A Mini-Musical for Unison Voices. By Sally K. Albrecht, Jay Althouse. Children's...(+)
A Mini-Musical for Unison
Voices. By Sally K.
Albrecht, Jay Althouse.
Children's Musicals and
Programs. Choral. Score.
40 pages. Published by
Alfred Publishing.
Choral (SATB Choir) SKU: HL.125115 From Three Native American Songs(+)
Choral (SATB Choir)
SKU: HL.125115
From Three Native
American Songs.
Composed by Kevin A.
Memley. Gentry
Publications. Concert,
Native American. Octavo.
8 pages. Gentry
Publications #JG2446.
Published by Gentry
Publications (HL.125115).
UPC: 884088988159.
6.75x10.5
inches.
Memley
celebrates the Native
American culture with an
exquisite triptych of
poems and song called
Three Native American
Settings. The
original music is
consumed with the sounds
of the Native American
spirit in all three
selections. Although they
can be performed
separately, the set
provides a reverent
tribute to a beautiful
culture. High school or
college or community
choirs.
Titles
include:: Cherokee
Traveller's Greeting,
Shoshone Love Song,
and Come on the Trail
of Song.
Cantastoria Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165681-140 Sonata from 'd...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1165681-140
Sonata from 'die
Bänkelsängerlieder'
. Arranged by Robert
van Beringen. Great
Classics. Score Only.
Composed 2016. De Haske
Publications #DHP
1165681-140. Published by
De Haske Publications
(BT.DHP-1165681-140).
English-German-French-
Dutch.
A
cantastoria or
Bänkelsänger German
for busker was a
travelling musician who
made music in streets and
squares, together with
his colleagues. Die
Bänkelsängerlieder<
/I> (buskers songs)
originally stem from the
seventeenth century.
Robert van Beringen, who
is known for his
attractive arrangements
of classical melodies,
created a colourful
transcription for wind
band based on this
characteristic music.
Een cantastoria
of Bänkelsänger
Duits voor straatzanger
was een rondreizende
muzikant die samen met
zijn collega’s
musiceerde in straten en
op pleinen. Die
Bänkelsängerlieder<
/I> stammen
oorspronkelijk uit de
zeventiende eeuw. Robert
van Beringen, die
bekendstaat om zijn
fraaie arrangementen van
klassieke melodieën,
maakte van deze
karakteristieke muziek
een kleurrijke
transcriptie voor
blaasorkest.
Ein
Cantastoria“ oder
Bänkelsänger war
ein reisender Musiker,
der auf den Straßen
und Plätzen zusammen
mit seinen Kollegen Musik
machte. Die
Bänkelsängerlieder<
/I> stammen
ursprünglich aus dem
17. Jahrhundert. Robert
van Beringen, der für
seine attraktiven
Arrangements klassischer
Melodien bekannt ist, hat
eine abwechslungsreiche
Bearbeitung dieser
charakteristischen Musik
für Blasorchester
geschaffen.
Van Beringen,
noto per i suoi eccelsi
riadattamenti di arie
classiche, si è questa
volta cimentato in una
variopinta trascrizione
per banda di soli fiati
della musica tipica dei
cantastorie, riuscendo
sorprendentemente a tener
vivo l’arcano
fascino delle busker
song.
Cantastoria Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1165681-120 Sonata from die Bänk...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1165681-120
Sonata from die
Bänkelsängerlieder<
/i>. Arranged by Robert
van Beringen. Great
Classics. Transcription.
Score Only. Composed
2016. De Haske
Publications #DHP
1165681-120. Published by
De Haske Publications
(BT.DHP-1165681-120).
English-German-French-
Dutch.
A
cantastoria or
Bänkelsänger German
for busker was a
travelling musician who
made music in streets and
squares, together with
his colleagues. Die
Bänkelsängerlieder<
/I> (buskers songs)
originally stem from the
seventeenth century.
Robert van Beringen, who
is known for his
attractive arrangements
of classical melodies,
created a colourful
transcription for wind
band based on this
characteristic music.
Een cantastoria
of Bänkelsänger
Duits voor straatzanger
was een rondreizende
muzikant die samen met
zijn collega’s
musiceerde in straten en
op pleinen. Die
Bänkelsängerlieder<
/I> stammen
oorspronkelijk uit de
zeventiende eeuw. Robert
van Beringen, die
bekendstaat om zijn
fraaie arrangementen van
klassieke melodieën,
maakte van deze
karakteristieke muziek
een kleurrijke
transcriptie voor
blaasorkest.
Ein
Cantastoria“ oder
Bänkelsänger war
ein reisender Musiker,
der auf den Straßen
und Plätzen zusammen
mit seinen Kollegen Musik
machte. Die
Bänkelsängerlieder<
/I> stammen
ursprünglich aus dem
17. Jahrhundert. Robert
van Beringen, der für
seine attraktiven
Arrangements klassischer
Melodien bekannt ist, hat
eine abwechslungsreiche
Bearbeitung dieser
charakteristischen Musik
für Blasorchester
geschaffen.
Cantastoria Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1165681-020 Sonata from die Bänk...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1165681-020
Sonata from die
Bänkelsängerlieder<
/i>. Arranged by Robert
van Beringen. Great
Classics. Transcription.
Set (Score & Parts).
Composed 2016. De Haske
Publications #DHP
1165681-020. Published by
De Haske Publications
(BT.DHP-1165681-020).
English-German-French-
Dutch.
A
cantastoria or
Bänkelsänger German
for busker was a
travelling musician who
made music in streets and
squares, together with
his colleagues. Die
Bänkelsängerlieder<
/I> (buskers songs)
originally stem from the
seventeenth century.
Robert van Beringen, who
is known for his
attractive arrangements
of classical melodies,
created a colourful
transcription for wind
band based on this
characteristic music.
Een cantastoria
of Bänkelsänger
Duits voor straatzanger
was een rondreizende
muzikant die samen met
zijn collega’s
musiceerde in straten en
op pleinen. Die
Bänkelsängerlieder<
/I> stammen
oorspronkelijk uit de
zeventiende eeuw. Robert
van Beringen, die
bekendstaat om zijn
fraaie arrangementen van
klassieke melodieën,
maakte van deze
karakteristieke muziek
een kleurrijke
transcriptie voor
blaasorkest.
Ein
Cantastoria“ oder
Bänkelsänger war
ein reisender Musiker,
der auf den Straßen
und Plätzen zusammen
mit seinen Kollegen Musik
machte. Die
Bänkelsängerlieder<
/I> stammen
ursprünglich aus dem
17. Jahrhundert. Robert
van Beringen, der für
seine attraktiven
Arrangements klassischer
Melodien bekannt ist, hat
eine abwechslungsreiche
Bearbeitung dieser
charakteristischen Musik
für Blasorchester
geschaffen.
Choir Secular (SAB choir/3-Part choir Mixed) SKU: AP.41806 From Seussi...(+)
Choir Secular (SAB
choir/3-Part choir Mixed)
SKU: AP.41806
From Seussical the
Musical. Composed by
Dr Seuss, Lynn Ahrens,
and music by Stephen
Flaherty. Arranged by
Andy Beck. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Broadway;
Secular. Choral Octavo. 8
pages. Alfred Music
#00-41806. Published by
Alfred Music (AP.41806).
UPC: 038081468860.
English.
What
started as words on a
storybook page, then
travelled to Broadway to
light up the stage, is
newly arranged for a
different use, and now
kids can sing what was
written by Seuss. So come
take a dip in McElligot's
Pool, by singing this
song with your choir at
school.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Cantastoria Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165681-010 Sonata from 'd...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1165681-010
Sonata from 'die
Bänkelsängerlieder'
. Arranged by Robert
van Beringen. Great
Classics. Classical. Set
(Score & Parts). Composed
2016. 16 pages. De Haske
Publications #DHP
1165681-010. Published by
De Haske Publications
(BT.DHP-1165681-010).
English-German-French-
Dutch.
A
cantastoria or
Bänkelsänger German
for busker was a
travelling musician who
made music in streets and
squares, together with
his colleagues. Die
Bänkelsängerlieder<
/I> (buskers songs)
originally stem from the
seventeenth century.
Robert van Beringen, who
is known for his
attractive arrangements
of classical melodies,
created a colourful
transcription for wind
band based on this
characteristic music.
Een cantastoria
of Bänkelsänger
Duits voor straatzanger
was een rondreizende
muzikant die samen met
zijn collega’s
musiceerde in straten en
op pleinen. Die
Bänkelsängerlieder<
/I> stammen
oorspronkelijk uit de
zeventiende eeuw. Robert
van Beringen, die
bekendstaat om zijn
fraaie arrangementen van
klassieke melodieën,
maakte van deze
karakteristieke muziek
een kleurrijke
transcriptie voor
blaasorkest.
Ein
Cantastoria“ oder
Bänkelsänger war
ein reisender Musiker,
der auf den Straßen
und Plätzen zusammen
mit seinen Kollegen Musik
machte. Die
Bänkelsängerlieder<
/I> stammen
ursprünglich aus dem
17. Jahrhundert. Robert
van Beringen, der für
seine attraktiven
Arrangements klassischer
Melodien bekannt ist, hat
eine abwechslungsreiche
Bearbeitung dieser
charakteristischen Musik
für Blasorchester
geschaffen.
Van Beringen,
noto per i suoi eccelsi
riadattamenti di arie
classiche, si è questa
volta cimentato in una
variopinta trascrizione
per banda di soli fiati
della musica tipica dei
cantastorie, riuscendo
sorprendentemente a tener
vivo l’arcano
fascino delle busker
song.
SATB chorus, solo voices and piano SKU: JK.20420 Composed by Marvin Payne...(+)
SATB chorus, solo voices
and piano
SKU:
JK.20420
Composed by
Marvin Payne and Steven
Kapp Perry. Choral
Cantata, Choral SATB,
Difficulty Medium, Piano
Choir, Seasonal Music
Fathers Day, Seasonal
Music Mothers Day,
Special Events Home and
Family, Family,
Fatherhood, God the
Father, Jesus Christ -
Savior, Joy, Love,
Motherhood, Vocal Solo.
Christian, Inspirational.
Jackman Music Corporation
#20420. Published by
Jackman Music Corporation
(JK.20420).
Doctrine
and Covenants 138:47-48,
Alma 37:35*** Some Janice
Kapp Perry products may
require a few days
additional shipping time.
Thank you!
A
cantata written to
celebrate the
Proclamation on the
Family, for chorus,
soloists, and
readers. Original
songs include: Children
of God, In Whose Image Am
I Made?, Half a Million
Skies, We'll Make Our
Father's Dream Our Own,
God Gave You to Me, The
Song of Ages, Travelers
Who Shelter Here, Father
Mother We Need Your Love,
Come to the River, No
Other Love, The Path to
Joy, Our Brother Walked
This Way, Turning the
Hearts, Love One Another,
and We'll Make Our
Father's Dream Our
Own/This Is Our
Choice Composer:
Steven Kapp Perry &
Marvin Payne Lyricist:
Steven Kapp Perry &
Marvin
Payne Reference:
Doctrine and Covenants
138:47-48, Alma
37:35 *** Some Janice
Kapp Perry products may
require a few days
additional shipping time.
Thank you!
SKU: AP.6-836495 Composed by Harold Courlander. Resources; Textbook - Gen...(+)
SKU: AP.6-836495
Composed by Harold
Courlander. Resources;
Textbook - General. Folk;
Spiritual. Book. Dover
Publications #06-836495.
Published by Dover
Publications
(AP.6-836495).
ISBN
9780486836492. UPC:
800759836499.
English.
This
thorough, well-researched
exploration of the
origins and development
of a rich and varied
African American musical
tradition features
authentic versions of
over 40 folk songs. These
include such time-honored
selections as Wake Up
Jonah, Rock Chariot,
Wonder Where Is My
Brother Gone, Traveling
Shoes, It's Getting Late
in the Evening, Dark Was
the Night, I'm Crossing
Jordan River, Russia, Let
That Moon Alone, Long
John, Rosie, Motherless
Children, three versions
of John Henry, and many
others.
One of
the first and best
surveys in its field,
Negro Folk Music, U.S.A.
has long been admired for
its perceptive history
and analysis of the
origins and musical
qualities of typical
forms, ranging from
simple cries and calls to
anthems and spirituals,
ballads, and the blues.
Traditional dances and
musical instruments are
examined as well. The
author---a well-known
novelist, folklorist,
journalist, and
specialist in African and
African American
cultures---offers a
discerning study of the
influence of this genre
on popular music, with
particular focus on how
jazz developed out of
folk traditions.
By Jerry Silverman. For Guitar (Flatpicking and Fingerpicking). Songbook. Folk. ...(+)
By Jerry Silverman. For
Guitar (Flatpicking and
Fingerpicking). Songbook.
Folk. Level:
Beginning-Intermediate.
Book. Size 5.5x8. 128
pages. Published by Mel
Bay Publications, Inc.
Oboe/EH, Acoustic Bass/Double bass, Flute, Piano SKU: SU.27080010 For ...(+)
Oboe/EH, Acoustic
Bass/Double bass, Flute,
Piano
SKU:
SU.27080010
For
Oboe/EH, Acoustic
Bass/Double bass, Flute,
Piano. Composed by
Ben Serna-Grey. Chamber
Music, Mixed Ensemble,
Strings, Contrabass,
Woodwinds, Flute/Piccolo.
Score & Parts. Subito
Music Corporation
#27080010. Published by
Subito Music Corporation
(SU.27080010).
Oboe/EH,
Acoustic Bass/Double
bass, Flute, Piano
Duration: 14' Composed:
2014 Published by:
Distributed Composer A
chapter of a longer song
cycle in the works based
on Finland's national
epic, the Kalevala. This
chapter consist of four
songs that tell the story
of Lemmink?inen, who
travels to Tuonela, land
of the dead to catch the
swan of the river of
Tuonela.
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
Composed
by Dan Welcher. Spiral.
Large Score. With
Standard notation.
Duration 10 minutes.
Theodore Presser Company
#466-00047. Published by
Theodore Presser Company
(PR.466000470).
UPC:
680160099405. 11 x 17
inches.
This is the
second incarnation of a
work I first composed in
1994 for symphonic wind
ensemble. The earlier
version was intended to
be the summation of
three-part suite, each
part being named for a
different national park
in the Western United
States. This orchestral
version, commissioned in
1999 by the Utah Symphony
and dedicated to the
memory of Aaron Copland,
is more than a re-scoring
of the earlier piece; it
is a re-thinking of all
its elements. Zion is a
place with unrivaled
natural grandeur, being a
sort of huge box canyon
in which the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both his
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of
triumph.
Bartok For Guitar Guitare Guitare classique [Partition + CD] Boosey and Hawkes
Book and CD. Composed by Bela Bartok (1881-1945). Boosey & Hawkes Chambe...(+)
Book and CD. Composed by
Bela
Bartok (1881-1945).
Boosey &
Hawkes Chamber Music.
Classical, Hungarian.
Softcover with CD. 40
pages.
Boosey & Hawkes
#M060132421.
Published by Boosey &
Hawkes
Composed by Meredith Willson (1902-1984). Recorded Promo - Stockable. Broadway, ...(+)
Composed by Meredith
Willson (1902-1984).
Recorded Promo -
Stockable. Broadway,
Musicals, Movies.
Softcover with CD.
Published by Hal Leonard
(HL.151879).
Orchestra, Violin, Choir (Study Score) SKU: HL.50601001 For Violin, Ch...(+)
Orchestra, Violin, Choir
(Study Score)
SKU:
HL.50601001
For
Violin, Choir and
Orchestra. Composed
by Lera Auerbach. Score.
Classical. Softcover. 156
pages. Sikorski #SIK8852.
Published by Sikorski
(HL.50601001).
UPC:
888680707118. 8.25x11.75
inches.
Commissione
d work by the Bergen
Philharmonic Orchestra,
the Orchestre de la
Suisse Romande and the
BBC
Proms.
“'The
Infant Minstrel and His
Peculiar Menagerie' is a
symphonic fantasy for
solo violin, choir, and
orchestra. Violinist
Vadim Gluzman performs
the lead role of a
traveling musical
storyteller who
introduces a collection
of wondrous tales by the
mysterious author
Erroneous Anonymous. The
Infant Minstrel guides
listeners in a voyage of
imagination. Auerbach's
new composition speaks to
the young and the young
at heart with child-like,
yet enigmatic and
humorous poems in the
tradition of 'nonsense'
authors such as Edward
Lear, Lewis Carol,
Hilaire Belloc, and
Mother Goose, as well as
Edith Sitwell, Shel
Silverstein, Edward
Gorey, and Tim Burton.
The text is relevant, yet
timeless; absurd, yet
profound; simple, yet
multi-layered. We meet
characters such as the
Common Corporant, the
Moon Rider, and the
Flying Pig that enjoys
sitting on a cloud
watching the crowd. The
work embraces with humor
the traditions of the
British and Gaelic bard
and the troubadour, whose
songs told embellished
and exotic tales. It also
finds inspiration in the
menagerie – a
diverse collection of
creatures and curiosities
– and the sideshow
presentation of oddities
and the bizarre.”
(Lera Auerbach).
by William Bay. For Tin Whistle. method. Fun With. All Styles. Level: Beginning....(+)
by William Bay. For Tin
Whistle. method. Fun
With. All Styles. Level:
Beginning. Book/CD Set.
Size 8.75x11.75. 40
pages. Published by Mel
Bay Publications, Inc.
Unison/2-part choir - Easy SKU: WD.080689639173 Composed by Daniel Semsen...(+)
Unison/2-part choir -
Easy
SKU:
WD.080689639173
Composed by Daniel
Semsen. Choral, cantatas.
Choral score and book.
Word Music #080689639173.
Published by Word Music
(WD.080689639173).
UPC:
080689639173.
Chris
ty and Daniel Semsen have
done it again, bringing
you the most epic,
entertaining, and
exhilarating new kids
musical from Word
Music & Church
Resources! With
songs that your kids will
love, Back to the
Beginning is the
perfect musical for
engaging your kids in the
story of creation. Filled
with scriptural truth and
the promise of
God’s love, this
message of hope and
redemption is a reminder
of how good His ways
are! The scene
opens up at a rustic
campground in the
mountains when a few
campers hear a strange
sound. Norman, the camp
counselor, recognizing
the all-too-familiar
sound, leaves the group
to investigate and finds
Finn, a good kid who has
been spending too much
time with the rebellious
Rigsby brothers, and the
H. O. 2000 Time Machine.
Wanting to impress his
two new
“friends,â€
Finn had activated the
machine and lost the
Rigsby brothers…
back in the Garden of
Eden! Ready to embark on
an unplanned adventure,
the campers jump into the
H. O. 2000 to find the
lost boys and end up
traveling back through
time, visiting the same
campsite in 2000, 1995,
1978, 1955, 1808, and
finally, making it all
the way back to
Creation!
Level 4. Arranged by Nancy Faber and Randall Faber. Faber Piano Adventures. C...(+)
Level 4. Arranged by
Nancy
Faber and Randall Faber.
Faber Piano Adventures.
Chinese. Softcover. 40
pages.
Faber Piano Adventures
#FF3049. Published by
Faber
Piano Adventures