For SATB choir, piano (with optional 2 violins, horn, viola, cello, flute, bass,...(+)
For SATB choir, piano
(with optional 2 violins,
horn, viola, cello,
flute, bass,
congregation, oboe).
Sacred Anthem, Christ the
King, General, Holy Week,
Lent. Octavo. Lorenz
Publishing Company
#10/4699L. Published by
Lorenz Publishing Company
SKU: HL.48186455 Composed by Eugene Bozza. Leduc. Post-1900. Softcover. 5...(+)
SKU: HL.48186455
Composed by Eugene Bozza.
Leduc. Post-1900.
Softcover. 5 pages.
Alphonse Leduc #AL30697.
Published by Alphonse
Leduc (HL.48186455).
UPC: 888680828639.
9x12
inches.
“Born
to an Italian father and
a French mother,
Eugène Bozza
(1905-1991) divided his
music studies between the
Academia Santa Cecilia in
Rome and the
Conservatoire de Paris,
where he was taught by
Henri Büsser and
Henri Rabaud. His chamber
music compositions reveal
a marked predilection for
wind instruments, as
reflected in Fantaisie
pastorale for oboe and
piano (1939) and
New-Orléans for
bass saxhorn and piano
(1944). During his stay a
few years earlier at the
Villa Medici in Rome
(1936), Bozza had written
his Aria Pour Saxophone
Alto Et Piano ' a free
adaptation of the third
movement of Johann
Sebastian Bach's Organ
Pastorale in F major BWV
590. This expansive and
nostalgic melody, which
unfolds over a regular
meter, has become one of
the most widely played
SaxoEphone pieces in the
world. Having enjoyed
such success,
Éditions Leduc has
decided to supplement its
republication with an
audio version that will
enable saxoEphonists to
carry out 'full-scale'
practice.&rdquo.
Sussex Carol Chorale SATB SATB, Piano Hinshaw Music Inc.
By Traditional. Arranged by Neil Harmon. For SATB choir, piano (or harp) and obo...(+)
By Traditional. Arranged
by Neil Harmon. For SATB
choir, piano (or harp)
and oboe; or optional
wind quintet. Choral,
Christmas, Sacred.
Octavo. 15 pages.
Duration c. 3 minutes 20
seconds. Published by
Hinshaw Music Inc
By Tomaso Giovanni Albinoni (1671-1751). Arranged by David Marlatt. For 2 Trumpe...(+)
By Tomaso Giovanni
Albinoni (1671-1751).
Arranged by David
Marlatt. For 2 Trumpets
and Keyboard. Brass -
Cornet (Trumpet) Duet;
Duet or Duo; Masterworks.
Baroque. Part(s).
Duration 00:03:20
SKU: HL.48024944 Trumpet and Piano. Composed by Jonathan Freeman-A...(+)
SKU: HL.48024944
Trumpet and Piano.
Composed by Jonathan
Freeman-Attwood and
Thomas Oehler. Boosey &
Hawkes Chamber Music.
Softcover. 114 pages.
Boosey & Hawkes
#M060136528. Published by
Boosey & Hawkes
(HL.48024944).
ISBN
9781784545543. UPC:
840126946819.
9.25x12.0x0.337
inches.
If there
was ever a composer in
the modern era from whom
instrumentalists would
hanker for a sonata or
concerto, Richard Strauss
must be right up there.
His wide-ranging
orchestral and operatic
creations bleed with
gloriously idiomatic
writing for every
instrument, and yet only
the piano, violin,
clarinet (in tandem with
the bassoon), oboe and
horn can really claim to
have bespoke solo works
from the composer's
seamlessly productive
pen, and collectively
they form only a small
proportion of the
composer's output. No
mere transcription, this
three-movement Sonata
after Richard Strauss
extends well beyond a
redeployment of the
composer's music to fit a
new idiom, filling the
gaping chasm of 'serious'
late-Romantic recital
material for trumpet
players, to be performed
in toto or as Drei
Konzertstücke. Thomas
Oehler and Jonathan
Freeman-Attwood have
drawn on a wide range of
Strauss's works to create
the new offering,
including the Violin
Sonata, Von den
Hinterweltlern (Also
sprach Zarathustra), the
Serenade for Winds ('From
an invalid's workshop')
and Zerbinetta's Aria
(Ariadne auf Naxos).
Hautbois, Violon, Piano [Set de Parties séparées] - Intermédiaire Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Wilfried Fischer. BWV 1...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Wilfried Fischer. BWV
1060. For oboe, violin
and keyboard (basso
continuo). Urtext of the
New Bach Edition.
Includes set of
performance parts
(includes separate
pull-out violin and oboe
parts). With solo parts
and keyboard realization.
Baroque. C Minor. 55
pages. 9x12 inches.
Duration 17m. Published
by Baerenreiter-Ausgaben.
The Manchester Carols. (A Re-Telling of the Christmas Story). By Carol Ann Duffy...(+)
The Manchester Carols. (A
Re-Telling of the
Christmas Story). By
Carol Ann Duffy and Sasha
Johnson Manning. For
Orchestra / Piano. Choral
Extended Work. Faber
Edition. Christmas;
Sacred; Winter. Published
by Faber Music
Composed by John Rutter (1945-). For narrator, SATB choir and piano/small orches...(+)
Composed by John Rutter
(1945-). For narrator,
SATB choir and
piano/small
orchestra/ensemble. Mixed
Voices. Condensed score.
Duration 15 minutes.
Published by Oxford
University Press
Composed by Georg Philipp Telemann (1681-1767), edited by Waldemar Woehl. For vi...(+)
Composed by Georg Philipp
Telemann (1681-1767),
edited by Waldemar Woehl.
For violin (oboe, flute,
or recorder can be
substituted), keyboard
and basso continuo.
Format: set of
performance parts
(includes separate pull
out violin and continuo
parts). With solo part,
basso continuo part,
keyboard realization and
introductory text.
Baroque. 88 pages. 9x12
inches. Published by
Hortus Musicus.
By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arranged by Mar...(+)
By Ludwig van Beethoven
(1770-1827). Edited by
Jonathan Del Mar.
Arranged by Martin
Schelhaas. For
Piano/Violin/Violoncello
(Solo Piano/Solo
Violin/Solo
Violoncello/Flute/2
Oboes/2 Clarinets/2
Bassoons/2 Horns/2
Clarions/Timpani/2
Violins/Viola/Violoncello
/Contrabass). This
edition: Paperback,
Urtext edition. Piano
reduction, Set of parts.
Opus 56. 91/44/19/19
pages. Duration 35'.
Published by Baerenreiter
Verlag
Shepherd's Pipe Carol by John Rutter (1945-). For Unison voices, optional descan...(+)
Shepherd's Pipe Carol by
John Rutter (1945-). For
Unison voices, optional
descant and
piano/orchestra (piccolo,
flute, oboe, bassoon, 2
horns, harp (optional),
strings). Unison Voices.
Christmas, Choral
Leaflet. Vocal score:
version for unison and
descant. 8 pages.
Duration 3'. Published by
Oxford University Press
A flower remembered Chorale 3 parties SSA, Piano [Vocal Score] - Facile Oxford University Press
Composed by John Rutter (1945-). For SSA choir and piano/orchestra (2 flutes, ob...(+)
Composed by John Rutter
(1945-). For SSA choir
and piano/orchestra (2
flutes, oboe, 2 clarinets
in A, bassoon, 2 horns,
harp, strings). This
edition: Paperback. Upper
Voices. Secular. Level A
(very easy). Vocal score.
Duration 3 minutes.
Published by Oxford
University Press
By Carol; Gregorian Chant Browning. Arranged by Carol Browning. For Voices: Unis...(+)
By Carol; Gregorian Chant
Browning. Arranged by
Carol Browning. For
Voices: Unison, 2 equal
or mixed voices.
Instruments: English
horn, violin or oboe;
bassoon or cello
(instruments optional).
Piano. Celebration Series
Sacred. Level: easy. 3
pages. Published by GIA
Publications.
Sounds Classical Basson, Piano (duo) [Partition + CD] - Facile Anglo Music
Bassoon and Piano - early intermediate SKU: BT.AMP-362-400 17 Graded S...(+)
Bassoon and Piano - early
intermediate
SKU:
BT.AMP-362-400
17
Graded Solos for Bassoon
and Piano. Arranged
by Philip Sparke.
Classical. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
362-400. Published by
Anglo Music Press
(BT.AMP-362-400).
ISBN
9789043138826. 9x12
inches.
English-German-French-Dut
ch.
Sounds
Classical for Bassoon
is a collection of graded
solos selected
specifically for the
developing
bassoonist.
Designed to
correlate with grades 1-4
of the exam syllabus of
the Associated Board of
the royal Schools of
Music, the pieces are
drawn from four centuries
of classical repertoire
ranging from Susato to
Sullivan, and will
provide ideal material
forpractice or
recital.
Also
available: Sounds
Classical for Oboe,
AMP
361-400
Sounds
Classical for Bassoon
is een verzameling van
solos die speciaal voor
fagotleerlingen zijn
geselecteerd - in
oplopend niveau.
De
stukken komen qua
moeilijkheidsgraad
overeen met niveau 1-4
van de examenbundel van
de Britse Associated
Board of the Royal
Schools of Music. Ze
bestrijken een periode
van vier eeuwen klassiek
repertoire - van Susato
tot Sullivan - en ze
vormenideaal materiaal
voor zowel lessen als
optredens.
Ook
verkrijgbaar: Sounds
Classical for Oboe,
AMP 361-400
SOUNDS
CLASSICAL ist eine
Sammlung von im
Schwierigkeitsgrad
fortschreitenden Soli,
die speziell für
werdende Fagottisten
ausgewählt wurden.
Philip Sparke wählte
für dieses Buch
Stücke aus dem
klassischen Repertoire
aus vier Jahrhunderten
aus - vonSusato über
Telemann, Händel,
Grieg, Purcell, Mozart
bis Sullivan - das ideale
Material zum Ãœben oder
Vorspielen!
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10766 is printed in score
form; two copies are
needed for
performance.Our edition
EB
8578 contains
Ferrucci Busoni's
cadenzas for the Piano
Concerto in C m. Solo
concerto; Classical.
Study Score. 72 pages.
Duration 30'. Breitkopf
and Haertel #PB 15110-07.
Published by Breitkopf
and Haertel
(BR.PB-15110-07).
ISBN
9790004212677. 6.5 x 9
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).