Concert Band; Orchestra - Grade 1.5 SKU: AP.49213 Composed by Robert Shel...(+)
Concert Band; Orchestra -
Grade 1.5
SKU:
AP.49213
Composed by
Robert Sheldon. 5 or
More; MakeMusic Cloud;
Mixed Instruments -
Flexible Instrumentation;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles.
Sound Innovations for
Concert Band. Score and
Part(s). Duration 2:10.
Alfred Music #00-49213.
Published by Alfred Music
(AP.49213).
ISBN
9781470648541. UPC:
038081569345.
English.
This
version of As Twilight
Falls by Robert Sheldon
is part of our Alfred
FLEX offerings and is
designed with maximum
flexibility for use by
any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 5 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
The sense of
peace and tranquility of
twilight on a summer's
evening inspires this
lovely, lyrical offering.
An excellent teaching
opportunity for phrasing
and expression, As
Twilight Falls provides a
moment of contrast at any
young band's concert
performance and is now
available in Alfred's
5-part FLEX format.
Correlates to Book 1,
Level 5 of Sound
Innovations for Concert
Band.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra
SKU:
PR.11641867L
Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L).
UPC:
680160683215.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Full Score Symphonic Band - Grade 5 SKU: HL.1455263 For Symphonic Band...(+)
Full Score Symphonic Band
- Grade 5
SKU:
HL.1455263
For
Symphonic Band.
Composed by James Barnes.
Southern Music. Concert,
Symphony. Softcover. 102
pages. Duration 1680
seconds. Southern Music
Company #S1038FS.
Published by Southern
Music Company
(HL.1455263).
ISBN
9781638879329. UPC:
196288209393.
9.0x12.0x0.545
inches.
Composed
during the summer and
fall of 1974, Barnes'
FIRST SYMPHONY, Op. 35
was his master's thesis
at The University of
Kansas. It was premiered
in the spring semester of
1976 by their Symphonic
Band, Robert E. Foster
conducting. The following
year, the symphony was
awarded the American
Bandmasters Ostwald
Composition prize, which
led to a second
performance (of only the
first two movements) by
the Northwestern Wind
Ensemble at the American
Bandmasters convention
with Col. Jack Cline (U.S
Marine Band) conducting.
Following this
performance, Barnes
submitted the work to
several publishers, all
of which declined on the
basis it was too long and
difficult to be
marketable. For this
reason, Barnes set the
work aside and there it
remained until 2022, when
an offer came from the
Osaka Shion Wind
Orchestra to record all
nine of
Barnes'symphonies to
help celebrate their
100th anniversary. Barnes
seized the opportunity,
engraving all four
movements, with revisions
and corrections, an
effort that took seven
days a week for two
months to complete. As a
result, after almost
fifty years, all nine of
the Barnes symphonies are
finally available for
performance.
Summer Dance.
Composed by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Light Concert.
Score. 12 pages. Duration
2:30. Belwin Music
#00-43762S. Published by
Belwin Music (AP.43762S).
UPC: 038081496405.
English.
Here is an
energetic original
composition that will
remind us all of the joys
of summer, even when in
the grip of a hard
winter. The Italian name,
meaning summer dance,
brings to mind
Mediterranean beaches.
Keep warm and enjoy!
(2:30).
Summer Dance.
Composed by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Light Concert.
Score and Part(s). 144
pages. Duration 2:30.
Belwin Music #00-43762.
Published by Belwin Music
(AP.43762).
UPC:
038081496399.
English.
Here is an
energetic original
composition that will
remind us all of the joys
of summer, even when in
the grip of a hard
winter. The Italian name,
meaning summer dance,
brings to mind
Mediterranean beaches.
Keep warm and enjoy!
(2:30).
Orchestra - Grade 3 SKU: AP.38422S Composed by Robert Sheldon. MakeMusic ...(+)
Orchestra - Grade 3
SKU: AP.38422S
Composed by Robert
Sheldon. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Form: Ballade.
Score. 8 pages. Belwin
Music #00-38422S.
Published by Belwin Music
(AP.38422S).
UPC:
038081440200.
English.
The sense
of peace and tranquility
of twilight on a summer's
evening inspires this
lovely lyrical offering.
An excellent teaching
opportunity for phrasing
and expression, this
piece provides a moment
of contrast on any young
orchestra's concert
performance. This title
is available in MakeMusic
Cloud.
Orchestra SKU: FG.55009-402-4 Composed by Einojuhani Rautavaara. Score. P...(+)
Orchestra
SKU:
FG.55009-402-4
Composed by Einojuhani
Rautavaara. Score.
Published by Fennica
Gehrman (FG.55009-402-4).
ISBN
979-0-55009-402-4.
According to Rautavaara
The name of the work is a
quotation from the
libretto of my opera The
House of the Sun: . .
.like a butterfly in a
dark autumn garden. . ..
The motif to which these
words are sung is the
theme for the variations
in the first movement.
Their texture gradually
grows and becomes denser.
Following on without a
break is a slow, poetic
movement of even rhythms
and dynamics. The quick,
lively finale begins
giocoso e leggiero. But
autumn is also a time of
colour, and of death. At
the end the music thus
turns into a festive
dance con grandezza.
Maybe it bears the echo
of a sarabande to the
dying splendour of summer
- or as T.S. Eliot put
it: late roses filled
with early snow. Autumn
Gardens was commissioned
by the Scottish Chamber
Orchestra and premiered
at the London Proms in
July 1999.
Ouverture JS 145,
Baletscen JS 163.
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Linen. Complete
Works. Late-romantic;
Early modern. Complete
Works. 196 pages.
Breitkopf and Haertel
#SON 627. Published by
Breitkopf and Haertel
(BR.SON-627).
ISBN
9790004803295. 10 x 12.5
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Scenes
historiques op.25,
op.66. Composed by
Jean Sibelius. Edited by
Kari Kilpelainen. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
228 pages. Breitkopf and
Haertel #SON 625.
Published by Breitkopf
and Haertel (BR.SON-625).
ISBN 9790004803271. 10
x 12.5 inches.
In
1998, at the end of the
20th century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts ... are models of
scholarly editions, and
should be required
reading for all
bibliography and
music-editing courses.
... In sum, the JSW is a
remarkable project: the
scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. ... For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. ... JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Orchestra - Grade 3 SKU: AP.45849S Based on When Johnny Comes Marching...(+)
Orchestra - Grade 3
SKU: AP.45849S
Based on When Johnny
Comes Marching Home.
Composed by Morton Gould.
Arranged by Douglas E.
Wagner. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Form: Variations. 20th
Century; 4th of July;
Patriotic; Summer. Score.
28 pages. Duration 4:45.
Belwin Music #00-45849S.
Published by Belwin Music
(AP.45849S).
UPC:
038081525556.
English.
Morton
Gould's iconic 1943 set
of orchestral variations
on the Civil War tune,
When Johnny Comes
Marching Home, has been
recorded and performed by
major orchestras around
the world. This truly
American-sounding work,
American Salute, is now
available in an effective
arrangement for string
orchestra by Douglas E.
Wagner, capturing all of
the excitement of the
composer's original full
orchestra scoring.
(4:45).
Orchestra - Grade 4 SKU: HL.14000916 Composed by Hans Abrahamsen. Music S...(+)
Orchestra - Grade 4
SKU: HL.14000916
Composed by Hans
Abrahamsen. Music Sales
America. Classical.
Score. Composed 2002. 55
pages. Edition Wilhelm
Hansen #WH29689.
Published by Edition
Wilhelm Hansen
(HL.14000916).
ISBN
9788759859179.
12.0x16.5x0.538 inches.
English.
Stratifica
tions was composed by
Hans Abrahamsen in
1973-75 and was premiered
in the summer 1977 by the
Iceland Symphony
Orchestra at the Young
Nordic Music Festival in
Reykjavik. Programme
note: The stratifications
referred to in the title
unfold two different
levels. There is the
stratification of the
time dimension produced
by the opposition of
contrasting parts, at the
same time the polyphony,
the presence of several
simultaneously sounding
layers, is of great
importance to the music.
By garish colours and
clear-cut outlines a
polyrhythmic
simultaneousness of
simple melodies is
produced with more gestic
music and other material
which give a peculiar set
piece-like effect inthe
sound picture. The new
simplicity details are
here woven together in a
new kind of complex
whole. Stratifications
begins with a series of
concretistic masklike
pictures of the music. It
is like seeing lantern
slides. But this fictive
form crackles and the
music gets attentive and
real. The music is in a
night-mare condition,
where it is not getting
anywhere in spite of a
great dynamic display.
But finally is liberating
itself and rising in
triumph.
String Orchestra (Full Score) SKU: HL.51481550 For String Orchestra Fu...(+)
String Orchestra (Full
Score)
SKU:
HL.51481550
For
String Orchestra Full
Score. Composed by
Peter Ilich Tchaikovsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Chamber, Classical.
Softcover. 67 pages. G.
Henle #HN1550. Published
by G. Henle
(HL.51481550).
UPC:
196288207269.
10.0x12.75x0.236
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sister's country estate
in Kam'ianka, Ukraine,
where he sought peace and
relaxation. But after a
short time the desire to
work took hold of him
again. âI'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,â he wrote
to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods â be
it the Mozartian first
movement âin the
form of a sonatinaâ,
the elegant Waltz, the
melancholy
âElegiaâ or the
rousing Finale. For this
new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
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Henle Urtext
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musical texts based on
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research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
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Orchestra SKU: HL.14028036 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra
SKU:
HL.14028036
Composed
by Poul Ruders. Music
Sales America. Classical.
Score. Composed 2002. 124
pages. Edition Wilhelm
Hansen #WH30468.
Published by Edition
Wilhelm Hansen
(HL.14028036).
ISBN
9788759810248.
12.0x16.5x0.537
inches.
This short
orchestral piece is a
tone poem based on a
passage from one of Hans
Christian Andersen's
lesser known fairytales,
THE WIND TELLS ABOUT
WALDEMAR DAAE AND HIS
DAUGHTERS, a mighty
allegory about the
transitoriness of Life,
about Vanity and Pride
and the inevitable
victory of Death (alias
the wind), whose scything
ravaging is sublimely
depicted by Andersen in
these few, truly
breathtaking lines: And
Winter rushed, Winter and
Summer they rushed, and
they rush, like I rush,
like the howling snow,
the flurrying apple
blossom, the scurrying
foliage; rush! rush! The
people too!.
Orchestra SKU: CF.SC53L Composed by Anton Webern. Large Score. 32 pages. ...(+)
Orchestra
SKU:
CF.SC53L
Composed by
Anton Webern. Large
Score. 32 pages. Duration
12 minutes. Carl Fischer
Music #SC53L. Published
by Carl Fischer Music
(CF.SC53L).
ISBN
9781491160220. UPC:
680160918812. Key: D
major.
From
Webern’s early
period (pre-opus one),
this tone poem is
inspired by a poem by the
German
novelist-philosopher
Bruno Willle (1860-1928),
famous as a liberal and
progressive thinker.
Written in 1904 and first
performed in 1962 by the
Philadelphia Orchestra
under the baton of Eugene
Ormandy, the piece is an
impressionistic
description of a summer
day in the woods and
fields. This full score
is freshly engraved and
corrected using the MOLA
(Major Orchestra
Librarian’s
Association) circulated
list of discrepancies and
corrections. Orchestral
parts are available for
rental.
Orchestra (Full Score) SKU: HL.215243 The Works of Mieczyslaw Karlowic...(+)
Orchestra (Full Score)
SKU: HL.215243
The Works of
Mieczyslaw Karlowicz -
Volume VIII. Composed
by Mieczystaw Karlowicz.
PWM. Classical.
Hardcover. 59 pages.
Polskie Wydawnictwo
Muzyczne #11596010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.215243).
9.5x12.25x0.493
inches.
Hardcover
full score. Introductory
texts presented in
English, German, and
Polish. The Lithuanian
Rhapsody (Rapsodia
litewska), Op. 11 is the
third - after Returning
Waves and Eternal Songs -
of the six symphonic
poems by Mieczyslaw
Karlowicz. Composition
was probably taking shape
during the summer months
of 1906 in Warsaw.
Lithuanian Rhapsody
differs significantly
from the other parts of
'programme cycle' which
Mieczyslaw Karlowicz's
symphonic poems may be
regarded as forming. This
is a work based primarily
on thematic material
derived from folk output
(something that would
never again occur in the
composer's brief
biography), compared with
the earlier score of
Eternal Songs or the
later Stanislaw and Anna
Oswiecim it displays much
greater stylistic
independence of the
German music embodied
around the turn of the
twentieth century.
Irish Suite Orchestre [Conducteur et Parties séparées] Alfred Publishing
Composed by Leroy Anderson (1908-1975). Orchestra. Full Orchestra; Part(s); Scor...(+)
Composed by Leroy
Anderson (1908-1975).
Orchestra. Full
Orchestra; Part(s);
Score. Professional
Orchestra Series. Form:
Suite. Folk. 6 . 622
pages. Published by
Alfred Music
Irish Suite Orchestre [Conducteur et Parties séparées] Alfred Publishing
Composed by Leroy Anderson (1908-1975). Orchestra. Full Orchestra; Score. Profes...(+)
Composed by Leroy
Anderson (1908-1975).
Orchestra. Full
Orchestra; Score.
Professional Orchestra
Series. Form: Suite.
Folk. 6 . 104 pages.
Published by Alfred Music
Orchestra (2.1.cor
ang.1.B-clar.2 - 4.3.3.0
- perc - str)
SKU:
BR.PB-5584
Lemminkainen
Tuonelassa - Urtext based
on the Complete Edition
Jean Sibelius Works
(JSW). Composed by
Jean Sibelius. Edited by
Tuija Wicklund.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Early modern;
Late-romantic. Full
score. 64 pages. Duration
15'. Breitkopf and
Haertel #PB 5584.
Published by Breitkopf
and Haertel (BR.PB-5584).
ISBN 9790004213940. 10
x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all the four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
material may have found
its way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.Sibelius said
about Lemminkainen in
Tuonela: The cradle song
at the end of the work is
maternal love, which
rakes the pieces of
Lemminkainen together
from the River
Tuonela..
Hawkes Pocket Score 1528. Composed by Henryk Mikolaj Gorecki. Boosey and ...(+)
Hawkes Pocket Score
1528. Composed by
Henryk Mikolaj Gorecki.
Boosey and Hawkes
Scores/Books. Classical.
Softcover. 146 pages.
Boosey and Hawkes
#M060126239. Published by
Boosey and Hawkes
(HL.48024116).
The Star Spangled Banner Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By John Stafford Smith, Words By Francis Scott Key. Arranged by Peter Breiner. M...(+)
By John Stafford Smith,
Words By Francis Scott
Key. Arranged by Peter
Breiner. Music by John
Stafford Smith, words by
Francis Scott Key / arr.
Peter Breiner. For Full
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra.
Patriotic. Level: 3
(grade 3). Conductor
Score
Composed by Todd Parrish.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. 4th of July;
Patriotic; Summer. Score
and Part(s). 62 pages.
Duration 2:30.
Highland/Etling
#00-44845. Published by
Highland/Etling
(AP.44845).
UPC:
038081518664.
English.
In 3/4,
this moving piece
provides a great
opportunity for the use
of slow bow strokes and
cross-curricular study.
The victory over the
British forces at
Yorktown, Virginia by the
American Continental Army
in 1781 signaled the end
of the Revolutionary War.
This original work by
Todd Parrish remembers
the heroic efforts of
General Washington and
the brave soldiers he
commanded to forge a new
nation founded on
freedom. (2:30).
Lemminkainen palaa
kotitienoille - Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Tuija Wicklund.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Late-romantic; Early
modern. Full score. 68
pages. Duration 7'.
Breitkopf and Haertel #PB
5585. Published by
Breitkopf and Haertel
(BR.PB-5585).
ISBN
9790004213957. 10 x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all the four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
material may have found
its way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.On
Lemminkainen's Return
Sibelius commented: I
would like to see more
pride in us Finns. Why
should we be ashamed?
This is the underlying
thought in Lemminkainen's
Return. Lemminkainen is
just as good as the
noblest of earls. He is
an aristocrat, without
question an
aristocrat!.
Orchestra - Grade 0.5 SKU: AP.45867S Composed by Andrew H. Dabczynski. Ma...(+)
Orchestra - Grade 0.5
SKU: AP.45867S
Composed by Andrew H.
Dabczynski. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Folk; Light
Concert. Score. 12 pages.
Duration 2:40.
Highland/Etling
#00-45867S. Published by
Highland/Etling
(AP.45867S).
UPC:
038081525594.
English.
Everyone
loves to sing around a
campfire, and here's a
collection of favorite
Campfire Songs set in the
range of a one-octave D
Major scale with many
parts doubled! This
medley of easy, familiar
tunes---including This
Old Man, In a Cabin in a
Wood, Bingo, Kumbaya,
Wheels on the Bus, and
This Little Light of
Mine---gives everyone a
chance to play a melody
or two, and to join in
with an upbeat
accompaniment. An
optional sing-along part
invites audience
participation and makes
this arrangement by
Andrew H. Dabczynski the
perfect piece for a
first-year concert,
school assembly, or
summer program. (2:40)
This title is available
in MakeMusic Cloud.
Composed by Todd Parrish.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. 4th of July;
Patriotic; Summer. Score.
8 pages. Duration 2:30.
Highland/Etling
#00-44845S. Published by
Highland/Etling
(AP.44845S).
UPC:
038081518671.
English.
In 3/4,
this moving piece
provides a great
opportunity for the use
of slow bow strokes and
cross-curricular study.
The victory over the
British forces at
Yorktown, Virginia by the
American Continental Army
in 1781 signaled the end
of the Revolutionary War.
This original work by
Todd Parrish remembers
the heroic efforts of
General Washington and
the brave soldiers he
commanded to forge a new
nation founded on
freedom. (2:30).
Orchestra Piano Solo:
2.2.2.2: Saxes(AAT, opt):
4.3.3.0: Bells: Str
(9-8-7-6-5 in set)
SKU: AP.36-A604290
Composed by Leroy
Anderson. Arranged by
Walter Damrosch. Full
Orchestra. Edwin F.
Kalmus. Score and
Part(s). LudwigMasters
Publications #36-A604290.
Published by
LudwigMasters
Publications
(AP.36-A604290).
UPC:
654690665539.
English.
First
published and recorded in
1954 (only included at
the time on the album
"A Leroy Anderson
Pops' Concert"),
this lovely piano
instrumental was released
as a UK single in 1957
and hit the charts in
early summer. Decca
then issued the track on
45 in the U.S. which
enjoyed a moderate
success. Anderson
later recorded stereo
version of Forgotten
Dreams in 1959. The
composition features a
haunting, romantic melody
and its performance is
within the reach of most
late-intermediate
pianists. Written in D
major, it contains
expressive tempo
variations, an animated B
section, and arpeggiated
chords which require a
bit of stretching.
Instrumentation: Piano
Solo: 2.2.2.2: Saxes(AAT,
opt): 4.3.3.0: Bells: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.