| My First Concert: 44 Easy Guitar Pieces from 5 Centuries Guitare - Débutant Schott
Guitar - very easy to easy SKU: HL.49044752 Mein erstes Konzart: 44 le...(+)
Guitar - very easy to
easy SKU:
HL.49044752 Mein
erstes Konzart: 44
leichte Gitarrenstucke
aus 5 Jahrhunderten.
Edited by Bruno
Szordikowski and Peter
Ansorge. This edition:
Saddle stitching. Sheet
music. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Children, Classical,
German Edition.
Softcover. 32 pages.
Schott Music #ED 22050.
Published by Schott Music
(HL.49044752). ISBN
9783795749576. UPC:
841886023826.
9.0x12.0x0.14
inches. Giving your
first concert is a
special occasion for any
young musician,
motivating players to
keep working at their
instrument and music
making. Making this a
positive experience
involves choosing pieces
that are technically and
musically manageable, so
we have chosen 44 easy
and well-known solo
pieces, all tried and
tested in lessons and
youth music competitions.
This selection of works
mainly written for the
guitar is arranged in
periods of composition,
providing a little window
on the history of guitar
and lute music. TEXT IN
GERMAN AND ENGLISH. $17.99 - Voir plus => Acheter | |
|
| Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308). ISBN
9782898522253. Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
FRANCE
SCO BIRAGHI
Au
lendemain d'une
récente
expérience au sein
du jury d'un concours de
guitare, j'ai
constaté avec
grand plaisir que Giorgio
Mirto, avec qui j'avais
partagé le
rôle de
juré, souhaitait
célébrer
l'expérience du
concours - au cours de
laquelle nous avons
découvert que nous
avions eu un grand
affinité de
pensée - avec
quelque chose qui
pourrait perdurer dans le
temps et ne pas
s'évaporer comme
cela arrive souvent lors
de rencontres courtes et
occasionnelles entre
musiciens. Il l'a fait en
véritable
compositeur, ce qu'il
est, et m'a
dédié une
Suite d'une très
belle facture ÃÂ
laquelle je me suis
permis de collaborer au
moins formellement, en
suggérant des
titres pour les quatre
mouvements. C'est ainsi
qu'est née la
Suite n.1, une
pièce qui ne
respecte pas strictement
les règles
formelles de
l'époque baroque,
mais les
réinterprèt
e et les réutilise
dans une nouvelle
tonalité.
L'inspiration
évidente du
baroque tardif de
l'Ã
Âuvre m'a
amené ÃÂ
trouver des titres qui
invitaient
l'interprète
ÃÂ approfondir
l'inspiration
esthétique de
l'Ã
Âuvre. J'ai donc
suggéré
ÃÂ Giorgio de
titrer les quatre
mouvements avec quelque
chose qui reliait leur
contenu ÃÂ quatre
grands du XVIIIe
siècle.
Maîtres allemands.
Le prélude est
ainsi devenu d'Eisenach
en raison de son
atmosphère parfois
improvisée
ÃÂ la Bach, le
deuxième
mouvement, vaguement
toccata, parle un langage
d'orgue ÃÂ la
manière de
Buxtehude (qui vivait
àLübeck),
le mouvement lent a un
Qualité
haendélienne - et
Haendel est né
ÃÂ Halle - et le
dernier mouvement, loin
d'être une
véritable
Chaconne, a sans doute le
goût de cette
dernière pour la
variation et l'ostinato,
traits typiques de
Telemann qui vivait
ÃÂ Magdebourg. Les
villes qui apparaissent
dans les titres sont donc
indélébiles
aux auteurs cités.
De plus, il ne faut pas
penser que le style de
l'Ã
Âuvre soit en
aucune façon
allemand, étant
donné que Giorgio
Mirto s'exprime dans un
langage très
joyeux qui
synthétise la
modalité avec le
minimalisme, le tout
assaisonné d'un
clin d'Ã
Âil au rock
progressif Floyd de Pink.
ou un Mike Oldfield... Le
résultat de ce
mélange
d'idées,
d'inspirations et de
styles est un ouvrage que
personnellement je ne me
lasse pas de lire et de
relire, pour la
fraîcheur qui s'en
dégage et pour le
climat expressif qui
monte, se nourrissant de
plein efficacité.
On ne peut finalement pas
ignorer que la note B,
celle qui marque de
manière mineure
certaines des
Ã
Âuvres les plus
expressives du
répertoire de
guitare, depuis
l'étude de Sor qui
a fait tomber amoureux de
la guitare des
générations
d'étudiants,
jusqu'ÃÂ celle de
Frank Martin Quatre
Pièces via La
Catedral di Barrios, est
le point d'appui modal de
toute la Suite : il est
vrai que le
Prélude commence
par un accord clair en mi
mineur et s'attarde sur
une fin ouverte en la
mineur, mais il semble
presque que le mi initial
sert de une rampe de
lancement pour une suite
de l'Ã
Âuvre dans
laquelle la dominante,
c'est-ÃÂ -dire le B,
est le véritable
Nord musical,
l'étoile polaire
qui nous guide dans les
trois autres mouvements
jusqu'ÃÂ la fin de
la Chaconne de
Magdebourg. Je souhaite
ÃÂ Giorgio et
àë notre
û Suite une grande
longévité
et un destin favorable
dans le monde complexe et
complexe de la
composition contemporaine
pour guitare. Et je le
remercie encore,
flatté de son
très aimable
dévouement.
FRANCESCO BIRAGHI. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | |
|
| Sonata XXVII (Dresden nr.50) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6760EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6760EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6760EM.
Published by Metropolis
Music Publishers
(IS.G6760EM). ISBN
9790365067602. This
sonata (WeissSW No. 50,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXVII comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXVII
is a large and mature
piece, composed in
Weissâ??s late period,
around 1730. The Sonata
has six movements:
Introduzzione (an opening
movement in Italian style
with elements of an
Allemande and Prelude),
Courante, Bourrée,
Sarabande, Menuet, and it
ends with a Presto. The
use of tempo indications
for French dance
movements is
characteristic for the
later work of Weiss.
Originally, the Sonata is
written in B flat major,
a key often used by Weiss
as it is appropriate for
playing the lute, but
rather awkward with the
guitar. For ease and
effectiveness of playing,
I have transposed the
Sonata a minor third
lower to G major. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
3rd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 2nd
fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | |
|
| Sonata XVII (London nr.23) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6764EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6764EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6764EM.
Published by Metropolis
Music Publishers
(IS.G6764EM). ISBN
9790365067640. This
sonata (WeissSW No. 23,
London) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XVII comes
from Weissâ??s middle
â??productiveâ??
period, thought to have
taken place between 1719
and 1725. The original
tablature manuscript is
in the British Library
(London Ms. Add. 30387).
It is the only London
Sonata with a title:
Divertimento à solo.
The Sonata has ten
separate movements:
Prelude (Prǣlude),
Entrée, Bourée I
and II, Gavotte I and II,
Sarabande, Menuet I and
II, and Saltarella. The
Entrée is nothing more
than an Allemande. The
Saltarella resembles the
Scottish Gigue. The pairs
of the middle
â??dancesâ?? are
intended to be played
side by side, as one
coherent movement in
which the second part
complements the musical
notion of the first part.
There are concordant
copies of the first parts
of the Bourée, Gavotte
and Menuet in the
Sächsisches
Landesbibliothek in
Dresden (Suite XXVI).
Bourée I can also be
found in the Bayerische
Staatsbibliothek in
München, although it
is quite different from
the London version.
Originally, the Sonata is
written in B flat major,
a key often used by Weiss
as it is appropriate for
playing the lute, but
rather awkward with the
guitar. For ease and
effectiveness of playing,
I have transposed the
Sonata a minor third
lower to G major. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
3rd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 2nd
fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | |
|
| Works For Guitar Guitare Musica Ferrum
Guitar SKU: HL.1423348 For Solo Guitar. Composed by Stavros Angelo...(+)
Guitar SKU:
HL.1423348 For
Solo Guitar. Composed
by Stavros Angelou. Music
Sales America. Classical.
Softcover. Musica Ferrum
Editions
#QERR9790708147909.
Published by Musica
Ferrum Editions
(HL.1423348). ISBN
9798350121216. UPC:
196288200048. Stavr
os Angelou is an active,
prolific composer from
Greece, who has published
his first two collections
for guitar. This second
book features eight works
in different styles for
the solo guitar, all
requiring a very advanced
technique and
understanding of the
instrument and music.
Containing works such as
'Prelude and Dance', or
'Nocturnal', or 'Thinking
in another beat', each
piece is a marvel to play
or listen to, but the
collection as a whole has
a place in every
guitarist's home. $15.99 - Voir plus => AcheterDélais: 2 to 3 weeks | |
|
| Christopher Parkening: Sacred Music for the Guitar - Volume 2 Guitare Hal Leonard
Guitar Solo. Performed by Christopher Parkening. By Various. Arranged by Christo...(+)
Guitar Solo. Performed by
Christopher Parkening. By
Various. Arranged by
Christopher Parkening.
Guitar Collection. Size
8.5x11 inches. 32 pages.
Published by Hal Leonard.
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | |
|
| 5 Lute Pieces Guitare Guitare classique Schirmer
5 Lute Pieces (Guitar Solo). By Sylvius Leopold Weiss (1686-1750). Edited by E F...(+)
5 Lute Pieces (Guitar
Solo). By Sylvius Leopold
Weiss (1686-1750). Edited
by E Flower. For Guitar,
Lute. Guitar Collection.
G. Schirmer #AMP7807.
Published by G. Schirmer
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | |
|
| Fingerpicking Duke Ellington Guitare notes et tablatures [Partition] Hal Leonard
15 Songs Arranged for Solo Guitar. By Duke Ellington. Guitar Solo. Softcover. Gu...(+)
15 Songs Arranged for
Solo Guitar. By Duke
Ellington. Guitar Solo.
Softcover. Guitar
tablature. 40 pages.
Published by Hal Leonard.
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | |
|
| Baroque Guitarist Guitare Guitare classique Edward B. Marks Music Company
Guitar Solo. By Various. Arranged by Leon Block. Guitar Book. Size 9x12 inches. ...(+)
Guitar Solo. By Various.
Arranged by Leon Block.
Guitar Book. Size 9x12
inches. 16 pages.
Published by Marks.
$3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | |
|
| Prelude Sans Tonalite No. 11 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4. Published by Editions...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Prelude Sans Tonalite No. 2 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4. Published by Editions...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Prelude Sans Tonalite No. 20 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4.5. Published by Editio...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.5.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Prelude Sans Tonalite No. 22 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4.5. Published by Editio...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.5.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Prelude Sans Tonalite No. 23 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4. Published by Editions...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Prelude Sans Tonalite No. 9 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4. Published by Editions...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Prelude Sans Tonalite No. 21 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4.5. Published by Editio...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.5.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Disonancias, Zambalero, Prelude Guitare Guitare classique - Intermédiaire Productions OZ
By Jaime Cordoba. For guitar solo. Level: 3. 12 pages. Published by Les Producti...(+)
By Jaime Cordoba. For
guitar solo. Level: 3. 12
pages. Published by Les
Productions d'OZ. (DZ
364)
$7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | |
|
| Prelude Sans Tonalite No. 5 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4.5. Published by Editio...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.5.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Prelude (from Suite No. 4 for cello) (Pujol 1040) Guitare Guitare classique Durand
Guitar Solo. By Johann Sebastian Bach. Editions Durand. Size 9.75x12.5 inches. 4...(+)
Guitar Solo. By Johann
Sebastian Bach. Editions
Durand. Size 9.75x12.5
inches. 4 pages.
Published by Durand.
$11.95 - Voir plus => AcheterDélais: 24 hours - In Stock | |
|
| Prelude Sans Tonalite No. 4 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4. Published by Editions...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Prelude Sans Tonalite No. 8 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4. Published by Editions...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Prelude Sans Tonalite No. 12 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4.5. Published by Editio...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.5.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Prelude Sans Tonalite No. 24 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4.5. Published by Editio...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.5.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Prelude Sans Tonalite No. 3 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4.5. Published by Editio...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.5.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Johann Sebastian Bach: Prelude no 1, BWV 846 Guitare Guitare classique - Intermédiaire Productions OZ
By Johann Sebastian Bach. Arranged by Francis Kleyjans. For guitar solo. 4 pages...(+)
By Johann Sebastian Bach.
Arranged by Francis
Kleyjans. For guitar
solo. 4 pages. Published
by Les Productions dOZ.
(DZ 443) Level: 3.
$4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | |
|
| Prelude Sans Tonalite No. 10 Guitare Guitare classique - Intermédiaire Editions Marc Reift (Swiss import)
By Colette Mourey. For Guitar Solo. Swiss import. Grade 4. Published by Editions...(+)
By Colette Mourey. For
Guitar Solo. Swiss
import. Grade 4.
Published by Editions
Marc Reift
$5.95 - Voir plus => AcheterDélais: 3 to 4 weeks | |
|
| Best of Classical Themes for Piano (all C instruments) Piano seul [Partition] Santorella Publications
Collection for solo piano(all C instruments), . 159 pages. Published by Santorel...(+)
Collection for solo
piano(all C instruments),
. 159 pages. Published by
Santorella Publications.
(1)$16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | |
|
| The Guitar Style Resource Guitare notes et tablatures [Partition + CD] Alfred Publishing
(A Comprehensive Guide to Exploring New Techniques and Styles from Heavy Metal t...(+)
(A Comprehensive Guide to
Exploring New Techniques
and Styles from Heavy
Metal to Jazz). Composed
by Raleigh Green. For
Guitar. Book; CD; Guitar
Method or Supplement;
Method/Instruction. Style
Resource Series. Funk;
Jazz; Metal; Rock. 96
pages. Published by
Alfred Music
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | |
|