Choral (ShowTrax CD)

SKU: HL.214301

By James Taylor. By James Taylor. Arranged by Audrey Snyder. Pop Choral Series. Pop, Seventies, Show Choir. CD. Duration 190 seconds. Published by Hal Leonard (HL.214301).

UPC: 888680663902. 5.0x5.0x0.185 inches.

The title track from James Taylors breakthrough album of the same name in 1970, this sweet song in triple meter evokes dual impressions of childhood and of the lone traveler and will fill your performance space with a warm, nostalgic glow!

((Swing Low, Sweet Chariot)). Composed by Traditional Spiritual. Arranged by Susan Thrift. For Choral (SSA A Cappella). Glory Sound. 8 pages. Published by Glory Sound

Choral (TTB Choir)

SKU: HL.214300

By James Taylor. By James Taylor. Arranged by Audrey Snyder. Pop Choral Series. Pop, Seventies, Show Choir. Octavo. Duration 190 seconds. Published by Hal Leonard (HL.214300).

UPC: 888680663896. 6.75x10.5x0.029 inches.

The title track from James Taylors breakthrough album of the same name in 1970, this sweet song in triple meter evokes dual impressions of childhood and of the lone traveler and will fill your performance space with a warm, nostalgic glow!

Harp

SKU: HL.48187068

Composed by Bernard Andres. Hamelle. Softcover. 8 pages. Hamelle & Cie #HA09724. Published by Hamelle & Cie (HL.48187068).

UPC: 888680884109. 9.0x12.0x0.059 inches.

“Composed for Pedal Harps, Sweet Blues is a piece of 4 minutes by Bernard Andrès. This melodious yet quite nostalgic work uses natural harmonies, pinched sounds, arpeggios and numerous pedal changes. Quite difficult, it would be better for advanced players. Three parts can be differentiated: Lento, Piú lento and Piú lento. The first part starts with a tune in natural harmonies only by the right hand, followed by the same tune in pinched notes. The piece continues with soft ordinary sounds. Pinched sounds and natural harmonies re-appear in the last part, before the quiet finale. Bernard Andres (born in 1941) is a world-known French Harpist and composer. Recognised for his work on both lever and pedal Harps and for chamber music pieces, some of his most famous pieces are 'Elegy to a dead Shepherd' and 'Anamorphoses'.”.

Volume 105 - Dave Brubeck "In Your Own Sweet Way" by Dave Brubeck. Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Intermediate, advanced. Book and CD. 72 pages. Published by Jamey Aebersold Jazz

By Benny Davis, Sammy Fain, Al Boasberg. Arranged by Maryann Wydra. Female barbershop choir. (Women's voices, a cappella). Suitable for contest. Barbershop, Ballad. Level: easy/medium. Published by Sweet Adelines.

SATB Choir (SATB) - easy

SKU: HL.14032155

Arranged by Philip G. Wilkinson. Music Sales America. Gospel & Spiritual. Choral Score. 4 pages. Music Sales #MUSNOV160054. Published by Music Sales (HL.14032155).

UPC: 884088485696. 7.0x10.0x0.01 inches.

Swing Low, Sweet Chariot, a negro spiritual arranged for unaccompanied SATB by Philip Wilkinson. A piano part is provided for rehearsal purpose only.

Choral (SSA Choir)

SKU: HL.214303

By James Taylor. By James Taylor. Arranged by Audrey Snyder. Pop Choral Series. Pop, Seventies, Show Choir. Octavo. Duration 190 seconds. Published by Hal Leonard (HL.214303).

UPC: 888680663926. 6.75x10.5x0.029 inches.

The title track from James Taylors breakthrough album of the same name in 1970, this sweet song in triple meter evokes dual impressions of childhood and of the lone traveler and will fill your performance space with a warm, nostalgic glow!

Jazz Ensemble - Grade 3

SKU: AP.33353S

Composed by Dave Brubeck. Arranged by Dave Rivello. Jazz Ensemble; Performance Music Ensemble; Single Titles. Jazz Band Series. Jazz. Score. 16 pages. Belwin Music #00-33353S. Published by Belwin Music (AP.33353S).

UPC: 038081378435. English.

In Your Own Sweet Way is a a level 3 Jazz Band series piece designed for high school and advanced junior high school band. Full instrumentation includes 5 saxophones, 8 brass, and 4 rhythm parts. Optional parts include flute, tuba, horn in F and baritone T.C./tenor sax. Solos are written out with chord change the rhythm section parts suggest chord voicings and rhythms and guitar chord frames are provided to help young guitarists.

By Don Sweete. For Oboe and Bassoon. Duet or Duo; Woodwind - Mixed Ensemble. Eighth Note Publications. Contemporary. Duration 00:05:20. Published by Eighth Note Publications . Contemporary.

By Carol Matz. For Piano. Piano Solo; Sheet; Solo. Signature Series. Fall; Halloween. Elementary. 4 pages. Published by Alfred Music

Choral SATB choir

SKU: CF.CM9572

Eternal Life. Composed by Joseph P. Webster. Edited by John Ratledge. Arranged by Aaron Humble. Sanford F. Bennett (1836-1898). Jbc. Performance Score. With Standard notation. 12 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #CM9572. Published by Carl Fischer Music (CF.CM9572).

ISBN 9781491153666. UPC: 680160911165. 6.75 x 10.5 inches. Key: Gb major. English. Sanford F. Bennett (1836-1898).

Aaron Humble's arrangement of this beloved old favorite from American hymnody is appropriate for both school and church. With soaring obligato lines and shimmering harmony, when sung with a warm and gentle tone,?The Sweet By and By??is certain to paint a picture of a better time for us all to look forward. Also available for TTBB Voices (CM9571).
I have great memories of my family gathering around the piano to sing hymns. As my sisters and I learned more about music through lessons, band, and choir, we started adding harmony and really making music. The old American hymnody really holds a special place in my heart. Webster set Bennett's text in a time when American theology had taken a turn away from earlier ideas where God was a god of vengeance and anger. In this new era of optimism, God became more familiar, more loving, and more reassuring. With this in mind, this arrangement should be sung with a warm and gentle tone allowing the dissonances to shimmer, the sweetness of the harmonies to bloom, and the obbligato lines to soar.

Choral TTBB choir

SKU: CF.CM9571

Eternal Life. Composed by Joseph P. Webster. Edited by John Ratledge. Arranged by Aaron Humble. Sanford F. Bennett (1836-1898). Jbc. Performance Score. With Standard notation. 12 pages. Duration 3 minutes, 47 seconds. Carl Fischer Music #CM9571. Published by Carl Fischer Music (CF.CM9571).

ISBN 9781491153659. UPC: 680160911158. 6.75 x 10.5 inches. Key: Gb major. English. Sanford F. Bennett (1836-1898).

Aaron Humble's arrangement of this beloved old favorite from American hymnody is appropriate for both school and church. With soaring obligato lines and shimmering harmony, when sung with a warm and gentle tone,?The Sweet By and By?is certain to paint a picture of a better time for us all to look forward. Also available for SATB Voices (CM9572).
I have great memories of my family gathering around the piano to sing hymns. As my sister and I learned more about music through lessons, band and choir, we started adding harmony and really making music. The old American hymnody really holds a special place in my heart. Webster set Bennett's text in a time when American theology had taken a turn away from earlier ideas where God was a god of vengeance and anger. With this in mind, this arrangement should be sung with a warm and gentle tone allowing the dissonances to shimmer, the sweetness of the harmonies to bloom, and the obbligato lines to soar.

Choral TBB choir, piano

SKU: CF.CM9594

Composed by Greg Gilpin. Fold. Performance Score. 8 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #CM9594. Published by Carl Fischer Music (CF.CM9594).

ISBN 9781491154168. UPC: 680160912667. 6.875 x 10.5 inches. Key: Bb major. English. Alfred Tennyson. Alfred, Lord Tennyson (1809-1892).

The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 710, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 1417 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 2225, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 3336. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 3738 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson'sA There is Sweet Music HereA is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7a10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14a17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22a25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33a36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37a38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson'sA There is Sweet Music HereA is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7a10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14a17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22a25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33a36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37a38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7-10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14-17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22-25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33-36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37-38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7-10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14-17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22-25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33-36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37-38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words.The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7–10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14–17 as well as those that contain three-part singing.The piano establishes a consistent undulating tempo in mm. 22–25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes.Maintain a consistent tempo when singing the eighth notes in mm. 33–36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37–38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment.Linger with quiet, full and supported singing during the last three measures.

For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.

Choral (highlights)

SKU: HL.48189754

Composed by Isabelle Aboulker. Leduc. Classical. CD only. Alphonse Leduc #NT21130C. Published by Alphonse Leduc (HL.48189754).

UPC: 888680990640. 9x12 inches.

“Know n for her Operas and Vocal works, contemporary composer, Isabelle Aboulker has won numerous prizes for her compositions. Her collaboration with Opera libretto writer, Christian Eymery led to the exciting Sweet and Blue Beard for soloists, children's choir and Piano. Aboulker has done a significant amount of work with children and as a result, she has specially composed pieces to which they can relate. This is true of Sweet and Blue Beard, which includes a children's choir. Made up of 14 movements, Sweet and Blue Beard is an Oratorio, depicting a fairytale-like story. As an exciting, alternative collection in the Vocal repertoire, Aboulker's Sweet and Blue Beard is an exquisite addition to any children's choir repertoire.&rdquo.

Easy Piano Piano/Keyboard

SKU: HL.1311627

By Various. Easy Piano Songbook. Pop. Softcover. 240 pages. Published by Hal Leonard (HL.1311627).

ISBN 9798350109375. UPC: 196288177524. 9.0x12.0x0.626 inches.

Perfect for gigging pianists starting out, First 50 Bar Songs You Should Play on the Piano features 50 pop hits arranged for easy piano that many piano bar crowds are looking for. Add this essential collection to your library today to ensure you have the crowd-pleasers ready for any performance! Songs include: American Pie • Can't Stop the Feeling • Chicken Fried • Don't Stop Believin' • Easy • Free Fallin' • Friends in Low Places • If I Ain't Got You • Jack and Diane • Lean on Me • Piano Man • Poker Face • Shake It Off • Sweet Home Alabama • Take Me Home, Country Roads • Uptown Funk • What I Got • Your Song • and more.

About First 50

You've been taking lessons, you've got a few chords under your belt, and you're ready to buy a songbook. Now what? Hal Leonard has the answers in its First 50 series. The First 50 series steers new players in the right direction. These books contain easy to intermediate arrangements for must-know songs. Each arrangement is simple and streamlined, yet still captures the essence of the tune.

2-Part Choral (2-Part)

SKU: HL.1114957

Composed by Mark Burrows. Shawnee Press. Concert, Festival, Poetry. Octavo. 16 pages. Duration 190 seconds. Published by Shawnee Press (HL.1114957).

ISBN 9781705179567. UPC: 196288105329. 6.75x10.5x0.036 inches.

Two classic “Winnie-the-Poohâ� �� poems from the creative mind of A.A. Milne are humorously and sweetly set by Mark Burrows for 2-part voices. Many young people today may not be as familiar with these poems, so this creates a wonderful way to introduce them to your students and audience. A novel selection for any time of year.

Jazz Ensemble - Grade 5

SKU: KN.SN70148S

Composed by Sammy Nestico. Sammy Nestico Premium Jazz Series. Kendor Music Inc #SN70148S. Published by Kendor Music Inc (KN.SN70148S).

UPC: 822795701487.

First recorded by Count Basie, then Quincy Jones, and most recently by the SWR Big Band on their Basie-cally Sammy CD, this popular blues tune was originally written for Sweets Edison and features solo trumpet throughout. Some very soft and very big ensemble sections create striking dynamic contrasts and generate plenty of excitement.

Written by Mick Jagger and Keith Richards, lyrics by Richard Ashcroft. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Sheet. Original Sheet Music Edition. Rock. Sheet. 8 pages. Published by Alfred Publishing.