Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violin 2. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 2. Composed 1856.
Op. 4. 12 pages. Duration
45 minutes. Carus Verlag
#CV 27.060/12. Published
by Carus Verlag
(CA.2706012).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violin 1. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 1. Composed 1856.
Op. 4. 12 pages. Duration
45 minutes. Carus Verlag
#CV 27.060/11. Published
by Carus Verlag
(CA.2706011).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Viola. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Viola. Composed 1856. Op.
4. 12 pages. Duration 45
minutes. Carus Verlag #CV
27.060/13. Published by
Carus Verlag
(CA.2706013).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Exceptional Classics * Piano Accompaniment composed by Various. Arranged by Tony...(+)
Exceptional Classics *
Piano Accompaniment
composed by Various.
Arranged by Tony
Santorella and Jonathon
Robbins. For piano
accompaniment. This
edition: Paperback.
Collection. Classical.
Book. Text Language:
English. 64 pages.
Published by Santorella
Publications
Beecher Variations Ensemble de cuivres - Intermédiaire De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1155647-030 Composed by Stephen Bulla. C...(+)
Brass Band - Grade 3
SKU:
BT.DHP-1155647-030
Composed by Stephen
Bulla. Concert and
Contest Collection Brass
Band en Fanfare. Concert
Piece. Set (Score &
Parts). Composed 2015. De
Haske Publications #DHP
1155647-030. Published by
De Haske Publications
(BT.DHP-1155647-030).
English-German-French-
Dutch.
In this
beautiful composition,
melodic fragments of the
hymn tune Beecher
are morphed into a series
of variations, showing
the melody in various
moods from expressive,
then quiet and soft, to
bright and triumphant in
the end. Written as a
testpiece in the 4th
division for the Dutch
Brass Band Championships
in 2015, the music
features challenging solo
parts for cornet, soprano
cornet, flugelhorn and
euphonium. A great work
for the concert
stage!
In deze
fraaie compositie zijn
melodiefragmenten uit de
hymne Beecher
omgevormd tot een reeks
variaties, waarbij de
melodie wordt
gepresenteerd in
verschillende stemmingen,
van rustig en zacht tot
vrolijk en triomfantelijk
tegen het slot. Beecher
Variations, dat is
geschreven als verplicht
werk voor de Nederlandse
Brassband
Kampioenschappen van
2015, bevat uitdagende
solopartijen voor cornet,
sopraancornet, bugel en
euphonium. Een weergaloos
werk voor het
concertpodium!
In
diesem schönen Werk
werden melodische
Fragmente des
Kirchenlieds
Beecher in eine Reihe
von Variationen
verwandelt, welche die
Melodie in verschiedenen
Stimmungen von
ausdrucksvoll über
ruhig und leise,
strahlend bis zu
strahlend undtriumphal
präsentieren. Als
Pflichtstück in der 4.
Division für die
Holländischen
Brass-Band-Meisterschafte
n 2015 geschrieben,
enthält die Musik
anspruchsvolle
Solopartien für
Cornet, Soprancornet,
Flügelhorn und
Euphonium. Ein
großartiges Werk
fürdie
Konzertbühne!
Beecher Variations Ensemble de cuivres - Intermédiaire De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1155647-130 Composed by Stephen Bulla. C...(+)
Brass Band - Grade 3
SKU:
BT.DHP-1155647-130
Composed by Stephen
Bulla. Concert and
Contest Collection Brass
Band en Fanfare. Concert
Piece. Score Only.
Composed 2015. De Haske
Publications #DHP
1155647-130. Published by
De Haske Publications
(BT.DHP-1155647-130).
English-German-French-
Dutch.
In this
beautiful composition,
melodic fragments of the
hymn tune Beecher
are morphed into a series
of variations, showing
the melody in various
moods from expressive,
then quiet and soft, to
bright and triumphant in
the end. Written as a
testpiece in the 4th
division for the Dutch
Brass Band Championships
in 2015, the music
features challenging solo
parts for cornet, soprano
cornet, flugelhorn and
euphonium. A great work
for the concert
stage!
In deze
fraaie compositie zijn
melodiefragmenten uit de
hymne Beecher
omgevormd tot een reeks
variaties, waarbij de
melodie wordt
gepresenteerd in
verschillende stemmingen,
van rustig en zacht tot
vrolijk en triomfantelijk
tegen het slot. Beecher
Variations, dat is
geschreven als verplicht
werk voor de Nederlandse
Brassband
Kampioenschappen van
2015, bevat uitdagende
solopartijen voor cornet,
sopraancornet, bugel en
euphonium. Een weergaloos
werk voor het
concertpodium!
In
diesem schönen Werk
werden melodische
Fragmente des
Kirchenlieds
Beecher in eine Reihe
von Variationen
verwandelt, welche die
Melodie in verschiedenen
Stimmungen von
ausdrucksvoll über
ruhig und leise,
strahlend bis zu
strahlend undtriumphal
präsentieren. Als
Pflichtstück in der 4.
Division für die
Holländischen
Brass-Band-Meisterschafte
n 2015 geschrieben,
enthält die Musik
anspruchsvolle
Solopartien für
Cornet, Soprancornet,
Flügelhorn und
Euphonium. Ein
großartiges Werk
fürdie
Konzertbühne!
By John Holenko. For Mandolin. Solos. Early Music/Renaissance. Level: Beginning-...(+)
By John Holenko. For
Mandolin. Solos. Early
Music/Renaissance. Level:
Beginning-Intermediate.
Book. Size 8.5x11. 64
pages. Published by Mel
Bay Publications, Inc.
Rosa Gallica Orchestre d'harmonie De Haske Publications
Concert Band (SCORE+PARTS) - Level 3.5 SKU: HL.4006429 Composed by Jacob ...(+)
Concert Band
(SCORE+PARTS) - Level 3.5
SKU: HL.4006429
Composed by Jacob De
Haan. De Haske Concert
Band. Concert. Softcover.
Duration 510 seconds. De
Haske Publications #DHP
1206227. Published by De
Haske Publications
(HL.4006429).
UPC:
888680989880. 9.0x12.0
inches.
Rosa
Gallica has been written
to commemorate the
centenary of the First
World War. The work
focuses largely on France
as a lot of the fighting
took place there. With
the title Rosa Gallica
(French rose), the
composer wishes to
emphasize the poetic
image of the rose. The
stem represents the years
gone by - such as those
taken up by the First
World War - and the
thorns refer to the
conflict and the pain
that the victims had to
endure. The rose itself
forms the picture of
beauty - and symbolizes
opening up to a peaceful
world. The piece depicts
France from the end of
the 19th century through
to its role at the heart
of the First World War
and beyond. A spectacular
and dramatic new work by
Jacob de Haan.
Rosa Gallica Orchestre d'harmonie De Haske Publications
Concert Band (SCORE) - Level 3.5 SKU: HL.4006430 Composed by Jacob De Haa...(+)
Concert Band (SCORE) -
Level 3.5
SKU:
HL.4006430
Composed
by Jacob De Haan. De
Haske Concert Band.
Concert. Softcover.
Duration 510 seconds. De
Haske Publications #DHP
1206227. Published by De
Haske Publications
(HL.4006430).
UPC:
888680989897.
Rosa
Gallica has been written
to commemorate the
centenary of the First
World War. The work
focuses largely on France
as a lot of the fighting
took place there. With
the title Rosa Gallica
(French rose), the
composer wishes to
emphasize the poetic
image of the rose. The
stem represents the years
gone by - such as those
taken up by the First
World War - and the
thorns refer to the
conflict and the pain
that the victims had to
endure. The rose itself
forms the picture of
beauty - and symbolizes
opening up to a peaceful
world. The piece depicts
France from the end of
the 19th century through
to its role at the heart
of the First World War
and beyond. A spectacular
and dramatic new work by
Jacob de Haan.
A Norwegian Hymn Ensemble de cuivres - Intermédiaire Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-421-030 Hymn to Frei. Composed by...(+)
Brass Band - Grade 3
SKU:
BT.AMP-421-030
Hymn to Frei.
Composed by Axel Fiske.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Hymns &
Chorals. Set (Score &
Parts). Composed 2015.
Anglo Music Press #AMP
421-030. Published by
Anglo Music Press
(BT.AMP-421-030).
English-German-French-
Dutch.
British
composer Philip Sparke
was asked to write this
arrangement of Hymn to
Frei for the
Norwegian Brass Band Frei
Hornmusikk . Sparke had
already used part of this
hymn by a composer
well-known in the home
region of the band in
The Saga of Haakon the
Good. In A
Norwegian Hymn, three
verses of the tune can be
heard: the first is
performed by various
soloists, followed by a
quieter second verse,
before the third verse
brings the piece to a
triumphal close. A
beautiful piece, which is
also excellent to use to
work on musicality with
bands in lower
divisions.
Philip
Sparke arrangeerde Hymne
to Frei voor de Noorse
Brass Band Frei
Hornmusikk. In A
Norwegian Hymn zijn ook
drie verzen uit zijn
eerdere werk The Saga of
Haakon the Good te horen.
De eerste wordt
uitgevoerd door diverse
solisten, gevolgd door
een rustiger tweede
couplet. Het derde deel
brengt het werk naar een
triomfantelijk einde. Een
mooi werk waarmee u
uitstekend kunt werken
aan de muzikaliteit van
orkesten in de lagere
divisies.
Der
britische Komponist
Philip Sparke schrieb im
Auftrag der Frei
Hornmusikk aus Norwegen
diese Bearbeitung der
Hymn to Frei aus
der Feder eines bekannten
Komponisten aus der
Heimatregion dieser Brass
Band. Sparke hatte Teile
dieses Kirchenlieds
bereits zuvor in The
Saga of Haakon the
Good verwendet. Eine
schönes Stück, dass
sich außerdem sehr gut
für Brass Bands
niedrigerer Klassen
eignet, die an ihrer
Musikalität arbeiten
wollen.
A Norwegian Hymn Ensemble de cuivres - Intermédiaire Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-421-130 Hymn to Frei. Composed by...(+)
Brass Band - Grade 3
SKU:
BT.AMP-421-130
Hymn to Frei.
Composed by Axel Fiske.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2015.
Anglo Music Press #AMP
421-130. Published by
Anglo Music Press
(BT.AMP-421-130).
English-German-French-
Dutch.
British
composer Philip Sparke
was asked to write this
arrangement of Hymn to
Frei for the
Norwegian Brass Band Frei
Hornmusikk . Sparke had
already used part of this
hymn by a composer
well-known in the home
region of the band in
The Saga of Haakon the
Good. In A
Norwegian Hymn, three
verses of the tune can be
heard: the first is
performed by various
soloists, followed by a
quieter second verse,
before the third verse
brings the piece to a
triumphal close. A
beautiful piece, which is
also excellent to use to
work on musicality with
bands in lower
divisions.
Philip
Sparke arrangeerde Hymne
to Frei voor de Noorse
Brass Band Frei
Hornmusikk. In A
Norwegian Hymn zijn ook
drie verzen uit zijn
eerdere werk The Saga of
Haakon the Good te horen.
De eerste wordt
uitgevoerd door diverse
solisten, gevolgd door
een rustiger tweede
couplet. Het derde deel
brengt het werk naar een
triomfantelijk einde. Een
mooi werk waarmee u
uitstekend kunt werken
aan de muzikaliteit van
orkesten in de lagere
divisies.
Der
britische Komponist
Philip Sparke schrieb im
Auftrag der Frei
Hornmusikk aus Norwegen
diese Bearbeitung der
Hymn to Frei aus
der Feder eines bekannten
Komponisten aus der
Heimatregion dieser Brass
Band. Sparke hatte Teile
dieses Kirchenlieds
bereits zuvor in The
Saga of Haakon the
Good verwendet. Eine
schönes Stück, dass
sich außerdem sehr gut
für Brass Bands
niedrigerer Klassen
eignet, die an ihrer
Musikalität arbeiten
wollen.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, 2
Horns. Composed 1865. Op.
11. 4 pages. Duration 6
minutes. Carus Verlag #CV
70.303/31. Published by
Carus Verlag
(CA.7030331).
Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
2x 70.303/21 2 flutes, 2x
70.303/22 2 oboes, 2x
70.303/23 2 clarinets, 2x
70.303/24 2 bassoons, 2x
70.303/31 2 horns, 1x
70.303/48 harp. Cantique
De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Set of Orchestra
Parts. Composed 1865. Op.
11. Duration 6 minutes.
Carus Verlag #CV
70.303/09. Published by
Carus Verlag
(CA.7030309).
ISBN
9790007228903. Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and parts available
separately - see item
CA.7030300.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064151-010 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064151-010
Composed by Traditional.
Arranged by Michael
Bilkes. Christmas
Collection. Hymns &
Chorals. Set (Score &
Parts). Composed 2006. De
Haske Publications #DHP
1064151-010. Published by
De Haske Publications
(BT.DHP-1064151-010).
9x12 inches.
English-German-French-Dut
ch.
Maria durch
ein? Dornwald ging (Blest
Mary Wanders Through the
Thorn) is a traditional
German Christmas song.
The earliest known
version is recorded in
the Andernacher
Gesangbuch from 1608.
Halfway through the
nineteenth century it was
a regional pilgrimage
song in Thüringen, and
at the beginning of the
twentieth century, the
current version was
registered in the
songbook Zupfgeigenhansl
of the German youth
movement. Michael Bilkes
used the well-known
melody to create this
attractive arrangement
for concert
band.
Maria
durch ein’
Dornwald ging (Maria door
een doornwoud trad)
is een traditioneel Duits
kerstlied. De oudst
bekende versie is
opgetekend in het
Andernacher
Gesangbuch uit 1608.
Halverwege de negentiende
eeuw was heteen regionaal
bedevaartslied in
Thüringen en aan het
begin van de twintigste
eeuw werd het in de
huidige versie opgenomen
in het liedboek
Zupfgeigenhansl
van de Duitse
jeugdbeweging. Maria
durch ein’
Dornwald ging heeftal
vele arrangeurs ge
nspireerd tot het
schrijven van
koorbewerkingen. Michael
Bilkes verwerkte de
bekende melodie in een
sfeervol arrangement voor
harmonieorkest.
Ma
ria durch ein’
Dornwald ging ist ein
traditionelles deutsches
Adventslied, dessen
früheste
überlieferte Version
im Andernacher
Gesangbuch von 1608
dokumentiert ist und
seither viele Arrangeure
zu Bearbeitungen für
diverse
Instrumentalbesetzungen
und Chöre inspiriert
hat. Michael Bilkes
verwendete die bekannte
Melodie für diese
gefühlvolle
Bearbeitung für
Blasorchester.
Maria
durch ein’
Dornwald ging è un
canto di Natale tedesco
pubblicato per la prima
volta nella raccolta di
cantici Andernacher
Gesanbuch (1608). La
versione attuale è
stata pubblicata nel
corso del XX secolo in
una raccolta di canti per
il Movimento tedesco
della gioventù.
Maria durch
ein’ Dornwald
ging ha ispirato
numerosi adattamenti per
coro.
L’arrangiamento
per orchestra di fiati di
Michael Bilkes è
basato sulla melodia del
canto.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064151-140 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1064151-140
Composed by Traditional.
Arranged by Michael
Bilkes. Christmas
Collection. Hymns &
Chorals. Score Only.
Composed 2006. De Haske
Publications #DHP
1064151-140. Published by
De Haske Publications
(BT.DHP-1064151-140).
9x12 inches.
English-German-French-Dut
ch.
Maria durch
ein? Dornwald ging (Blest
Mary Wanders Through the
Thorn) is a traditional
German Christmas song.
The earliest known
version is recorded in
the Andernacher
Gesangbuch from 1608.
Halfway through the
nineteenth century it was
a regional pilgrimage
song in Thüringen, and
at the beginning of the
twentieth century, the
current version was
registered in the
songbook Zupfgeigenhansl
of the German youth
movement. Michael Bilkes
used the well-known
melody to create this
attractive arrangement
for concert
band.
Maria durch
ein’ Dornwald ging
ist ein traditionelles
deutsches Adventslied,
dessen früheste
überlieferte Version
im Andernacher
Gesangbuch von 1608
dokumentiert ist und
seither viele Arrangeure
zu Bearbeitungen für
diverse
Instrumentalbesetzungen
und Chöre inspiriert
hat. Michael Bilkes
verwendete die bekannte
Melodie für diese
gefühlvolle
Bearbeitung für
Blasorchester.
Maria
durch ein’
Dornwald ging è un
canto di Natale tedesco
pubblicato per la prima
volta nella raccolta di
cantici Andernacher
Gesanbuch (1608). La
versione attuale è
stata pubblicata nel
corso del XX secolo in
una raccolta di canti per
il Movimento tedesco
della gioventù.
Maria durch
ein’ Dornwald
ging ha ispirato
numerosi adattamenti per
coro.
L’arrangiamento
per orchestra di fiati di
Michael Bilkes è
basato sulla melodia del
canto.
SATB choir, assembly, organ accompaniment, C instrument, flute, oboe, clarinet i...(+)
SATB choir, assembly,
organ accompaniment, C
instrument, flute, oboe,
clarinet in B-flat,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in f, trombone,
bass trombone, violin 1,
violin 2, viola, cello,
bass, timpani, harp -
Early intermediate
SKU: GI.G-9573
Revised Order of Mass
2010. Composed by Jan
Michael Joncas. Mass.
Sacred. Octavo. 40 pages.
GIA Publications #9573.
Published by GIA
Publications (GI.G-9573).
UPC: 785147957300.
English, French, Latin,
Spanish. Text Source:
Revised Order of Mass
2010, Lectionary for
Mass
In honor
of the 200th anniversary
of St. Rose Philippine
Duschene’s arrival
in New Orleans, Michael
Joncas was commissioned
to write a new mass
setting by the Religious
of the Sacred Heart. This
edition is scored for
SATB voices and features
instrumental parts for
complete symphony
orchestra. Parts may be
used according to the
players available in your
circumstance. The
mass includes optional
phrases in French and
Potawatomi honoring the
American saint’s
heritage and ministry.
The mass may be sung in
unison, reserving the
choral and instrumental
parts for holy days.
While some contemporary
musical settings of the
“Glory to
God†seem
burdensome and even
awkward, Joncas’s
melody is absolutely
delightful. The singable
through-composed Gloria
boasts a magnificent and
manageable modulation
that contributes to the
triumphant nature of the
piece. John Kyler Pray
Tell: Worship, Wit, &
Wisdom Read the full
review here.
Score and Parts Woodwind Quintet (Score & Parts) - advanced SKU: HL.50565947<...(+)
Score and Parts Woodwind
Quintet (Score & Parts) -
advanced
SKU:
HL.50565947
Transcribed for
Woodwind Quintet Score
and Parts. Composed
by Claude Debussy.
Editions Durand.
Classical. Softcover.
Composed 2019. 85 pages.
Editions Durand
#DD01657000. Published by
Editions Durand
(HL.50565947).
ISBN
9781540056443. UPC:
888680948252.
9.0x12.0x0.268 inches.
French-English-Italian.
p>
This volume enriches
the wind quintet
repertoire with a
masterpiece of the most
refined chamber music
literature, composed in a
valuable historical
period which did not give
birth to novel pieces of
relevant importance for
this kind of ensemble.
The present version,
which generates from the
study and expertise of a
musician who devoted more
than twenty years of his
artistic career to the
wind quintet, yearns to
be a meta-arrangement.
Indeed, the musical
material is expressed in
a language so profound
and so universal that it
can be played by
instruments different
from the original ones
without losing any of its
significance. Flute, Oboe
(or English Horn),
Clarinet, Horn in F, and
Bassoon. Score and
Parts.
African Scenes Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1135407-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1135407-015
Composed by Eric J. Hovi.
De Haske Flexible Series.
Original Light Music. Set
(Score and Parts).
Composed 2012. De Haske
Publications #DHP
1135407-015. Published by
De Haske Publications
(BT.DHP-1135407-015).
9x12 inches.
English-German-French-Dut
ch.
This work in
four sections is written
for a four-part variable
instrumentation together
with drums. We start
off_x001E_ in the
_x001F_first movement on
an adventurous safari. In
the second and third
movements weâ??re on the
hunt for great beasts of
Africa, which can also be
heard with all their
stomping, screeching and
yelling. A wonderful
musical safari that all
musicians and listeners
alike will enjoy!
Dit werk voor
vierstemmige variabele
bezetting met slagwerk
beschrijft in vier
deeltjes verschillende
taferelen van het
Afrikaanse continent. In
het eerste deel gaan we
op safari. In het tweede
deel gaan we op zoek naar
een olifant, een
neushoorn, een luipaard
een leeuw en een buffel.
Welke reptielen kunnen we
ontdekken in het derde
deel? En hoe kan het
beter stoppen dan met een
â??Monkey Rockâ???
Tijdens het werk kun je
actief verschillende
dierengeluiden nabootsen,
waardoor je je echt in de
jungle
waant!
Dieses
vierteilige Werk ist
für eine vierstimmig
variable Besetzung und
Schlagzeug
instrumentiert. Der Titel
spricht schon für
sich: In African
Scenes spielt der
schwarze Kontinent die
Hauptrolle. Im ersten
Satz starten wir zu einer
abenteuerlichen Safari.
Im zweiten Teil geht es
auf die Suche nach den
?Big Fiveâ?? - den
groÃ?en Fünfâ??:
Elefant, Nashorn,
Leopard, Löwe und
Büffel. Im dritten
Satz begegnen wir
allerlei unheimlichen
Reptilien, bevor das Werk
fröhlich mit dem
?Monkey Rockâ?? endet,
in dem auch ein Affenruf
vertont
wird.
Questo
brano in quattro parti
è pensato per
strumentazione variabile
a quattro voci e
percussioni. Il titolo
parla da solo: in
African Scenes il
continente nero riveste
il ruolo principale. Il
primo movimento vede i
protagonisti iniziare un
avventuroso safari. Nella
seconda parte inizia la
ricerca dei
â??Big-Fiveâ?:
elefante, rinoceronte,
leopardo, leone e bufalo.
Il terzo movimento si
caratterizza
dallâ??inaspettato
incontro con rettili
rari, e precede il quarto
e ultimo movimento.
Monkey Rock, in
stile più giocoso,
rappresenta lâ??incontro
con una simpatica e
vivace scimmietta.
African Scenes Orchestre d'harmonie - Débutant De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1135407-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.DHP-1135407-215
Composed by Eric J. Hovi.
De Haske Flexible Series.
Original Light Music.
Score Only. Composed
2012. 10 pages. De Haske
Publications #DHP
1135407-215. Published by
De Haske Publications
(BT.DHP-1135407-215).
9x12 inches.
English-German-French-Dut
ch.
This work in
four sections is written
for a four-part variable
instrumentation together
with drums. We start
off_x001E_ in the
_x001F_first movement on
an adventurous safari. In
the second and third
movements we’re on
the hunt for great beasts
of Africa, which can also
be heard with all their
stomping, screeching and
yelling. A wonderful
musical safari that all
musicians and listeners
alike will enjoy!
Dit werk voor
vierstemmige variabele
bezetting met slagwerk
beschrijft in vier
deeltjes verschillende
taferelen van het
Afrikaanse continent. In
het eerste deel gaan we
op safari. In het tweede
deel gaan we op zoek naar
een olifant, een
neushoorn, een luipaard
een leeuw en een buffel.
Welke reptielen kunnen we
ontdekken in het derde
deel? En hoe kan het
beter stoppen dan met een
‘Monkey
Rock’? Tijdens het
werk kun je actief
verschillende
dierengeluiden nabootsen,
waardoor je je echt in de
jungle
waant!
Dieses
vierteilige Werk ist
für eine vierstimmig
variable Besetzung und
Schlagzeug
instrumentiert. Der Titel
spricht schon für
sich: In African
Scenes spielt der
schwarze Kontinent die
Hauptrolle. Im ersten
Satz starten wir zu einer
abenteuerlichen Safari.
Im zweiten Teil geht es
auf die Suche nach den
‚Big Five’ -
den großen
Fünf“: Elefant,
Nashorn, Leopard, Löwe
und Büffel. Im dritten
Satz begegnen wir
allerlei unheimlichen
Reptilien, bevor das Werk
fröhlich mit dem
‚Monkey
Rock’ endet, in
dem auch ein Affenruf
vertont
wird.
Questo
brano in quattro parti
è pensato per
strumentazione variabile
a quattro voci e
percussioni. Il titolo
parla da solo: in
African Scenes il
continente nero riveste
il ruolo principale. Il
primo movimento vede i
protagonisti iniziare un
avventuroso safari. Nella
seconda parte inizia la
ricerca dei
“Big-Fiveâ€:
elefante, rinoceronte,
leopardo, leone e bufalo.
Il terzo movimento si
caratterizza
dall’inaspettato
incontro con rettili
rari, e precede il quarto
e ultimo movimento.
Monkey Rock, in
stile più giocoso,
rappresenta
l’incontro con una
simpatica e vivace
scimmietta.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-145-140 From Cantata No 20...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-145-140
From Cantata No 208
'The Hunt Cantata'.
Composed by Johann
Sebastian Bach. Arranged
by Philip Sparke. Anglo
Music Midway Series.
Sacred. Score Only.
Composed 2005. 16 pages.
Anglo Music Press #AMP
145-140. Published by
Anglo Music Press
(BT.AMP-145-140).
9x12
inches.
English-German-French-Dut
ch.
There are just
over twenty secular
cantatas in Bach's
prolific output, which
include The Coffee
Cantata (No 211), The
Wedding Cantata (No 202),
Phoebus and Pan (No 201)
and the Hunt Cantata (No
208) which contains the
famous aria Sheep May
Safely Graze. Written for
four vocal soloists it
was originally scored for
a relatively large
orchestra (including
flutes (recorders), oboes
and horns) and mixed
choir. Although secular
in character, the words
describe how well a
faithful shepherd keeps
watch over his flock and
hence has obvious
allusions to the
teachings of the
Christian church. Bring a
bit of the Baroque era to
your concert with this
first class arrangement
by Philip
Sparke.
Bach
schreef zijn Jachtcantate
(BWV 208) - met daarin de
aria Schafe können
sicher weiden
(Sheep May Safely
Graze) - in 1713, ter
gelegenheid van de
verjaardag van hertog
Christian van
Sachsen-Weißenfels.
Later volgdenbewerkingen
voor vergelijkbare
verjaardagsfeesten en
naamdagen. De cantate is
geschreven voor vier
solisten (Diana, Pales,
Endymion en Pan), een
relatief groot orkest
(met (blok)fluiten,
hobo’s en hoorns)
en koor. Sheep
MaySafely Graze wordt
gezongen door Pales, de
godin van kudden en
weiden, begeleid door een
paar blokfluiten of
dwarsfluiten. Deze
bewerking van Philip
Sparke betekent een
verrijking voor elk
repertoire.
Bachs
produktives Schaffen
brachte nur etwa zwanzig
weltliche Kantaten
hervor, darunter auch die
Jagd-Kantate (BWV
208),welche die
berühmte Arie
Schafe können
sicher weiden
enthält. Geschrieben
für vier Solisten, ist
die Kantate für ein
relativ großes
Orchester instrumentiert,
das neben Flöten,
Oboen und Hörnern auch
einen gemischten Chor
vorsieht. Bringen Sie mit
dieser gelungenen
Bearbeitung etwas barocke
Atmosphäre in Ihr
Konzert!
L’immenso
lavoro di Johann
Sebastian Bach contiene
una ventina di cantate
profane tra le quali la
Cantata della
Caccia (BWV 208)
dalla quale è estratta
Sheep May Safely
Graze (Schafe
können sicher weiden).
Accompagnata da due
flauti dolci, Pales, Dea
dei greggi e dei pastori,
intona l’aria
Sheep May Safely
Graze. Pur se di
carattere profano, il
testo utilizza
l’immagine del
pastore come
l’immagine della
grazia riportata ad una
parola fondamentale di
Gesù.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-145-010 From Cantata No 20...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-145-010
From Cantata No 208
'The Hunt Cantata'.
Composed by Johann
Sebastian Bach. Arranged
by Philip Sparke. Anglo
Music Midway Series.
Sacred. Set (Score &
Parts). Composed 2005.
Anglo Music Press #AMP
145-010. Published by
Anglo Music Press
(BT.AMP-145-010).
9x12
inches.
English-German-French-Dut
ch.
There are just
over twenty secular
cantatas in Bach's
prolific output, which
include The Coffee
Cantata (No 211), The
Wedding Cantata (No 202),
Phoebus and Pan (No 201)
and the Hunt Cantata (No
208) which contains the
famous aria Sheep May
Safely Graze. Written for
four vocal soloists it
was originally scored for
a relatively large
orchestra (including
flutes (recorders), oboes
and horns) and mixed
choir. Although secular
in character, the words
describe how well a
faithful shepherd keeps
watch over his flock and
hence has obvious
allusions to the
teachings of the
Christian church. Bring a
bit of the Baroque era to
your concert with this
first class arrangement
by Philip
Sparke.
Bach
schreef zijn Jachtcantate
(BWV 208) - met daarin de
aria Schafe können
sicher weiden
(Sheep May Safely
Graze) - in 1713, ter
gelegenheid van de
verjaardag van hertog
Christian van
Sachsen-Weißenfels.
Later volgdenbewerkingen
voor vergelijkbare
verjaardagsfeesten en
naamdagen. De cantate is
geschreven voor vier
solisten (Diana, Pales,
Endymion en Pan), een
relatief groot orkest
(met (blok)fluiten,
hobo’s en hoorns)
en koor. Sheep
MaySafely Graze wordt
gezongen door Pales, de
godin van kudden en
weiden, begeleid door een
paar blokfluiten of
dwarsfluiten. Deze
bewerking van Philip
Sparke betekent een
verrijking voor elk
repertoire.
Bachs
produktives Schaffen
brachte nur etwa zwanzig
weltliche Kantaten
hervor, darunter auch die
Jagd-Kantate (BWV 208),
welche die berühmte
Arie Schafe können
sicher weiden
enthält. Geschrieben
für vier Solisten, ist
die Kantate für ein
relativ großes
Orchester instrumentiert,
das neben Flöten,
Oboen und Hörnern auch
einen gemischten Chor
vorsieht. Bringen Sie mit
dieser gelungenen
Bearbeitung etwas barocke
Atmosphäre in Ihr
Konzert!
L’immenso
lavoro di Johann
Sebastian Bach contiene
una ventina di cantate
profane tra le quali la
Cantata della
Caccia (BWV 208)
dalla quale è estratta
Sheep May Safely
Graze (Schafe
können sicher weiden).
Accompagnata da due
flauti dolci, Pales, Dea
dei greggi e dei pastori,
intona l’aria
Sheep May Safely
Graze. Pur se di
carattere profano, il
testo utilizza
l’immagine del
pastore come
l’immagine della
grazia riportata ad una
parola fondamentale di
Gesù.