(from The Phantom of the Opera) As recorded by Barbra Streisand, composed by And...(+)
(from The Phantom of the
Opera) As recorded by
Barbra Streisand,
composed by Andrew Lloyd
Webber, lyrics by Charles
Hart, Richard Stilgoe,
arranged by Mark A.
Brymer. Single piece for
SATB chorus and piano
accompaniment. With chord
names. Db/D Major. Text
language Choral. 12
pages. Published by Hal
Leonard.
Music by Andrew Lloyd Webber, arranged by Bob Chilcott, lyrics by Charles Hart, ...(+)
Music by Andrew Lloyd
Webber, arranged by Bob
Chilcott, lyrics by
Charles Hart, Richard
Stilgoe. Octavo for SATB
choir (a cappella). With
piano rehearsal part. Db
Major. Series: Hal
Leonard King's Singer's
Choral. 8 pages.
Published by Hal Leonard.
Chorale SATB SATB, Piano [Vocal Score] Hal Leonard
Composed by Andrew Lloyd Webber, arranged by Ed Lojeski. Vocal score for SATB ch...(+)
Composed by Andrew Lloyd
Webber, arranged by Ed
Lojeski. Vocal score for
SATB chorus and piano
accompaniment. With vocal
score notation and piano
accompaniment. 23 pages.
Published by Hal Leonard.
By Andrew Lloyd Webber ; Barriecarson Turner (Arranger). For SATB Choir, Piano A...(+)
By Andrew Lloyd Webber ;
Barriecarson Turner
(Arranger). For SATB
Choir, Piano
Accompaniment. Musicals,
Choral. Sheet Music. 34
pages. Published by
Novello and Co Ltd.
Choir Secular (SATB choir) SKU: AP.45351 Composed by Jay Althouse and Sal...(+)
Choir Secular (SATB
choir)
SKU:
AP.45351
Composed by
Jay Althouse and Sally K.
Albrecht. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Secular. Choral
Octavo. 12 pages. Alfred
Music #00-45351.
Published by Alfred Music
(AP.45351).
UPC:
038081510910.
English.
Ask me to
sing, and I'll give you a
part of my soul. Ask me
to sing, and I feel happy
and hopeful and whole.
Powerful as an opener,
closer, or for a combined
choir concert, this
inspirational
contemporary
musical-theater-style
choral opens simply and
builds to an exquisite
finish. Don't miss the
choreography on the Step
One! DVD and at
alfred.com/video.
SATB choir and organ SKU: ST.W187 Composed by Anthony Caesar. SATB and or...(+)
SATB choir and organ
SKU: ST.W187
Composed by Anthony
Caesar. SATB and organ.
Choral. Octavo. Stainer &
Bell Ltd. #W187.
Published by Stainer &
Bell Ltd. (ST.W187).
ISBN
9790220203305.
Anth
ony Caesar finds a moving
text by the teenage
Etonian, Oxford Movement
influenced, Digby
Mackworth Dolben
(1848-1867), who died
tragically young while
swimming. Canon Caesar's
anthem is a classic
example of the Franciscan
principle (observed by
lamentably few composers)
of true beauty springing
from simplicity.
The text inspires a sort
of post-Howells harmonic
idiom, though with the
choir's part kept
remarkably simple. The
most inspired moment
comes when the opening
progression, which sets
the poignant tension of
the first three verses,
is subtly transformed
into radiant certainty in
the last verse: I
asked for Thee- / And
Thou didst come / To take
me home / Within Thy
Heart to be.
Although the parts divide
at times, this miniature
classic is not too
difficult for any well
rehearsed four-part
choir.
Choral (SATB) SKU: HL.279345 (Choral Medley). Composed by Various....(+)
Choral (SATB)
SKU:
HL.279345
(Choral
Medley). Composed by
Various. Arranged by Alan
Billingsley. Disney
Choral. Ballad, Classics,
Disney, Medley, Movies,
Pop, Rock, Show Choir.
Octavo. Duration 375
seconds. Published by Hal
Leonard (HL.279345).
UPC: 888680755942.
6.75x10.5x0.062
inches.
Show your
mettle and embrace your
inner hero with this
medley of Disney songs of
bravery and adventure.
Whatever the task, your
choirs will be up to it
as they are taught
lessons of valor as only
Disney movies can.
Includes: How Far I'll
Go, Touch the Sky,
Reflection, When Will My
Life Begin? and Zero to
Hero.
One Thing Chorale SATB SATB A Cappella Zimbel Press
SATB Chorus, a cappella SKU: SU.80101357 For SATB Chorus, a cappella(+)
SATB Chorus, a cappella
SKU: SU.80101357
For SATB Chorus, a
cappella. Composed by
Carson Cooman.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Zimbel Press #80101357.
Published by Zimbel Press
(SU.80101357).
A setting of
Psalm 27:4: One thing
have I asked of God, one
thing do I seek: that I
may dwell in the house of
the Holy One, forever.
Recorded on the CD The
Welcome News: Choral
Music of Carson Cooman
(Gothic)SATB Chorus, a
cappella Composed: 2010
Published by: Zimbel
Press Minimum order
quantity: 8 copies.
Perusal copies are
available by contacting
perusalrequest@subitomusi
c.com (include the
organization name with
your request). To order
quantities fewer than 8,
please call customer
service at (973)
857-3440.
SATB Chorus, & Piano SKU: SU.96010060 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010060
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010060. Published by
Subito Music Corporation
(SU.96010060).
Instrumentation
: SATB Chorus, &
Piano Duration:
3:30' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
SATB Chorus, & Piano SKU: SU.96010061 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010061
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010061. Published by
Subito Music Corporation
(SU.96010061).
Instrumentation
: SATB Chorus, &
Piano Duration:
5' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.T
As a
matter of practicality,
when I was first asked to
write a piece for the New
York Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Massthat I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.
Like a bolt of
lightning, divine
intervention interceded
whereupon I instantly
realized that he needed a
piece to wake up the
audience, not another
Kyrie. I took a breath
and spontaneously began
to talk through and
improvise the concept of
a piece that became the
basis for Taxi.
At that moment I was
clueless as to what kind
of piece I would write
but it appeared to be a
good idea at the time.
David's reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and ... as a matter
of practicality, I
happily agreed.
-- Joe Gianono
Note: Taxi, Noise, and
Time may be performed
separately.
SATB Chorus, & Piano SKU: SU.96010062 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010062
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010062. Published by
Subito Music Corporation
(SU.96010062).
Instrumentation
: SATB Chorus, &
Piano Duration:
4' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
SATB chorus - Medium / medium acc. SKU: JK.00288 Composed by Walter Domme...(+)
SATB chorus - Medium /
medium acc.
SKU:
JK.00288
Composed by
Walter Dommer. Choral
SATB, Difficulty Medium,
Piano Choir,
Commandments, Holy Ghost,
Jesus Christ - Example,
Jesus Christ - Savior,
Jesus Christ - Shepherd,
Jesus Christ-Son of God,
Love, Prayer,
Spirituality. Christian,
Inspirational. Jackman
Music Corporation #00288.
Published by Jackman
Music Corporation
(JK.00288).
John
14:12-16.
Choral
anthem for mixed chorus
(SATB), with scriptural
text from John
14:12-16: Verily,
verily, I say unto you,
He that believeth on me,
the works that I do shall
he do also. And
whatsoever ye shall ask
in my name, that will I
do, that the Father may
be glorified in the Son.
If ye shall ask any thing
in my name, I will do it.
If ye love me, keep my
commandments, And I will
pray the Father, and he
shall give you another
comforter, that he may
abide with you
forever. Composer:
Walter Dommer
Lyricist: Adapted from
John 14 Difficulty:
Medium / medium
acc. Reference: John
14:12-16.
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Dorothea Schröder.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 1. Oper, Barock
(Opera, Baroque).
Complete edition, Score.
HWV 1. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04050_00.
Published by Baerenreiter
Verlag (BA.BA04050).
ISBN 9790006443598. 33
x 26 cm inches. Language:
German. Text: Feustking,
Friedrich
Christian.
“A
lmiraâ€,
Handel’s first
opera, was well received
when premiered in 1705 at
the Theater am
Gänsemarkt in Hamburg.
The director was Reinhard
Keiser, who, remarkably,
had himself already set
Friedrich Christian
Feustking’s text
to music. The role of
Fernando was sung by
Johann Mattheson. The
translation used by
Handel leaves several
Italian arias in their
original language,
resulting in a delightful
mixture of German and
Italian.
The opera
which, after sundry
entangled romances, ends
in the wedding of three
couples, is characterised
by exuberant scenes: the
procession at
Almira’s crowning
ceremony, a duel, a
prison scene and a
masked-ball involving the
three continents Europe,
Africa and Asia.
The vocal score
to “Almiraâ€
by George Frideric Handel
brings about a small
sensation: Whilst
conducting a reenactment
of this work in 1732,
Georg Philipp Telemann
removed the Aria no. 28
“Ingrato,
spietato†from his
conducting score. Since
then this aria has been
deemed lost. Due to
necessity only the edited
vocal text devoid of any
music was presented in
the 1994 volume of the
“Halle Handel
Editionâ€.
Thanks to a recently
discovered contemporary
manuscript copy from the
beginning of the 18th
century which was found
in the music library of
the Mariengymnasium in
Jever, this aria has now
been made available to
performers for the first
time in this new vocal
score edition. Previous
to this the corresponding
pages could only be seen
as a facsimile in an
article of the
“Göttinger
Händel-Beiträgeâ
. Now the aria can
be performed again.
Furthermore, with the
help of this new source,
missing measures in the
basso continuo which had
initially been completed
by the editor of the
“Halle Handel
Edition†volume,
could be reconstructed
from the basso continuo
part of the Bellante aria
“Ich brenne
zwar†(no. 71).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Malaika Chorale SATB SATB, Percussion(s) Carl Fischer
Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. ...(+)
Angel. Composed by
Fadhilli
William Mdawida. Arranged
by
Russell L. Robinson. Sws.
Octavo. 16 pages.
Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9650.
Published by Carl Fischer
Music
Choir Secular (SATB choir) SKU: AP.48875 Composed by Harry Warren. Arrang...(+)
Choir Secular (SATB
choir)
SKU:
AP.48875
Composed by
Harry Warren. Arranged by
Mark Hayes. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Broadway; Jazz;
Secular; Standard. Choral
Octavo. 16 pages. Alfred
Music #00-48875.
Published by Alfred Music
(AP.48875).
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
By Lloyd Larson. For SATB choir, piano (with optional orchestration). Sacred Ant...(+)
By Lloyd Larson. For SATB
choir, piano (with
optional orchestration).
Sacred Anthem, Baptism,
Discipleship, Eastertide,
General. Octavo.
Published by Lorenz
Publishing Company
By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry ...(+)
By Janice Kapp Perry.
Text: John V. Pearson /
Rodney Turner / Janice
Kapp Perry / Neal A.
Maxwell / Orrin G. Hatch
/ David B. Larsen / Olga
S. Whitaker. For SATB
Choir. Level: Varied.
Published by Jackman
Music Corporation.
SATB Choir SKU: HL.14011727 Composed by Pelle Gudmundsen-holmgreen. Music...(+)
SATB Choir
SKU:
HL.14011727
Composed
by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Motet. Vocal Score. 60
pages. Music Sales
#KP01211. Published by
Music Sales
(HL.14011727).
ISBN
9788759880678.
10.5x14.25x0.52 inches.
Danish.
Pelle
Gudmundsen-Holmgreen 's
Four Madrigals From The
Natural World for 6-12
part mixed chorus. This
piece incorporates texts
by Les Murray. ' FOUR
MADRIGALS to texts by the
Australian poet Les
Murray are composed of
two songs (Bats'
Ultrasound and The Octave
of Elephants) written for
the Australian vocal
group THE SONG COMPANY,
and two songs (Cattle
Egret and Comete) from my
larger work SOUND /
SIGHT, written for the
Danish Radio Chamber
Choir, but here arranged
for six voices. The texts
are pictures and
situations from - or
meditations over - THE
NATURAL WORLD. Les
Murray's way of
approaching this world is
not in the least
sentimentalor nostalgic:
the poems reveal a
truebeing-out-there
realism: so basically the
approach is realistic,
but the creating of form
elevates the material to
an abstractplay, a daring
and exuberant poetic
language. These poems
asked to be set to music.
I gave up old
idiosyncrasies regarding
descriptive music, and
surrendered to the
madrigal, with its
special so-called
madrigalisms, which
entails also
animal-imitations. You
will hear this
particulary inThe Octave
of Elephants. ' - Pelle
Gudmundsen-Holmgreen.