(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Clarinette et Piano [Set de Parties séparées] Southern Music Ltd
Edited by Daniel Bonade. Set of performance parts for clarinet and piano. Approv...(+)
Edited by Daniel Bonade.
Set of performance parts
for clarinet and piano.
Approved contest/festival
piece for the University
Interscholastic League.
109 pages. Published by
Southern Music Company.
Piano seul [Partition] - Débutant Alfred Publishing
Famous and Fun: Classic Themes, Book 3 offers a wonderful introduction to the ti...(+)
Famous and Fun: Classic
Themes, Book 3 offers a
wonderful introduction to
the timeless masterpieces
of the great composers.
Featuring arrangements of
themes from symphonic,
operatic and keyboard
literature, these works
have been carefully
selected to appeal to
beginners at the
elementary/late
elementary level.
Optional duet parts for
teacher or parent.
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra
Reduction
(Piano). Composed by
Claude
Debussy (1862-1918) and
Robert Orledge. Arranged
by
Robert Orledge. String.
Softcover. 34 pages.
Schott
Music #VLB214. Published
by
Schott Music
(Woodwind Solos & Ensemble/B-flat Clarinet Collection). By Various. Arranged by ...(+)
(Woodwind Solos &
Ensemble/B-flat Clarinet
Collection). By Various.
Arranged by Bonade,
Daniel. For Piano
(Piano). Woodwind Solos &
Ensembles - B-Flat
Clarinet Collection.
Southern Music. Grade 5.
Southern Music Company
#B109AC. Published by
Southern Music Company
(Clarinet). Composed by Daniel Bonade. For Clarinet, Woodwinds (Parts). Woodwind...(+)
(Clarinet). Composed by
Daniel Bonade. For
Clarinet, Woodwinds
(Parts). Woodwind Solos &
Ensembles - B-Flat
Clarinet Collection.
Southern Music. Grade 5.
52 pages. Southern Music
Company #B109SP.
Published by Southern
Music Company
An Introduction To His Piano Works by Ludwig van Beethoven (1770-1827). Edited b...(+)
An Introduction To His
Piano Works by Ludwig van
Beethoven (1770-1827).
Edited by Willard A.
Palmer. For solo piano.
Graded Standard
Repertoire; Masterworks;
Piano Collection. Alfred
Masterworks Editions.
Classical Period. SMP
Level 6 (Late
Intermediate).
Collection. Introductory
text, standard notation
and fingerings (does not
include words to the
songs). 64 pages.
Published by Alfred Music
Publishing
SKU: SU.00220112 Composed by Claude Debussy. Harp, Harp with Other Instru...(+)
SKU: SU.00220112
Composed by Claude
Debussy. Harp, Harp with
Other Instruments,
Keyboard,
Piano/Harpsichord,
Keyboard, Organ. The
Orchestra Musician's
CD-ROM Libraryâ„¢. CD
(PDF Scores). CD Sheet
Music #00220112.
Published by CD Sheet
Music (SU.00220112).
The complete
Harp, Keyboard (Piano,
Organ, etc.) and
auxiliary parts
[CD-ROM] for the 61
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 2:
Debussy, Mahler and more.
If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BIZET Carmen Suites 1-2,
L'Arlesienne Suites 1-2,
Symphony No. l; BRUCH
Violin Concerto No.1, Kol
Nidrei, Scottish Fantasy;
BRUCKNER Symphonies 1-9,
Te Deum; BUSONI Turandot
Suite; DEBUSSY Images
1-3, Jeux, La Mer,
Nocturnes, Petite Suite,
Prelude to the Afternoon
of a Faun, Printemps,
Sacred and Profane
Dances, Clarinet
Rhapsody; FAURÉ
Pavane, Pelleas and
Melisande, Requiem; GRIEG
Piano Concerto in A
Minor, Peer Gynt Suites
1-2, Symphonic Dances,
Holberg Suite; MAHLER
Symphonies 1-9,
Kindertotenlieder, Das
klagende Lied, Das Lied
von der Erde, Lieder;
REGER Variations and Fuge
on a Theme by Mozart;
SAINT-SAËNS Carnival
of the Animals, Danse
Macabre, Symphony No. 3,
Cello Concerto No. 1,
Piano Concerto No. 2,
Christmas Oratorio,
Introduction and Rondo
Capriccioso Visit for
more
information
Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
SKU: SU.00220093 Composed by Claude Debussy. Strings, Contrabass. The Orc...(+)
SKU: SU.00220093
Composed by Claude
Debussy. Strings,
Contrabass. The Orchestra
Musician's CD-ROM
Libraryâ„¢. CD (PDF
Scores). CD Sheet Music
#00220093. Published by
CD Sheet Music
(SU.00220093).
The complete
Double Bass parts
[CD-ROM] for the 61
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 2:
Debussy, Mahler and more.
If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BIZET Carmen Suites 1-2,
L'Arlesienne Suites 1-2,
Symphony No. l; BRUCH
Violin Concerto No.1, Kol
Nidrei, Scottish Fantasy;
BRUCKNER Symphonies 1-9,
Te Deum; BUSONI Turandot
Suite; DEBUSSY Images
1-3, Jeux, La Mer,
Nocturnes, Petite Suite,
Prelude to the Afternoon
of a Faun, Printemps,
Sacred and Profane
Dances, Clarinet
Rhapsody; FAURÉ
Pavane, Pelleas and
Melisande, Requiem; GRIEG
Piano Concerto in A
Minor, Peer Gynt Suites
1-2, Symphonic Dances,
Holberg Suite; MAHLER
Symphonies 1-9,
Kindertotenlieder, Das
klagende Lied, Das Lied
von der Erde, Lieder;
REGER Variations and Fuge
on a Theme by Mozart;
SAINT-SAËNS Carnival
of the Animals, Danse
Macabre, Symphony No. 3,
Cello Concerto No. 1,
Piano Concerto No. 2,
Christmas Oratorio,
Introduction and Rondo
Capriccioso Visit for
more
information
Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.