Piano

SKU: HL.14007553

For Piano. Composed by Justin Connolly. Music Sales America. Classical. Softcover. 26 pages. Novello & Co Ltd. #NOV360129. Published by Novello & Co Ltd. (HL.14007553).

12.0x16.5 inches.

An ennead is a large composition in nine sections. Historical examples include an important early Latin epic, the discourses of the neoplatonic philosopher Plotinus, and the once popular poem by Edward Young, first published in 1745. This last was re-issued in 1802, in a sumptuous edition illustrated with more than five hundred engravings by William Blake, whose own Vala is also an ennead. Young's poem was called Night Thoughts, and I had originally intended to use the same title for my own set of quite independent nocturne-like pieces. Finally, I decided on the name Sonatina, as being a more accurate description of a work in which the interrelatedness of the sections placed it somewhere between the character of a suite and that of a set of variations, as well as emphasizing its artistic descent from the type of irregular sonata pioneered by such composers as Alkan and Busoni. -Justin Connolly.

(Choral Medley). Arranged by Mark A. Brymer. (SATB Score). Pop Choral Series. 104 pages. Published by Hal Leonard.

Edited by Keri Dexter; Geoffrey Webber. For SATB choir (with divisions) accompanied. Mixed Voices. Church Music Society publications. Sacred, Choral Collection. Level B-C (easy - moderately difficult). Vocal score. Published by Oxford University Press

(Choral Medley). Arranged by Mark A. Brymer. (SAB Singer). Pop Choral Series. 72 pages. Published by Hal Leonard.

For String Quartet. Composed by Elena Kats-Chernin (1957-). Boosey and Hawkes Chamber Music. Softcover. 24 pages. Boosey and Hawkes #M202533413. Published by Boosey and Hawkes

SKU: WD.080689542176

Composed by Tony Wood. Choral, cantatas. Patriotic. Book. Word Music #080689542176. Published by Word Music (WD.080689542176).

UPC: 080689542176.

Ameri ca! The sound of that name inspires and emboldens us; it emboldens us as we follow in the footsteps of those who’ve gone before, and inspires us to do even greater things still…to build better, be stronger, reach farther, dream bigger, and trust God to lead us to new frontiers and scale new heights. We are a country both built and sustained by dreamers. Dreamers who became doers. Dreamers who didn’t listen when others said “impossible.” Dreamers who dared to make dreams come true…American Dreamers!

The creative team of Tony Wood and Cliff Duren have joined forces with Word Music to bring you this new, inspirational patriotic musical called American Dreamers. This inaugural release in Word’s God & Country Series fuses iconic patriotic songs such as “America, the Beautiful” and “My Country, ‘Tis of Thee”; new patriotic songs by Tony Wood; hymn favorites such as “Great Is Thy Faithfulness” and “O God, Our Help in Ages Past”; songs of Praise and Worship, along with two well-known country music hits, “Arlington” (made popular by Trace Adkins) and “American Flag on the Moon” (popularized by Brad Paisley) — songs about freedom, liberty, Biblical foundations, faith, American life…God & Country!

Written for Choir, Rhythm Section, Orchestra, Soloists, and Narrator, American Dreamers sets a new standard for patriotic, God-and-Country musical experiences. Employ the use of the visually-compelling DVD Accompaniment Track for a memory-making patriotic service!

Composed by Various. Organ. Gospel, Christian. Softcover. 48 pages. Published by Hal Leonard (HL.144550).

Edited by Doug Boduch. Guitar Educational. Pop, Rock. Softcover. Published by Hal Leonard

(Choral Medley). Arranged by Mark A. Brymer. Pop Choral Series. 72 pages. Published by Hal Leonard

Arranged by Mark A. Brymer. (Showtrax CD). Pop Choral Series. CD only. Published by Hal Leonard.

By Judith Katz. For flute trio. Level 3. Duration 2 minutes. Published by Imagine Music

Orchestra Orchestra

SKU: PR.11641145L

Composed by Lowell Liebermann. Large Score. 80 pages. Duration 20 minutes. Theodore Presser Company #116-41145L. Published by Theodore Presser Company (PR.11641145L).

The Concerto for Piccolo and Orchestra Op.50 was commissioned by Jan Gippo, principal Piccolo of the St. Louis Symphony, who gave the premiere of the work on August 18th, 1996, in New York City with the New Jersey Symphony Orchestra conducted by Glenn Cortese. The occasion was the annual convention of the National Flute Association, who sponsored the commission.Jan Gippo had enthusiastically pursued the idea of commissioning a Piccolo concerto from me ever since he played orchestral Piccolo in the premiere of my Concerto for Flute with James Galway and the St. Louis Symphony. Won over by his enthusiasm, I agreed to write this work for an instrument which has had virtually no concerto repertoire since the baroque era. In doing so I was eager to stress the lyrical and expressive qualities of an instrument which is too often stereotyped as being useful for only brilliant and ornamental flourishes.The work falls into three movements which are united by thematic and motivic materials, significant among which is a twelve note row which forms the basis of the second movement’s variations. The final movement, which puts the seriousness of the first tow movements aside for an unbridled romp, makes use of three explicit musical quotations at strategic structural moments, one of which is an implicit homage to Shostakovich, who quoted from the same work in his own second Violin Concerto.Orchestration of the Concerto was completed at the Loew’s Hotel in Monte Carlo, where I was situated for the rehearsal period of my opera The Picture of Dorian Gray.The Concerto for Piccolo and Orchestra has been recorded for release on the BMG label by James Galway with the London Mozart Players conducted by the composer.

Orchestra Orchestra

SKU: PR.11641145S

Composed by Lowell Liebermann. Study Score. 80 pages. Duration 20 minutes. Theodore Presser Company #116-41145S. Published by Theodore Presser Company (PR.11641145S).

ISBN 9781491136553. UPC: 680160689408.

The Concerto for Piccolo and Orchestra Op.50 was commissioned by Jan Gippo, principal Piccolo of the St. Louis Symphony, who gave the premiere of the work on August 18th, 1996, in New York City with the New Jersey Symphony Orchestra conducted by Glenn Cortese. The occasion was the annual convention of the National Flute Association, who sponsored the commission.Jan Gippo had enthusiastically pursued the idea of commissioning a Piccolo concerto from me ever since he played orchestral Piccolo in the premiere of my Concerto for Flute with James Galway and the St. Louis Symphony. Won over by his enthusiasm, I agreed to write this work for an instrument which has had virtually no concerto repertoire since the baroque era. In doing so I was eager to stress the lyrical and expressive qualities of an instrument which is too often stereotyped as being useful for only brilliant and ornamental flourishes.The work falls into three movements which are united by thematic and motivic materials, significant among which is a twelve note row which forms the basis of the second movement’s variations. The final movement, which puts the seriousness of the first tow movements aside for an unbridled romp, makes use of three explicit musical quotations at strategic structural moments, one of which is an implicit homage to Shostakovich, who quoted from the same work in his own second Violin Concerto.Orchestration of the Concerto was completed at the Loew’s Hotel in Monte Carlo, where I was situated for the rehearsal period of my opera The Picture of Dorian Gray.The Concerto for Piccolo and Orchestra has been recorded for release on the BMG label by James Galway with the London Mozart Players conducted by the composer.

(for Orchestra Full Score). By Michael Daugherty (1954-). For Orchestra. Peermusic Classical. 60 pages. Peermusic #61910-851. Published by Peermusic

Woodwinds

SKU: BR.OB-5560-30

Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Choir; Folder. Orchester-Bibliothek (Orchestral Library).

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Have a look int. Oratorio/passion; Baroque. Set of parts. 134 pages. Duration 120'. Breitkopf and Haertel #OB 5560-30. Published by Breitkopf and Haertel (BR.OB-5560-30).

ISBN 9790004344163. 10 x 12.5 inches.

Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ)

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Basso (cello/double bass)

SKU: BR.OB-5560-26

Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Have a look int. Oratorio/passion; Baroque. Part. 60 pages. Duration 120'. Breitkopf and Haertel #OB 5560-26. Published by Breitkopf and Haertel (BR.OB-5560-26).

ISBN 9790004344156. 10 x 12.5 inches.

Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ)

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Chorus (with soloists) and orchestra

SKU: BR.PB-5560

Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Choir; Softbound. Partitur-Bibliothek (Score Library).

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Have a look int. Oratorio/passion; Baroque. Full score. 292 pages. Duration 120'. Breitkopf and Haertel #PB 5560. Published by Breitkopf and Haertel (BR.PB-5560).

ISBN 9790004213704. 10 x 12.5 inches.

Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ).

Violin 2

SKU: BR.OB-5560-16

Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Have a look int. Oratorio/passion; Baroque. Part. 64 pages. Duration 120'. Breitkopf and Haertel #OB 5560-16. Published by Breitkopf and Haertel (BR.OB-5560-16).

ISBN 9790004344132. 10 x 12.5 inches.

Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ)

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Basso continuo

SKU: BR.OB-5560-11

Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Have a look int. Oratorio/passion; Baroque. Part. 96 pages. Duration 120'. Breitkopf and Haertel #OB 5560-11. Published by Breitkopf and Haertel (BR.OB-5560-11).

ISBN 9790004344118. 10 x 12.5 inches.

Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ)

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Viola

SKU: BR.OB-5560-19

Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Have a look int. Oratorio/passion; Baroque. Part. 60 pages. Duration 120'. Breitkopf and Haertel #OB 5560-19. Published by Breitkopf and Haertel (BR.OB-5560-19).

ISBN 9790004344149. 10 x 12.5 inches.

Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ)

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Violin 1

SKU: BR.OB-5560-15

Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

Have a look int. Oratorio/passion; Baroque. Part. 64 pages. Duration 120'. Breitkopf and Haertel #OB 5560-15. Published by Breitkopf and Haertel (BR.OB-5560-15).

ISBN 9790004344125. 10 x 12.5 inches.

Messiah 1741 - new light on Handel's masterpieceThe focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start.Messiah 1741 - the first and only complete edition of Handel's autograph scoreThorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation)It offers a reconstruction of the wind parts according to contemporary sourcesPiano vocal score with contemporary vocal ornamentationFirst edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternativeThe appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons.Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle.(Jeremy Summerly, Choir & Organ)

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.

By Frank Ticheli. Concert band. Suitable for middle school and high school bands. Grade 2. Conductor score and set of parts. Duration 2:15. Published by Manhattan Beach Music

SAB choir, keyboard accompaniment, guitar - Early intermediate

SKU: GI.G-7020

Composed by Pablo Sosa. Arranged by Homero R. Perera. Oramos cantando series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #7020. Published by GIA Publications (GI.G-7020).

UPC: 785147702009. English, Spanish. Translation: Mary Louise Bringle. Text by Juan Damián.

The milonga is a song-dance developed around 1870 by the cultures co-existing in Buenos Aires at the time. This piece, with a Mary Louise Bringle translation, explores the mystery of God: “I think I know, but barely grasp it . . .” and calls for greater faith. The music is slow, rhythmic, richly harmonic, and mesmerizing.

Slow, rhythmic, richly harmonic, and mesmerizing.

Children's Choir; Unison with optional 2-part and 3-part choir

SKU: LP.765762091122

A Kids' Musical about Storing Up Treasures in Heaven. Composed by Jeff Smith & C. Barny Robertson. Choral. Multicultural and Sacred. Stereo CD. Published by Lillenas Publishing Company (LP.765762091122).

UPC: 765762091122.

Jeff Smith's children's musical, Pirates of the I Don't Care-ibbean, is sure to be a big hit especially if your kids love the hilarious silly songs from VeggieTales, the Pirates of the Caribbean Disney movies and Pirates Who Don't Do Anything: A VeggieTales Movie. The musical will reach not only kids, but your congregation with a great message of the Gospel. The story is set inside Pirate Park, home of the Plattsburg Pirates (not to be confused with the Pittsburgh Pirates, Jeff's favorite baseball team!). It is a pirate night at the stadium and families are in the bleachers dressed as pirates to support their woefully bad team. Similar to Dorothy traveling back to the Land of Oz, the story starts with a dream sequence where a young fan named Andy gets hit in the head with a baseball and travels to a fantastical island in the Caribbean called Johnny Bay. As the story unfolds, you learn that the pirates don't remember anything about their past or how they came to Johnny Bay. All they know is that they are required to guard the captain's treasure from anyone who may want to steal it away. Creator Jeff Smith wants kids to learn that, You are not created to be on a deserted island, guarding someone else's treasure. Your real treasure is in heaven, not on earth. Avarice is a tool of the enemy to keep you from becoming all God created you to be on earth. In the story, Andy exposes the lies of the evil captain and helps the pirates assume their rightful place on the sea. During a time when pirate movies are popular, this musical will connect with kids as well as adults and draw them in to something that is both fun and spiritually educational.

Professio nal quality recording useful as an aid for choir members learning the music, or for personal enjoyment and meditation times. (Performance demo - not an accompaniment CD.).