Par MITZNER ROB. Drumming in a Band: Stuff you Can Use, by Rob Mitzner, can prepare drummers to play almost any kind of gig. The target audience is drummers with 2 or more years of playing experience who want to learn to play in a band. All of the material presented comes from the author's real-world experience in recording sessions and band situations. Based around ?Groove Workshops? that include 53 bass/drums groove play-alongs, styles explored include rock, drum'n'bass, RandB/soul, reggae, World, roots, blues, jazz, odd time, and more. Within these styles, specific substyles and classic influences are examined, with grooves and rhythm section approaches used by Billy Cobham, James Brown, Steve Jordan, David Garibaldi, J Dilla, Robert Glasper, Art Blakey, and many others. Other substyles studied include bluegrass, New Orleans Second Line, boogaloo, blues, various shuffles, grungy rock, jazz brushes, and much more. The package also includes 18 full-length original song play-along tracks with New York bands and top session players, including Woodhead, Simon Garrett, Dave Ross, Luke Buck, Andrea Capozzoli, MC Frontalot, Will Reynolds, Eric Price, Michael Gallant, Lars Potteiger, Chris Cheek, Dmitry Ishenko, Yana Davydova, Matthew Milligan, John Shannon, Jared Sims, Gaby Alter, Schaffer the Darklord and Miss Eaves. Audio files with and without drums are included for every groove, along with detailed charts, transcriptions, road maps and lead sheets. There is also a section on how to make your own charts. There is video and analysis for every track, with interviews, anecdotes, and pro tips for the drummer from all the various musicians. / Date parution : 2022-05-03/ Etude / Batterie

A Beginner's Guide, Featuring Step-By-Step Lessons with Audio, Video, and Popular Songs!. Par ARBER ALAN. The First 15 Lessons series provides a step-by-step lesson plan for the absolute beginner, complete with audio tracks, video lessons, and real songs! Designed for self-teaching or for use with an instructor, you'll build a solid foundation as you work through each lesson, learning the basics of the instrument and music reading while practicing the many exercises, concepts and song excerpts within. Must-know instruction so you can start playing right away, with a free online tuner and metronome! The acoustic guitar book features lessons on: guitar fundamentals, music reading, chords, strumming, arpeggios, time signatures, syncopation, hammer-ons and pull-offs, double stops, harmonics, fingerpicking, alternate picking, and scales and basic theory. / Méthode / Méthode / Batterie

Par DAVIS STEVE. The goal of this play along series is to provide the jazz drummer with play along and practice material that will be challenging, informative, and musical. The series contains important jazz tunes based on the standard jazz repertoire. While there is no written melody, there are a number of melodies that one can sing over the existing chord changes. I have been giving similar recordings to students through the years and this is the result of the feedback about their wants and needs as players. It always seemed to make sense to me to practice in the context of a tune adhering to the form and melody. These play along tunes provide you with a musical backdropto hone your own skills. I certainly encourage you to explore your musical boundaries. These tunes give you a place to practice comping, soloing, trading fourths and eighths, working on your ride cymbal sound, etc. As you can see your development is limited only by your imagination! The tempos range from quarter note equals 100 to quarter note equals 320. You can work on these in any given order but we suggest the slower tempos first. I also give you a suggested listening list of essential jazz standards and drummers that exemplify this kind of musical drumming. Steve Davis. / Jazz / Recueil / Percussions

Outta Sight Funk and R&B Patterns for Drums by Andrew D. Gordon, author of more than 30 instructional books, is designed to help drummers and drum programmers improve their funk drumming technique with a wide range of different Funk and R&B patterns and grooves. Each of the 55 examples in the book contains 4, two measure patterns increasing in complexity. There are a total of over 200 different funk rhythm patterns in the book. Each of the 55 examples in the book has been recorded twice on the accompanying audio CD. The first time through you will hear the drum pattern along with a full rhythm section of keyboards, bass and guitar. The second time through you will hear the drum pattern slowed down to 60 beats per minute with a click track in the left speaker and the drum track in the right speaker allowing you to play with or without a click track or drum pattern. Also available are play-along rhythm tracks of all the 55 examples as .mp3 files. These files are around 2 minutes long and contain the rhythm section of keyboards, guitar and bass as well as a click track, so you can practice in a band-like situation. Visit www.adgproductions.com to find out how to obtain these files at no additional cost. / Batterie / 60 pages / Partition + Cd

Funk and Fusion Grooves for the Modern Styles. Par CHAFFEE GARY. Includes basic exercises for linear playing skills and the development of time feels in the linear style. This book is not about playing beats. It is about developing time feels. In the way that I think of these terms, a beat is a specific patten of events that is repeated more of less without variation. A time feel, on the other hand, is a more general statement of the time which is modified and developed as the tune progresses. In most playing situations, the arranged parts of the tune, (the head, background figures, etc. ), are fixed, and this is where playing a specific pattern is more of a necessity. However on the blowing sections, (which are by nature moreimprovisatory), you're going to want something that is flexible, and able to adapt to what's going on in the solo. The purpose of this book is to teach you how to develop such skills in the linear style. In a very real sense, the concept that's involved here is theme and variations. The theme is the basic pattern you use to establish the feel. The variations are those things you do to the pattern to enhance, color, and modify it. There are many such variations available in the linear style, and we will be working witha a number of thesse. The materials in the book have broken down into two sections: Basic exercises: The exercises in this section are designed to help in developing some of the basic technical skills necessary for linear playing, including such things as voice coordination, dynamic balance, accenting, and the like. Ideas: The second section of the book deals with the development of time feels in the linear style. A wide variety of examples will be shown, including regular 4/4 feels, feels on the set, shuffle feels, as well as feels in odd meters. It is important to understand that the purpose of these examples is to demonstrate some of the many ways in which linear feels can be developed. Although you should definitely try and master the materials in the book, the real reward will come when you can take the ideas that these materials are based upon, and make up grooves of your own. About the CD On the CD you will be hearing examples from each part of the book. / Méthode en anglais / Date parution : 1905-06-15/ Méthode / Batterie et Percussions