Performed by Bob Marley, The Wailers. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Reggae. 119 pages. 9x12 inches. Published by Hal Leonard.

SKU: HL.48185466

Composed by Olivier Messiaen. Leduc. Classical. CD. Alphonse Leduc #AL29041. Published by Alphonse Leduc (HL.48185466).

Being a fascinatingly unique composer, Olivier Messiaen pushed the conventions of composing to its very limits. The composer's music remains ever-popular and The Technique of my Musical Language provides the key and necessary knowledge in to the study of his delightful music. Olivier Messiaen (1908-1992) was admitted to the Paris Conservatoire at the mere age of 11, where he won many prizes. As a passionate ornithologist, as well as organist and composer, many of Messiaen's works depict bird song. His music is rhythmically complex and harmonically and melodically distinct, often using modes of limited transposition. It is for these reasons that the composer compiled The Technique of my Musical Language. The book contains text with musical examples, describing unique elements of his music, such as ametrical music, his rhythmic notations and his modes of limited transposition, amongst many others. For all fans of Messiaen, The Technique of my Musical Language is essential to the understanding of the composer's much loved music..

(Guitar Chord Songbook). By Bob Marley. Guitar Chord Songbook. Softcover. 112 pages. Published by Hal Leonard

Organ (Organ)

SKU: HL.48184588

Composed by Olivier Messiaen. Leduc. Classical. CD. Alphonse Leduc #AL27702. Published by Alphonse Leduc (HL.48184588).

Being a fascinatingly unique composer, Olivier Messiaen pushed the conventions of composing to its very limits. The composer''s music remains ever-popular and The Technique of my Musical Language provides the key and necessary knowledge into the study of his delightful music. Olivier Messiaen (1908-1992) was admitted to the Paris Conservatoire at the mere age of 11, where he won many prizes. As a passionate ornithologist, as well as organist and composer, many of Messiaen''s works depict bird song. His music is rhythmically complex and harmonically and melodically distinct, often using modes of limited transposition. It is for these reasons that the composer compiled The Technique of my Musical Language. The book contains text with musical examples, describing unique elements of his music, such as ametrical music, his rhythmic notations and his modes of limited transposition, among many others. For all fans of Messiaen, The Technique of my Musical Language is essential to the understanding of the composer''s much loved music..

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Gospel. 272 pages. 9x12 inches. Published by Hal Leonard.

Arranged by Barrie Carson Turner. For Piano. Book; Piano Collection; Piano Supplemental; Solo. Faber Edition. Radio. Beginner. Published by Faber Music

Piano/Vocal/Guitar Artist Songbook. General Merchandise. Duration 240 seconds. Music Sales #AM932030. Published by Music Sales

Band Concert Band - Grade 2

SKU: CF.YPS200

Composed by Matthew R. Putnam. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+2+2+5+2+2+4+4+6+3+3 +2+1+3+16+4+4+2+2 pages. Duration 2:15. Carl Fischer Music #YPS200. Published by Carl Fischer Music (CF.YPS200).

ISBN 9781491152201. UPC: 680160909704. Key: D minor.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

(Guitar)

SKU: HL.14061167

Guitar. General Merchandise. Duration 240 seconds. Music Sales #AM933504. Published by Music Sales (HL.14061167).

UPC: 007399994945.

Band Concert Band - Grade 2

SKU: CF.YPS200F

Composed by Matthew R. Putnam. Young Band (YPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #YPS200F. Published by Carl Fischer Music (CF.YPS200F).

ISBN 9781491152881. UPC: 680160910380.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

Performed by Bob Marley. Easy Guitar (Simplified arrangements for guitar). With notes and tablature. Size 9x12 inches. 80 pages. Published by Hal Leonard.

Performed by Bob Marley. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams, strum and pick patterns and guitar notation legend. Reggae. Series: Hal Leonard Guitar Recorded Versions. 200 pages. 9x12 inches. Published by Hal Leonard.

Performed by Bob Marley. Strum It (Guitar). Size 9x12 inches. 56 pages. Published by Hal Leonard.

Performed by Bob Marley. Bass Recorded Versions (Authentic note-for-note bass guitar transcriptions with notes and tab). With notes and tablature. Size 9x12 inches. Published by Hal Leonard.

SATB choir

SKU: ST.EM18

Composed by Thomas Tomkins. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Paperback. Madrigals. Collection. Stainer & Bell Ltd. #EM18. Published by Stainer & Bell Ltd. (ST.EM18).

ISBN 9790220216930.

Thou gh better known as a composer of church and keyboard music, Tomkins wrote secular vocal music that offers a compendium of all the various styles: canzonets, balletts, madrigals and 'sacred songs'. Each was dedicated to one of his relatives, a friend or a colleague. The names of these 28 dedicatees form a fascinating list at the end of the book.

CONTENTS
Adieu, ye city-poisoning towers (SSATB)
Cloris, whenas I woo (SSATB)
Come, shepherds sing with me (SSATB)
Fond men, that do so highly prize (SST (or A))
Fusca, in thy starry eyes (SSATB)
How great delight (SST)
It is my well-beloved's voice (SSATTB)
Love, cease tormenting (SSA (or T))
Music divine (SSATTB)
No more I will thy love (SATB)
O let me die for true love (SATB)
O let me live for true love (SATB)
Oft did I marle (SSAATB)
Our hasty life away dost post (SST)
Oyez! Has any found a lad? (SATB)
Phyllis, now cease to move me (SSATB)
Phyllis, yet see him dying (SSATB)
See, see the shepherds' Queen (SSATB)
Sure there is no god of love (SSA)
The fauns and satyrs tripping (SSATB)
To the shady woods (SSATB)
Too much I once lamented (SSATB)
Turn unto the Lord (SSATTB)
Was ever wretch tormented? (ST (or A) TB)
Weep no more, thou sorry Boy (SATB)
When David heard (SAATB)
When I observe (SSAATB)
Woe is me (SSATBB)
Yet again, as soon revived (SAT (or A) B).

SATB choir

SKU: ST.CN12P

Composed by Ronald Corp. ChoralNow. This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN12P. Published by Stainer & Bell Ltd. (ST.CN12P).

ISBN 9790220224690.

Amon g the UK's most noted choral composers and conductors, Ronald Corp does not hesitate to bring his own musical vision to a much-loved poem by the sixteenth-century lutenist songwriter and 'Doctor of Physick' Thomas Campion, following the example not only of Campion himself but also of Charles Wood and Hubert Parry. Eschewing the manner of Parry's resonant polyphony for a simple harmonised setting in a flexible verbal rhythm reflecting the measure of the words, this is a heartfelt plea for spiritual release uttered in a quietly elegiac tone, in which the serenity of the entreaty rather than its pathos is to the fore.

SATB choir & Piano

SKU: ST.CN14P

Composed by Edmund Jolliffe. ChoralNow. This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN14P. Published by Stainer & Bell Ltd. (ST.CN14P).

ISBN 9790220224713.

For parish choirs Edmund Jolliffe offers a fine post-communion anthem in a much-loved idiom of Anglican liturgical music. The resources are straightforward: SATB choir without divisions, and piano. The effects however are subtle. The music builds steadily through broadly phrased paragraphs that balance individual lines within the choral ensemble, in a landscape of gently shifting yet unexpected harmonic effects. Immediately appealing, this music will reach out to a range of listeners, both regular worshippers and those for whom occasional church attendance is an opportunity for quiet reflection in words and music.

Piano - easy

SKU: HL.49045261

Book/CD (French). Composed by Hans-Guenter Heumann. This edition: Ring/Spiral binding. Sheet music with CD. Piano. Classical. Softcover with CD. 128 pages. Schott Music #ED 22219. Published by Schott Music (HL.49045261).

ISBN 9783795749897. UPC: 841886024427. 9.25x12.0x0.671 inches. French.

When learning is fun, success is sure to follow! Hans-Gunter Heumann's wealth of experience in the field of teaching is clearly evident in his educational works. His method is aimed at young and adult beginners or those returning to the piano and provides an appealing blend of well-known pieces from classical to pop music. The accompanying CD is a practical and motivating learning aid. This successful and much-loved method is now available in French for the first time.

Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For piano. Format: piano solo book. With piano reduction, introductory text, instructional text, lyrics and performance notes. Baroque. 184 pages. 9x12 inches. Published by Schirmer

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710509

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. 1x 37.105/21 flute 1, 1x 37.105/22 flute 2, 1x 37.105/23 oboe 1, 1x 37.105/24 oboe 2, 2x 37.105/25 2 bassoons, 1x 37.105/31 horn 1, 1x 37.105/32 horn 2, 1x 37.105/33 horn 3, 4x 37.105/34 trumpet/timpani. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Set of Orchestra Parts. HoWV I.1. 68 pages. Duration 45 minutes. Carus Verlag #CV 37.105/09. Published by Carus Verlag (CA.3710509).

ISBN 9790007214333. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and parts available separately - see item CA.3710500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710514

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Single Part, Cello/Double Bass. HoWV I.1. 16 pages. Duration 45 minutes. Carus Verlag #CV 37.105/14. Published by Carus Verlag (CA.3710514).

ISBN 9790007214371. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and part available separately - see item CA.3710500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710512

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Single Part, Violin 2. HoWV I.1. 16 pages. Duration 45 minutes. Carus Verlag #CV 37.105/12. Published by Carus Verlag (CA.3710512).

ISBN 9790007214357. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and part available separately - see item CA.3710500.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.3710513

Christmas oratorio. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Die Freude Der Hirten Ga 5. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Single Part, Viola. HoWV I.1. 12 pages. Duration 45 minutes. Carus Verlag #CV 37.105/13. Published by Carus Verlag (CA.3710513).

ISBN 9790007214364. Language: German. Text: Buschmann, Ernst August. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani. Score and part available separately - see item CA.3710500.