Rubato - Ostinato - Fugato sont les trois ensembles de dialogue Simon Laks 'pour deux violoncelles titrés. Composé en 1964 et 1966 par Jean et Mireille Reculard à Paris Château de Saint Ouen première, ce cycle est caractérisé par son charme subtil, la nonchalance avec laquelle les solistes - sous forme de dialogue - les uns contre les autres pour lancer la balle. L'utilisation ludique des personnages très différents et les techniques de présentation rend le travail d'un objet idéal d'étude pour les classes avancées. La première édition reproduit le manuscrit autographe du compositeur. / 2 Violoncelles / 40 pages / Partition

and 10 Grand Etudes of Moderate Difficulty Op. 76. Par POPPER DAVID. These two new editions (BA 6978 BA 6979) of David Popper's cello studies are the first modern publications of these standard compositions. The Austrian born Popper composed these studies during his tenure at the Royal Conservatory in Budapest in the late 1890s and they were first published between 1901-05. The 40 etudes found in op. 73 focus on a wide range of techniques found in the major works in the cello literature. The 15 easy etudes are designed for the first years of lessons which lead to the 10 grand etudes which in turn lead to the op. 73 etudes. Martin Rummel's editions offer new bowings and fingerings to reflect modern playing. The 40 Etudes op. 73 also includes a German / English brochure containing technical tips and information by Rummel as well as references to the cello literature where the individual techniques are found. - First modern edition of these standard studies - With bowings and fingerings for today's cellists - Additional brochure to the 40 etudes with playing tips and references to where the techniques are found in the standard cello literature/ Etude / Violoncelle

Par SPECKERT GEORGE A.. Speckert’s popular “The Roots of Jazz” collection of jazz pieces and styles for violin and violoncello now comes in an edition for two violoncellos. Whether it be arrangements of originals such as “The Entertainer” (Scott Joplin), “Hot Tiger Rag” (Nick la Rocca), “St Louis Blues” (W. C. Handy), “Nobody Knows The Trouble I've Seen” (trad) or original compositions by George Speckert, these pieces not only have catchy tunes and snappy rhythms, they’re also easy to play. Exciting stuff! With skill and sensitivity Speckert, who actually was born in New Orleans, captures the typical melodic, harmonic and rhythmic style of each genre, whether ragtime, blues, boogie woogie, gospel, folksong or early jazz. Equally suitable for music-making fun in lessons, recitals or your own living room./ Recueil / 2 Violoncelles