Linear Drum Fills is a book designed to help you grasp the essential skills and ideas necessary for creating and performing musical, interesting, and exciting drum fills in the linear style. The linear style of drumming is most commonly used in R and B, funk, and gospel music. / Batterie

Par BRIGGS FRANK. Re-edited from the original masters, this companion DVD to Mel Bay's Complete Modern Drum Set Book offers challenging material for the intermediate to advanced drummer. All special effects have been removed and the sound track has been encoded in Dolby Digital stereo. Twenty-one play-along tracks, CueLink™ and a metronome make this DVD the most valuable cutting edge educational tool for drummers on the market today. Addressing a multitude of styles such as jazz, Latin, rock, RandB, African and more, Frank Briggs presents masterful performances and concepts to guide your playing to a higher plane while improving your technique and raising your awareness of cutting edge concepts such as metric modulation, displaced beats, polyrhythms, and more. This DVD features complete performances of Red Moon, Home, Along the Mohawk, Sketch/Electric and more. It includes over 115 minutes of drumming and is the perfect companion to the Complete Modern Drum Set Book (nearly every page in the book is performed... including page headers and pattern numbers for easy reference). Most of the styles include musical examples so you can hear what the patterns sound like in context. Quick moving and packed with information, the DVD covers: The 40 International Rudiments - African beats - Polyrhythm - RandB, Funk, Rock, and Jazz - Odd Meter - Reggae, Latin, and Fusion - Shuffles and Second Line - Linear Patterns - Playing Over the Bar Line - Metric Modulation - Superimposed Meters - and more. / Niveau : Intermédiaire à Avancé / All Styles - Methods / Méthode / Batterie

Funk and Fusion Grooves for the Modern Styles. Par CHAFFEE GARY. Includes basic exercises for linear playing skills and the development of time feels in the linear style. This book is not about playing beats. It is about developing time feels. In the way that I think of these terms, a beat is a specific patten of events that is repeated more of less without variation. A time feel, on the other hand, is a more general statement of the time which is modified and developed as the tune progresses. In most playing situations, the arranged parts of the tune, (the head, background figures, etc. ), are fixed, and this is where playing a specific pattern is more of a necessity. However on the blowing sections, (which are by nature moreimprovisatory), you're going to want something that is flexible, and able to adapt to what's going on in the solo. The purpose of this book is to teach you how to develop such skills in the linear style. In a very real sense, the concept that's involved here is theme and variations. The theme is the basic pattern you use to establish the feel. The variations are those things you do to the pattern to enhance, color, and modify it. There are many such variations available in the linear style, and we will be working witha a number of thesse. The materials in the book have broken down into two sections: Basic exercises: The exercises in this section are designed to help in developing some of the basic technical skills necessary for linear playing, including such things as voice coordination, dynamic balance, accenting, and the like. Ideas: The second section of the book deals with the development of time feels in the linear style. A wide variety of examples will be shown, including regular 4/4 feels, feels on the set, shuffle feels, as well as feels in odd meters. It is important to understand that the purpose of these examples is to demonstrate some of the many ways in which linear feels can be developed. Although you should definitely try and master the materials in the book, the real reward will come when you can take the ideas that these materials are based upon, and make up grooves of your own. About the CD On the CD you will be hearing examples from each part of the book. / Méthode en anglais / Date parution : 1905-06-15/ Méthode / Batterie et Percussions

Par GARIBALDI DAVID. At long last, the secrets of David Garibaldi's groundbreaking funk/jazz fusion drumming techniques are presented in this innovative book and CD. Whether you play rock, heavy metal, jazz or funk, you'll learn to incorporate Garibaldi's contemporary linear styles and musical concepts into your playing and develop your own unique drumset vocabulary. / Méthode en anglais / Méthode / Batterie

The ultimate guide to drum fills. Par TOSCANO JIM. Designed to assist you in developing a real-world vocabulary of drum fills as played by top professional drummers in every style, Filling in the Grooves by Jim Toscano covers all the fills drummers ask about: odd groupings, filling over the barline, hand-foot combinations, double-bass fills, groupings, stylistic fills, and much more. In addition, the book dissects legendary fills played by the giants of the drums, including Billy Cobham, Phil Collins, Stewart Copeland, Steve Gadd, Gavin Harrison, Neil Peart, Simon Phillips, Jeff Porcaro, Tony Williams and more. Included are downloadable digital files containing nine play-along tracks and audio and video demonstrationsof nearly every example in the book. / Niveau : Intermédiaire à Avancé / Pédagogie / Etude / Batterie