(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Variou...(+)
(Mix and Match Trios for
Strings, Woodwinds,
Saxophones and Keyboard).
By Various. Arranged by
Daniel Kelley. String
Trio, Wind Trio, Mixed
Trio, Clarinet Trio,
Saxophone Trio, Piano
Trio, Piano Quartet. For
Clarinet or Trumpet in
Bb. Trios. Intermediate
Music for Three.
Christmas. Intermediate.
Partbook - Part 2.
Published by Last Resort
Music Publishing
Unison/2-part choir SKU: WD.080689825224 The Mighty Ancient Hero Cruis...(+)
Unison/2-part choir
SKU:
WD.080689825224
The Mighty Ancient
Hero Cruise. Composed
by Daniel Semsen.
Arranged by Daniel
Semsen. Choral, cantatas.
Jr/Youth Musical.
Listening CD. Word Music
#080689825224. Published
by Word Music
(WD.080689825224).
UPC:
080689825224.
All
aboard! Join Mr. Cruise
(an overly-enthusiastic
tour director) and his
faithful daughter Liza on
a boat trip up the Nile
as they retell classic
Bible stories. But
there's a problem: The
stories are all wrong! It
takes the kids of Ocean
View Church who are on
board to set the record
straight and help Mr.
Cruise understand the
real truth about God's
enduring love and
faithfulness to His
people. Filled with fun
and clever songs, this
easy to present and
perform musical is a
creative breath of fresh
air that's as
enlightening as it is
worshipful and
entertaining. Create a
wonderful and unique
musical experience for
your children's choir and
congregation with Spend a
While on the
Nile
Features Matt
Redman song, You Never
Let Go. For the first
time ever: Studio
Orchestration available
(for free!) on the IVD!
TRK written by the
creator, Christy
Semsen.
Unison/2-part choir SKU: WD.080689468094 The Mighty Ancient Hero Cruis...(+)
Unison/2-part choir
SKU:
WD.080689468094
The Mighty Ancient
Hero Cruise. Composed
by Daniel Semsen.
Arranged by Daniel
Semsen. Choral, cantatas.
Jr/Youth Musical.
Instructional DVD. Word
Music #080689468094.
Published by Word Music
(WD.080689468094).
UPC:
080689468094.
All
aboard! Join Mr. Cruise
(an overly-enthusiastic
tour director) and his
faithful daughter Liza on
a boat trip up the Nile
as they retell classic
Bible stories. But
there's a problem: The
stories are all wrong! It
takes the kids of Ocean
View Church who are on
board to set the record
straight and help Mr.
Cruise understand the
real truth about God's
enduring love and
faithfulness to His
people. Filled with fun
and clever songs, this
easy to present and
perform musical is a
creative breath of fresh
air that's as
enlightening as it is
worshipful and
entertaining. Create a
wonderful and unique
musical experience for
your children's choir and
congregation with Spend a
While on the
Nile
Features Matt
Redman song, You Never
Let Go. For the first
time ever: Studio
Orchestration available
(for free!) on the IVD!
TRK written by the
creator, Christy
Semsen.
Essentials of Music Theory Software, Version 2.0. (Complete Educator Version). B...(+)
Essentials of Music
Theory Software, Version
2.0. (Complete Educator
Version). By Andrew
Surmani and Morton Manus.
Reference Textbooks;
Textbook - General;
Theory. Essentials of
Music Theory. Software.
Published by Alfred Music
Publishing
SKU: WD.679143039392 Youth Small. Composed by Daniel Semsen. Arran...(+)
SKU:
WD.679143039392
Youth Small.
Composed by Daniel
Semsen. Arranged by
Daniel Semsen. Choral,
cantatas. Jr/Youth
Musical. Youth small.
Word Music #679143039392.
Published by Word Music
(WD.679143039392).
ISBN 080689455179.
UPC:
080689455179.
All
aboard! Join Mr. Cruise
(an overly-enthusiastic
tour director) and his
faithful daughter Liza on
a boat trip up the Nile
as they retell classic
Bible stories. But
there's a problem: The
stories are all wrong! It
takes the kids of Ocean
View Church who are on
board to set the record
straight and help Mr.
Cruise understand the
real truth about God's
enduring love and
faithfulness to His
people. Filled with fun
and clever songs, this
easy to present and
perform musical is a
creative breath of fresh
air that's as
enlightening as it is
worshipful and
entertaining. Create a
wonderful and unique
musical experience for
your children's choir and
congregation with Spend a
While on the
Nile
Features Matt
Redman song, You Never
Let Go. For the first
time ever: Studio
Orchestration available
(for free!) on the IVD!
TRK written by the
creator, Christy
Semsen.
Composed by Valeaira Luppens and Greg Foreman. Book; Classroom/Pre-School; Gener...(+)
Composed by Valeaira
Luppens and Greg Foreman.
Book;
Classroom/Pre-School;
General Music and
Classroom Publications;
Other Classroom. 96
pages. Published by
Alfred Music
Compiled by Amy Appleby and Peter Pickow. Spiral-bound book. 240 pages. Publish...(+)
Compiled by Amy Appleby
and Peter Pickow.
Spiral-bound book. 240
pages. Published by Music
Sales. (AM948850)
Pound for pound, one of
the best deals around.
114 selections in
piano/vocal/guitar chord
format. A collection of
the world's best
lovedChristmas music for
the holiday season. Songs
are categorized into 11
sections-from night
before Christmas through
carols for the new year.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Folk Tales, Fairy Tales, and Nursery Rhymes for Primary Music Students. C...(+)
Folk Tales, Fairy
Tales, and Nursery Rhymes
for Primary Music
Students. Composed by
Greg Foreman and Valeaira
Luppens. This edition:
Primary Book and Enhanced
CD. Book;
Classroom/Pre-School;
Enhanced CD; General
Music and Classroom
Publications;
Reproducible. Folk. 68
pages. Published by
Alfred Music (AP.45332).
Folk Tales, Fairy Tales, and Nursery Rhymes for Intermediate Music Students(+)
Folk Tales, Fairy
Tales, and Nursery Rhymes
for Intermediate Music
Students. Composed by
Greg Foreman and Valeaira
Luppens. This edition:
Intermediate Book and
Enhanced CD. Book;
Classroom/Pre-School;
Enhanced CD; General
Music and Classroom
Publications;
Reproducible. Folk. 84
pages. Published by
Alfred Music (AP.45329).
Chorale SATB SATB A Cappella [Partition] Music Sales
For SATB voices (with optional guitar chords). Format: SATB songbook. With chora...(+)
For SATB voices (with
optional guitar chords).
Format: SATB songbook.
With choral notation,
lyrics, chord names and
guitar chord diagrams.
Americana, traditional
pop and pop vocal.
Series: Everybody's
Favorite Series #67. 127
pages. 9x12 inches.
Published by Music Sales.
by Alan Dworsky and Betsy Sansby. For all instruments. method. Dancing Hand. All...(+)
by Alan Dworsky and Betsy
Sansby. For all
instruments. method.
Dancing Hand. All Styles.
Level:
Beginning-Intermediate.
Book/CD Set. Size
8.5x10.75. 208 pages.
Published by Dancing Hand
Chamber Ensemble SKU: BT.EMBZ14946 With optional combinations of instr...(+)
Chamber Ensemble
SKU:
BT.EMBZ14946
With
optional combinations of
instruments - mit
variabler Besetzung.
By András Soós. EMB
Ad Libitum. Educational
Tool. Set (Score &
Parts). Composed 2015.
102 pages. Editio Musica
Budapest #EMBZ14946.
Published by Editio
Musica Budapest
(BT.EMBZ14946).
Hungarian-English-Germ
an-French.
The
volumes of the Ad libitum
series contain duos,
trios and quartets of
easy, medium and advanced
levels of difficulty,
which are playable with
various combinations of
instruments. Ad libitum
Family Edition volumes
are recommended mainly
for families or groups of
friends where at least
three people play an
instrument. Each of the
pieces included can be
performed using flexible
instrumentation, whether
there are three, four or
even five persons who
would like to play
together. This volume
contains the finest of
easily playable pieces
for Christmas and Advent.
Some can include a
singer, so that a vocal
part appears with the
instrumental ones. At
least two melodic and
oneaccompanying
instruments are required
to perform the piecesPart
I - violin / descant
recorder / flute / oboe /
clarinet / soprano
saxophone / trumpetPart
II - violin / treble
recorder / clarinet /
trumpetAccompaniment-
piano / guitarAny of the
following optional parts
can be addedVoice (ad
libitum)Percussion (ad
libitum)Bass (ad
libitum)- cello / bassoon
/ euphonium
Die
Bände der Serie Ad
libitum enthalten
leichte, mittelschwere
sowie für
Fortgeschrittene
geeignete Duos, Trios und
Quartette variabler
Besetzung. Die Bände
von Ad libitum
Familienedition sind vor
allem Familien und
Freundeskreisen zu
empfehlen, in denen
mehrere auf einem
beliebigen Instrument
spielen. Sämtliche
Stücke lassen sich in
vielfältiger Besetzung
spielen, ganz gleich, ob
man zu dritt, zu viert
oder zu fünft
musizieren möchte.
Dieser Band wurde aus den
schönsten, aber leicht
zu spielenden Advents-
und Weihnachtsstücken
zusammengestellt, zu
denen sich teilweise auch
eine Singstimme gesellen
kann. Deshalb wurde dem
Stimmenmaterial der
Instrumente auch Noten
fürdie Singstimme
beigefügt.
Viola and Piano SKU: HL.14030790 Composed by Gordon Jacob. Music Sales Am...(+)
Viola and Piano
SKU:
HL.14030790
Composed
by Gordon Jacob. Music
Sales America. Post-1900.
Book [Softcover]. Music
Sales #NOV120069.
Published by Music Sales
(HL.14030790).
ISBN
9780853604488.
8.0x12.0x0.198
inches.
While
Gordon Jacobs composed a
vast amount of music -
more than four hundred
pieces -- he was
particularly celebrated
for his work for Viola
and for woodwinds, as
well as for his books on
music pedagogy. Jacob had
an early success with his
Viola Concerto of 1926
which was premiered at a
Promenade concert and
which was the beginning
of a series of strong
contributions to Viola
repertoire. This Sonatina
for Viola and Piano
demonstrates his
sensitive writing for the
instrument. It works very
well when performed on
clarinet as well.While
many composers of the
20th century rejected
serialism, atonality and
other avant garde effects
in favour of Romanticism,
Jacob was much morean
adherent to the musical
models of the classic and
baroque eras, while still
encompassing modern
harmonies. His work Music
for a Festival, for
symphonic wind band and
brass ensemble, was used
for the post-war Festival
of Britain and he
arranged the British
national anthem for the
coronation of Queen
Elizabeth II.
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
SATB Choir a Cappella SKU: HL.14023340 Composed by Per Norgard. Music Sal...(+)
SATB Choir a Cappella
SKU: HL.14023340
Composed by Per Norgard.
Music Sales America.
Classical. Vocal Score.
26 pages. Music Sales
#KP01444. Published by
Music Sales
(HL.14023340).
ISBN
9788759871911.
8.25x11.75x0.115 inches.
English.
To
Nocturner (2001) - for
Chamber Choir (12 or 24
Voices). Texts by Ole
Sarvig and Ib Michael.
English version
available: KP01444E
Programme note: These two
choral pieces for 12
voices consists of
radical recompositions on
of earlier themes: in
Summer's Sleep we hear
new combinations of two
'Sarvig melodies' from
the 1970s (one of which
is now in the Danish
Hymnbook under the title
aret, The Year):
Michael's Night is based
on an earlier, simple
choral song (Star
Mirror,1987), now for 12
voices and composed such
that an original idea of
simultaneously displaced,
opposite motions cf. the
poem) comes out as
desired. Of the Nocturnes
Norgard writes: Summer's
Sleep wascomposed to
stanzas of Ole Sarvig's
poem The Year (from the
collection Forstadsdigte
('Suburban Poems')) and
forms the picture of the
summer of life, which is
asleep - while the heaven
seed waits for the summer
wind (invisible to every
mind). The many layers of
text are expressed
musically in a
multilayered choral
texture with 'looks' up
and down through the
various tempo and
time-worlds: summer
sleep, summer dream. The
second nocturne,
Michael's Night, takes
its name from the author
Ib Michael, whose poem
Star Mirror (from the
collection
Himmelbegravelse ('Sky
Funeral') (1986) I
pushed/coaxed him to
expand from one to nine
stanzas. The four
selected stanzas set in
the nocturne focus on the
pan-erotic elements of
the moonlit, starlit
night. With the titles I
have chosen I have
stressed the mythic layer
of the text, the summer
night not as a dream but
as sensual reality. The
two nocturnes are
dedicated to Ivan Hansen
on the occasion of his
fiftieth birthday on 25th
February 2003, out of
gratitude for over a
quarter of a century of
inspiring
collaboration.
Essentials of Music Theory Software, Version 2.0, Volume 1. (Educator Version). ...(+)
Essentials of Music
Theory Software, Version
2.0, Volume 1. (Educator
Version). By Andrew
Surmani and Morton Manus.
Reference Textbooks;
Textbook - General;
Theory. Essentials of
Music Theory. Software.
Published by Alfred Music
Publishing
(The Mighty Ancient Hero Cruise). By Christy Semsen. Arranged by Daniel Semsen. ...(+)
(The Mighty Ancient Hero
Cruise). By Christy
Semsen. Arranged by
Daniel Semsen. For
Unison/2-part choir.
Jr/Youth Musical. CD
Preview Pak. Published by
Word Music