Composed by Franz Liszt (1811-1886). Arranged by Tomer Yariv. Marimba and Vibrap...(+)
Composed by Franz Liszt
(1811-1886). Arranged by
Tomer Yariv. Marimba and
Vibraphone Duet. For
marimba and vibraphone
duet (marimba low c and
vibraphone). Level 5.
Score and set of parts.
Published by Innovative
Percussion
Chamber Music Violin, Viola, cello, Piano SKU: PR.14440587S Composed by S...(+)
Chamber Music Violin,
Viola, cello, Piano
SKU: PR.14440587S
Composed by Steven
Stucky. Premiered by Opus
One, Music from Angel
Fire, NM. Contemporary.
Score. With Standard
notation. Composed 2012.
44 pages. Duration 12
minutes. Theodore Presser
Company #144-40587S.
Published by Theodore
Presser Company
(PR.14440587S).
UPC:
680160616497. 9x12
inches.
As
composer-in-residence at
the Music from Angel Fire
festival in New Mexico,
Stucky was commissioned
for a new chamber work,
Rain Shadow, written for
Opus One. For
inspiration, Stucky
looked to the incredible
works of Scottish
sculptor Andy
Goldsworthy. Much of the
piece underscores
contrasts between the
piano and the violin,
viola, and cello, with
the strings working
largely as a unit,
frequently intoning their
unpredictable harmonies
in homophonic rhythms...
Rain Shadow is big on
clarity, easy to follow,
and attractive to the
ear, even letting loose
(near the end) a big ol'
Romantic theme that
wouldn't be out of place
in a cinematic epic set
in outer space. (James M.
Keller, Listen Up, Santa
Fe New Mexican).
Jazz Ensemble Jazz Band - Grade 3 SKU: FJ.HX9014S Score Only. Comp...(+)
Jazz Ensemble Jazz Band -
Grade 3
SKU:
FJ.HX9014S
Score
Only. Composed by
Monika Herzig. Jazz
Ensemble; Performance
Music Ensemble; Single
Titles. HXmusic. Jazz;
Swing. Score. The FJH
Music Company Inc
#98-HX9014S. Published by
The FJH Music Company Inc
(FJ.HX9014S).
English.
Origina
lly recorded by Monika
Herzig and a cast of
musical collaborators
from around the globe on
her 2016 album, The Whole
World in Her Hands, Oh,
Muddy Waters is a bluesy
call-and-response between
bass instruments and the
whole ensemble. Monika
has arranged the small
group version for big
band, with modest brass
ranges, suggested piano
voicings, and solo space
for tenor sax and guitar
(or piano). Solo
transcriptions are
provided that match the
recording note-for-note.
Laid-back, soft
syncopations and a rich
harmonic language bring
to life a composition
that builds on that
initial bass riff. Top
trumpet note: G5.
Michelangelo Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Sierra Music
By Astor Piazzolla (1921-1992). Arranged by Fred Sturm. Jazz Ensemble / Jazz Ban...(+)
By Astor Piazzolla
(1921-1992). Arranged by
Fred Sturm. Jazz Ensemble
/ Jazz Band. Fred Sturm
Series. Tango. Grade 4/5.
Score and set of parts.
Published by Sierra Music
Jazz Band Jazz Band - Grade 3 SKU: XC.VJE2204 Composed by Peter Sciaino. ...(+)
Jazz Band Jazz Band -
Grade 3
SKU:
XC.VJE2204
Composed
by Peter Sciaino.
Festival. Jazz Voyage
Series Grade 3. Set of
parts. Excelcia Music
Publishing #VJE2204.
Published by Excelcia
Music Publishing
(XC.VJE2204).
12 x 9
inches.
Inspired by
the crossover titles from
the classic Blue Note era
of the 1960s, composer
and educator Peter
Sciaino has come up with
a unique latin-rock chart
that has a great Bass
groove and an infectious
rhythmic drive. There is
a lot of interplay
between the wind sections
and some interesting
harmonic twists along the
way. Solo space is for
Alto Sax 1 and Trumpet 2.
The shout chorus features
several layers of sound
that build to a dramatic
conclusion.
Chamber Music String Quartet SKU: PR.11440505S Composed by John Downey. F...(+)
Chamber Music String
Quartet
SKU:
PR.11440505S
Composed
by John Downey. Full
score. With Standard
notation. 53 pages.
Duration 25 minutes.
Theodore Presser Company
#114-40505S. Published by
Theodore Presser Company
(PR.11440505S).
UPC:
680160008391. 11 x 14
inches.
Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique effect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorelines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluck
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against sheets
of sound conjured up by
the two violins playing a
flood of swirling
figures, evokes a kind of
static motion in space.
Here , the virtually
imperceptible manner in
which this hushed whisper
continues incessantly,
can suggest the potential
fluidity with which
movement may inch
forward... Later into the
fourth movement, two
fairly extended solos by
the second and then the
first violins, lead to a
kind of spontaneous
dialogue amont the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of psycho-rhythmics
contributes to an on-rush
seem of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions.
Come Fly With Me Ensemble Jazz [Conducteur et Parties séparées] Sierra Music
Composed by Jimmy Van Heusen and Sammy Cahn. Arranged by Billy Byers. For jazz e...(+)
Composed by Jimmy Van
Heusen and Sammy Cahn.
Arranged by Billy Byers.
For jazz ensemble. The
Jazz Masters Series.
Swing. Medium. Score and
set of parts. Published
by Sierra Music
Libretto for Opera in Two Parts. Composed by George Benjamin; text by Martin...(+)
Libretto for Opera in Two
Parts. Composed by George
Benjamin; text by Martin
Crimp. Vocal; Vocal
(Opera)
Libretto. Faber Edition.
20th
Century; Masterwork.
Book.
Faber Music
#12-0571540554.
Published by Faber Music
Edited by Gayle Kowalchyk and E. L. Lancaster. For Piano. Book; Graded Standard ...(+)
Edited by Gayle Kowalchyk
and E. L. Lancaster. For
Piano. Book; Graded
Standard Repertoire;
Method/Instruction; Piano
- Alfred's Premier Piano
Course. Premier Piano
Course. Children;
Recital. 32 pages.
Published by Alfred Music
Expanded, revised
edition. Composed by
Erzsé, Mikló,
bet Nagy, czi, and s
Mosó. EMB. Volume
2. Children, Classical,
Hungarian. Softcover. 64
pages. Editio Musica
Budapest #Z12280.
Published by Editio
Musica Budapest
(HL.50487106).
ISBN
9790080122808. Bach (23 x
30,2 cm) inches. Erzsebet
Nagy; Miklos
Mosoczi.
This
publication is a
completely revised
edition of our
five-volume guitar tutor.
In the decades since the
first edition, the
musical interests of our
students and their
practice possibilities
have changed. To adapt to
this, we have partly
expanded and partly
reduced the musical and
technical material of the
tutor. We have increased
the number of recital
pieces at all levels of
difficulty, so that our
students can spend longer
on a varied repertoire at
their respective level.
We have first of all
selected works from the
Viennese classics for
this purpose but have
also enriched the
repertoire of the tutor
with numerous pieces from
the Renaissance and
Baroque periods. In
volumes I and II of the
tutor we have given
Hungarian folk songs and
children's songs a
significant amount of
space. In the course of
revision, we have
expanded the material of
these two volumes with
simple arrangements of
folk songs, nursery
rhymes and flower songs,
and we have provided very
easy, but valuable
material for instrumental
study in particular for
children aged between 6
and 10. We have also
expanded the chamber
music material to be
found at the end of the
volumes, because we
believe that playing
music together is the
best way to make
instrumental study a
lasting experience for
our students. The parts
are relatively simple,
sothe works provide a
musical experience almost
immediately.
Jazz Ensemble - Grade 3.5 SKU: KN.43362S Composed by Antonio J. Garcia. J...(+)
Jazz Ensemble - Grade 3.5
SKU: KN.43362S
Composed by Antonio J.
Garcia. Jazz Ensemble
Series. Kendor Music Inc
#43362S. Published by
Kendor Music Inc
(KN.43362S).
UPC:
822795433623.
This
medium advanced chart was
commissioned by the Jazz
Division of the Illinois
Music Educators
Association for the 2018
Illinois All State Jazz
Ensemble. Alternating
between a straight
8th-note feel and a swing
feel, the chart features
much ensemble work and
plenty of space for
soloists, making it ideal
for concerts and
festivals. Duration
6:00.
SKU: HL.49046623 For Cello Solo. Composed by Christian Jost. Strin...(+)
SKU: HL.49046623
For Cello Solo.
Composed by Christian
Jost. String Solo.
Softcover. Schott Music
#CB297. Published by
Schott Music
(HL.49046623).
UPC:
842819104575.
My
work lautlos II for solo
cello further explores
the idea of an inner
dialogue between the
performer and his or her
instrument, in a manner
similar to my previous
work lautlos I. The
instrumentalist should
take great care in
allowing the fragmentary
elements to merge
seamlessly with one
another, creating a
flowing 'conversation'.
At the same time however,
there should still be
sufficient space for
tonal and rhythmic
sculptures to display the
splendid beauty of this
instrument, with its
broad range of tonal
colours and sound
effects. -Christian
Jost.
Jazz Ensemble standard jazz ensemble with opt. flute and vibes - Grade 3 SKU:...(+)
Jazz Ensemble standard
jazz ensemble with opt.
flute and vibes - Grade 3
SKU: KN.61500S
Composed by Bill Liston.
Jazz Journey. Kendor
Music Inc #61500S.
Published by Kendor Music
Inc (KN.61500S).
UPC:
822795615005.
This
engaging swing original
for advancing groups
alternates between 2 and
4 feels while providing
interesting ensemble
passages for everyone.
Ample articulations and
dynamics are provided
throughout, and solo
space is reserved for
alto sax and trombone.
While this chart can be
programmed anywhere in
your set, it works
exceptionally well as an
opener or closer thanks
to a powerful shout
chorus and big ending. A
guitar chord chart by Jim
Greeson is included in
each set. Duration 4:55.
Available in
SmartMusic.
Jazz Ensemble standard jazz ensemble - Grade 3.5 SKU: KN.43362 Composed b...(+)
Jazz Ensemble standard
jazz ensemble - Grade 3.5
SKU: KN.43362
Composed by Antonio J.
Garcia. Jazz Ensemble
Series. ECM Straight 8th
Feel. Kendor Music Inc
#43362. Published by
Kendor Music Inc
(KN.43362).
UPC:
822795433623.
This
medium advanced chart was
commissioned by the Jazz
Division of the Illinois
Music Educators
Association for the 2018
Illinois All State Jazz
Ensemble. Alternating
between a straight
8th-note feel and a swing
feel, the chart features
much ensemble work and
plenty of space for
soloists, making it ideal
for concerts and
festivals. Duration
6:00.
Choral Fantasy.
Composed by Ludwig van
Beethoven. Edited by
Ulrich Leisinger.
Arranged by Xaver
Scharwenka, Claus-Dieter
Ludwig. 1x 10.394/21
flute 1, 1x 10.394/22
flute 2, 1x 10.394/23
oboe 1, 1x 10.394/24 oboe
2, 1x 10.394/25 clarinet
1, 1x 10.394/26 clarinet
2, 1x 10.394/27 bassoon
1, 1x 10.394/28 bassoon
2, 1x 10.394/31 horn 1,
1x 10.394/32 horn 2, 1x
10.394/33 trumpet 1, 1x
10. Harmony parts.
Secular choral music. Set
of Orchestra Parts.
Composed 1808/1809. Op.
80. Duration 20 minutes.
Carus Verlag #CV
10.394/09. Published by
Carus Verlag
(CA.1039409).
ISBN
M-007-25218-2. Key: C
minor. German/English.
Text: Christoph
Kuffner.
In a
mixture of cantata and
concert piece, Beethoven
set a hymn to art in his
Choral Fantasy. The work,
about 20 minutes in
length, is often seen as
a precursor to the Ode to
Joy in the 9th Symphony.
After a piano
introduction, a dialog
between piano and
orchestra develops in the
space of just 400
measures, before the
soloists and chorus enter
for the last 200
measures. (If necessary,
the solo parts can be
sung by members of the
chorus or a semi-chorus.)
In the main section,
headed Finale (beginning
with the double basses
and celli), the theme
from Beethoven's early
song Gegenliebe (WoO 118,
also used in the Ode to
Joy) is presented, varied
and finally used in the
March in F major. The
main source of the Choral
Fantasia for the edition
is the first edition of
the parts, published in
1811 and corrected by
Beethoven; alongside this
an English edition of the
parts published by
Clementi (1810) has been
consulted for comparison.
The edition contains an
English singing version
in a translation by
Natalia Macfarren from
the 19th century. Score
and parts available
separately - see item
CA.1039400.
Choral Fantasy.
Composed by Ludwig van
Beethoven. Edited by
Ulrich Leisinger.
Arranged by Xaver
Scharwenka, Claus-Dieter
Ludwig. Secular choral
music. Full Score.
Composed 1808/1809. Op.
80. Duration 20 minutes.
Carus Verlag #CV
10.394/00. Published by
Carus Verlag
(CA.1039400).
ISBN
M-007-18767-5. Key: C
minor. German/English.
Text: Christoph
Kuffner.
In a
mixture of cantata and
concert piece, Beethoven
set a hymn to art in his
Choral Fantasy. The work,
about 20 minutes in
length, is often seen as
a precursor to the Ode to
Joy in the 9th Symphony.
After a piano
introduction, a dialog
between piano and
orchestra develops in the
space of just 400
measures, before the
soloists and chorus enter
for the last 200
measures. (If necessary,
the solo parts can be
sung by members of the
chorus or a semi-chorus.)
In the main section,
headed Finale (beginning
with the double basses
and celli), the theme
from Beethoven's early
song Gegenliebe (WoO 118,
also used in the Ode to
Joy) is presented, varied
and finally used in the
March in F major. The
main source of the Choral
Fantasia for the edition
is the first edition of
the parts, published in
1811 and corrected by
Beethoven; alongside this
an English edition of the
parts published by
Clementi (1810) has been
consulted for comparison.
The edition contains an
English singing version
in a translation by
Natalia Macfarren from
the 19th century.
Clarinet SKU: HL.14046089 Composed by Pedro Rubio. CARISCH - MUSIC SALES....(+)
Clarinet
SKU:
HL.14046089
Composed
by Pedro Rubio. CARISCH -
MUSIC SALES. Tuition.
General Merchandise. Real
Musical #MK19064.
Published by Real Musical
(HL.14046089).
ISBN
9788438712689.
Spanish.
The
Clarinet First Steps
collection is divided
into four volumes, aimed
at young clarinetists.
This second book consists
of three educational
parts. The following
sections appear
throughout the parts to
achieve the basic
objectives of the art of
Clarinet playing: Musical
Language: Explanation of
music contents in the
exercises, melodies and
duets. Technique And
Repertoire: Includes
technical contents, some
exercises to practice and
short melodic pieces
containing the new
concepts presented.
Activities: A fun section
where the student can
answer quiz questions,
review issues of musical
language or practice
breathing exercises.
Cultural Space: In this
section, there
arehistorical curiosities
about the Clarinet and
composers, a discussion
on the relationship
between Mozart and the
Clarinet and a review of
Antonio Romero, the most
important Spanish
clarinetist in the
century XIX. 15
Progressive Duos: Duos
designed with the same
level of difficulty in
both voices to play with
the teacher or another
student. CD: The book is
accompanied by a CD MP3
featuring recordings of
the exercises, melodies
with Piano accompaniment
and duets. The author of
this method, Pedro Rubio
, performs his musical
studies in Murcia, Malaga
and Barcelona, Spain. In
1997 he won the Clarinet
Performing Diploma from
the Royal College of
Music in London and in
2003 the Bass Clarinet
Diploma at the
Conservatory of
Rotterdam. He has taught
Clarinet since 1989.
Was ist die Welt? Chorale SATB SATB, Piano [Conducteur] Carus Verlag
SATB Choir, Piano SKU: CA.926610 From: Sonne, Mond und Sterne. Com...(+)
SATB Choir, Piano
SKU:
CA.926610
From:
Sonne, Mond und
Sterne. Composed by
Peter Schindler. Carus
digital: Extra digital
products. Full Score.
Duration 3 minutes.
Published by Carus Verlag
(CA.926610).
ISBN
9790007295578.
German.
Peter
Schindler's full-length
secular choral work
Sonne, Mond und Sterne
(Sun, Moon and Stars)
narrates a love story
based on old texts which
are given a new
interpretation through
these musical settings.
Some individual numbers
were published in spring,
and now more movements
with piano accompaniment
are available in print
and digitally.-
choral work of medium
difficulty- will
appeal to experienced
Brahms Requiem singers as
well as ambitious chamber
or youth choirs with a
gospel, pop or jazz
background-cross-over
between jazz, chanson,
and chamber music
Peter Schindler
about Was ist die
Welt?A strict Allegro
ben ritmato symbolises
how inexorable the course
of the world is. The
choir chants the question
about what Welt (the
world) actually is.
Hectic bustle is
expressed through a
pulsing basic motif. This
is repeated constantly
and moves through the
parts. A lyrical B flat
minor in the central
section allows us to
float like shadows on the
way into a dream.The
song text is a collage.
The first verse, by the
Baroque poet Christian
Hoffmann von
Hoffmannswaldau, is
concerned with the
vanitas motif: the world,
and everything which
seems beautiful to us, is
ephemeral. The second and
third verses were written
in the 18th century by
Johann Gottfried Herder.
Here, the poet expounds
the view that real life
does not take place in
the world and that
people's mathematical
abilities are
insufficient to measure
space and
time.