Orchestra SKU: HL.14011241 Composed by J.P.E Hartmann. Music Sales Americ...(+)
Orchestra
SKU:
HL.14011241
Composed
by J.P.E Hartmann. Music
Sales America. 20th
Century. Set. Composed
2005. 88 pages. Edition
Wilhelm Hansen #WH11507.
Published by Edition
Wilhelm Hansen
(HL.14011241).
Orchestra (S.S.) SKU: HL.49004986 Drei Vorspiele zu der musikalischen ...(+)
Orchestra (S.S.)
SKU:
HL.49004986
Drei
Vorspiele zu der
musikalischen
Legende. Composed by
Hans Pfitzner. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1912-1915. 68
pages. Duration 25'.
Schott Music #ED 4557.
Published by Schott Music
(HL.49004986).
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Speakers, choir and orchestra SKU: HL.49004562 Schauspiel von William ...(+)
Speakers, choir and
orchestra
SKU:
HL.49004562
Schauspiel von William
Shakespeare. Composed
by Carl Orff. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Piano
reduction. Composed
1917/1962. 148 pages.
Duration 125'. Schott
Music #ED 3992. Published
by Schott Music
(HL.49004562).
ISBN
9790001047814.
9.75x12.0x0.607
inches.
Vor der
Buhne: 3 (auch 3 Picc.) *
0 * 2 (auch Klar. in Es
u. Bassklar.) * 0 - 3 * 0
* 0 * 0 - P. S. (Xyl. *
Mar. * Bassxyl. * Met. *
Glasersp. * Rohrengl. *
Cymb. * Beck. [und ] *
Tamt. * Trgl. * Tamb. * 2
Bngs. * kl. Tr. * gr. Tr.
* 3 Holzbl. * Angklung *
Bambusstabe * Guiro *
Ratsche * Rassel *
Peitsche) (4-5 Spieler) -
Hfe. * Cel. * Klav. *
Org. - Str. (6 * 0 * 3 *
3 * 3)Auf der Buhne: 3
Tr. - Rupelorchester : 2
Klar. in C * 2 Tr. * Pos.
* S. (kl. Tr. * gr. Tr. *
Beck.) * 1 Kb.Hinter der
Buhne: Schlitztr. *
Muschelhr. *
Windmasch.Tonband:
Kinder-, Frauen- und
Mannerstimmen * Chor - 3
Picc. - P. S. (Glsp. *
Xyl. * Bassxyl. * Marimb.
* Cymb. * Beck. * Tamt. *
Trgl. *Tamb. * Sistr. *
Bug. * 3 Holzbl. *
Angklung * Bambusstabe *
Glasgl.) - Klav. * Cemb.
* Org. * Handharm. - 1
Kb.
vor der Buhne:
3 (auch 3 Picc.) * 0 * 2
(auch Klar. in Es u.
Bassklar.) * 0 - 3 *
0 * 0 * 0 - P. S. (Xyl. *
Mar. * Bassxyl. * Met. *
Glasersp. * Rohrengl. *
Cymb. * Beck. [und ] *
Tamt. * Trgl. * Tamb. * 2
Bngs. * kl. Tr. * gr. Tr.
* 3 Holzbl. * Angklung *
Bambusstabe * Guiro *
Ratsche * Rassel *
Peitsche) (4-5 Spieler) -
Hfe. * Cel. * Klav. *
Org. - Str. (6 * 0 * 3 *
3 * 3) Auf der Buhne:
3 Tr. - Rupelorchester :
2 Klar. in C * 2 Tr. *
Pos. * S. (kl. Tr. * gr.
Tr. * Beck.) * 1
Kb. Hinter der Buhne:
Schlitztr. * Muschelhr. *
Windmasch. Tonband:
Kinder-, Frauen- und
Mannerstimmen * Chor - 3
Picc. - P. S. (Glsp. *
Xyl. * Bassxyl. * Marimb.
* Cymb. * Beck. * Tamt. *
Trgl. *Tamb. * Sistr. *
Bug. * 3 Holzbl. *
Angklung * Bambusstabe *
Glasgl.) - Klav. * Cemb.
* Org. * Handharm. - 1
Kb.
(Orchestra) SKU: HL.49013034 (Der Sohn der Luft oder Das Kind, das zum...(+)
(Orchestra)
SKU:
HL.49013034
(Der
Sohn der Luft oder Das
Kind, das zum jungen Mann
wird). Composed by
Hans Werner Henze. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1962/1996. 170
pages. Duration 35'.
Schott Music #ED 9457.
Published by Schott Music
(HL.49013034).
ISBN
9790001131926.
2
(2. auch Picc. u. Altfl.)
* 2 (2. auch Engl. Hr.) *
2 (2. auch Bassklar.) * 2
- 2 * 2 * 2 * 0 - P. S.
(Glsp. * Crot. * Vibr. *
Marimba * Trgl. * 3 hg.
Beck. * 3 Tomt. * 3 Tamt.
* 3 Bong. * kl. Tr. [mit
u. ohne Schnarrs.] *
Schellentr. * gr. Tr.
[mit u. ohne Beck.] *
Kast. * Ratsche * Woodbl.
* Guiro) (4 Spieler) -
Hfe * Klav. (auch Cel.) -
Str. - Hinter der Buhne:
Rohrengl.
2 (2.
auch Picc. u. Altfl.) * 2
(2. auch Engl. Hr.) * 2
(2. auch Bassklar.) * 2 -
2 * 2 * 2 * 0 - P. S.
(Glsp. * Crot. * Vibr. *
Marimba * Trgl. * 3 hg.
Beck. * 3 Tomt. * 3 Tamt.
* 3 Bong. * kl. Tr. [mit
u. ohne Schnarrs.] *
Schellentr. * gr. Tr.
[mit u. ohne Beck.] *
Kast. * Ratsche * Woodbl.
* Guiro) (4 Spieler) -
Hfe * Klav. (auch Cel.) -
Str. - Hinter der
Buhne: Rohrengl.
Soloists, Mixed Choir and Orchestra SKU: HL.49014954 Musical legend in...(+)
Soloists, Mixed Choir and
Orchestra
SKU:
HL.49014954
Musical legend in 3
acts. Composed by
Hans Pfitzner. Arranged
by Joseph Keilberth. This
edition: Full-cloth
binding. Sheet music.
Edition Schott.
Classical. Score.
Composed 1912-1915. 626
pages. Duration 200'.
Schott Music #ED 135.
Published by Schott Music
(HL.49014954).
Soli, Choir and Orchestra SKU: HL.49013489 Oper in einem Akt. Comp...(+)
Soli, Choir and Orchestra
SKU: HL.49013489
Oper in einem Akt.
Composed by Krzysztof
Penderecki. This edition:
Saddle stitching. Book.
Edition Schott.
Classical. Text
book/libretto. Composed
1984-1986. 52 pages.
Duration 100'. Schott
Music #BN 3651-10.
Published by Schott Music
(HL.49013489).
ISBN
9783795736514.
German.
Wortlich
ubersetzt ist das
Libretto ein 'kleines
Buch', ein 'Buchlein'.
Doch nicht irgendein
Buchlein. Seit es Opern
gibt, gibt es die
Textbucher dazu. Oft
erzahlen die
Universalsprache Musik
und der Ausdruck der
Darsteller die
Geschichte, auch wenn man
die Worte nicht versteht.
Trotzdem ist ein Libretto
sehr hilfreich fur das
Verstandnis der Details.
Gerade dann, und das fast
immer, wenn die Oper in
der Originalsprache
aufgefuhrt wird. In den
Libretti ist in der Regel
das Original der
Ubersetzung
gegenubergestellt. Sie
konnen so problemlos
parallel Handlung und
Inhalt folgen. In den
meisten Fallen existiert
das Textbuch Oper bevor
die Musik dazu komponiert
wird. Spannende und
dramatische Geschichten
bilden die Grundlage fur
faszinierende
Opernkompositionen. 3 (3. auch Picc.) * 2 *
Engl. Hr. * 3 * Bassklar.
* Sopr.-Sax. * 2 Alt-Sax.
* 2 * Kfg. - 4 * 3 * 3 *
1 - P. S. (Trgl.-Set *
Bell tree * Gl. *
Crotales * 2 Gongs * hg.
Beck. * Beck. * Tamb. *
Mil. Tr. * Ruhrtr. * 6
Tomt. * Rototom * 6 Timb.
* kl. Tr. * gr. Tr. *
Guiro * Sage * Flex. * 3
Tamt. * Rohrengl. *
Turmgl. * Lotosfl. *
Kast. * Peitsche * Glspl.
* Xyl. * Vibr. * Marimba)
(2 Spieler) - Cel. * Org.
- StrBuhnenmusik: 2 Picc.
* SAT Blfl. * 2 Klar. in
Es - 0 * 3 * 3 * 0 - S.
(Tamb. * 2 Mil. Tr. *
Ruhrtr. * kl. Tr. * 2
Ratschen * Kast. *
Schellen * Holzbl. *
Vibraslap * Timb.) -
Cemb. - Vlc.
3 (3.
auch Picc.) * 2 * Engl.
Hr. * 3 * Bassklar. *
Sopr.-Sax. * 2 Alt-Sax. *
2 * Kfg. - 4 * 3 * 3 * 1
- P. S. (Trgl.-Set * Bell
tree * Gl. * Crotales * 2
Gongs * hg. Beck. * Beck.
* Tamb. * Mil. Tr. *
Ruhrtr. * 6 Tomt. *
Rototom * 6 Timb. * kl.
Tr. * gr. Tr. * Guiro *
Sage * Flex. * 3 Tamt. *
Rohrengl. * Turmgl. *
Lotosfl. * Kast. *
Peitsche * Glspl. * Xyl.
* Vibr. * Marimba) (2
Spieler) - Cel. * Org. -
Str Buhnenmusik: 2
Picc. * SAT Blfl. * 2
Klar. in Es - 0 * 3 * 3 *
0 - S. (Tamb. * 2 Mil.
Tr. * Ruhrtr. * kl. Tr. *
2 Ratschen * Kast. *
Schellen * Holzbl. *
Vibraslap * Timb.) -
Cemb. - Vlc.
Romantic opera in
three acts. Composed
by Franz Schubert. Edited
by Walther Durr. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
II, Volume 6. 3 part
volumes. Opern, dt.
(German Opera). Complete
edition, Score. D 732.
Duration 2 hours, 30
minutes. Baerenreiter
Verlag #BA05540_00.
Published by Baerenreiter
Verlag (BA.BA05540).
ISBN 9790006497126. 33
x 26 cm inches. Text:
Franz von
Schober.
In late
September or early
October 1821 Schubert and
his close friend, Franz
von Schober, vacationed
in the countryside of
Lower Austria. Their
first stopover was at
Ochsenburg Castle, which
belonged to the Bishop of
St. Pölten (a close
relative of
Schober’s), after
which they moved on to
St. Pölten itself.
Roughly a year earlier,
two stage works by
Schubert had been
performed in Vienna: the
one-act singspiel Die
Zwillingsbrüder and
the melodrama Die
Zauberharfe. The
librettos were both
written by the seasoned
Viennese playwright Georg
von Hofmann, who blamed
the press for the
indifferent reception the
two works were given by
the audience. Schubert
and Schober now decided,
it would seem, to write a
grand romantic opera
uninfluenced by the
workaday world of the
theatre and beholden
solely to their own ideas
of what an opera should
be.
Not until 24
June 1854 was the opera
finally performed in
Weimar, under the baton
of Franz Liszt. It only
achieved success,
however, in an
arrangement by Johann
Nepomuk Fuchs that was
staged on many German and
Austrian stages in
1881–2, allegedly
with brilliant
acclaim.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
5 soloists (SSATB),
speaker, 3 mixed choirs
and orchestra
SKU:
HL.49045487
For 5
soloists (SSATB),
narrator, 3 mixed choirs
and orchestra.
Composed by Krzysztof
Penderecki. This edition:
Saddle stitching. Sheet
music. Study Score. Das
grosse Vokalwerk wurde
1995 zum 3000-jahrigen
Bestehen Jerusalems
komponiert. Der Zahl
sieben hat darin eine
besondere Bedeutung:
sieben Satzen, die fur
die sieben Tore stehen,
sieben gewaltige
Fortissimo-Akkorde, die
das Oratorium
beschliessen. Softcover.
Composed 1996. 158 pages.
Duration 68'. Schott
Music #ED20533. Published
by Schott Music
(HL.49045487).
ISBN
9790001157179. UPC:
888680747992.
8.25x11.75x0.41 inches.
Latin -
German.
Deeply
moved by his first visit
to the city of Jerusalem
with its seven gates,
Krzysztof Penderecki
composed this major vocal
work to celebrate the
city's 3,000th
anniversary in 1995. Two
years later, it was
premiered as Symphony No.
7 in which the magic
number seven has a
special meaning: From the
seven movements
representing the seven
gates to the seven
powerful fortissimo
chords concluding the
oratorio, the biblical
number runs through the
entire work.
4 (3.
u. 4. auch Picc.) * 3 *
Engl. Hr. * 3 (3. auch
Es-Klar.) * Bassklar. * 3
* Kfg. - 4 * 3 * 4 (3.
auch Basstrp.) * 1 - S.
(I.: P. * Beckenpaar * 2
Tamt. (t.) * Rohrengl. *
gr. Tr. m. Beck. *
Crotalenbaum * 5 Tomt. *
Marimba * Bin-Sasara *
kl. Tr. * Ruhrtr.; II.:
Trgl.-baum * 4 hg. Beck.
* Tamt. (t.) * Rohrengl.
* Kirchengl. * Tubaphon *
Glsp. * Xyl. * Vibr. *
Ruhrtr. * Tempelbl. * 2
Gongs; III.: 3 hg. Beck.
* Mil. Tr. * Tubaphon *
Kuhgl. * Tempelbl. * 2
Gongs; IV.: P. * hg.
Beck. * 2 Tamt. *
Beckenpaar * 5 Tomt. *
gr. Tr. * Ruhrtr. *
Bin-Sasara) (12 Spieler)
- Cel. * Klav. * Org. ad
lib. - Str. Im Saal: 0
* 0 * 3 * Bassklar. (auch
Es-Klar.) * 3 * Kfg. - 4
* 3 * 4 * 1.
Soloists and orchestra SKU: HL.49006495 The story of the king and the ...(+)
Soloists and orchestra
SKU: HL.49006495
The story of the king
and the wise woman.
Composed by Carl Orff.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Score.
Composed 1941-1942. 208
pages. Duration 90'.
Schott Music #ED 6631.
Published by Schott Music
(HL.49006495).
ISBN
9790001070515. German -
English.
3 (auch 3
Picc.) * 3 (3. auch Engl.
Hr.) * 3 (auch in A, C,
Es und Bassklar.) * 2 *
Kfg. - 4 * 3 * 3 * 1 - P.
S. (gr. Tr. * 2 kl. Tr. *
Ruhrtr. * Tamb. * Trgl. *
Steinsp. * Sandrasseln *
Cymb. * versch. Beck. *
Tamt. * Ratsche * Schelle
* Kast. * Rohrengl. *
Glsp.) (4 Spieler) - Hfe.
* Cel. * Klav. -
Str.Buhnenmusik: 3
Trompeten, verschiedene
Trommeln, Glockchen,
Orgel
3 (auch 3
Picc.) * 3 (3. auch Engl.
Hr.) * 3 (auch in A, C,
Es und Bassklar.) * 2 *
Kfg. - 4 * 3 * 3 * 1 - P.
S. (gr. Tr. * 2 kl. Tr. *
Ruhrtr. * Tamb. * Trgl. *
Steinsp. * Sandrasseln *
Cymb. * versch. Beck. *
Tamt. * Ratsche * Schelle
* Kast. * Rohrengl. *
Glsp.) (4 Spieler) - Hfe.
* Cel. * Klav. -
Str. Buhnenmusik: 3
Trompeten, verschiedene
Trommeln, Glockchen,
Orgel.
Soloists, children's choir and chamber orchestra (Study Score) SKU: HL.490326...(+)
Soloists, children's
choir and chamber
orchestra (Study Score)
SKU: HL.49032629
Rundfunkoper auf die
Erzahlung von Franz Kafka
(revidierte Fassung
1994). Composed by
Hans Werner Henze. Sheet
music. Edition Schott.
Softcover. Composed
1951/1994. 80 pages.
Duration 40'. Schott
Music #ED8481. Published
by Schott Music
(HL.49032629).
ISBN
9790001112840.
8.25x11.75x0.242 inches.
German.
Score. Edited by
Karlheinz Schultz-Hauser.
Arranged by Karlheinz
Schultz-Hauser. This
edition: Saddle
stitching. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Score. 19 pages. Schott
Music #CON168. Published
by Schott Music
(HL.49001838).
ISBN
9790001024358. UPC:
884088026738.
9.0x12.0x0.082
inches.
String
Orchestra and Basso
continuo; Woodwinds ad
lib.
Orchestra SKU: HL.49005334 Study Score. Composed by Karl Amadeus H...(+)
Orchestra
SKU:
HL.49005334
Study
Score. Composed by
Karl Amadeus Hartmann.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed 1958. 180
pages. Duration 30'.
Schott Music #ED 5005.
Published by Schott Music
(HL.49005334).
ISBN
9790001057431. UPC:
073999320145.
8.75x11.75x0.639
inches.
3 (auch 3
Picc.) * 3 * 3 * 3 (3.
auch Kfg.) - 4 * 3 * 3 *
1 - 6 P. [lat.-amerik.]
(2 Spieler) S. (Trgl. *
Gong * Rohrengl. * Beck.
* Jazz-Beck. * Tamt. * 3
Tomt. * kl. Tr. * mittl.
Tr. * gr. Tr. * 3
Tempelbl. * Glsp. * Xyl.
* Vibr. * Marimba) (5
Spieler) - Cel. * Klav.
(4 hd.) * 2 Hfn. -
Str.
3 (auch 3
Picc.) * 3 * 3 * 3 (3.
auch Kfg.) - 4 * 3 * 3 *
1 - 6 P. [lat.-amerik.]
(2 Spieler) S. (Trgl.
* Gong * Rohrengl. *
Beck. * Jazz-Beck. *
Tamt. * 3 Tomt. * kl. Tr.
* mittl. Tr. * gr.
Tr. * 3 Tempelbl. * Glsp.
* Xyl. * Vibr. * Marimba)
(5 Spieler) - Cel. *
Klav. (4 hd.) * 2
Hfn. - Str.
Soloists, speakers, choir and orchestra SKU: HL.49005325 Ein Trauerspi...(+)
Soloists, speakers, choir
and orchestra
SKU:
HL.49005325
Ein
Trauerspiel des
Sophokles. Composed
by Carl Orff. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Piano
reduction. Composed 1959.
264 pages. Duration 160'.
Schott Music #ED 4996.
Published by Schott Music
(HL.49005325).
Vocal soloists, choir and orchestra SKU: HL.49000802 Der Ring des Nibe...(+)
Vocal soloists, choir and
orchestra
SKU:
HL.49000802
Der
Ring des Nibelungen -
Dritter Tag. Composed
by Richard Wagner. Sheet
music. Edition Schott.
Classical. Score.
Composed 1869-1874. 624
pages. Duration 270'.
Schott Music #BSS 21953.
Published by Schott Music
(HL.49000802).
Orchestra SKU: HL.49006940 Essay symphonique. Composed by Wilhelm ...(+)
Orchestra
SKU:
HL.49006940
Essay
symphonique. Composed
by Wilhelm Killmayer.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical.
Conductor's/study score.
Composed 1978. 36 pages.
Duration 12'. Schott
Music #ED 7066. Published
by Schott Music
(HL.49006940).
ISBN
9790001074308.
4
(auch 4 Picc.; 1. auch
Sopr.-Blfl.) * 3 * 3 (in
B, C und A; 2. auch Klar.
in Es; 3. auch Bassklar.
in B) * 3 (3. auch
Kontrafag.) - 4 * 4 (1.
auch Kornett in B) * 3 *
1 (auch Kb.tb.) - 4 P. S.
(kl. Tr. * 2 Ruhrtr. *
gr. Tr. mit Beck. * gr.
Holzschlitztr. * 2 Beck.
* Beckenmaschine * Tamb.
* Kast. * 2 Glspl. *
Steinspiel * Schellen *
Crotales * Zimb. * Trgl.
* Lotosfl. * Flexaton *
Metallpl. in f und g *
Rohrengl. in fis * Mar. *
2 Woodbl. * 2 Congas * 2
Timbales * Rute * Hammer
* Klappholz * Ratsche *
Peitsche * Sandblock *
Glockchen in h' * Xyl.)
(5-6 Spieler) - 2 Hfn. *
Cel. - Str.Hinter der
Buhne: 2 Tromp. in B (aus
dem Orchester) - gr.
Klappholz
4 (auch
4 Picc.; 1. auch
Sopr.-Blfl.) * 3 * 3 (in
B, C und A; 2. auch Klar.
in Es; 3. auch Bassklar.
in B) * 3 (3. auch
Kontrafag.) - 4 * 4 (1.
auch Kornett in B) * 3 *
1 (auch Kb.tb.) - 4 P. S.
(kl. Tr. * 2 Ruhrtr. *
gr. Tr. mit Beck. * gr.
Holzschlitztr. * 2 Beck.
* Beckenmaschine * Tamb.
* Kast. * 2 Glspl. *
Steinspiel * Schellen *
Crotales * Zimb. * Trgl.
* Lotosfl. * Flexaton *
Metallpl. in f und g *
Rohrengl. in fis * Mar. *
2 Woodbl. * 2 Congas * 2
Timbales * Rute * Hammer
* Klappholz * Ratsche *
Peitsche * Sandblock *
Glockchen in h' * Xyl.)
(5-6 Spieler) - 2 Hfn. *
Cel. - Str.
Hinter
der Buhne: 2 Tromp. in B
(aus dem Orchester) - gr.
Klappholz.
Baritone and orchestra SKU: HL.49005714 Zu Worten aus Sodom und Gomorr...(+)
Baritone and orchestra
SKU: HL.49005714
Zu Worten aus Sodom
und Gomorrha.
Composed by Karl Amadeus
Hartmann. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Piano
reduction. Composed
1962-1963. 76 pages.
Duration 25'. Schott
Music #ED 5464. Published
by Schott Music
(HL.49005714).
ISBN
9790001061810.
9.0x11.75x0.21 inches.
German.
3 (2. auch
Picc. und Afl.) * 3 (3.
auch Engl. Hr.) * 3 (3.
auch Bassklar.) * 3 (3.
auch Kfg.) - 3 * 3 *
Picc.-Trp. * 3 * 1 - P.
S. (Trgl. * tiefer Gong *
Rohrengl. * Beckenpaar *
hg. Beck. * Tamt. * Tamb.
* 3 Tomt. * 3
lateinamerik. Timbales *
Ruhrtr. * kl. Tr. * gr.
Tr. * Glsp. * Xyl. *
Vibr. * Marimba) (5
Spieler) - Hfe. * Klav.
(4hd.) * Cel. -
Str.
3 (2. auch
Picc. und Afl.) * 3 (3.
auch Engl. Hr.) * 3 (3.
auch Bassklar.) * 3
(3. auch Kfg.) - 3 *
3 * Picc.-Trp. * 3 * 1 -
P. S. (Trgl. * tiefer
Gong * Rohrengl. *
Beckenpaar * hg. Beck. *
Tamt. * Tamb. * 3 Tomt. *
3 lateinamerik. Timbales
* Ruhrtr. * kl. Tr. * gr.
Tr. * Glsp. * Xyl. *
Vibr. * Marimba) (5
Spieler) - Hfe. * Klav.
(4hd.) * Cel. - Str.
(Orchestra) SKU: HL.49013026 Dance drama by Luchino Visconti. One set<...(+)
(Orchestra)
SKU:
HL.49013026
Dance
drama by Luchino
Visconti. One set.
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed 1956. 168
pages. Duration 50'.
Schott Music #ED 9416.
Published by Schott Music
(HL.49013026).
ISBN
9790001131476.
1
(auch Picc.) * 1 * Engl.
Hr. * 1 * Bassklar. * 1 -
2 * 2 * 1 * 0 - P. - Hfe.
- Str.Jazzband (kann nach
Belieben verandert
werden): Fl. * Altsax. *
Tenorsax. * Jazztrp. *
Jazzpos. - S. (hg. Beck.
* Tamt. * kl. Tr. [mit
Schnarrs.] * Tomt. *
Jazztr. * Bong. * gr. Tr.
[mit Ped.] * Mar. * Tubo)
(3 Spieler) - Klav. -
Kb.
1 (auch Picc.)
* 1 * Engl. Hr. * 1 *
Bassklar. * 1 - 2 * 2 * 1
* 0 - P. - Hfe. -
Str. Jazzband (kann
nach Belieben verandert
werden): Fl. * Altsax. *
Tenorsax. * Jazztrp. *
Jazzpos. - S. (hg.
Beck. * Tamt. * kl. Tr.
[mit Schnarrs.] * Tomt. *
Jazztr. * Bong. * gr. Tr.
[mit Ped.] * Mar. *
Tubo) (3 Spieler) - Klav.
- Kb.
Composed by Johann Sebastian Bach (1685-1750). Arranged by Leopold Stokowski. La...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Leopold Stokowski. Large
score. Duration 3
minutes. Broude Brothers
#BB-BB132-P. Published by
Broude Brothers
(PE.BB-BB132-P).
Orchestra / chamber orchestra SKU: HL.49006189 Composed by Wilhelm Killma...(+)
Orchestra / chamber
orchestra
SKU:
HL.49006189
Composed
by Wilhelm Killmayer.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1968-1969. 32 pages.
Schott Music #ED 6328.
Published by Schott Music
(HL.49006189).
ISBN
9790001067294.
Sinf
onie 1 Fogli:1 * 0 * 2
(2. auch Bassklar. in B)
* 0 - 1 * 0 * 0 * 0 - P.
S. (gr. Tr. * 4 Tomt. *
Bong. * Tempelbl. *
Glocke in G) - Hfe. *
Klav. * Harm. * Mand. -
Str. (6 * 6 * 4 * 4 *
3)Sinfonie 2 Ricordanze:1
* 1 * 0 * 1 - 0 * 0 * 0 *
0 - Cemb. * Str. (6 * 0 *
2 * 1 *
1)
Sinfonie 1
Fogli: 1 * 0 * 2 (2.
auch Bassklar. in B) * 0
- 1 * 0 * 0 * 0 - P. S.
(gr. Tr. * 4 Tomt. *
Bong. * Tempelbl. *
Glocke in G) - Hfe. *
Klav. * Harm. * Mand. -
Str. (6 * 6 * 4 * 4 *
3)
Vocal soloists, choir and orchestra SKU: HL.49013479 Libretto (German)...(+)
Vocal soloists, choir and
orchestra
SKU:
HL.49013479
Libretto (German).
Composed by Gyorgy
Ligeti. This edition:
Saddle stitching. Book.
Edition Schott.
Classical. Text
book/libretto. Composed
1974-1977/1996. 61 pages.
Duration 120'. Schott
Music #BN 3501-70.
Published by Schott Music
(HL.49013479).
ISBN
9783795735012. UPC:
884088060664.
5.75x8.25x0.235 inches.
German.
Wortlich
ubersetzt ist das
Libretto ein 'kleines
Buch', ein 'Buchlein'.
Doch nicht irgendein
Buchlein. Seit es Opern
gibt, gibt es die
Textbucher dazu. Oft
erzahlen die
Universalsprache Musik
und der Ausdruck der
Darsteller die
Geschichte, auch wenn man
die Worte nicht versteht.
Trotzdem ist ein Libretto
sehr hilfreich fur das
Verstandnis der Details.
Gerade dann, und das fast
immer, wenn die Oper in
der Originalsprache
aufgefuhrt wird. In den
Libretti ist in der Regel
das Original der
Ubersetzung
gegenubergestellt. Sie
konnen so problemlos
parallel Handlung und
Inhalt folgen. In den
meisten Fallen existiert
das Textbuch Oper bevor
die Musik dazu komponiert
wird. Spannende und
dramatische Geschichten
bilden die Grundlage fur
faszinierende
Opernkompositionen. 3 (2. u. 3. auch Picc.)
* 3 (2. auch Ob. d'am.,
3. auch Engl. Hr.) * 3
(2. auch Klar. in Es und
Altsax. in Es, 3. auch
Bassklar. in B) * 3 (3.
auch Kontrafag.) - 4 * 4
Tromp. in C (1. u. 2. ad
lib. auch kl. Tromp. in
D) * 1 Basstromp. in C *
3 Pos. (Tenor,
Tenor-Bass, Kontrabass) *
Kb.-Tb. - P.S. (Xyl. *
Vibr. * Glspl. * Marimb.
* 12 mechan. Autohupen *
4 Spieluhren * 6 elektr.
Turklingeln * 2
Schellentr. * Militartr.
* 2 kl. Tr. * 3 Bong. *
Conga * Ruhrtr. *
Paradetr. * 4 Tomt. * 2
gr. Tr. * 2 Trgl. * 3
Paar Crot. * 3 hg. Beck.
* 1 Paar kl. Beck. * 2
Paar norm. Beck. * Gong *
2 Tamt. * Rohrengl. * 2
jap. Tempelgl. [Rin] *
Mar. * 2 Gueros * 2
Peitschen * 1 Paar Claves
* 1 Paar Kast. * Ratsche
* 3 Woodbl. * Holztr. * 5
Tempelbl. * gr.
Holzhammer * Holzlatten *
Lotosfl. * Trillerpfeife
* Kuckuckspfeife *
Signalpfeife *
Sirenenpfeife *
Dampfschiffpfeife * 2
Sirenen * 2 Flex. *
Entengequake * 2
Brummtopfe * gr.
Weckeruhr * gr.
pyramidenform. Metronom *
Papierbogen, Seiden- oder
Zeitungspapier * 1 Paar
Sandpapierblocke *
Windmaschine * Papiertute
* Tablett voll Geschirr *
Kochtopf * Pistole) (4
Spieler) - 3 chrom.
Mundharmonikas (werden
von den Blasern oder
Schlagzeugern gespielt) *
Cel. (auch Cemb.) *
Konzertflugel (auch
elektr. Klav.) * elektr.
Org. (nur Manual) (auch
Regal) * Mand. * Hfe. -
Str. (3 * 0 * 2 * 6 * 4)
Buhnenmusik:
Instrumentalisten aus dem
Orchestergraben
3
(2. u. 3. auch Picc.) * 3
(2. auch Ob. d'am., 3.
auch Engl. Hr.) * 3 (2.
auch Klar. in Es und
Altsax. in Es, 3. auch
Bassklar. in B) * 3 (3.
auch Kontrafag.) - 4 * 4
Tromp. in C (1. u. 2. ad
lib. auch kl. Tromp. in
D) * 1 Basstromp. in C *
3 Pos. (Tenor,
Tenor-Bass, Kontrabass) *
Kb.-Tb. - P.S. (Xyl. *
Vibr. * Glspl. * Marimb.
* 12 mechan. Autohupen *
4 Spieluhren * 6 elektr.
Turklingeln * 2
Schellentr. * Militartr.
* 2 kl. Tr. * 3 Bong. *
Conga * Ruhrtr. *
Paradetr. * 4 Tomt. * 2
gr. Tr. * 2 Trgl. * 3
Paar Crot. * 3 hg. Beck.
* 1 Paar kl. Beck. * 2
Paar norm. Beck. * Gong *
2 Tamt. * Rohrengl. * 2
jap. Tempelgl. [Rin] *
Mar. * 2 Gueros * 2
Peitschen * 1 Paar Claves
* 1 Paar Kast. * Ratsche
* 3 Woodbl. * Holztr. * 5
Tempelbl. * gr.
Holzhammer * Holzlatten *
Lotosfl. * Trillerpfeife
* Kuckuckspfeife *
Signalpfeife *
Sirenenpfeife *
Dampfschiffpfeife * 2
Sirenen * 2 Flex. *
Entengequake * 2
Brummtopfe * gr.
Weckeruhr * gr.
pyramidenform. Metronom *
Papierbogen, Seiden- oder
Zeitungspapier * 1 Paar
Sandpapierblocke *
Windmaschine * Papiertute
* Tablett voll Geschirr *
Kochtopf * Pistole) (4
Spieler) - 3 chrom.
Mundharmonikas (werden
von den Blasern oder
Schlagzeugern gespielt) *
Cel. (auch Cemb.) *
Konzertflugel (auch
elektr. Klav.) * elektr.
Org. (nur Manual) (auch
Regal) * Mand. * Hfe. -
Str. (3 * 0 * 2 * 6 * 4)
Buhnenmusik:
Instrumentalisten aus dem
Orchestergraben.
Orchestra (Score) SKU: HL.49004873 Study Score. Composed by Karl A...(+)
Orchestra (Score)
SKU:
HL.49004873
Study
Score. Composed by
Karl Amadeus Hartmann.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1951-1953. 128 pages.
Duration 26'. Schott
Music #ED 4419. Published
by Schott Music
(HL.49004873).
ISBN
9790001051866. UPC:
884088078638.
8.25x11.75x0.322
inches.
3 (auch 3
Picc.) * 3 (3. auch Engl.
Hr.) * 3 (3. auch
Bassklar.) * 2 * Kfg. - 4
* 3 * 3 * 1 - P. S.
(Trgl. * Beck. * Tamt. *
Tamb. * 2 Tomt. * Ruhrtr.
* Holztr. * Mil. Tr. *
kl. Tr. * gr. Tr. * Glsp.
* 2 Xyl.) (6 Spieler) -
Cel. * Klav. (auch 4 hd.)
* Hfe. * Mand. -
Str.
3 (auch 3
Picc.) * 3 (3. auch Engl.
Hr.) * 3 (3. auch
Bassklar.) * 2 * Kfg. - 4
* 3 * 3 * 1 - P. S.
(Trgl. * Beck. * Tamt. *
Tamb. * 2 Tomt. * Ruhrtr.
* Holztr. * Mil. Tr. *
kl. Tr. * gr. Tr. * Glsp.
* 2 Xyl.) (6 Spieler) -
Cel. * Klav. (auch 4 hd.)
* Hfe. * Mand. - Str.
Study Score Orchestra SKU: HL.49033218 For Orchestra - Study Score...(+)
Study Score Orchestra
SKU: HL.49033218
For Orchestra - Study
Score. Composed by
Krzysztof Penderecki.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1991/1992. 92 pages.
Duration 35'. Schott
Music #ED9647. Published
by Schott Music
(HL.49033218).
ISBN
9790001135450. UPC:
840126938678.
8.25x11.75x0.23
inches.
4 (4. auch
Picc.) * 4 (4. auch Engl.
Hr.) * 4 (4. auch
Es-Klar.) * Bassklar. * 3
* Kfg. - 5 * 3 * 4 * 1 -
P. S. (Trgl. * Beckenpaar
* 3 hg. Beck. [h./m./t.]
* 2 Tamt. [h./t.] *
Crotalenbaum *
Schellenbaum *korean. Gl.
[o. 4 Tamt. * 4 Gongs] *
Rohrengl. * Plattengl. *
Tomt. * kl. Tr. * Ruhrtr.
* gr. Tr. m. Beck. *
Glsp. * Xyl. * Marimba)
(4 Spieler) - Cel. - Str.
(16 * 14 * 12 * 12 *
10)Hinter der Buhne: Hr.
- Rohrengl.Im Saal: 4
Tr.
4 (4. auch
Picc.) * 4 (4. auch Engl.
Hr.) * 4 (4. auch
Es-Klar.) * Bassklar. * 3
* Kfg. - 5 * 3 * 4 * 1 -
P. S. (Trgl. * Beckenpaar
* 3 hg. Beck. [h./m./t.]
* 2 Tamt. [h./t.] *
Crotalenbaum *
Schellenbaum * korean.
Gl. [o. 4 Tamt. * 4
Gongs] * Rohrengl. *
Plattengl. * Tomt. * kl.
Tr. * Ruhrtr. * gr. Tr.
m. Beck. * Glsp. * Xyl. *
Marimba) (4 Spieler) -
Cel. - Str. (16 * 14 * 12
* 12 * 10) Hinter der
Buhne: Hr. -
Rohrengl. Im Saal: 4
Tr.
By Edward Elgar. Edited by Christopher Hogwood. For Orchestra. Score; Urtext Edi...(+)
By Edward Elgar. Edited
by Christopher Hogwood.
For Orchestra. Score;
Urtext Edition
(paperbound). Op. 36.
Published by
Baerenreiter-Ausgaben
(German import).