Kantate zum 10. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Kubik, Reinhold. Arranged by Paul Horn. For Soli ATB, SATB Choir, Flute, 2 Oboes, (Violino), Strings, Organ. BWV 102. Cantatas; Stuttgart Urtext editions. Score. Language: German/English. Composed 1726. 84 pages. Duration 24 min. Published by Carus Verlag (German import).

(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by Johannes Brahms. For Soli SB, SATB Choir, Piccolo, 2 Flute, 2 Oboe, 2 Clarinet, 2 Bassoon, 4 Horn, 2 Trumpet, 3 Trombone, Tuba, 3 Timpani, Harp, 2 Violin, Viola, Cello, Contrabass, [Organ]. This edition: paperbound. Full score available separately - see item CA.2705500. Requiem; Occasions: Mourning, Death; Use during church year: End of the church year. Piano/Vocal score. Language: German. 45. 96 pages. Duration 70 min

(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by Johannes Brahms. For Soli SB, SATB Choir, Piccolo, 2 Flute, 2 Oboe, 2 Clarinet, 2 Bassoon, 4 Horn, 2 Trumpet, 3 Trombone, Tuba, 3 Timpani, Harp, 2 Violin, Viola, Cello, Contrabass, [Organ]. This edition: paperbound. Requiem; Occasions: Mourning, Death; Use during church year: End of the church year. Score. Language: German. 45. 256 pages. Duration 70 min

(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Grischkat, Hans. For Soli SATB, SATB Choir, 3 Trumpets, Timpani, 2 Oboes, Violin solo, Strings, Organ. BWV 137. Full score available separately - see item CA.3113700. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Level 3. Part: Violin 2. Language: German/English. Composed 1725. 4 pages. Duration 18 min

(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Grischkat, Hans. For Soli SATB, SATB Choir, 3 Trumpets, Timpani, 2 Oboes, Violin solo, Strings, Organ. BWV 137. Full score available separately - see item CA.3113700. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Level 3. Part: Violin 1. Language: German/English. Composed 1725. 8 pages. Duration 18 min

(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Grischkat, Hans. For Soli SATB, SATB Choir, 3 Trumpets, Timpani, 2 Oboes, Violin solo, Strings, Organ. BWV 137. Full score available separately - see item CA.3113700. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Level 3. Set of instrumental parts (except strings). Language: German/English. Composed 1725. 32 pages. Duration 18 min

(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Grischkat, Hans. For Soli SATB, SATB Choir, 3 Trumpets, Timpani, 2 Oboes, Violin solo, Strings, Organ. This edition: paperbound. BWV 137. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Level 3. Score. Language: German/English. Composed 1725. 52 pages. Duration 18 min

(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Grischkat, Hans. For Soli SATB, SATB Choir, 3 Trumpets, Timpani, 2 Oboes, Violin solo, Strings, Organ. BWV 137. Full score available separately - see item CA.3113700. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Level 3. Part: Violoncello/Contrabass. Language: German/English. Composed 1725. 12 pages. Duration 18 min

(Kantate zum 12. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Grischkat, Hans. For Soli SATB, SATB Choir, 3 Trumpets, Timpani, 2 Oboes, Violin solo, Strings, Organ. BWV 137. Full score available separately - see item CA.3113700. Cantatas; Stuttgart Urtext editions; Use during church year: Pentecost. Level 3. Part: Viola. Language: German/English. Composed 1725. 4 pages. Duration 18 min

By Ludwig van Beethoven (1770-1827). Edited by Ernst Herttrich. For Soli SATB, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violin, viola, cello, double bass, organ. This edition: Paperbound. D-Dur (D major). Stuttgart Urtext Edition. German title: Missa solemnis. Masses, Latin. Vocal score. Language: Latin. Composed 1817/23. Op. 123. 128 pages. Duration 90 minutes. Published by Carus Verlag

(Symphonie-Kantate). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Douglass Seaton. For SST vocal soli, SSAATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ. Stuttgart Urtext Edition. Score available separately - see item CA.4007600. Praise and thanks. Level 3. Complete orchestral parts. Language: German/English. Composed 1840. Op. 52. Duration 65 minutes. Published by Carus Verlag

Orchestra SATB vocal soli, SATB choir, 2 oboes/2 oboe d'amore, oboe d'caccia, [3 trumpets, timpani], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108013

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. German title: Ein feste Burg. Innovative practice aids, Sacred vocal music, Cantatas, Reformation day. Single Part, Viola. BWV 80. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/13. Published by Carus Verlag (CA.3108013).

ISBN 9790007045371. Key: D major. Language: German/English. Text: Luther, Martin. Text: Martin Luther, Salomo Franck.

Bach's Reformation cantata, based on what is probably Martin Luther's most famous hymn, evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716, now missing, which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730, Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on, in the 1730s or 1740s, Bach replaced the introductory chorale movement with a chorale setting which was unique, spacious and motet-like in its style; this - uniquely in this respect - incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas, one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets, timpani as playing score) by Wilhelm Friedemann Bach are available (Carus 3108089). Score and part available separately - see item CA.3108000.

(New revised version). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. Arranged by Andreas Kohs. For 2 soprano voice solos, alto voice solo, tenor voice solo, bass voice solo, double SATB choir, 2 flutes, 3 oboes (2 oboes d'amore), 2 english horns, 2 bassoons, horn, 3 trumpets, timpani, 2 violins, viola, basso continuo (organ) (2 Solo Sopranos/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SSAATTBB/2 Flutes/3 Oboes (2 Oboes d'amore)/2 English Horns/2 Bassoons/Horn/3 Trumpets or 3 Horns or 3 Clarinets/Timpani/2 Violins/Viola/Basso continuo (Organ)). This edition: Paperback, Urtext edition. Paperback. New revised version. Level 4. Piano reduction. Language: Latin. BWV 232. 243 pages. Duration 2 hours, 15 minutes. Published by Baerenreiter Verlag

Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo - Grade 3

SKU: CA.3949349

Composed by Georg Philipp Telemann and Martin Luther. Edited by Gunter Graulich. Arranged by Paul Horn. Hymns by Martin Luther: Nun komm, der Heiden Heiland; Stuttgart Urtext Edition: Telemann-Archiv. Organ. Sacred vocal music, Cantatas, Advent. Single Part, Organ. TVWV 1:1178. 8 pages. Duration 7 minutes. Carus Verlag #CV 39.493/49. Published by Carus Verlag (CA.3949349).

ISBN 9790007240639. Language: German/English.

The cantata text by Erdmann Neumeister known from Bach's work of the same name (BWV 61), appears here in a much shorter composition by Telemann. Definitely it has a charm of its own. Score and part available separately - see item CA.3949300.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106249

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Organ. Composed 1724. BWV 62. 20 pages. Duration 23 minutes. Carus Verlag #CV 31.062/49. Published by Carus Verlag (CA.3106249).

ISBN 9790007043650. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507549

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Organ. Innovative practice aids, Sacred vocal music, Oratorios. Single Part, Organ. Composed 1736/1751. HWV 75. 60 pages. Duration 85 minutes. Carus Verlag #CV 55.075/49. Published by Carus Verlag (CA.5507549).

ISBN 9790007171315. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and part available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 oboes/2 oboes d'amore, oboe da caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108089

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. Harmony parts. Innovative practice aids, Sacred vocal music, Cantatas, Reformation day. Set of Orchestra Parts. BWV 80. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/89. Published by Carus Verlag (CA.3108089).

ISBN 9790007206840. Key: D major. Text language: German/English. Text: Luther, Martin.

Bach's Reformation cantata, based on what is probably Martin Luther's most famous hymn, evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716, now missing, which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730, Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on, in the 1730s or 1740s, Bach replaced the introductory chorale movement with a chorale setting which was unique, spacious and motet-like in its style; this - uniquely in this respect - incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas, one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets, timpani as playing score) by Wilhelm Friedemann Bach are available (Carus 3108089). Score and parts available separately - see item CA.3108000.

SATB vocal soli, SATB choir, 2 oboe d'amore (oboe), 2 violins, viola, basso continuo

SKU: CA.3103749

Cantata for Ascension Day. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. German title: Wer da glaubet. Sacred vocal music, Cantatas, Ascension. Single Part, Organ. Composed 1724. BWV 37. 16 pages. Duration 21 minutes. Carus Verlag #CV 31.037/49. Published by Carus Verlag (CA.3103749).

ISBN 9790007042738. Key: A major. Language: German/English.

Lyr icist possibly Christian Weiss, Sen.; This edition contains a reconstructed part fo violin solo (Durr/Hellmann) for the Tenor Aria no. 2. Score and part available separately - see item CA.3103700.

Orchestra SATB vocal soli, SATB choir, 4 flutes, 2 oboes, 2 english horns, 4 bassoons, 4 horns, 4 trombones, 4 harps, grand organ, organ accompaniment, 2 violins, viola, cello, contrabass (reduced version: 2 flutes, 2 oboes, 2 english horns, 2 bassoons, 2 horns, tr

SKU: CA.2731700

Composed by Camille Saint-Saens. Edited by Fritz Naf. Sacred vocal music, Requiem. Requiem Op. 54. Sacred vocal music, Requiem. Full score. Composed 1878. Op. 54. 108 pages. Duration 35 minutes. Carus Verlag #CV 27.317/00. Published by Carus Verlag (CA.2731700).

ISBN 9790007167875. Language: Latin.

During his most productive period as an opera composer, Camille Saint-Saens also wrote sacred works, among which his Oratorio de Noel has enjoyed great worldwide popularity. The colorful and opulently orchestrated Messe de Requiem was composed in 1878 in Bern. The composer dedicated it to his patron, Albert Libon. We have published this edition both with its larger orchestral forces and to enable perfomances of the Requiem in slightly reduced scoring (without losing the special characteristics of the work), in a version with a smaller orchestra consisting of 11 winds, two harps, organ and string instruments. The full score reproduces the Urtext of the Requiem with its original scoring, whereas the performance material is presented and conceived so to enable it to be performed either in the original orchestration or the version with reduced forces.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704849

Composed by Johann David Heinichen. This edition: Paperbound. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1765. Duration 45 minutes. Carus Verlag #CV 27.048/49. Published by Carus Verlag (CA.2704849).

ISBN 9790007199449. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

(Kantate zum Fest der Himmelfahrt Christi). By Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat. For Soli SATB, SATB Choir, 2 Oboes/Oboe d'Amore, Strings, Organ. BWV 37. Score available separately - see item CA.3103700. Cantatas; Use during the church year: Ascension; Stuttgart Urtext Editions. Part: Violin 2. Language: German/English. Composed 1724. 4 pages. Duration 21 min. Published by Carus Verlag

(Kantate am Fest Mariae Reinigung, oder am dritten Osterfesttag). By Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat. For Soli SB, SATB Choir, Oboe, Violin solo, Cello/Contrabass, Organ. This edition: paperbound. BWV 158. Cantatas; Use during the church year: Special Days, Easter and Eastertide; Stuttgart Urtext Editions. Level 2. Score. Language: German/English. Composed 1723/1735. 24 pages. Duration 12 min. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, organ obligato

SKU: CA.3102905

Cantata for the inauguration of a new town council. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wir danken dir, Gott, wir danken dir. Sacred vocal music, Cantatas, Praise and thanks. Choral Score. Composed 1731. BWV 29. 8 pages. Duration 28 minutes. Carus Verlag #CV 31.029/05. Published by Carus Verlag (CA.3102905).

ISBN 9790007042394. Key: D major. Language: German/English.

Bac h's cantata Wir danken dir, Gott, wir danken dir of 1731, composed for the inauguration of the Leipzig town council, is one of the cantatas which has an obbligato organ part. In the introductory Sinfonia (an arrangement of the opening movement of the Partita in E for solo violin) and the final aria, the organ has a prominent solo part. The final aria is a transposed repetition of the first aria in the cantata, which frames its central section as a motto Halleluja, Stark und Macht sei dem allerhochsten Namen. However, the high point of the cantata is the magnificent choral movement which precedes the first Halleluja. Bach also re-used this music later in the Gratias and Dona nobis pacem sections of the Mass in B minor. New revised edition. Score available separately - see item CA.3102900.

SATB vocal soli, SATB choir, oboe I/oboe d'amore/oboe d'caccia I, oboe II/oboe d'caccia II, trumpet, 2 violins, viola, basso continuo

SKU: CA.3114799

Kantate zum Fest Mariae Heimsuchung. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Herz U.Mund U.Tat U.Leben. Leipziger Fassg. Sacred vocal music. Single Part, Organ. Composed 1723. BWV 147. 20 pages. Duration 34 minutes. Carus Verlag #CV 31.147/99. Published by Carus Verlag (CA.3114799).

ISBN 9790007208486. Language: German/English.

Sco re and part available separately - see item CA.3114700.

(Orchesterfassung). By Antonin Dvorak (1841-1904). Edited by Klaus Doge. For Orchestra version: Soli SATB, SATB Choir, 2 Oboes, 2 Bassoons, 3 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ; Organ version: Soli SATB, SATB Choir, Organ. This edition: Paperbound. D-Dur (D major). Masses, Latin. Level 3. Full score. Language: Latin. Composed 1887. Opus 86. 160 pages. Duration 43 min. Published by Carus Verlag

By Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. For SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ. This edition: Paperbound. C-Dur (C major). Stuttgart Urtext editions. Requiem, End of the church year, Mourning, death. Vocal score. Language: Latin. Op. Posth.. 44 pages. Duration 35 min. Published by Carus Verlag

Kantate zum 4. Advent (Rekonstruktion: Uwe Wolf). By Johann Sebastian Bach. Arranged by Uwe Wolf. For Soli SATB, SATB Choir, Trumpet, Oboe d'Amore, Bassoon, 2 Violins (Violin solo), Viola, Cello/Contrabass, Organ. BWV 147a. Cantatas; Stuttgart Urtext editions; Use during church year: Advent. Score. Language: German/English. Composed 1716. 32 pages. Duration 18 min. Published by Carus Verlag (German import).

(Kantate zum 4. Advent (Rekonstruktion: Uwe Wolf)). By Johann Sebastian Bach (1685-1750). Arranged by Uwe Wolf. For Soli SATB, SATB Choir, Trumpet, Oboe d'Amore, Bassoon, 2 Violins (Violin solo), Viola, Cello/Contrabass, Organ. This edition: paperbound. BWV 147a. Full score available separately - see item CA.3114700. Cantatas; Stuttgart Urtext editions; Use during church year: Advent. Level 4. Piano/Vocal score. Language: German/English. Composed 1716. 24 pages. Duration 18 min

Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB vocal soli, SATB choir, orchestra (flute [2], oboe [2], B-flat clarinet [2], bassoon [2], horn [2], trumpet [2], timpani, violin [2], viola, cello, double bass, organ). This edition: urtext edition. Paperback. Score. Opus 86. Published by Baerenreiter Verlag