Anton Webern: Langsamer Satz Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Carl Fischer
For String Quartet. Composed by Anton Webern (1883-1945). Edited by James Beale....(+)
For String Quartet.
Composed by Anton Webern
(1883-1945). Edited by
James Beale. SWS - Main
book Only. First
Performed May 27, 1962 at
Seattle, Washington by
the University of
Washington String
Quartet. Score and
part(s). With Standard
notation. Composed 1905.
32 pages. Duration
0:08:00. Carl Fischer
Music #O4528. Published
by Carl Fischer Musi
Bellingrath Gardens Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Ralph Ford. By Ralph Ford. For Full Orchestra. Full Orchestra. Belwin Interme...(+)
By Ralph Ford. By Ralph
Ford. For Full Orchestra.
Full Orchestra. Belwin
Intermediate Full/String
Orchestra. Level: Easy to
Medium Easy (grade
II-III). Conductor Score,
Parts & CD. Duration
2:37. Published by Alfred
Publishing
Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas To...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS18
Composed by Douglas
Townsend. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS18. Published
by Carl Fischer Music
(CF.CAS18).
ISBN
9780825855016. UPC:
798408055011. 8.5 X 11
inches. Key: F
major.
A truly
masterful fantasy on an
English folk song, this
piece shows the
exceptional musical
development found in many
of the greatest classical
symphonies. The fantasy
is roughly in the style
of the classical rondo
(ABACA) and features fine
counterpoint and engaging
melodies. This piece can
be played in an
orchestral and quartet
setting and is both
challenging and fun to
play. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My
Fantasy on The Wee
Cooper of Fife was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins: There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems! The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies. This
composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantas
y on The Wee Cooper of
Fife was one of four
such fantasies I wrote
for my daughter April
when she was studying the
violin, and I had hopes
that when she reached the
age of wisdom and
proficiency she would
play them with her
friends. Life being what
is it, she eventually
gave up the violin and
chose a completely
different career for
herself-though we are
still the best of
friends!I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife, which
begins:There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin....The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies.This
composition may be
performed by a string
orchestra or solo string
quartet.- Douglas
Townsend.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
By Lloyd Larson (Arranger). For SATB Choir. Choral, Arrangements, Bass/Percussio...(+)
By Lloyd Larson
(Arranger). For SATB
Choir. Choral,
Arrangements,
Bass/Percussion, General
Use, Missions, Tracks,
Youth Choirs and Sacred.
Sheet Music. Published by
Shawnee Press.
Arranged by Joel Raney. For Solo voice or Unison choir, SAB choir, and Piano acc...(+)
Arranged by Joel Raney.
For Solo voice or Unison
choir, SAB choir, and
Piano accompaniment. The
Joel Raney Choral Series.
Sacred, General,
Hymntune, Blues/Gospel,
Celebration, Commitment,
Dedication, Hymntune,
Light, Outreach,
Rock'n'Roll, Service,
Spiritual. Octavo. 12
pages. Published by Hope
Publishing Company.
Orchestra SKU: BT.MUSM570366699 Composed by Ed Hughes. Score Only. 62 pag...(+)
Orchestra
SKU:
BT.MUSM570366699
Composed by Ed Hughes.
Score Only. 62 pages.
University of York Music
Press #MUSM570366699.
Published by University
of York Music Press
(BT.MUSM570366699).
English.
Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes.
Orchestra SKU: BT.MUSM570366712 Composed by Ed Hughes. Classical. Study S...(+)
Orchestra
SKU:
BT.MUSM570366712
Composed by Ed Hughes.
Classical. Study Score.
62 pages. University of
York Music Press
#MUSM570366712. Published
by University of York
Music Press
(BT.MUSM570366712).
English.
Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes.
Chamber Music Piano, soprano Saxophone SKU: PR.114419990 Composed by Cart...(+)
Chamber Music Piano,
soprano Saxophone
SKU:
PR.114419990
Composed
by Carter Pann. Set of
Score and Parts. 28+12
pages. Duration 15
minutes. Theodore Presser
Company #114-41999.
Published by Theodore
Presser Company
(PR.114419990).
ISBN
9781491134825. UPC:
680160685516.
An
extraordinary addition to
the saxophone repertoire,
Pann’s concerto is
alternately tender and
wild, yet idiomatic even
in the most challenging
pyrotechnics and
altissimo. The four
movements show off and
romance the soprano
saxophone from a
remarkable range of
angles, while always
maintaining beauty. The
published piano reduction
is fully suitable for
public
performances. My
Soprano Saxophone
Concerto (2019) was
written for Christopher
Creviston and
commissioned by Chris,
the ASU Symphony
Orchestra, and the SUNY
Potsdam Symphony
Orchestra. The work lasts
about 15 minutes and does
what it can to show the
many sides of one of my
favorite musicians on the
planet. The work is cast
in four movements and
makes use of a varied
orchestral palette.I. The
Old Line (orchestra
without brass) presents
the soloist almost
immediately, akin to the
technique in
Mendelssohn’s
beloved Violin Concerto.
The saxophone weaves a
song-like melody
throughout, often
reaching for the highest
register of the
instrument.II. Aria:
Injurious Graffito (full
orchestra) was the first
movement to be written,
inspired by a line in the
old television series
Frasier. I fell in love
with the two words
“Injurious
Graffito†the way
they are delivered on the
show. The music, like the
TV show, is lofty and
somewhat arrogant.III.
Jump (full orchestra) is
a written-out
improvisation on the
saxophone. Chris is
particularly adept at the
leaps and quick changes
found throughout the
movement, which
culminates in a
straight-ahead tune
incorporating shapes that
foreshadow the tune in
the last movement.IV.
Hymn: A Love Supreme
(string orchestra and
harp) is a torch song of
unabashed sentimentality.
A surprising admission: I
was not thinking of John
Coltrane’s famed
album of the same name
when naming this last
movement. Perhaps it was
a subconscious decision,
but I was startled to put
two and two together upon
reacquainting myself with
the Coltrane once the
concerto was
completed.
For String
Orchestra. Composed
by Larry Clark. SWS. Carl
Fischer First Plus String
Orchestra Series.
Classical. Full score.
With Standard notation.
Composed 2001. 8 pages.
Carl Fischer Music
#FAS11F. Published by
Carl Fischer Music
(CF.FAS11F).
ISBN
9780825845055. UPC:
798408045050. 8.5 X 11
inches. Key: G
major.
This
outstanding original from
Larry Clark can be played
any time of year! A
vigorous theme moves
through all the sections
and violas combine with
second violins for
prominent solo passages.
A section in minor adds
to the drama as strong
rhythmic chords give way
to a subdued tremolo in
the first violins,
reminiscent of Vivaldi's
Winter This music reaches
a level of intensity your
players and audience will
love.
Tower of Babel Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1074199-010 Composed by Hayat...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1074199-010
Composed by Hayato
Hirose. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2007.
De Haske Publications
#DHP 1074199-010.
Published by De Haske
Publications
(BT.DHP-1074199-010).
9x12 inches.
English-German-French-Dut
ch.
Based on the
Old Testament biblical
story of the building of
the Tower ofBabel, a
tower built to reach the
heavens, composer Hayato
Hirose hascreated this
dramatic programmatic
work in seven movements
that areplayed without
interruption. With
skilful detail each
movement portrays an
aspect of the story of
the tower and its
ultimate destruction. A
magnificent epic work!
Op basis van het
bekende verhaal over de
toren van Babel uit het
Oude Testament schreef
componist Hayato Hirose
een indrukwekkend
programmatisch werk in
zeven delen - uit te
voeren zonder pauzes. De
delen zijn getiteld:
Tower ofBabel (De
toren van Babel) -
Settlers from the
East (Kolonisten uit
het oosten) - Building
the Tower (Het bouwen
van de toren) -
Hope (Hoop) -
God’s Worry
(De zorgen van God) -
Confusion
(Verwarring) - en
Dispersion
(Verspreiding).
Au
f der Grundlage der
biblischen Geschichte vom
Turmbau zu Babel aus dem
Alten Testament schuf
Hayato Hirose ein
dramatisches
programmatisches Werk in
sieben Sätzen, die
ohne Unterbrechung zu
spielen sind. Sie
erzählen kunstvoll und
detailreich die
Geschichte vom Beginn des
Turmbaus über den Zorn
Gottes bis hin zur
Verwirrung der Sprachen
und der Zerstreuung der
Menschen über die
ganze Welt. Ein
großartiges Werk!
Composed
by Hayato Hirose. De
Haske Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2007.
De Haske Publications
#1074199. Published by De
Haske Publications
(HL.44007209).
Based on the
Old Testament biblical
story of the building of
the Tower ofBabel, a
tower built to reach the
heavens, composer Hayato
Hirose hascreated this
dramatic programmatic
work in seven movements
that areplayed without
interruption. With
skilful detail each
movement portrays an
aspect of the story of
the tower and its
ultimate destruction. A
magnificent epic work!
Op basis van het
bekende verhaal over de
toren van Babel uit het
Oude Testament schreef
componist Hayato Hirose
een indrukwekkend
programmatisch werk in
zeven delen - uit te
voeren zonder pauzes. De
delen zijn getiteld:
Tower ofBabel (De
toren van Babel) -
Settlers from the
East (Kolonisten uit
het oosten) - Building
the Tower (Het bouwen
van de toren) -
Hope (Hoop) -
God's Worry (De
zorgen van God) -
Confusion
(Verwarring) - en
Dispersion
(Verspreiding).
Au
f der Grundlage der
biblischen Geschichte vom
Turmbau zu Babel aus dem
Alten Testament schuf
Hayato Hirose ein
dramatisches
programmatisches Werk in
sieben Satzen, die ohne
Unterbrechung zu spielen
sind. Sie erzahlen
kunstvoll und detailreich
die Geschichte vom Beginn
des Turmbaus uber den
Zorn Gottes bis hin zur
Verwirrung der Sprachen
und der Zerstreuung der
Menschen uber die ganze
Welt. Ein grossartiges
Werk!
En 2006,
Hayato Hirose compose
Tower of Babel (La
Tour de Babel), une
œuvre dediee a son
professeur et maitre, le
compositeur belge Jan Van
der Roost. L'œuvre a
ete donnee en creation
mondiale, le 20 septembre
2006 a Louvain en
Belgique, par l'Orchestre
d'Harmonie de l'Institut
Lemmens place sous la
direction du
compositeur.Apres le
Deluge, les rescapes de
l'Arche de Noe eurent une
descendance nombreuse.
Partis de l'orient, ils
trouverent une vallee au
pays de Shinear et ils
s'y etablirent. Afin de
ne pas etre disperses sur
toute la surface de la
terre, ils deciderent de
batir une ville et une
tour - la Tour de Babel -
dont le sommet toucherait
le ciel.Inquiet du
dessein des fils des
hommes, l'Eternel
descendit pour voir la
ville et la tour qu'ils
batissaient. Il confondit
leur langage afin qu'ils
ne se comprennent plus
les uns les autres.
Ainsi, ils cesserent de
batir la ville, et de la
L'Eternel les dispersa
sur toute la surface de
la terre. (Genese 11 :
1-9) Hayato Hirose s'est
inspire du celebre recit
biblique selon l'Ancien
Testament pour composer
cette œuvre a
programme dramatique en
sept mouvements, qui
s'enchainent sans
interruption.1. La Tour
de Babel2. Venus de
l'orient3. La
construction de la tour4.
L'espoir5. Les
inquietudes de
l'Eternel6. La
confusion7. La
dispersion.
Tower of Babel Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1074199-140 Composed by Hayat...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1074199-140
Composed by Hayato
Hirose. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2007. 52
pages. De Haske
Publications #DHP
1074199-140. Published by
De Haske Publications
(BT.DHP-1074199-140).
9x12 inches.
English-German-French-Dut
ch.
Based on the
Old Testament biblical
story of the building of
the Tower ofBabel, a
tower built to reach the
heavens, composer Hayato
Hirose hascreated this
dramatic programmatic
work in seven movements
that areplayed without
interruption. With
skilful detail each
movement portrays an
aspect of the story of
the tower and its
ultimate destruction. A
magnificent epic work!
Op basis van het
bekende verhaal over de
toren van Babel uit het
Oude Testament schreef
componist Hayato Hirose
een indrukwekkend
programmatisch werk in
zeven delen - uit te
voeren zonder pauzes. De
delen zijn getiteld:
Tower ofBabel (De
toren van Babel) -
Settlers from the
East (Kolonisten uit
het oosten) - Building
the Tower (Het bouwen
van de toren) -
Hope (Hoop) -
God’s Worry
(De zorgen van God) -
Confusion
(Verwarring) - en
Dispersion
(Verspreiding).
Au
f der Grundlage der
biblischen Geschichte vom
Turmbau zu Babel aus dem
Alten Testament schuf
Hayato Hirose ein
dramatisches
programmatisches Werk in
sieben Sätzen, die
ohne Unterbrechung zu
spielen sind. Sie
erzählen kunstvoll und
detailreich die
Geschichte vom Beginn des
Turmbaus über den Zorn
Gottes bis hin zur
Verwirrung der Sprachen
und der Zerstreuung der
Menschen über die
ganze Welt. Ein
großartiges Werk!
SKU: HL.1455816 AlphaTheta. DJ Gear. Hal Leonard #EUPHONIA. Published by ...(+)
SKU: HL.1455816
AlphaTheta. DJ Gear. Hal
Leonard #EUPHONIA.
Published by Hal Leonard
(HL.1455816).
UPC:
841300102434.
19.0x21.0x9.0
inches.
The
euphonia produces a
euphoric sound with the
clarity of digital and
the richness of analog
that's never been heard
from a DJ mixer before.
To deliver a clearer
sound quality that
accurately reproduces the
expression of the music,
the euphonia uses
high-quality 32-bit A/D
and D/A converters as
well as 96kHz/64 bit
floating point mixing
processing operations in
the DSP, utilizing the
digital signal processing
technology AlphaTheta has
developed over many
years. All sound coming
out of the euphonia
passes through a
transformer circuit
co-designed by AlphaTheta
and Rupert Neve Designs,
the legendary makers of
outstanding analog audio
circuitry and mixing
desks revered by artists
and sound engineers
around the world. This
transformer circuit,
tuned specifically for
the euphonia, adds
harmonics to the music
and creates a glossy and
energetic sound that's
smoother for mixing. Low
frequencies such as kicks
and bass are more stable
and punchy, mid
frequencies like vocals
and instruments have more
presence and gloss, and
high frequencies such as
hi-hats sound silky and
natural. The transformer
breaks down the barrier
between vintage live and
modern electric sounds,
making mixing easier and
surprisingly natural, as
if recordings in
different styles were
orginally one piece of
music. When you touch the
faders on the euphonia,
you won't want to let go.
To enhance its intuitive
mixing experience, the
unit is loaded with
rotary faders that
feature a brand-new
carefully developed
design to give you the
feeling that you and the
mixer are one. After
extensive testing, the
perfect knob sizers were
chosen, with an elastomer
applied to the outer
circumference of each to
ensure a comfortable and
reliable grip as well as
a high level of vibration
absorption. The uniquely
developed mechanism for
the faders also benefits
from optimum weighting.
You'll notice a
difference in the feel of
the knobs when you turn
them at different speeds,
as a smooth load is
applied when you turn a
knob slowly for delicate
fine-tuning and a limited
load level is applied
when you turn the knob
quickly to instantly
reach your intended
volume level. And the
fader volume curves have
been optimized through
feedback from numerous
DJs, enabling smooth and
natural mixing without
equalizing, so you can
concentrate on volume
control. This innovative
fader allows for musical
expression that will move
your audience and enhance
your performance. Get an
instant visual grasp of
the status of your mix
and the balance of tack
volume levels by glancing
at the euphonia's Energy
Visualizer. Conventional
VU meters only have 1
needle meter, making it
difficult for DJs to
graps multiple channel
levels at the same time.
But the euphonia's
uniquely developed Mix
Level Meter features a
needle meter for each
channel so you can
visually check the levels
for all channels and mix
smoothly.
This Little Light of Mine Chorale SATB SATB A Cappella [Octavo] - Intermédiaire/avancé MorningStar Music Publishers
By Craig Carnahan. For SATB choir (divisi), a cappella. National Lutheran Ch...(+)
By Craig Carnahan. For
SATB
choir (divisi), a
cappella.
National Lutheran Choir
Series.
Missions/Outreach,
Spiritual. Moderately
difficult. Octavo. 12
pages.
Published by MorningStar
Music
Publishers
Piano - beginner, intermediate, advanced SKU: KJ.TW117B Reference. TCW Re...(+)
Piano - beginner,
intermediate, advanced
SKU: KJ.TW117B
Reference. TCW Resources.
Certificates (set of 25).
TCW Resources #TW117B.
Published by TCW
Resources (KJ.TW117B).
ISBN 9788402702050.
UPC:
8402702058.
About TCW
Resources
TCW Resources exists
to create music teaching
materials designed to
inspire teachers and
students to reach beyond
the ordinary. We are
committed to producing
quality products that
utilize sound educational
principles. With the
knowledge that music can
enhance every child's
life, we offer students
and teachers fresh new
tools that will promote
their love of music and
make music a valued gift
for the rest of their
lives.
TCW
Resources was founded in
1993 by Laura G. Zisette,
Charlene Zundel, and
Kathleen Lloyd to create
teaching materials that
are thorough, easy to
use, and fun and
stimulating for students.
The materials are age-
and level-appropriate,
well-paced, and employ
multiple approaches to
accommodate varied
learning
styles.
TCW
materials are piloted
through the Utah State
University Youth
Conservatory, a music
preparatory program for
community children. This
conservatory serves over
250 students, ages 5-18,
through group theory
classes and individual
piano lessons. Its
curriculum offers weekly
group theory classes and
individual piano lessons
as well as many other
extra-curricular
programs. The National
Association of Schools of
Music (NASM) stated that
the USUYC should be a
national model for music
preparatory
programs.
TCW
materials are used in
many other preparatory
programs and
conservatories around the
United States and
Canada.
Piano - beginner, intermediate, advanced SKU: KJ.TW116B Reference. TCW Re...(+)
Piano - beginner,
intermediate, advanced
SKU: KJ.TW116B
Reference. TCW Resources.
Certificates (set of 25).
TCW Resources #TW116B.
Published by TCW
Resources (KJ.TW116B).
UPC:
8402702056.
About TCW
Resources
TCW Resources exists
to create music teaching
materials designed to
inspire teachers and
students to reach beyond
the ordinary. We are
committed to producing
quality products that
utilize sound educational
principles. With the
knowledge that music can
enhance every child's
life, we offer students
and teachers fresh new
tools that will promote
their love of music and
make music a valued gift
for the rest of their
lives.
TCW
Resources was founded in
1993 by Laura G. Zisette,
Charlene Zundel, and
Kathleen Lloyd to create
teaching materials that
are thorough, easy to
use, and fun and
stimulating for students.
The materials are age-
and level-appropriate,
well-paced, and employ
multiple approaches to
accommodate varied
learning
styles.
TCW
materials are piloted
through the Utah State
University Youth
Conservatory, a music
preparatory program for
community children. This
conservatory serves over
250 students, ages 5-18,
through group theory
classes and individual
piano lessons. Its
curriculum offers weekly
group theory classes and
individual piano lessons
as well as many other
extra-curricular
programs. The National
Association of Schools of
Music (NASM) stated that
the USUYC should be a
national model for music
preparatory
programs.
TCW
materials are used in
many other preparatory
programs and
conservatories around the
United States and
Canada.
Composed by
Kyle Pederson. Jbc. 8
pages. Duration 3
minutes, 41 seconds. Carl
Fischer Music #CM9722.
Published by Carl Fischer
Music (CF.CM9722).
ISBN 9781491161012.
UPC: 680160919611. Key: C
major. English. Kyle
Pederson.
Original.
Stars was
born out of a life-long
fascination with the
night sky, and the text
is a meditation on the
interconnectedness of
creation. The light from
distant stars takes eons
to reach our eyes,
connecting us with an
ancient past. Many
elements that comprise
our bodies were cast out
of stars million years
ago. Since we are the
stuff of stars, where
will we cast our own
light? Whose world will
we impact? Harmonically,
the piece seeks to evoke
the vastness and mystery
of space, simultaneously
capturing the intimacy of
connection. Stars
Legacies of light Ages
ago, you spun light into
the bleak Ancient light
falls on my eye And I? A
star sacred stellar dust
casting light out through
time In whose sky will my
light fall?
 . Stars was born
out of a life-long
fascination with the
night sky, and the text
is a meditation on the
interconnectedness of
creation. The light
from distant stars takes
eons to reach our eyes,
connecting us with an
ancient past. Many
elements that comprise
our bodies were cast out
of stars million years
ago. Since we are the
stuff of stars, where
will we cast our own
light? Whose world will
we impact?Harmonically,
the piece seeks to evoke
the vastness and mystery
of space, simultaneously
capturing the intimacy of
connection.StarsLegacies
of lightAges ago, you
spun light into the
bleakAncient light falls
on my eyeAnd I?A
starsacred stellar
dustcasting light out
through timeIn whose sky
will my light fall?
Ihr habt nun Traurigkeit Orchestre d'harmonie, Chorale-Voix [Conducteur et Parties séparées] - Intermédiaire Baton Music
(from Ein deutsches Requiem). By Johannes Brahms (1833-1897). Arranged by Martin...(+)
(from Ein deutsches
Requiem). By Johannes
Brahms (1833-1897).
Arranged by Martin
Baumgartner. For Soprano
and Choir ad libitum and
Concert Band. Grade 4.
Full score and set of
parts. Duration 8:30.
Published by Baton Music