Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507509

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. 2x 55.075/21 2 flutes, 1x 55.075/22 oboe 1, 1x 55.075/23 oboe 2, 3x 55.075/24 3 bassoons, 2x 55.075/31 2 horns, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets. Stuttgart Urtext Edition: Handel. Harmony parts. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1736/1751. HWV 75. Duration 85 minutes. Carus Verlag #CV 55.075/09. Published by Carus Verlag (CA.5507509).

ISBN 9790007226794. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507549

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Organ. Innovative practice aids, Sacred vocal music, Oratorios. Single Part, Organ. Composed 1736/1751. HWV 75. 60 pages. Duration 85 minutes. Carus Verlag #CV 55.075/49. Published by Carus Verlag (CA.5507549).

ISBN 9790007171315. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and part available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507505

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music, Oratorios. Choral Score. Composed 1736/1751. HWV 75. 40 pages. Duration 85 minutes. Carus Verlag #CV 55.075/05. Published by Carus Verlag (CA.5507505).

ISBN 9790007171230. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507519

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Complete orchestral parts. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1736/1751. HWV 75. Duration 85 minutes. Carus Verlag #CV 55.075/19. Published by Carus Verlag (CA.5507519).

ISBN 9790007171438. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoon, 2 horns, 2 trumpets, timpani, 2 (3) violin, 2 violas, cello, basso continuo

SKU: CA.5507500

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music, Oratorios. Full score. Composed 1736/1751. HWV 75. 184 pages. Duration 85 minutes. Carus Verlag #CV 55.075/00. Published by Carus Verlag (CA.5507500).

ISBN 9790007167769. Language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements.

Composed by Antonio Vivaldi (1678-1741). For SATB vocal soli, SATB/SATB choir, 2 orchestras: 2 oboes, 2 trumpets, 2 violins, viola, basso continuo, [timpani]. Stuttgart Urtext Edition. German title: Dixit Dominus. Cantatas, Motets, Epiphany, Daily hours. Level 4. Complete orchestral parts. Language: Latin/English. RV 594. Duration 25 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704809

Composed by Johann David Heinichen. 1x 27.048/21 flute 1, 1x 27.048/22 flute 2, 1x 27.048/23 oboe 1, 1x 27.048/24 oboe 2, 1x 27.048/31 horn 1, 1x 27.048/32 horn 2, 1x 27.048/33 trumpet 1, 1x 27.048/34 trumpet 2, 1x 27.048/41 timpani. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. 72 pages. Duration 45 minutes. Carus Verlag #CV 27.048/09. Published by Carus Verlag (CA.2704809).

ISBN 9790007199395. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and parts available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704849

Composed by Johann David Heinichen. This edition: Paperbound. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1765. Duration 45 minutes. Carus Verlag #CV 27.048/49. Published by Carus Verlag (CA.2704849).

ISBN 9790007199449. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704819

Composed by Johann David Heinichen. German title: Missa Nr. 9 in D. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 45 minutes. Carus Verlag #CV 27.048/19. Published by Carus Verlag (CA.2704819).

ISBN 9790007138868. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and parts available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704811

Composed by Johann David Heinichen. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/11. Published by Carus Verlag (CA.2704811).

ISBN 9790007199401. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704805

Composed by Johann David Heinichen. Sacred vocal music, Masses, Latin. Choral Score. Duration 45 minutes. Carus Verlag #CV 27.048/05. Published by Carus Verlag (CA.2704805).

ISBN 9790007109653. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704812

Composed by Johann David Heinichen. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/12. Published by Carus Verlag (CA.2704812).

ISBN 9790007199418. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704814

Composed by Johann David Heinichen. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/14. Published by Carus Verlag (CA.2704814).

ISBN 9790007199432. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704813

Composed by Johann David Heinichen. Viola. Sacred vocal music, Masses, Latin. Single Part, Viola. 16 pages. Duration 45 minutes. Carus Verlag #CV 27.048/13. Published by Carus Verlag (CA.2704813).

ISBN 9790007199425. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 oboes d'amore, 3 trombones, timpani, violin concertato, 2 violins, viola, basso continuo

SKU: CA.3112009

Cantata for a Leipzig city council election. Composed by Johann Sebastian Bach. Edited by Ulrike Utsch. This edition: urtext. 1x 31.120/21 oboe d'amore 1, 1x 31.120/22 oboe d'amore 2, 4x 31.120/31 trumpet. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Composed 1742. BWV 120. Duration 26 minutes. Carus Verlag #CV 31.120/09. Published by Carus Verlag (CA.3112009).

ISBN 9790007207274. Text language: German/English.

The second movement of the cantata Gott, man lobet dich in der Stille BWV 120 became particularly well-known through its re-use in the Credo of the Mass in B minor. The cantata is one of six surviving cantatas for inaugurations of the Leipzig Town Council from the pen of Johann Sebastian Bach. Although the autograph manuscript score can be dated to around 1742, it is not known precisely which town council inauguration the work was performed at. Score and parts available separately - see item CA.3112000.