Violin and Orchestra (STP)

SKU: HL.49042863

In einem Satz. Composed by Hans Pfitzner. Sheet music. Edition Schott. Study score. Composed 1923. Op. 34. 84 pages. Duration 35'. Schott Music #AF7760. Published by Schott Music (HL.49042863).

ISBN 9790002002973.

Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.PB-15155

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Full score. 40 pages. Duration 9'. Breitkopf and Haertel #PB 15155. Published by Breitkopf and Haertel (BR.PB-15155).

ISBN 9790004215609. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Violin and orchestra (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15136

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Full score. 32 pages. Breitkopf and Haertel #PB 15136. Published by Breitkopf and Haertel (BR.PB-15136).

ISBN 9790004214725. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms (1833-1897). Partitur-Bibliothek (Score Library). The Double Concerto in A minor op. 102 is Brahms' last work for orchestra. He wrote it in Thun in summer 1887 at the suggestion of the cellist Robert Hausmann, to whom Brahms had also dedicated his Cello Sonata No. 2 op. 99; it was completed just before o. Romantic. Study score. Breitkopf and Haertel #PB 3697-07. Published by Breitkopf and Haertel

Violin and orchestra (solo: vl - str - bc)

SKU: BR.PB-4384

Composed by Franz Joseph Haydn. Orchestra; stapled. Partitur-Bibliothek (Score Library). EB 8606 (edition for violin and piano) with cadenzas by Thomas Zehetmair. Solo concerto; Classical. Full score. 48 pages. Duration 20'. Breitkopf and Haertel #PB 4384. Published by Breitkopf and Haertel (BR.PB-4384).

ISBN 9790004203033. 10 x 12.5 inches.

EB 8606 (edition for violin and piano) with cadenzas by Thomas Zehetmair.

By Dvorak Antonin. Czech title: Koncert pro violoncello a orchestr h moll op. 104. Published by Praha (Czech import).

By Franz Danzi (1763-1826). For Cello, Orchestra. Breitkopf Full Scores. Score. 24 pages

Violin and orchestra (solo: vl - 0.2.0.0 - 0.2.0.0 - timp - str)

SKU: BR.PB-5333

(Concert Piece). Composed by Franz Schubert. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Full score. 28 pages. Duration 10'. Breitkopf and Haertel #PB 5333. Published by Breitkopf and Haertel (BR.PB-5333).

ISBN 9790004210215. 9 x 12 inches.

Violin and orchestra (solo: vl - 2.2.0.2 - 2.2.0.0 - str)

SKU: BR.PB-4390

Haffner-Serenade. Composed by Wolfgang Amadeus Mozart. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Serenade/divertimento; Solo concerto; Classical. Full score. 100 pages. Duration 40'. Breitkopf and Haertel #PB 4390. Published by Breitkopf and Haertel (BR.PB-4390).

ISBN 9790004203095. 9 x 12 inches.

Violin and orchestra (Solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-16110

Urtext from the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Linda Correll Roesner and Michael Struck. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic; Late-romantic. Full score. 216 pages. Duration 35'. Breitkopf and Haertel #PB 16110. Published by Breitkopf and Haertel (BR.PB-16110).

ISBN 9790004214374. 10 x 12.5 inches.

Johannes Brahms's only violin concerto, one of the most important violin concertos of the 19th century, is now a central repertoire piece. This fact is all the more notable, as, by his own account, Brahms understood all too little about the instrument. The concerto was composed at Worthersee during the summer of 1878 in collaboration with Joseph Joachim, a leading contemporary violinist. The solo part is extremely demanding, with really unusual difficulties. This circumstance did not go unnoticed by the critics of the first performance: Even to Joachim, the battled-seasoned wrestler, the technically difficult and tricky solo part was to be mastered only with obvious effort. Evidencing this close collaboration between composer and performer is not only the work's genesis and publication history, together with its dedication to Joachim, but also its solo cadenza. Based on the New Brahms Complete Edition, this Urtext edition includes both the printed version of Joachim's cadenza as well as its shorter version arranged in 1885 by the violinist Marie Soldat.

Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-15132

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Full score. 84 pages. Duration 25'. Breitkopf and Haertel #PB 15132. Published by Breitkopf and Haertel (BR.PB-15132).

ISBN 9790004214688. 10 x 12.5 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.

Violin and orchestra (solo: vl - 1.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.PB-14580

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Shin Augustinus Kojima. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

Solo concerto; Classical. Full score. 92 pages. Duration 45'. Breitkopf and Haertel #PB 14580. Published by Breitkopf and Haertel (BR.PB-14580).

ISBN 9790004211069. 10 x 13 inches.

Cello and orchestra

SKU: BR.PB-5509

Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Orchestra; stapled. Partitur-Bibliothek (Score Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Solo concerto; Early classical. Full score. 52 pages. Duration 27'. Breitkopf and Haertel #PB 5509. Published by Breitkopf and Haertel (BR.PB-5509).

ISBN 9790004211694. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

Violin and orchestra (solo: vl - 2.0.0.0 - 2.0.0.0 - str)

SKU: BR.PB-4854

Composed by Wolfgang Amadeus Mozart. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

From a letter sent by Leopold Mozart to his son, it would appear that Wolfgang Amadeus delivered this Adagio as a single movement to the Salzburg violinist Antonio Brunetti in 1776 after Brunetti found the original middle movement too scholarl. Solo concerto; Classical. Full score. 8 pages. Duration 8'. Breitkopf and Haertel #PB 4854. Published by Breitkopf and Haertel (BR.PB-4854).

ISBN 9790004206522. 9 x 12 inches.

There is considerable evidence to support the claim that the present Adagio in E major is an alternative middle movement intended for the well-known A-major Violin Concerto K. 219. Ultimately, Mozart decided to leave the work (written in 1775) as it was, without change.The violin part of the present edition contains - also in the tutti sections - the upper part of the orchestra, thus leaving it up to the soloist to decide whether he should pause here or join in.

From a letter sent by Leopold Mozart to his son, it would appear that Wolfgang Amadeus delivered this Adagio as a single movement to the Salzburg violinist Antonio Brunetti in 1776 after Brunetti found the original middle movement too scholarly..

Violin and orchestra (solo: vl - 0.2.0.0 - 2.0.0.0 - str)

SKU: BR.PB-5138

Composed by Wolfgang Amadeus Mozart. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Classical. Full score. 64 pages. Duration 23'. Breitkopf and Haertel #PB 5138. Published by Breitkopf and Haertel (BR.PB-5138).

ISBN 9790004208830. 9 x 12 inches.