Low Voice. By Franz Schubert. Edited by D!Rr, Walther. For Low voice, Piano. Col...(+)
Low Voice. By Franz
Schubert. Edited by D!Rr,
Walther. For Low voice,
Piano. Collection;
Playing Score; Urtext
Edition. Published by
Baerenreiter-Ausgaben
(German import).
For Vocal Soprano. Classical (John Wustman piano accompaniments). Includes a hig...(+)
For Vocal Soprano.
Classical (John Wustman
piano accompaniments).
Includes a high-quality
printed vocal score and a
compact disc with stereo
accompaniments to each
piece. Published by Music
Minus One.
A Heritage of Song - High Voice The Vocal Library. Arranged by Carol Kimball. (...(+)
A Heritage of Song - High
Voice The Vocal Library.
Arranged by Carol
Kimball. (High Voice).
Vocal Collection.
Softcover. Size 9x12
inches. 216 pages.
Published by Hal Leonard.
Starke Duos Violoncelle, Piano Holzschuh Musikverlag
Cello and piano SKU: M7.VHR-3436 23 Charakterstücke - leicht in bei...(+)
Cello and piano
SKU:
M7.VHR-3436
23
Charakterstücke -
leicht in beiden
Instrumenten.
Composed by Karin Gross.
Sheet music. Holzschuh
Musikverlag #VHR 3436.
Published by Holzschuh
Musikverlag
(M7.VHR-3436).
ISBN
9783864341021.
Die
kleinen Duos erzählen
von Rittern und
Seeräubern, malen
Landschaftsbilder, lassen
Drachen steigen und
entführen ins Reich
der Tiere. Die Ausgabe
richtet sich
gleichermaßen an
Cello- (Bratschen-) wie
an
Klavierschüler/-innen
mit Freude am gemeinsamen
Musizieren. Erste Lage
eng (1. und 2. Griffart)
Die Ausgabe enthält
jeweils eine 20-seitige
Einlegestimme für
Cello und eine 20-seitige
Einlegestimme für
Bratsche.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Unaccompanied Trombone SKU: HL.48022809 Composed by Various. Edited by Ar...(+)
Unaccompanied Trombone
SKU: HL.48022809
Composed by Various.
Edited by Arvo Hansen.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 52 pages.
Simrock #M221102720.
Published by Simrock
(HL.48022809).
9.25x12.0x0.155
inches.
Contents:
O. Hoser: Spielmanns
Abschied * W.F.
Wieprecht: Konzert Nr. 14
* E. Paudert: Fantasie *
J.S. Alschausky:
Walzer-Arie Nr. 2 * J.
Nowakowsky: Concertino *
G. Marter: Thema und
Variationen * R. Wagner:
Cavatine des Erik * F.
Abt: Gute Nacht, du mein
herziges Kind * R.
Wagner: Lied des
Steuermanns * Am stillen
Herd * J.S. Alschausky:
Konzert Nr. 1 B-Dur *
C.M.v. Weber: Romanze
appassionata * F.
Sabathil: Divertissement
* J. Haydn: Konzert
Es-Dur * G. Verdi: Ihres
Auges himmlische Strahlen
* F. Grube: Concertino *
T. Berthold: Fantasie *
J. Demersseman:
Introduction und
Polonaise * W.A. Mozart:
Arie * E. Reiche: Konzert
Nr. 2 A-Dur * F. Grafe:
Konzert * J.S.
Alschausky:
Fruhlings-Romanze * F.
Belke: Concertino * R.
Wagner: Erster Gesang
Wolframs im Sangerkrieg *
K. Goepfart: Konzertstuck
* R. Wagner: Wotans
Abschied.
Violin and piano SKU: M7.VHR-3435 23 Charakterstücke - leicht in be...(+)
Violin and piano
SKU:
M7.VHR-3435
23
Charakterstücke -
leicht in beiden
Instrumenten.
Composed by Karin Gross.
Sheet music. Holzschuh
Musikverlag #VHR 3435.
Published by Holzschuh
Musikverlag
(M7.VHR-3435).
ISBN
9783864341014.
Die
kleinen Duos erzählen
von Rittern und
Seeräubern, malen
Landschaftsbilder, lassen
Drachen steigen und
entführen ins Reich
der Tiere. Die Ausgabe
richtet sich
gleichermaßen an
Geigen- wie an
Klavierschüler/-innen
mit Freude am gemeinsamen
Musizieren. 1. und 2.
Griffart Die Ausgabe
einthält einen
20-seitigen Einleger
für Violine.
Compiled by Bernard Taylor. Collection for high voice solo and piano accompanime...(+)
Compiled by Bernard
Taylor. Collection for
high voice solo and piano
accompaniment. Text
language Italian, German,
French, English. 251
pages. Published by G.
Schirmer, Inc.
Selected Parts from Secular Cantatas, St John Passion, Magnificat in D major, Ch...(+)
Selected Parts from
Secular Cantatas, St John
Passion, Magnificat in D
major, Christmas Oratorio
and Easter Oratorio. By
Johann Sebastian Bach.
Edited by
Pfundl-Frittrang, Eva M.
For Flute. Playing Score.
Published by
Baerenreiter-Ausgaben
(German import).
Violoncello Part.
Composed by Paul
Hindemith. Sheet music.
Edition Schott.
Classical. Individual
part. Composed 1922. Op.
23/2. 8 pages. Schott
Music #ED 3404-14.
Published by Schott Music
(HL.49015043).
Volks- und
Kinderlieder.
Arranged by Wohlgemuth.
Sheet music. Friedrich
Hofmeister Musikverlag #B
108. Published by
Friedrich Hofmeister
Musikverlag (HF.B-108).
ISBN 9790203458548.
8.27 x 5.59
inches.
Annchen von
Tharau, Alle meine
Entchen, Auf! Ihr Kinder
(Kanon), Bald gras' ich
am Neckar, Das Lied von
den zwei Hasen, Das
Steckenpferd, Der Kuckuck
auf dem Zaune sass, Der
Kuckuck und der Esel,
Dornroschen, Ein Mannlein
steht im Walde, Eine
kleine Geige, Es blies
ein Jager, Es steht ein
Lind, Fuchs du hast die
Gans gestohlen, Guter
Mond, du gehst so stille,
Hanschen klein, Hansel
und Gretel, Ich ging
durch einen grasgrunen
Wald,J etzt gang i ans
Brunnele, Komm , lieber
Mai, Kommt ein Vogel
geflogen, Liebe
Schwester, tanz mit mir,
Ringel, Ringel, Reihe,
Ringlein, Ringlein du
musst wandern, Seht, wie
die Sonne dort sinket,
Summ, summ, summ, Suse,
liebe Suse, Voglein im
hohen Baum, Ward ein
Blumlein mir geschenket,
Weisst du, wieviel
Sternlein stehn?, Wenn
die Nachtigallen
schlagen, Wenn ich ein
Voglein war, Wer hat die
schonsten Schafchen,
Wiegenlied, Winter
ade.
Piano SKU: M7.VHR-3564 125 Bearbeitungen und Original-Kompositionen fÃ...(+)
Piano
SKU:
M7.VHR-3564
125
Bearbeitungen und
Original-Kompositionen
für Klavier.
Composed by Anne
Terzibaschitsch. Sheet
music. Performance book.
Holzschuh Musikverlag
#VHR 3564. Published by
Holzschuh Musikverlag
(M7.VHR-3564).
ISBN
9783864340765.
German.
Zum
20-jährigen
Jubiläum der
Zusammenarbeit von Anne
Terzibaschitsch und dem
Holzschuh-Verlag
erscheint vorliegende
Sammlung. Enthalten sind
sowohl Eigenkompositionen
von Anne Terzibaschitsch
als auch Bearbeitungen
der Autorin von Werken
aus Barock über
Klassik und Romantik bis
hin zu Musik des 20.
Jahrhunderts. Populäre
Melodien - Traditionals,
Volkslieder sowie Themen
aus Film, Musical und Pop
- bereichern diese
Edition.
By Various. Edited by Helbich, Wolfgang / Herzog, Ernst. Hymn settings, Mass Sec...(+)
By Various. Edited by
Helbich, Wolfgang /
Herzog, Ernst. Hymn
settings, Mass Sections,
Motets, Psalms, German;
Choral Collections, Mixed
Choir; Occasions:
Eucharist, Communion,
Peace and Justice,
Prayer, Confirmation,
Praise and thanks, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Morning,
Midday, Evening, Psalms,
Daily hours, Mourning,
Death, Our Father; Use
during church year:
Advent, Special Days, End
of the church year, Lent
and Passiontide, Corpus
Christi, Ascension, Holy
Week, Easter and
Eastertide, Ascension,
Reformation day, Trinity,
Christmas. Ch
Piano - easy SKU: M7.ART-42170 27 sehr leichte bis leichte KlavierstÃ...(+)
Piano - easy
SKU:
M7.ART-42170
27
sehr leichte bis leichte
Klavierstücke für
Anfänger. Composed
by Jens Rupp. Score with
online audio files. 48
pages. MDS (Music
Distribution Services)
#ART 42170. Published by
MDS (Music Distribution
Services) (M7.ART-42170).
ISBN 9783866421707.
German.
Das Album
'Meine ersten
Klavierträume' von
Jens Rupp besteht aus 22
leicht zu spielenden
Stücken aus
verschiedenen
Stilrichtungen, die
Spielerinnen und Spieler
auf eine musikalische
Reise durch bezaubernde
Klanglandschaften
mitnehmen möchten. Die
modernen Klavierstücke
umfassen den Bereich der
leichten klassischen,
romantischen und
keltischen Musik. Sie
erinnern zudem an
Filmmusik mit
vielfältigen
Stimmungen und laden zum
Träumen ein. Die
Kompositionen sind für
den Klavierunterricht ab
dem ersten Jahr und auch
für Wiedereinsteiger
bestens geeignet. Zu
Beginn sind die Stücke
sehr leicht und werden im
Verlauf des Buches ein
wenig anspruchsvoller.
Die verwendeten Tonarten
sind die leichteren
Dur-Tonarten C, F, G
sowie die einfachen
Moll-Tonarten Am, Dm und
Em. Die Kompositionen
haben jeweils eine
Länge von zwei Seiten
und enthalten schöne
Harmonien sowie
einprägsame Melodien
mit überschaubarem
Tonumfang. Trotz ihrer
Einfachheit klingen diese
kleinen Werke schön
und vollständig. Dies
erhöht die Motivation
zu üben und kleine bis
große
Erfolgserlebnisse sind
garantiert. Mit 'Meine
ersten Klavierträume'
ist Jens Rupp erneut eine
wunderbare Sammlung an
schöner,
eingängiger
Klaviermusik gelungen,
welches für das erste
und zweite
Unterrichtsjahr eine
musikalische Bereicherung
darstellt und zugleich
Jens Rupps
'Klavierträume-Reihe',
bestehend aus 'Meine
ersten Klavierträume',
'Meine schönsten
Klavierträume' und
'Klavierträume',
vervollständigt.
Kindergarten flute (also soprano recorder) SKU: HL.49006473 Edited by Wil...(+)
Kindergarten flute (also
soprano recorder)
SKU:
HL.49006473
Edited by
Willi Draths. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 24 pages.
Schott Music #ED 6603.
Published by Schott Music
(HL.49006473).