Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
1x 31.117/21 flute 1, 1x
31.117/22 flute 2, 1x
31.117/23 oboe 1, 1x
31.117/24 oboe 2. Harmony
parts. Sacred vocal
music, Cantatas, Praise
and thanks. Set of
Orchestra Parts. Composed
1728/1731. BWV 117. 16
pages. Duration 26
minutes. Carus Verlag #CV
31.117/09. Published by
Carus Verlag
(CA.3111709).
ISBN
9790007048662. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and parts
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Organ. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Organ. Composed
1728/1731. BWV 117. 24
pages. Duration 26
minutes. Carus Verlag #CV
31.117/49. Published by
Carus Verlag
(CA.3111749).
ISBN
9790007048716. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Viola. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Viola. Composed
1728/1731. BWV 117. 4
pages. Duration 26
minutes. Carus Verlag #CV
31.117/13. Published by
Carus Verlag
(CA.3111713).
ISBN
9790007048693. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violin 1. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Violin 1. Composed
1728/1731. BWV 117. 8
pages. Duration 26
minutes. Carus Verlag #CV
31.117/11. Published by
Carus Verlag
(CA.3111711).
ISBN
9790007048679. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: Paperbound.
German title: Sei Lob und
Ehr dem hochsten Gut.
Sacred vocal music,
Cantatas, Praise and
thanks. Full score.
Composed 1728/1731. BWV
117. 52 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/00. Published
by Carus Verlag
(CA.3111700).
ISBN
9790007048631. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violin 2. Sacred vocal
music, Cantatas, Praise
and thanks. Single Part,
Violin 2. Composed
1728/1731. BWV 117. 4
pages. Duration 26
minutes. Carus Verlag #CV
31.117/12. Published by
Carus Verlag
(CA.3111712).
ISBN
9790007048686. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten Gut
neu. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Sacred vocal music,
Cantatas, Praise and
thanks. Choral Score.
Composed 1728/1731. BWV
117. 4 pages. Duration 26
minutes. Carus Verlag #CV
31.117/05. Published by
Carus Verlag
(CA.3111705).
ISBN
9790007048655. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score available
separately - see item
CA.3111700.
Composed
by Johann Sebastian Bach.
Edited by Hans Grischkat.
German title: Sei Lob und
Ehr dem hochsten Gut.
Sacred vocal music,
Cantatas, Praise and
thanks. Set of Orchestra
Parts. Composed
1728/1731. BWV 117.
Duration 26 minutes.
Carus Verlag #CV
31.117/19. Published by
Carus Verlag
(CA.3111719).
ISBN
9790007136666. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and parts
available separately -
see item CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: Paperbound.
Sacred vocal music,
Cantatas, Praise and
thanks. Vocal score.
Composed 1728/1731. BWV
117. 28 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/03. Published
by Carus Verlag
(CA.3111703).
ISBN
9790007048648. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score available
separately - see item
CA.3111700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Praise and
thanks. Single Part,
Cello/Double Bass.
Composed 1728/1731. BWV
117. 16 pages. Duration
26 minutes. Carus Verlag
#CV 31.117/14. Published
by Carus Verlag
(CA.3111714).
ISBN
9790007048709. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and part
available separately -
see item CA.3111700.
Choir Sacred SATB choir and Organ (SATB choir) SKU: PE.EP72458 Composed b...(+)
Choir Sacred SATB choir
and Organ (SATB choir)
SKU: PE.EP72458
Composed by James Burton.
Choral Octavo. Edition
Peters. Christmas;
Winter. Choral Octavo. 16
pages. Edition Peters
#98-EP72458. Published by
Edition Peters
(PE.EP72458).
ISBN
9790577003818. 190 x
272mm inches.
English.
This
beautiful work for mixed
choir, with both words
and music by the
composer, includes a
setting of the much-loved
chorale Wie schon
leuchtet der Morgenstern
(How brightly shines the
morning
star)
SATB choir and organ SKU: ST.Y222 Composed by Rhian Samuel. SATB and orga...(+)
SATB choir and organ
SKU: ST.Y222
Composed by Rhian Samuel.
SATB and organ. Choral.
Octavo. Stainer & Bell
Ltd. #Y222. Published by
Stainer & Bell Ltd.
(ST.Y222).
ISBN
9790220221491.
A
short choral nocturne for
SATB and organ, Pan
ddaw ust y nos is a
setting of a poem by
Nesta Wyn Jones. Welsh
speakers will respond to
the subtle imagery and
verbal nuance of the
poet's wordplay, as well
as to the intense lyric
moment of charged
reminiscence captured
both in her evocation of
bygone summer evenings
and in Rhian Samuel's
simple, evocative music.
Pan ddaw ust y
nos was written for
the London Welsh Chorale,
conductor Kenneth Bowen,
was premiered at St
David's Cathedral, West
Wales, on 24 September
2005. An English
translation by the
composer is also
included.
Cantate Domino Chorale SATB SATB divisi Oxford University Press
SATB choir, divisi and organ (SATB) - Moderately Difficult SKU: OU.9780193402...(+)
SATB choir, divisi and
organ (SATB) - Moderately
Difficult
SKU:
OU.9780193402843
Composed by Gabriel
Jackson. Sacred choral -
mixed voices. New
Horizons. Sacred. Vocal
score. 16 pages. Duration
5'. Oxford University
Press #9780193402843.
Published by Oxford
University Press
(OU.9780193402843).
ISBN 9780193402843. 12
x 8 inches.
for
SATB (with divisions) and
organ This setting of
Psalm 95, written for
Truro Cathedral Choir,
was shortlisted for a
BASCA British Composer
Award 2013. Evocative and
subtle in its use of
colour and texture, the
piece has independent
organ passages, an
intense musical climax,
and a last verse akin to
a gentle chorale.
About Oxford
New
Horizons
N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music.
For Wind Orchestra and opt. SATB Choir 25 choir parts. Composed by Johan ...(+)
For Wind Orchestra and
opt. SATB Choir 25 choir
parts. Composed by
Johan De Meij. Amstel
Music. Symphonic,
Concert, African.
Softcover. Amstel Music
#AM158-050. Published by
Amstel Music
(HL.4005109).
By Hans Leo Hassler/J.S. Bach. Arranged by Joel Raney. For SATB choir and piano,...(+)
By Hans Leo Hassler/J.S.
Bach. Arranged by Joel
Raney. For SATB choir and
piano, with optional
cello. (SATB). Classics,
Hymntune and Sacred.
Print Music Single (SATB
with optional Cello). 12
pages. Published by Hope
Publishing Company.
Piano (SATB) - early intermediate SKU: CR.984390 Composed by David von Ka...(+)
Piano (SATB) - early
intermediate
SKU:
CR.984390
Composed by
David von Kampen. Choral.
Octavo. With music.
Concordia Publishing
House #984390. Published
by Concordia Publishing
House (CR.984390).
ISBN 9780758672872. 7
X 10.25
inches.
David
von Kampen delivers a
modern setting of the
familiar chorale for SATB
and piano. The choral
writing is approachable
and easy to learn, while
the piano accompaniment
adds support and harmonic
interest. A setting for
SA and piano is also
available.
Ring the Bells Chorale SATB SATB A Cappella Boosey and Hawkes
SATB a cappella (Piano Accomp for Rehearsal) Choral (SATB a cappella) SKU: HL...(+)
SATB a cappella (Piano
Accomp for Rehearsal)
Choral (SATB a cappella)
SKU: HL.48024554
SATB a cappella.
Composed by Paul Fincham.
BH Secular Choral.
Classical. Octavo. 16
pages. Boosey & Hawkes
#M060135842. Published by
Boosey & Hawkes
(HL.48024554).
Composer's
note: “Ring the
bells was commissioned by
the London Philharmonic
Choir and its first
performance was given by
the choir at the Royal
Albert Hall, London on 20
December 2017, conducted
by Toby Purser. Lively
outer sections contrast
with a more contemplative
middle section based
around a chorale theme.
The piece should be
easily manageable by any
good amateur
choir.†- Paul
Fincham -.
Cantata
for Oculi Sunday.
Composed by Gottfried
August Homilius.
Erwachet, Ihr Christen
(Kantate). Sacred vocal
music, Cantatas, Lent and
Passiontide. Set of
Orchestra Parts. HoWV
II.57. Duration 14
minutes. Carus Verlag #CV
37.219/19. Published by
Carus Verlag
(CA.3721919).
ISBN
9790007214821. Text
language:
German.
Homilius is
known for having always
searched for new forms in
order to avoid any
schematic pattern. Thus,
one looks in vain in the
present cantata for
arias. The opening choir
is introduced by two
choral groups: One calls
to take up the fight
against the devil, while
the other fearfully
hesitates and finally, in
the chorale Jesus
Christus, wohn uns bei
agrees to join in.
Following each of the
three stanzas of the
embellished chorale, in a
recitative the hesitant
one is given courage
before he also takes up
arms, in a confident
final chorus. Score and
parts available
separately - see item
CA.3721900.
Solo SATB, SATB Choir, Fl, 3 Ob, 3 Tr, Timp, 2 Vl, Va, Bc SKU: CA.3113009 ...(+)
Solo SATB, SATB Choir,
Fl, 3 Ob, 3 Tr, Timp, 2
Vl, Va, Bc
SKU:
CA.3113009
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Paul Horn. 1x 31.130/21
flute, 1x 31.130/22 oboe
1, 1x 31.130/23 oboe 2,
1x 31.130/24 oboe 3, 4x
31.130/31 3 trumpets and
timpani. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas.
Set of Orchestra Parts.
Composed 1724. BWV 130.
Duration 14 minutes.
Carus Verlag #CV
31.130/09. Published by
Carus Verlag
(CA.3113009).
ISBN
9790007207823. Language:
German/English.
As
in all cantatas for St.
Michael the chorale
cantata Lord God, we
praise thee all of us BWV
130 from 1724 is a
magnificent composition.
Not only in the opening
chorus and the final
chorale do the three
trumpets and timpani play
a role, but the first
aria In hell the serpent,
hot with hate is even
accompanied solely by
trumpets, timpani and
continuo. The second
aria, Thou, of cherubim
the master, brings an
unexpected contrast in
which, besides the tenor
and continuo, on a solo
flute is heard. The
original set of parts
were separated from each
other in the 19th century
and today are scattered
throughout the world. For
the first time, some of
the parts were taken into
consideration in
preparing this edition.
Score and parts available
separately - see item
CA.3113000.
Cantata
for Oculi Sunday.
Composed by Gottfried
August Homilius.
Erwachet, Ihr Christen
(Kantate). Sacred vocal
music, Cantatas, Lent and
Passiontide. Single Part,
Organ. HoWV II.57. 12
pages. Duration 14
minutes. Carus Verlag #CV
37.219/49. Published by
Carus Verlag
(CA.3721949).
ISBN
9790007214838. Text
language:
German.
Homilius is
known for having always
searched for new forms in
order to avoid any
schematic pattern. Thus,
one looks in vain in the
present cantata for
arias. The opening choir
is introduced by two
choral groups: One calls
to take up the fight
against the devil, while
the other fearfully
hesitates and finally, in
the chorale Jesus
Christus, wohn uns bei
agrees to join in.
Following each of the
three stanzas of the
embellished chorale, in a
recitative the hesitant
one is given courage
before he also takes up
arms, in a confident
final chorus. Score and
part available separately
- see item
CA.3721900.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115600 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115600
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Full score.
Composed 1729. BWV 156.
28 pages. Duration 17
minutes. Carus Verlag #CV
31.156/00. Published by
Carus Verlag
(CA.3115600).
ISBN
9790007186777. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale.
Cantata
for Oculi Sunday.
Composed by Gottfried
August Homilius. This
edition: paperback.
Erwachet, Ihr Christen
(Kantate). Sacred vocal
music, Cantatas, Lent and
Passiontide. Full score.
HoWV II.57. Duration 14
minutes. Carus Verlag #CV
37.219/00. Published by
Carus Verlag
(CA.3721900).
ISBN
9790007142629. Text
language:
German.
Homilius is
known for having always
searched for new forms in
order to avoid any
schematic pattern. Thus,
one looks in vain in the
present cantata for
arias. The opening choir
is introduced by two
choral groups: One calls
to take up the fight
against the devil, while
the other fearfully
hesitates and finally, in
the chorale Jesus
Christus, wohn uns bei
agrees to join in.
Following each of the
three stanzas of the
embellished chorale, in a
recitative the hesitant
one is given courage
before he also takes up
arms, in a confident
final chorus.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115619
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1729. BWV 156. Duration
17 minutes. Carus Verlag
#CV 31.156/19. Published
by Carus Verlag
(CA.3115619).
ISBN
9790007208813. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and parts available
separately - see item
CA.3115600.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115603 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115603
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Vocal score.
Composed 1729. BWV 156.
24 pages. Duration 17
minutes. Carus Verlag #CV
31.156/03. Published by
Carus Verlag
(CA.3115603).
ISBN
9790007186784. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
available separately -
see item CA.3115600.
Soli SATB, SATB Choir, 2 Obda, 2 Obca, 2 Vl, Va, Vcpic, Bc - Level 3 SKU: CA....(+)
Soli SATB, SATB Choir, 2
Obda, 2 Obca, 2 Vl, Va,
Vcpic, Bc - Level 3
SKU: CA.3118349
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Organ. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide. Single Part,
Organ. Composed 1725. BWV
183. 12 pages. Duration
15 minutes. Carus Verlag
#CV 31.183/49. Published
by Carus Verlag
(CA.3118349).
Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and part
available separately -
see item CA.3118300.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115605 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115605
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Choral Score.
Composed 1729. BWV 156. 2
pages. Duration 17
minutes. Carus Verlag #CV
31.156/05. Published by
Carus Verlag
(CA.3115605).
ISBN
9790007186791. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
available separately -
see item CA.3115600.
Dappled Things Chorale SATB SATB divisi [Octavo] Walton Music
Composed by Bradley Ellingboe. Jo-Michael Scheibe Choral Series. Music Education...(+)
Composed by Bradley
Ellingboe. Jo-Michael
Scheibe Choral Series.
Music Education. Octavo.
12 pages. Walton Music
#WJMS1141. Published by
Walton Music
(GI.WJMS1141).
Cantata
for Oculi Sunday.
Composed by Gottfried
August Homilius. This
edition: paperback.
Erwachet, Ihr Christen
(Kantate). Sacred vocal
music, Cantatas, Lent and
Passiontide. Vocal score.
HoWV II.57. Duration 14
minutes. Carus Verlag #CV
37.219/03. Published by
Carus Verlag
(CA.3721903).
ISBN
9790007143305. Text
language:
German.
Homilius is
known for having always
searched for new forms in
order to avoid any
schematic pattern. Thus,
one looks in vain in the
present cantata for
arias. The opening choir
is introduced by two
choral groups: One calls
to take up the fight
against the devil, while
the other fearfully
hesitates and finally, in
the chorale Jesus
Christus, wohn uns bei
agrees to join in.
Following each of the
three stanzas of the
embellished chorale, in a
recitative the hesitant
one is given courage
before he also takes up
arms, in a confident
final chorus. Score
available separately -
see item CA.3721900.
Cantata
for Oculi Sunday.
Composed by Gottfried
August Homilius. 1x
37.219/21 oboe 1, 1x
37.219/22 oboe 2.
Erwachet, Ihr Christen
(Kantate). Sacred vocal
music, Cantatas, Lent and
Passiontide. Set of
Orchestra Parts. HoWV
II.57. Duration 14
minutes. Carus Verlag #CV
37.219/09. Published by
Carus Verlag
(CA.3721909).
ISBN
9790007214814. Text
language:
German.
Homilius is
known for having always
searched for new forms in
order to avoid any
schematic pattern. Thus,
one looks in vain in the
present cantata for
arias. The opening choir
is introduced by two
choral groups: One calls
to take up the fight
against the devil, while
the other fearfully
hesitates and finally, in
the chorale Jesus
Christus, wohn uns bei
agrees to join in.
Following each of the
three stanzas of the
embellished chorale, in a
recitative the hesitant
one is given courage
before he also takes up
arms, in a confident
final chorus. Score and
parts available
separately - see item
CA.3721900.