Organ

SKU: HL.14002634

Composed by Richard Blackford. Music Sales America. Classical. Score. Music Sales #NOV952655. Published by Music Sales (HL.14002634).

Mirr or of Perfection, with text by St Francis of Assisi, is one of Richard Blackford's critically acclaimed choral works and was the subject of a television documentary. This work has been frequently broadcast on Classic FM and BBC Radio 3.

Mirror of Perfection was commissioned by the Royal Ballet School and first performed at the Royal College of Music March 1996.

20 Perfect Pieces for Perfect Days. Composed by Kevin Mayhew. Organ. Classical, Majestic, Wedding. Softcover. 113 pages. Kevin Mayhew Publishers #KMP1406014. Published by Kevin Mayhew Publishers

Arranged by Mark L. Williams. For Organ. FJH Classical Organ Library. Contents: Arioso from Contata No. 156 (Bach); Air from Water Music Suite (Handel); Andantino from Rosamunde (Schubert); Nocturne from A Midsummer Night's Dream (Mendelssohn); O Perfect Love; Bist du bei Mir (Bach); Canon in D (Pachelbel); Largo from Xerxes (Handel); Where'er You Walk (Handel); A Nuptual Blessing; Pastoral Symphony from Messiah (Handel); Jesu, Joy of Man's Desiring (Bach); He Shall Feed His Flock From Messiah (Handel); Bridal Chorus from Lohengrin (Wagner); Trumpet Voluntary; Wedding March from A Midsummer Night's Dream (Mendelssohn); Trumpet Tune; Allegro Maestoso from Water Music Suite (Handel); March from Richard the First (Handel); Rondeau from Sinfonies de Fanfares (Mouret); Prelude to Te Deum

By Albert Zabel. For organ. Sacred. Text. Published by Lorenz Publishing Company.

By Michael Burkhardt. For organ. Organ Music. Organ. Moderately Easy to Medium. Published by MorningStar Music Publishers

By Various. Organ. Level: 2-staff. Sacred organ. Published by Lorenz Publishing Company.

By J. Wayne Kerr. For organ. Collection. 20 pages. Published by Concordia Publishing House

Organ

SKU: HL.253940

Composed by Jan Rybarski. PWM. Classical. Softcover. 32 pages. Duration 960 seconds. Polskie Wydawnictwo Muzyczne #11700010. Published by Polskie Wydawnictwo Muzyczne (HL.253940).

12.0x9.0 inches.

Jan Rybarskis Fantasia for Organ is a work of a great emotional impact. Its romantic dramaturgy leads the listener into the state of deep reflections. The work is monumental; its structure resembles a one-part sonata with a fugue in the middle fragment. The arrangement requires organs with minimum 16-18 voices in two manuals. Despite fast passages and at times complicated harmony that require a lot of practice, the work is played with comfort. The author, as an organist-practitioner, uses difficult technical elements that he controls in a perfect manner. The proportion of the traditional and modern harmonics is ideal, which means it perfectly corresponds to the dramaturgy of the work. The main formative element is the rhythm that - as the author claims himself - inspires, opens both the performer and the listener to the experience. The structure of the Fantasia brings connotations to the course of a human life, with a film story that apparently is different for everyone, but conveys one truth common to all people: in order to overcome difficulties, you need to trust God.

Gabrieli, Frescobaldi, and Others. Edited by Otto Gauss. Masterworks; Organ - Method or Collection. Kalmus Edition. Masterwork. Book. 32 pages. Kalmus Classic Edition #00-K09773. Published by Kalmus Classic Edition

Composed by Camille Saint-Saens (1835-1921). Masterworks; Organ - Method or Collection. Kalmus Edition. Form: Fugue; Prelude. Masterwork; Romantic. Book. 64 pages. Kalmus Classic Edition #00-K09970. Published by Kalmus Classic Edition

SATBarB choir, organ

SKU: CA.331360

Composed by Samuel Sebastian Wesley. Separate edition with choral collection. Sacred vocal music, Peace and justice, Praise and thanks, Psalms. Full score. 5 pages. Carus Verlag #CV 03.313/60. Published by Carus Verlag (CA.331360).

ISBN 9790007173395. Key: F major. Text language: English.

By Joseph Willcox Jenkins. Edited by John Romeri. For organ. Collection. The Cathedral Organ Series. Moderately Difficult. Organ score. 36 pages. Published by MorningStar Music Publishers

Composed by Julius Schneider. Masterworks; Organ - Method or Collection. Kalmus Edition. Masterwork; Romantic. Book. 72 pages. Kalmus Classic Edition #00-K02190. Published by Kalmus Classic Edition

Composed by Daniel Ficarri. Pentecost, Organ Dedication. E.C. Schirmer Publishing #8987. Published by E.C. Schirmer Publishing

Composed by George Frideric Handel (1685-1759). Arranged by Best. Masterworks; Organ - Method or Collection. Kalmus Edition. Baroque; Masterwork Arrangement. Book. 24 pages. Kalmus Classic Edition #00-K09772. Published by Kalmus Classic Edition

By Lani Smith. O and p. Level: 3-staff. Sacred organ and piano. Published by Lorenz Publishing Company.

Organ (Organ)

SKU: HL.48180524

For Organ. Composed by Joseph Jongen. Leduc. Post-1900. Softcover. 22 pages. Alphonse Leduc #AL18032. Published by Alphonse Leduc (HL.48180524).

UPC: 888680795641. 9.0x12.0x0.104 inches.

Sonata Eroica, Op. 94 (1930) is a melodious piece composed by Joseph Jongen for great organ. Dedicated to Joseph Bonnet who was the organist of the St Eustache Church in Paris, this piece is quite difficult (upper intermediate/advanced level) and requires the use of different keyboard divisions and pedals. Lasting around 16 minutes, this wonderful work is quite architectural and will astonish you by its grandeur. It is the perfect piece to include in a recital. Joseph Jongen was a Belgian organist, composer and professor of harmony and counterpoint. He won the Belgian Prix de Rome and composed numerous pieces including music chamber works, symphonies, concertos and songs. His most famous piece is the Symphonie Concertante (1926).

Composed by Lynn Trapp. For Organ. Medium. Published by MorningStar Music Publishers

By T. Tertius Noble. For Organ. Organ - Method or Collection. Sacred. Level: Intermediate. Book. 96 pages. Published by Alfred Publishing.

By Gerhard Krapf. Organ. Level: 3-staff. Sacred Organ. Published by Sacred Music Press.

By Michael Helman. Edited by Dale Tucker. Classical and sacred organ. Level: upper intermediate. 16 pages. Published by Alfred Publishing.

Arranged by Frederick Swann. Organ Solo. H.T. Fitzsimons Co. H.T. FitzSimons Company #F0664. Published by H.T. FitzSimons Company

Composed by Mark Siebert. For organ. Chant hymns are the basis of these creative preludes. General. Published by CanticaNOVA Publications

By Lani Smith. Organ. Level: 3-staff. Sacred Organ. Published by Lorenz Publishing Company.

By Robert J Powell. For organ. Holy Week. Level: 3-staff. Sacred organ. Published by Sacred Music Press. (70/1634S)

Composed by Johann Christoph Bach. Masterworks; Organ - Method or Collection. Kalmus Edition. Classical; Masterwork. Book. 48 pages. Kalmus Classic Edition #00-K03095. Published by Kalmus Classic Edition

Composed by Wolfgang Amadeus Mozart (1756-1791). Masterworks; Organ - Method or Collection; Solo; Solo Small Ensembles. Kalmus Edition. Classical; Masterwork. Book. 40 pages. Kalmus Classic Edition #00-K03707. Published by Kalmus Classic Edition

Arranged by Jerry Westenkuehler. Organ Solo. H. W. Gray Saint Cecilia Series. Form: Prelude. Hymn; Sacred. Sheet. 8 pages. Jubilate Music Group #00-GSTCM0101. Published by Jubilate Music Group

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.