Arab Dance Big band [Conducteur et Parties séparées] Jazz Lines Publications
By Claude Thornhill. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For Big ...(+)
By Claude Thornhill.
Edited by Jeffrey
Sultanof. Arranged by Gil
Evans. For Big Band.
Swing. Advanced. Full
score and set of parts.
Published by Jazz Lines
Publications
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00
By The Gerry Mulligan Concert Jazz Band. Edited by Ted Hogarth, Rob Duboff, and ...(+)
By The Gerry Mulligan
Concert Jazz Band. Edited
by Ted Hogarth, Rob
Duboff, and Jeffrey
Sultanof. Arranged by Bob
Brookmeyer. For big band
(Clarinet, Alto
Saxophone, Tenor
Saxophone, 2 Baritone
Saxophones, 3 Trumpets, 2
Trombones, Bass Trombone,
Bass, Drums (Optional)).
Ballad. Medium. Score and
parts. Published by Jazz
Lines Publications
Violon et Piano - Intermédiaire MorningStar Music Publishers
Hymns to the Creator: Two Arrangements for Violin and Piano by Duane Funderburk....(+)
Hymns to the Creator: Two
Arrangements for Violin
and Piano by Duane
Funderburk. For piano,
violin. General.
Moderately Difficult.
Piano score and
reproducible parts.
Published by MorningStar
Music Publishers
Olympia Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant FJH
By Brian Balmages. Arranged by Brian Balmages. Beginning Band. FJH Beginning Ban...(+)
By Brian Balmages.
Arranged by Brian
Balmages. Beginning Band.
FJH Beginning Band. This
fanfare captures the
spirit of Olympia, the
birthplace of the Olympic
Games. The Games began in
776 B.C. In honor of
Zeus. Since then, they
have become the central
location for heroes and
champions to compete for
the highest honors in the
world. This work also
serves as a reminder that
heroes are all around us
- in teachers who stay
after school to help
students, in parents who
strive to give their
children the best
possible lives, and most
of all in students
themselves, the young
champions of our world
who see nothing between
them and their dreams.
The mallet part calls for
multiple sets of bells
(or other metallic
instruments such as the
vibraphone). Certainly,
two to three players can
really make this an
effective part. There are
two Percussion 1 parts
included: a normal part
and an advanced part. The
level of the snare
drummer will determine
which part should be
used. However, both parts
may be used
simultaneously if
percussionists are
available. Score for this
title: B1270S. Extra part
for this title: B1270P.
Concert Band. Level: 1.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Alligator Alley Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire American Composers Forum
Bandquest Series Grade 3. By Michael Daugherty. Score and full set of parts. Ame...(+)
Bandquest Series Grade 3.
By Michael Daugherty.
Score and full set of
parts. American Composers
Forum Concert Band.
CD-ROM only. Size 9x12
inches. Published by
American Composers Forum.
From 'The Messiah'. Composed by George Frideric Handel (1685-1759). Arran...(+)
From 'The
Messiah'. Composed by
George Frideric Handel
(1685-1759). Arranged by
Andrew Glover. Young
band. Command Series.
Score and parts. Duration
0:3:53. Published by C.L.
Barnhouse
(CL.011-4483-00).
By Andy Clark. Concert band. For concert band. Young Band. Command Series. Audio...(+)
By Andy Clark. Concert
band. For concert band.
Young Band. Command
Series. Audio recording
available separately
(item CL.WFR373). Grade
2.5. Score and set of
parts. Composed 2011.
Duration 3 minutes, 13
seconds. Published by
C.L. Barnhouse
(CL.011-4060-00
Arranged by Sandra Dackow. Conductor's score and set of performance parts for st...(+)
Arranged by Sandra
Dackow. Conductor's score
and set of performance
parts for string
orchestra (8 - 1st
violin, 8 - 2nd violin, 5
- 3rd violin/viola
(treble clef), 5 - viola,
5 - cello, 5 - string
bass, 1 - piano
accompaniment). Series:
Orchestra Expressions
Series. Published by
Alfred Publishing.
Suite. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 8:10. Published
by G & M Brand Music
Publishers (CN.R10220).
Wit, warmth,
charm, beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Each of the three
included movements is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite.
Jeuz
d'enfants was originally
written in 1871 as a
Suite of twelve pieces
for piano duet. Two years
later, Bizet scored five
of the pieces for
orchestra to create a
Petite Suite. Each
movement shows Bizet's
enormous skill as a
miniaturist, the music
exuding a concentration
of power and atmosphere.
Wit, warmth, charm,
beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Three of the movements
are included in this
arrangement. Each is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite. 1) Marche -
Trompette and Tambour
(Trumpet and Drum) 2) Duo
- Petit Mari, Petite
Femme (Little Husband,
Little Wife) 3) Galop -
Le Bal (The Ball).
Composed by
Stuart Johnson. Band
Music. Score and parts.
Duration 6:00. Published
by G & M Brand Music
Publishers (CN.R10103).
Before the days
of photography, the great
state occasions were
captured in paintings and
tapestries. In this
Suite, the composer has
imagined the pomp and
splendor of the English
court at work and play,
capturing each mood in a
short
movement.
Stuart
Johnson has the fine
ability to capture moods
and scenes in music. He
was born in
Staffordshire, the county
for which he was Director
of Music until his
retirement in 1997. After
experience as a player in
brass bands, he served in
the band of the King's
Dragoon Guards before
training as a teacher and
working in schools.
Following a period as a
lecturer at
Northumberland College of
Education he became Music
Adviser to the
Metropolitan District of
Sandwell prior to his
appointment to
Staffordshire. He has
long experience as a
conductor, particularly
in the choral and band
fields and also wide
experience as an
adjudicator and examiner.
He has written
prolifically for bands
and orchestras and his
didactic publications are
used in many countries.
He has over eighty
published compositions
and arrangements, many of
which have been broadcast
on radio or television.
His commissioned works
include the cantata David
and Goliath which was
first performed at the
Royal Festival Hall,
Oregon Overture for wind
orchestra, Landscapes,
Sinfonietta No 2, Wessex
Dances and A Castle
Suite. Stuart Johnson has
recently completed
several commissions,
funded by National
Lottery grants, for bands
in Cumbria, the Isle of
Wight, and Staffordshire.
Requiem for Soprano,
Chorus and Orchestra, was
premiered successfully in
front of a capacity
audience in Lichfield
Cathedral in March 1997,
and received its first
London performance at St.
John's Smith Square in
March 1998. This
prestigious venue also
saw the first performance
of Songs and Sonnets for
unaccompanied mixed choir
in 2001. Stuart Johnson
has written extensively
for the theatre, his
music for the production
of Anna of the Five Towns
was used for both the
radio and television
adaptations His music
ranges in style from the
evocative and demanding
Sinfonietta for Wind
Orchestra, which has
received many
performances since its
premiere in the Royal
Festival Hall, including
a broadcast by the Band
of the Scots Guards, to
his ubiquitous Bandstand
Boogie which has set feet
tapping all over the
world. Apart from the
latter his most performed
work is probably Circus
Suite which was the
British Youth Band
Championship test piece
in 1980. Northumbrian
Suite and Landscapes have
also been used as
National Brass Band
Championship test pieces.
The Flint Knappers
commissioned as a test
piece for the 1998 East
Anglian Band Festival was
selected as a test piece
for the 1999 Australian
Championships. Before the
days of photography, the
great state occasions
were captured in
paintings and tapestries.
In this Suite, the
composer has imagined the
pomp and splendor of the
English court at work and
play, capturing each mood
in a short movement.
By Barrie Gott. Edited by Bruce Pearson. For concert band. Concert Band. Standar...(+)
By Barrie Gott. Edited by
Bruce Pearson. For
concert band. Concert
Band. Standard of
Excellence - in Concert.
Score. Published by Neil
A. Kjos Music Company.
Level: Grade 1.5.
Concert Band Concert Band - Grade 1; Grade 1.5; Grade 2; Grade 2.5 SKU: FJ.B1...(+)
Concert Band Concert Band
- Grade 1; Grade 1.5;
Grade 2; Grade 2.5
SKU: FJ.B1363S
Score Only.
Composed by Brian
Balmages. Concert Band;
Concert Band Resources;
Warm-Ups. FJH Developing
Band. Score. The FJH
Music Company Inc
#98-B1363S. Published by
The FJH Music Company Inc
(FJ.B1363S).
English.
This
set of chorales was
written to embrace a wide
range of musical
concepts, allowing
directors multiple
opportunities for working
on ensemble sound,
intonation, and phrasing.
Each chorale includes
various tempo and dynamic
markings, while
additional elements (such
as fermatas) are
introduced throughout.
These chorales will work
in a variety of
situations - from
beginning band (the first
chorales use only 6
notes) to accomplished
middle school band. Two
mallet parts are included
- an easier part and a
more advanced part that
includes multiple notes
and rolls. In addition,
an auxiliary percussion
part is included so
students may secure
proper techniques on
triangle, suspended
cymbal, and crash
cymbals. Finally, the
piano part is useful for
directors wishing to
either supplement the
ensemble or assist during
singing.
Teachin
g suggestions are
included for each
chorale. Several
applications and
techniques are provided,
along with further
possibilities for more
advanced groups.
Certainly, varying
techniques may be applied
to each chorale.
Directors are encouraged
to diversify for fresh
and interesting
rehearsals.
Score
only. Full set (score and
parts) also available:
B1363.
About FJH
Developing
Band
Sligh
tly more advanced than
beginning band. Clarinet
1 begins to play over the
break. Rhythms and ranges
are expanded to
accommodate the end of
first-year as well as
second-year instruction.
Grade 1.5
Wave Big band [Conducteur et Parties séparées] Jazz Lines Publications
By Antonio Carlos Jobim. Edited by Rob Duboff and Jeffrey Sultanof. Arranged by ...(+)
By Antonio Carlos Jobim.
Edited by Rob Duboff and
Jeffrey Sultanof.
Arranged by Claus
Ogerman. For studio
ensemble (Piccolo
(doubles Alto Flute), C
Flute (doubles Alto
Flute), Alto Flute,
Trombone, 2 Violins, 2
Celli, Guitar, Piano,
Bass, Drums, Synthesizer
(optional)). Bossa Nova.
Medium. Score and parts.
Published by Jazz Lines
Publications
Good Tidings To All Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Ed Huckeby. Concert band. Concert Band Series. Audio recording available sepa...(+)
By Ed Huckeby. Concert
band. Concert Band
Series. Audio recording
available separately
(item CL.WFR367). Grade
3. Score and parts.
Composed 2010. Duration 4
minutes, 41 seconds.
Published by C.L.
Barnhouse
Concert band SKU: GI.G-M523 Full Score with MP3s. Composed by Jame...(+)
Concert band
SKU:
GI.G-M523
Full
Score with MP3s.
Composed by James
Froseth. This edition:
Teacher's Resource
edition for Book 2. Band
Method. Do It! Music
Education. Book. GIA
Publications #M523.
Published by GIA
Publications (GI.G-M523).
ISBN 9781579992378.
English.
This major
band method by James O.
Froseth has it all:
Artist performers set
musical standards in
sound with more than 80
great performances on CD
for every instrument, and
one CD lasts for the
entire book! Performers
include: Michael Henoch
(Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert Blaser
(Cleveland State
University), Brian Bowman
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton
(LA percussion recording
artist and clinician),
Donald Sinta, Richard
Beene, Bryan Kennedy,
Debra Chodacki, Fritz
Kaenzig (University of
Michigan), Kristin Beene
(Toledo Symphony
Orchestra), and Jean
Moorehead Libs (Plymouth
Symphony Orchestra).
Professional studio
backgrounds capture the
rich diversity of
American music culture
with a repertoire of
American, Latin American,
African, European, and
Far Eastern styles. Music
of other times includes
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. A 550+
page Teacher's Resource
edition and musical score
provides options galore,
including a double CD
with listen and play
exercises for group
instruction,
supplementary exercises
for technical
development, and resource
material for
improvisation and
composition. All the
resources needed for
teaching to the National
Standards for Music are
provided (coordinates
with rhythm flashcards).
Book 2 features
innovative, but optional
use of world percussion
instruments, as developed
by percussion educator
Steve Houghton. Click
here to download the
audio recordings for the
Book 2 Teacher's
Edition.