, II. Sacred. CD.
GIA Publications #952.
Published by GIA
Publications
(GI.G-CD-952).
UPC:
785147095224.
Welco
me to the revival! Come
on in and leave your
troubles at the door.
“Worthy Godâ€
is a moving declaration
of faith and devotion by
a true emerging voice on
the contemporary gospel
scene. Part of the
full-length CD Building
Up the Kingdom,
“Worthy Godâ€
is sure to ignite the
fire of the Holy Spirit
in the hearts of all the
assembled, and our raised
voices will set the
rafters ablaze. About M.
Roger Holland II: What do
you get when you mix a
musician who is a
pianist, organist,
singer, composer,
arranger and symphony
maestro together? M.
Roger Holland, II!! A man
who knows Jesus and
thanks him with every
note he sings, plays, or
writes. When you listen
to Roger, you will know
that God has touched His
servant and in that
touch, there will be a
blessing for you! Roger
has always had a passion
for music. It started
with him tinkering on his
toy piano as a child and
grew to him being
accepted to the High
School of Performing Arts
in New York City. Roger's
falsetto has opened many
doors for him. He was a
member of the All City
High School Choir.
Hearing his vocal
abilities, he was
recruited by the
internationally known
Boys Choir of Harlem. His
musical talents garnered
him a position playing
keys on two Broadway
plays in New York, The
Color Purple and Memphis.
When you witness the
musicianship of M. Roger
Holland II you will
recognize the influences
of some of the people he
has worked with like
Walter J. Turnbull, James
Williams, Joseph Joubert,
and Bettye Forbes. When
you hear his writing, you
may notice the stylings
of Stevie Wonder. There
is no denying the
influences of Marvin
Gaye, Peabo Bryson, and
Luther Vandross when it
comes to his vocals. The
gospel inflections are
representative of Richard
Smallwood, Thomas
Whitfield, and Kirk
Franklin. The
compositional techniques
of classical composers
such as Wolfgang Amadeus
Mozart and the arranging
styles of Negro
Spirituals by Roland
Carter, Jester Hairston,
and Moses Hogan are
prominent as well.
Leading the Gospel Choir
of Union Theological
Seminary fueled Roger's
fire and drew him into
seminary. His passion for
music led him on a
spiritual journey from
Westminster Choir College
to Manhattan School of
Music where he received
his graduate degree and
ultimately the very same
Union Theological
Seminary where he
received a Master of
Divinity degree. Roger is
the Minister of Worship &
Christian Arts at Calvary
Baptist Church in
Jamaica, NY, where weekly
he ushers in the Holy
Spirit through praise and
worship. He also serves
as Liturgical Consultant
for the Office of Black
Ministry in the
Archdiocese of New York.
God is truly using Roger
as an instrument to share
His message! Â For
Bookings Contact: Cortney
Wright Thomas
646-269-4055
cwthomas406@gmail.com.
Romantic opera in
three acts. Composed
by Franz Schubert. Edited
by Walther Durr. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
II, Volume 6. 3 part
volumes. Opern, dt.
(German Opera). Complete
edition, Score. D 732.
Duration 2 hours, 30
minutes. Baerenreiter
Verlag #BA05540_00.
Published by Baerenreiter
Verlag (BA.BA05540).
ISBN 9790006497126. 33
x 26 cm inches. Text:
Franz von
Schober.
In late
September or early
October 1821 Schubert and
his close friend, Franz
von Schober, vacationed
in the countryside of
Lower Austria. Their
first stopover was at
Ochsenburg Castle, which
belonged to the Bishop of
St. Pölten (a close
relative of
Schober’s), after
which they moved on to
St. Pölten itself.
Roughly a year earlier,
two stage works by
Schubert had been
performed in Vienna: the
one-act singspiel Die
Zwillingsbrüder and
the melodrama Die
Zauberharfe. The
librettos were both
written by the seasoned
Viennese playwright Georg
von Hofmann, who blamed
the press for the
indifferent reception the
two works were given by
the audience. Schubert
and Schober now decided,
it would seem, to write a
grand romantic opera
uninfluenced by the
workaday world of the
theatre and beholden
solely to their own ideas
of what an opera should
be.
Not until 24
June 1854 was the opera
finally performed in
Weimar, under the baton
of Franz Liszt. It only
achieved success,
however, in an
arrangement by Johann
Nepomuk Fuchs that was
staged on many German and
Austrian stages in
1881–2, allegedly
with brilliant
acclaim.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding