Piano SKU: BT.MUSAM92047 It's Easy To Play. Pop & Rock. Book Only. Wise P...(+)
Piano
SKU:
BT.MUSAM92047
It's
Easy To Play. Pop & Rock.
Book Only. Wise
Publications #MUSAM92047.
Published by Wise
Publications
(BT.MUSAM92047).
ISBN
9780711941779.
Play
ing some of the biggest
pop hits of all time
couldn't be easier with
this selection of
accessible and
easy-to-read Piano
arrangements. What
better way could there be
for you to boost your
Piano confidence
andtechniquesthan by
playing the songs you
know and love! From sassy
divas Christina Aguilera
and Shania Twain to the
rock n'roll stomp of
Oasis and Franz
Ferdinand, there's
something to suit every
elementary Piano or
Keyboardplayer.
To Honor America Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4776-00 Composed by James Swearingen. Concert Band. S...(+)
Grade 3
SKU:
CL.012-4776-00
Composed by James
Swearingen. Concert Band.
Score and set of parts.
Composed 2019. Opus III
Wind Orchestra
Publications
#012-4776-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4776-00).
To Honor
America presents an
invaluable collection of
patriotic songs, sure to
become a staple for bands
to perform whenever
thereâ??s an occasion to
highlight the
accomplishments of our
courageous military
soldiers, both past and
present. Deeply moving,
and an all-around feel
good piece are qualities
that best describe the
overwhelming sense of
pride that youâ??ll gain
from hearing this music
performed. It is simply
spectacular in every
sense of the word.
To Honor America Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4776-01 Composed by James Swearingen. Concert Band. E...(+)
Grade 3
SKU:
CL.012-4776-01
Composed by James
Swearingen. Concert Band.
Extra full score.
Composed 2019. Opus III
Wind Orchestra
Publications
#012-4776-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4776-01).
To Honor
America presents an
invaluable collection of
patriotic songs, sure to
become a staple for bands
to perform whenever
there’s an
occasion to highlight the
accomplishments of our
courageous military
soldiers, both past and
present. Deeply moving,
and an all-around feel
good piece are qualities
that best describe the
overwhelming sense of
pride that you’ll
gain from hearing this
music performed. It is
simply spectacular in
every sense of the
word.
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin
SKU: CF.BF131
Composed by Roland Vamos.
With Standard notation.
168 pages. Carl Fischer
Music #BF131. Published
by Carl Fischer Music
(CF.BF131).
ISBN
9781491153765. UPC:
680160911264. 9 x 12
inches.
Inspired by
Clarence Cameron
White’s book The
Violinist’s Daily
Dozen, The
Violinist’s Daily
Sixteen is a collection
of daily exercises
compiled by Roland Vamos.
Intended for student and
professional violinists,
the collection provides
the performer with a
variety of exercises for
daily warm-ups. Mr. Vamos
also focuses on
developing dexterity and
flexibility in the
fingers and joints, the
first and fourth fingers
in particular. Each of
the sixteen exercises is
notated for each of the
four strings, and Vamos
recommends that the
exercises be practiced as
warm-ups, choosing a
different string for each
day of practice.Also
included with the Daily
Sixteen is a
comprehensive set of
studies for developing
fluency with scales and
arpeggios. Mr.
Vamos’ unique
methodology is to begin
with major scales and
arpeggios, followed by
minor scales and
arpeggios, all of which
are notated in two, three
and four octaves.
Alternate fingers are
provided, as well as a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. It is
a remarkably systematic
approach to performing
scales and arpeggios on
the violin and will
surely benefit students
and professionals
alike. ForewordThis
short hand-setting set of
exercises was inspired by
a book entitled The
Violinist’s Daily
Dozen, conceived by
Clarence Cameron White, a
prominent
African-American
violinist, composer and
arranger who enjoyed the
bulk of his career in the
first half of the
twentieth century.I have
practiced this set of
exercises since I was
twelve years old. It has
served me as a superb
warm-up and hand setting
tool. Over the years, I
have found that there are
some aspects of this
warm-up routine that were
not given sufficient
attention or not
addressed at all.
Consequently, I have
expanded the Daily Dozen
to create a new work
entitled The
Violinist’s Daily
Sixteen.I have also paid
particular attention in
this work as to how these
exercises are to be
practiced. In exercises
one and two, I have
indicated some notes to
be played before the
actual written exercises.
This is to ensure that
the fourth finger will be
over the string in a
position ready to strike
even though it is not
being used. Before
playing exercises three,
four, nine, ten, eleven
and twelve, I have
indicated silent fingers
to be placed on the notes
they would be playing if
they were being used.I
have replaced Mr.
White’s grace
notes with notes of
specific value and have
slowed down the exercises
so that the first joint
(the joint nearest the
string) of each finger
can move with flexibility
and strength. At no time
should the first joint
buckle.In Mr.
White’s version,
the last exercise gave
the first finger some
very valuable backward
extensions. In this
exercise (number 14 in
this book), I caution the
student not to move the
hand along with the first
finger. The hand should
remain in position while
the first finger
independently moves back
and forth.It became
obvious to me that if the
first finger were given
the opportunity to
develop the dexterity
that Mr. White’s
twelfth exercise
emphasizes, the fourth
finger could benefit from
an exercise that gives it
a forward extension.
Consequently, I added
another exercise to
create a Baker’s
Dozen (thirteen).Several
years later, I felt that
the second and third
fingers should also have
an exercise to further
develop their
dexterity…hence
exercise fourteen was
added to create a
“Vamos
Dozen.â€Because the
first finger did not have
sufficient practice in
the development of the
first joint in the
original version, I have
added two exercises to
precede White’s
fifth exercise. After
re-working and
re-numbering these
exercises, I have come up
with a total of sixteen
exercises. It is my
suggestion that these be
practiced as a warm-up,
choosing a different
string each
day.—Roland
VamosEvanston, Illinois
2017Â PrefaceScales are
a means of teaching a
person the fingerboard on
his or her instrument.
The fingers move across
the strings and are
required to make shifts,
all in highly organized
patterns. Scales and
arpeggios are the
foundation upon which our
repertoire is built. Many
scale books have been
written; each one being
organized in its own
specific way. The Flesch
Scale System has been a
standard for many
decades. It is very
comprehensive and
systematic. From the
point of view of
establishing similar
patterns, it has one
drawback: it is organized
by starting with a major
key, followed by its
relative minor, going
through the circle of
fifths. I believe that it
is more profitable to do
only major scales with
their arpeggios first,
going up chromatically,
and then follow them in a
similar way with the
minor scales. In using
this approach, the
similarities in
fingerings between the
various scales are more
apparent. It is also
profitable to have
alternate fingerings
whenever possible. My
approach to scales and
arpeggios includes a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. These
bowings are not
all-inclusive. Whenever a
particularly awkward
bowing pattern is
encountered in the
repertoire, it can be
practiced as an
additional bowing
variation in the scales
and arpeggios. Â Â I
have chosen to introduce
the three and four octave
scales by teaching two
octave scales across the
strings in one position
going up chromatically
through seven positions;
starting on the first,
second, third, and
finally fourth fingers in
major and melodic
minor.—Roland
VamosEvanston, Illinois
2017.
Clarinet, Strings, percussion, tuba SKU: OT.37019 Composed by Lev Kogan. ...(+)
Clarinet, Strings,
percussion, tuba
SKU:
OT.37019
Composed by
Lev Kogan. Arranged by
Alan Kaufman. For
clarinet, strings,
percussion, and tuba.
Klezmer. Score. OR-TAV
Music Publications
#37019. Published by
OR-TAV Music Publications
(OT.37019).
ISBN
9789655050851. 8.27 x
11.69 inches.
Lev
Kogan Klezmer Dance
Suite for clarinet,
strings, percussion, and
tuba arranged by Alan
Kaufman, with cadenzas by
Gene Kavadlo Score. A
set of parts may be
ordered
separately. There is
also an edition for small
ensemble including a
score and one copy each
part, SKU 37019set I
have been Principal
Clarinetist with the
Charlotte Symphony
Orchestra, North
Carolina, since 1975. My
interest in klezmer music
began in 1984 when I
realized how unique the
clarinet voice can be in
the klezmer idiom - it is
totally different from
playing in a symphony
orchestra, and I found
that unique voice to be
very appealing. I formed
a quartet called Viva
Klezmer!, and we have
been concertizing and
recording ever
since. I discovered
Lev Kogan's Hassidic
Tunes for Clarinet and
Piano a number of years
ago and was struck by the
lovely melodies and
harmonies that Mr. Kogan
had composed. The tunes
were always enjoyed by
audiences whenever I
performed them, and it
occured to me that
several of them could be
orchestrated and grouped
together to form a very
attractive klezmer suite.
I enlisted the aid of my
talented colleague, Alan
Kaufman, and the result
is this publication.
There is dearth of
klezmer music featuring
clarinet with orchestra
or chamber ensemble, and
this publication helps
fill that void. The
suite can be performed
with orchestra or, if
percussion and tuba are
unavailable, as chamber
music with clarinet and
strings. In the absence
of tuba, the part may be
played by another bass
instrument. Gene
Kavadlo Lev Kogan
(1927-2007) was born in
Baku, Azerbaijan, and
immigrated to Israel in
1972. Kogan attended the
Moscow State Conservatory
from 1946-1952 where he
studied piano and was a
composition of Aram
Khatchturian. He has
devotred much time to the
research, creation and
performance of Jewish
music. In Israel, he has
composed many productions
for the Yiddish theater
and Chassidic, Yiddish
songs and chamber
music. Originally from
New York State, Alan
Kaufman graduated from
Potsdam State University
with a Bachelor's Degree
in Music Education and a
Master's Degree in Music
Performance in
Percussion. Since then,
he has been a performer,
arranger, educator,
producer and composer of
commercial jingles,
recordings and movie and
television soundtracks.
He has produced albums
and/or has arranged for
an array of groups from
The Buddy Rich Band to
performing with artists
as diverse as Luciano
Pavoratti and Bernadette
Peters, to Dave Brubeck
and Johnny Cash. Since
1978, Alan has resided in
Charlotte, NC where he
continues his musical
journey.
Zombies Greatest Hits Piano, Voix et Guitare [Partition] - Intermédiaire Alfred Publishing
Performed by The Zombies. Edited by Carol Cuellar. Songbook (Piano/Vocal/Chords....(+)
Performed by The Zombies.
Edited by Carol Cuellar.
Songbook
(Piano/Vocal/Chords.
Arrangements for piano
and voice with guitar
chords). 68 pages.
Published by Alfred
Publishing.
SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, ...(+)
SATB choir, assembly,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, trombone 1, trombone 2
- Beginning
SKU:
GI.G-7701
Composed by
Charles Villiers
Stanford. Arranged by
Robert J. Powell. Advent
1 B, Ordinary Time 6 A,
Ordinary Time 26 A.
Choral. Tune Name:
Engelberg. Sacred.
Octavo. 12 pages. GIA
Publications #7701.
Published by GIA
Publications (GI.G-7701).
UPC: 785147770107.
English. Text by Delores
Dufner. Scripture: Isaiah
64:4, 1 Corinthians 2:9,
Philippians
2:11.
ENGELBERG is
one of those tunes that
musicians love to program
whenever possible. While
there seems to be no
shortage of texts to yoke
with it, Delores
Dufner’s well
crafted hymn, which sings
of Christ our Light, was
written specifically for
the tune, creating a
natural pairing that we
think Stanford would have
appreciated!
Powell’s setting
with brass quartet
captures the grandeur of
the tune.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext. 1x
39.127/21 oboe 1, 1x
39.127/22 oboe 2.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Set of Orchestra Parts.
TVWV 7:16. Duration 12
minutes. Carus Verlag #CV
39.127/09. Published by
Carus Verlag
(CA.3912709).
ISBN
9790007215774. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and parts
available separately -
see item CA.3912700.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Full score. TVWV 7:16. 36
pages. Duration 12
minutes. Carus Verlag #CV
39.127/00. Published by
Carus Verlag
(CA.3912700).
ISBN
9790007164416. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep).
Guitar - easy to intermediate SKU: M7.DUX-892 17 Charakterstücke f...(+)
Guitar - easy to
intermediate
SKU:
M7.DUX-892
17
Charakterstücke für
Konzertgitarre.
Composed by Walter
Theisinger. Sheet music
with CD. Performance
book. 40 pages. Edition
Dux Verlag #DUX 892.
Published by Edition Dux
Verlag (M7.DUX-892).
ISBN
9783934958388.
Akus
tische Bilder, denen
jeder Gitarrist seine
eigene Farbe verleihen
kann. Vor jeder der
leichten bis
mittelschweren
Kompositionen führen
kurze Hinweise in den
Charakter der Stücke
ein. Auf der beiliegenden
CD hat der Komponist
seine Werke
eingespielt.
SATB choir SKU: WD.080689834226 Arranged by Camp Kirkland, Dave Williamso...(+)
SATB choir
SKU:
WD.080689834226
Arranged by Camp
Kirkland, Dave
Williamson, Lari Goss,
Robert Sterling, Russel
Mauldin, and and More.
Choral, cantatas. Sacred.
Listening CD. Word Music
#080689834226. Published
by Word Music
(WD.080689834226).
UPC:
080689834226.
Every
choir leader knows that
Sunday comes once a week,
and there's always a need
for sing-able
arrangements that can be
ready in an instant. The
Instant Worship Choir
Collection is packed with
20 dynamic arrangements
that meet the need right
when you need it! Perfect
for small and large
choirs alike (depending
upon the circumstance:
slim Sundays, summer
choir, special event
choir, snow choir, during
busy seasonal rehearsal
times) or whenever you
want an easily-prepared
song your choir is
guaranteed to enjoy
presenting.
20
song value collection,
re-voiced to be able to
be rehearsed and ready in
30 minutes. At $9.95,
that is less than 50
cents per anthem!
Practice Trax
available.
SATB choir SKU: WD.080689757723 Arranged by Camp Kirkland, Dave Williamso...(+)
SATB choir
SKU:
WD.080689757723
Arranged by Camp
Kirkland, Dave
Williamson, Lari Goss,
Robert Sterling, Russel
Mauldin, and and More.
Choral, cantatas. Sacred.
Bulk CD (10-pak). Word
Music #080689757723.
Published by Word Music
(WD.080689757723).
UPC:
080689757723.
Every
choir leader knows that
Sunday comes once a week,
and there's always a need
for sing-able
arrangements that can be
ready in an instant. The
Instant Worship Choir
Collection is packed with
20 dynamic arrangements
that meet the need right
when you need it! Perfect
for small and large
choirs alike (depending
upon the circumstance:
slim Sundays, summer
choir, special event
choir, snow choir, during
busy seasonal rehearsal
times) or whenever you
want an easily-prepared
song your choir is
guaranteed to enjoy
presenting.
20
song value collection,
re-voiced to be able to
be rehearsed and ready in
30 minutes. At $9.95,
that is less than 50
cents per anthem!
Practice Trax
available.
(Easy Piano). Arranged by Dan Coates. For Piano. This edition: Easy Piano. Book;...(+)
(Easy Piano). Arranged by
Dan Coates. For Piano.
This edition: Easy Piano.
Book; Piano - Easy Piano
Collection; Sing-Along.
The Giant Book of Sheet
Music. Country. Easy
Piano. 204 pages.
Published by Alfred Music
Instrumental accompaniment SKU: WD.080689479670 Arranged by Camp Kirkland...(+)
Instrumental
accompaniment
SKU:
WD.080689479670
Arranged by Camp
Kirkland, Dave
Williamson, Lari Goss,
Robert Sterling, Russel
Mauldin, and and More.
Choral, cantatas. Sacred.
Orchestration. Word Music
#080689479670. Published
by Word Music
(WD.080689479670).
UPC:
080689479670.
Every
choir leader knows that
Sunday comes once a week,
and there's always a need
for sing-able
arrangements that can be
ready in an instant. The
Instant Worship Choir
Collection is packed with
20 dynamic arrangements
that meet the need right
when you need it! Perfect
for small and large
choirs alike (depending
upon the circumstance:
slim Sundays, summer
choir, special event
choir, snow choir, during
busy seasonal rehearsal
times) or whenever you
want an easily-prepared
song your choir is
guaranteed to enjoy
presenting.
20
song value collection,
re-voiced to be able to
be rehearsed and ready in
30 minutes. At $9.95,
that is less than 50
cents per anthem!
Practice Trax
available.
Traffic Jam Orchestre d'harmonie [Conducteur] - Débutant FJH
Concert Band Concert Band - Grade 1 SKU: FJ.B1380S Score Only. Com...(+)
Concert Band Concert Band
- Grade 1
SKU:
FJ.B1380S
Score
Only. Composed by
Timothy Loest. Concert
Band. FJH Beginning Band.
Light Concert; Novelty;
Rock. Score. Duration
1:10. The FJH Music
Company Inc #98-B1380S.
Published by The FJH
Music Company Inc
(FJ.B1380S).
English.
Experie
nce 'rush-hour rock' like
you've never experienced
before! This
easy-grooving,
well-crafted original
derives its automotive
charm from the various
car horn effects played
throughout. Various
novelty percussion
instruments such as the
police whistle and bulb
horn will car pool your
audience from the concert
hall to the expressway. A
charming piece that will
put a smile on everyone's
face, even if they get
stuck in traffic on the
way home from the
concert!
Traffic
Jam represents my idea of
rush hour rock. This work
derives its automotive
charm from the various
car horn effects played
throughout. The most
important articulation in
the work is the marcato
accent. Whenever this
articulation appears, a
car horn is being honked.
Each honk should be
percussive and short.
Although the honks are
dissonant, their
composite notes should be
balanced. It is
recommended that the
various honks be isolated
during rehearsal, so that
just the right sound and
feel is achieved. Other
important sounds include
the police whistle and
bulb horn. These novelty
instruments should be
held high for the
audience to see and hear.
With over 4 million miles
of roads in the United
States, one is destined
to experience automotive
gridlock. So before
giving into road rage,
roll down the windows,
turn on the radio, and
enjoy a traffic
jam!
Score only. Full
set (score and parts)
also available:
B1380.
About FJH
Beginning
Band
Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, basso
continuo. TVWV 7:16. 8
pages. Duration 12
minutes. Carus Verlag #CV
39.127/14. Published by
Carus Verlag
(CA.3912714).
ISBN
9790007215811. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700.
(30 Sheet Music Bestsellers by the Grammyå¨ Award-Winning Songwriter (Piano/Vo...(+)
(30 Sheet Music
Bestsellers by the
Grammyå¨ Award-Winning
Songwriter
(Piano/Vocal/Guitar)).
For Guitar; Keyboard;
Piano; Voice. This
edition:
Piano/Vocal/Guitar.
Artist/Personality; Book;
Personality Book;
Piano/Vocal/Chords.
Pop/Rock. 172 pages.
Published by Alfred Music
Publishing
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Vocal score. TVWV 7:16.
24 pages. Duration 12
minutes. Carus Verlag #CV
39.127/03. Published by
Carus Verlag
(CA.3912703).
ISBN
9790007164423. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score available
separately - see item
CA.3912700.