Concert Band - Grade 3 SKU: AP.45810 As Performed by Trans-Siberian Or...(+)
Concert Band - Grade 3
SKU: AP.45810
As Performed by
Trans-Siberian
Orchestra. Composed
by Paul O'neill and
Robert Kinkel. Arranged
by Bob Phillips and
George Megaw. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop Concert Band.
Christmas; Pop/Rock;
Rock; Winter. Score and
Part(s). 260 pages.
Duration 4:00. Alfred
Music #00-45810.
Published by Alfred Music
(AP.45810).
UPC:
038081524016.
English.
From their
album The Christmas
Attic, this driving,
energetic Trans-Siberian
Orchestra holiday
treasure will bring the
house down. Including the
optional electric violin,
guitar, and bass parts
will only enhance the
authenticity of your
performance. The
repetitive driving
rhythms set the
foundation for an
exciting opener or closer
for your holiday concert.
(4:00).
Composed by
Brant Karrick. Symphonic
Band (SPS). Full score.
With Standard notation.
36 pages. Carl Fischer
Music #SPS80F. Published
by Carl Fischer Music
(CF.SPS80F).
ISBN
9781491153253. UPC:
680160910755.
With
Wind and Water is a
musical portrayal of an
adventure on the high
seas during the sailing
age. It was during the
16th to the mid-19th
century where large
sailing vessels dominated
global exploration,
international trade, and
naval warfare. The
piece's compound meter
provides the pulse of
movement as it pitches
and rolls with the rhythm
of the waves. The driving
main melodies convey the
determination and courage
of the explorers and
their crew. Dissonant
harmonies suggest rough
seas, turbulent weather,
and other constant
dangers that sailors must
endure. Finally, the
ending sweeping melody
and climax reflects the
joy and triumph at
arriving on a new land at
the apex of a long and
intense voyage. With
evidence of watercraft
dating back to 8000 BC,
travel by water has
remained an important
aspect of life to many
civilizations. From
paddling down a river or
crossing a large lake, to
steaming across an entire
ocean, generations of
humans have traveled on
water to explore foreign
lands, to seek food and
precious materials, to
move and trade cargo, and
to attack and fend off
enemies.With Wind and
Water is a musical
portrayal of an adventure
on the high seas during
the age of sail. It was
during the sixteenth to
the mid-nineteenth
century when large
sailing vessels dominated
global exploration,
international trade, and
naval warfare. Our
ship sets sail!The
compound meter provides
the pulse of movement as
it pitches and rolls with
the rhythm of the waves.
The driving main melodies
convey the determination
and courage of the
explorers and their crew.
Dissonant harmonies
suggest rough seas,
turbulent weather and
other constant dangers
that sailors must endure.
The final sweeping melody
and climax reflect the
joy and triumph at
arriving on a new land at
the apex of a long and
intense voyage. With
Wind and Water was
commissioned by the
Florida Bandmasters
Association for the 2016
Nine Star Honor Band.
Composed by Nicolás
Humberto Repetto. Sws.
Cas. Full score. 8 pages.
Carl Fischer Music
#CAS132F. Published by
Carl Fischer Music
(CF.CAS132F).
ISBN
9781491157503. UPC:
680160916085. 9 x 12
inches.
Chicharra
was born out of a love
for syncopated music that
makes one move and dance.
A rhythmic motive
initiated by the viola
and cello sections starts
the diabolical journey of
dance and lyricism. The
syncopated, driving
rhythms initiated by the
low strings are
contrasted by lyrical
lines played in the
violin and viola
sections. A contrasting,
lyrical B section, in
6/8, almost waltz-like,
shows a softer side of
this dance journey.
Various tango elements
are also found in this
piece such as special
effects like the
glissandi in the cello
section, and the
chicharra played by the
violins. The chicharra
should be played behind
the bridge on the D
string with extra finger
weight, very close to the
tailpiece - this sound
imitates the chicharra or
cricket!. Chicharra
was born out of a love
for syncopated music that
makes one move and dance.
A rhythmic motive
initiated by the viola
and cello sections starts
the diabolical journey of
dance and lyricism. The
syncopated, driving
rhythms initiated by the
low strings are
contrasted by lyrical
lines played in the
violin and viola
sections. A contrasting,
lyrical B section, in
6/8, almost waltz-like,
shows a softer side of
this dance
journey.Various tango
elements are also found
in this piece such as
special effects like the
glissandi in the cello
section, and the
chicharra played by the
violins. The chicharra
should be played behind
the bridge on the D
string with extra finger
weight, very close to the
tailpiece - this sound
imitates the chicharra or
cricket!
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Score Only Concert Band (Score) - Grade 3 SKU: HL.4006660 Composed by Joh...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4006660
Composed
by John Wasson.
MusicWorks Grade 3.
Contest, Festival.
Softcover. 20 pages.
Duration 850 seconds.
Published by Hal Leonard
(HL.4006660).
UPC:
840126927078.
9.0x12.0x0.061
inches.
This
exciting work was
conceived as a musical
portrait from the
viewpoint of a lone
ancient warrior,
determined and focused on
achieving victory in
battle. Providing a
foundation throughout is
a relentless rhythmic
pulse and driving
ostinato. The meter of
7/8 provides a dramatic
sense of urgency as
various textures and
moods are developed
similar to the ebb and
flow of battle. The piece
concludes with a
victorious major chord
with the rhythmic
ostinato driving to the
very end.
Alpha Dog Orchestre d'harmonie [Conducteur et Parties séparées] RWS Music Company
Pre 1 SKU: CL.RWS-1904-00 Composed by Hoefle. Young Concert Band. Score a...(+)
Pre 1
SKU:
CL.RWS-1904-00
Composed by Hoefle. Young
Concert Band. Score and
set of parts. Composed
2019. RWS Music Company
#RWS-1904-00. Published
by RWS Music Company
(CL.RWS-1904-00).
A fun and
energetic work for the
beginning band that your
students will love! The
infectious groove, hand
clapping, and driving
drum break keep this
spirited piece driving
all the way to the end.
Using only the first six
notes introduced in most
band methods, this piece
from composer and master
teacher Heather Hoefle is
an excellent choice for a
school assembly, parent
meeting, pep rally or
concert closer!
Go, Tell It on the Mountain arranged by Susan Geschke. For handbell choir (2-3 o...(+)
Go, Tell It on the
Mountain arranged by
Susan Geschke. For
handbell choir (2-3
octaves). Handbell music.
Christmas, Sacred. Grade
2. Handbell score. 6
pages. Published by Hope
Publishing Company
Composed by Neeck.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR364). Oversized,
spiral-bound score.
Composed 2009. Duration 4
minutes, 4 seconds. Opus
III Wind Orchestra
Publications
#012-3786-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3786-75).
An inferno of
excitement, Torrents of
Fire will light-up your
next concert program.
Driving rhythms and
aggressive percussion,
balanced with bold,
lyrical themes, provide a
stunning variety of color
and intensity. The
contrasting middle
section, with its
optional flute solo and
mallet percussion
background, provides a
hypnotic and sonorous
contrast to the
hard-driving nature of
the rest of the piece.
Perfect for concert or
contest, Torrents of Fire
will showcase your entire
band with intensity and
enthusiasm.
Band Concert Band - Grade 3 SKU: CF.CPS255 Composed by Mark Lortz. Set of...(+)
Band Concert Band - Grade
3
SKU: CF.CPS255
Composed by Mark Lortz.
Set of Score and Parts.
17+4+4+2+4+4+4+2+2+2+2+2+
2+4+4+4+2+2+3+3+3+2+4+1+2
+1+4+6 pages. Duration
2:10. Carl Fischer Music
#CPS255. Published by
Carl Fischer Music
(CF.CPS255).
ISBN
9781491159835. UPC:
680160918423.
Ameri
can Visions is a
fast-paced and energetic
composition featuring
rousing brass fanfares,
lively woodwind motives,
and driving percussion.
It was initially inspired
to embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4-12 runs throughout the
piece and vacillates
between duple and triplet
rhythms. Players should
be mindful to
differentiate between the
two rhythms, so there is
clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble's texture.
Measure 73 uses bell tone
articulations that build
to standard articulations
at m. 76. Thank you for
playing my
composition. American
Visions is a fast-paced
and energetic composition
featuring rousing brass
fanfares, lively woodwind
motives, and driving
percussion. It was
initially inspired to
embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4–12 runs
throughout the piece and
vacillates between duple
and triplet rhythms.
Players should be mindful
to differentiate between
the two rhythms, so there
is clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble’s
texture. Measure 73 uses
bell tone articulations
that build to standard
articulations at m.
76. Thank you for
playing my
composition. .
Spring's Awakening Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4734-00 Composed by J. Bell. Young Concert Band. Scor...(+)
Grade 2
SKU:
CL.011-4734-00
Composed by J. Bell.
Young Concert Band. Score
and set of parts. C.L.
Barnhouse #011-4734-00.
Published by C.L.
Barnhouse
(CL.011-4734-00).
Flowers bloom
and the world stirs with
life renewed in
Spring’s
Awakening! The music
begins with a driving
ostinato in the
clarinets, and staggered
entrances that portray
flowers opening for the
first time. After the
entire ensemble enters,
two different melodic
themes are passed
throughout the ensemble,
layered over driving
8th-note rhythms that
propel the music forward.
Spring’s Awakening
is an engaging and
beautiful work that makes
a perfect fit for any
spring or end of the year
concert.
Velocity Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3693-01 Composed by Neeck. Young Concert Band. Comman...(+)
Grade 2
SKU:
CL.011-3693-01
Composed by Neeck. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR359). Extra
full score. Composed
2008. Duration 2 minutes,
41 seconds. C.L.
Barnhouse #011-3693-01.
Published by C.L.
Barnhouse
(CL.011-3693-01).
Velocity is an
exciting mixed-meter
piece from the pen of
Larry Neeck. Striking
sonorities and driving
rhythms characterize this
fast-paced romp. Splashes
of percussion color and
alternating sonorous and
jagged melodies and
harmonies in the winds
sustain interest and
intensity throughout the
work. With a driving
intensity from start to
finish, Velocity is the
perfect opener, closer,
or change-of-pace for
your next concert.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Marching Band - Grade 3 SKU: AP.40228S The Music of James Bond, Part 3...(+)
Marching Band - Grade 3
SKU: AP.40228S
The Music of James
Bond, Part 3.
Arranged by Victor Lopez
and percussion arranged
by Anthony M. Falcone.
Marching Band;
Performance Music
Ensemble; Single Titles.
Mega Sounds for Marching
Band. Form: Medley. Jazz;
Movie. Score. 12 pages.
Duration 2:30. Alfred
Music #00-40228S.
Published by Alfred Music
(AP.40228S).
UPC:
038081458663.
English.
To close
out our Music of James
Bond show, Victor
presents the driving
theme to Die Another Day,
which is followed up by
the beautiful Live and
Let Die. Featuring a
tasty trombone or
baritone solo, the music
quickly goes into a fast
section which gradually
builds to a driving
finish before a reprise
of the James Bond Theme
brings the whole show to
a stunning conclusion!
(2:30).
Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with ...(+)
Jazz Ensemble standard
Jazz ensemble (Kendor
Konvertible for 9-17
players) with opt. flute,
clarinet, F horn, tuba
and vibes (standard jazz
ensemble (Kendor
Konvertible for 9-17
players) with opt. flute,
clarinet, F horn, tuba
and vibes) - Grade 2
SKU: KN.KEN60045
Composed by Mike Dana.
Jazz Gateway. Driving
Shuffle. Kendor Music Inc
#KEN60045. Published by
Kendor Music Inc
(KN.KEN60045).
UPC:
822795600452.
This
driving shuffle with cool
lines, surprising
harmonies, great rhythm
section hooks, and much
more makes for a great
opener for developing
groups. The open solo
section (written or ad
lib) features any
soloist, with solo sheets
provided for all.
Duration 3:45.
Appalachian Snowfall Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 3 SKU: AP.45810S As Performed by Trans-Siberian O...(+)
Concert Band - Grade 3
SKU: AP.45810S
As Performed by
Trans-Siberian
Orchestra. Composed
by Paul O'neill and
Robert Kinkel. Arranged
by Bob Phillips and
George Megaw. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop Concert Band.
Christmas; Pop/Rock;
Rock; Winter. Score. 24
pages. Duration 4:00.
Alfred Music #00-45810S.
Published by Alfred Music
(AP.45810S).
UPC:
038081524023.
English.
From their
album The Christmas
Attic, this driving,
energetic Trans-Siberian
Orchestra holiday
treasure will bring the
house down. Including the
optional electric violin,
guitar, and bass parts
will only enhance the
authenticity of your
performance. The
repetitive driving
rhythms set the
foundation for an
exciting opener or closer
for your holiday concert.
(4:00).
American Visions Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS255F Composed by Mark Lortz. Full ...(+)
Band Concert Band - Grade
3
SKU: CF.CPS255F
Composed by Mark Lortz.
Full score. 17 pages.
Carl Fischer Music
#CPS255F. Published by
Carl Fischer Music
(CF.CPS255F).
ISBN
9781491159842. UPC:
680160918430.
Ameri
can Visions is a
fast-paced and energetic
composition featuring
rousing brass fanfares,
lively woodwind motives,
and driving percussion.
It was initially inspired
to embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4-12 runs throughout the
piece and vacillates
between duple and triplet
rhythms. Players should
be mindful to
differentiate between the
two rhythms, so there is
clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble's texture.
Measure 73 uses bell tone
articulations that build
to standard articulations
at m. 76. Thank you for
playing my
composition. American
Visions is a fast-paced
and energetic composition
featuring rousing brass
fanfares, lively woodwind
motives, and driving
percussion. It was
initially inspired to
embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4–12 runs
throughout the piece and
vacillates between duple
and triplet rhythms.
Players should be mindful
to differentiate between
the two rhythms, so there
is clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble’s
texture. Measure 73 uses
bell tone articulations
that build to standard
articulations at m.
76. Thank you for
playing my
composition. .
The Carpetbaggers Ensemble Jazz [Conducteur et Parties séparées] - Facile Kjos Music Company
Band jazz ensemble - Grade 2 SKU: KJ.ZB332 Composed by Dean Sorenson. Sta...(+)
Band jazz ensemble -
Grade 2
SKU:
KJ.ZB332
Composed by
Dean Sorenson. Standard
of Excellence Jazz
Ensemble Method. Jazz.
Score and parts. Neil A.
Kjos Music Company
#ZB332. Published by Neil
A. Kjos Music Company
(KJ.ZB332).
UPC:
8402700002.
A
driving rock style with
excellent horn writing
and imaginative rhythm
breaks. The Carpetbaggers
is a straight-ahead rock
chart featuring excellent
horn writing as well as
imaginative rhythm
breaks. A terrific
introduction to the
driving rock style,
students will love this
chart.
About Standard
of Excellence Jazz
Ensemble
Method
The
Standard of Excellence
Jazz Ensemble Method is
designed to help both you
and your jazz ensemble
students explore the
world of jazz through
easy-to-use Rhythm
Studies, Improvisation
Studies, Instrument
Specific Exercises, and
full ensemble jazz
charts. The approach is
non-theoretical and
aurally based. Each part
book comes with an
accompaniment CD, so like
every great jazz player
throughout history,
students learn to play
jazz by listening!
Two Performance Scores viola and double bass - advanced SKU: HL.49046217 ...(+)
Two Performance Scores
viola and double bass -
advanced
SKU:
HL.49046217
For
Viola and Double Bass Two
Performance Scores.
Composed by Pierre
Jalbert. Sheet music.
String Ensemble.
Softcover. Composed 2018.
12 pages. Duration 14'.
Schott Music #ED30190.
Published by Schott Music
(HL.49046217).
ISBN
9781540056368. UPC:
888680948054.
9.0x12.0x0.075
inches.
Duo
Concertante contains five
brief movements of
contrasting character.
The first movement
functions as a short
prelude, with the viola
and bass combining to
form alternating high and
low harmonies and trading
off solo lines. The
second movement is a
playful scherzo, played
pizzicato by both
instruments, while the
third movement is the
central, lyrical movement
of the work, with
undulating natural
harmonic tremolos and a
rhythmically driving
interruptive middle
section. The fourth
movement consists almost
entirely of quickly bowed
natural harmonics with
fleeting rhythmic
tremolos on both
instruments. The final
movement contains rapidly
driving music in constant
motion, interrupted twice
by cadenza-like free
sections which are
non-synchronized. The two
instruments then come
together for the final
push to the end.Duo
Concertante was written
for James and Deborah
Dunham on the occasion of
their 35th anniversary,
with support from the
Shepherd School of Music,
Rice University. Pierre
Jalbert.
Propulsion Orchestre d'harmonie - Facile Hal Leonard
Score Only Concert Band (Score) - Grade 3 SKU: HL.4003761 Composed by Rob...(+)
Score Only Concert Band
(Score) - Grade 3
SKU:
HL.4003761
Composed
by Robert Buckley.
MusicWorks Grade 3.
Concert. Duration 180
seconds. Published by Hal
Leonard (HL.4003761).
UPC: 884088964283.
9.0x12.0x0.072
inches.
Propulsion
is the action of driving
or pushing forwards. It
is the force that thrusts
a rocket into space, that
propels a runner across
the finish line, and that
fuels the momentum of a
dolphin through the
waves. With driving
percussion, high-energy
rhythms, dynamic melodies
and an overall sense of
excitement, Propulsion by
Robert Buckley moves
through different musical
moods without ever losing
its relentless pulse. A
tour-de-force for all
members of the band and
an exhilarating concert
opener! Dur: 3:00.
Orchestra - Grade 1.5 SKU: AP.45823 Composed by Michael Kamuf. Performanc...(+)
Orchestra - Grade 1.5
SKU: AP.45823
Composed by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Score and
Part(s). 72 pages.
Duration 2:00. Belwin
Music #00-45823.
Published by Belwin Music
(AP.45823).
UPC:
038081529189.
English.
Perfect
for concerts and
festivals, Dayspring is
an ideal piece for
reinforcing both
dotted-quarter/eighth
note and syncopation
rhythms with your
beginning string
orchestra. In this
driving new work by
Michael Kamuf, the
lyrical melodies and
driving motifs are passed
around the entire
ensemble, supported by
rich harmonies.
(2:00).
Alpha Dog Orchestre d'harmonie [Conducteur] RWS Music Company
Pre 1 SKU: CL.RWS-1904-01 Composed by Hoefle. Young Concert Band. Extra f...(+)
Pre 1
SKU:
CL.RWS-1904-01
Composed by Hoefle. Young
Concert Band. Extra full
score. Composed 2019. RWS
Music Company
#RWS-1904-01. Published
by RWS Music Company
(CL.RWS-1904-01).
A fun and
energetic work for the
beginning band that your
students will love! The
infectious groove, hand
clapping, and driving
drum break keep this
spirited piece driving
all the way to the end.
Using only the first six
notes introduced in most
band methods, this piece
from composer and master
teacher Heather Hoefle is
an excellent choice for a
school assembly, parent
meeting, pep rally or
concert closer!
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
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Composed by Patricia
Hurlbutt. Arranged by
Patricia Hurlbutt.
Handbell choir music.
Octavo. Beckenhorst Press
#HB602. Published by
Beckenhorst Press
(BP.HB602).
Arranged for
2-3 octave handbell
choir. Level 2+. This
joyous and approachable
arrangement of the
well-known hymn is
perfect for the smaller
choir looking for a
triumphant piece to play
on Easter or throughout
Eastertide. A driving
malleted figure propels
the piece forward while
the melody soars above.
Occasional sections in
minor are interspersed,
providing musical depth
and harmonic interest. A
final, stately iteration
of the theme gives way to
the initial driving
rhythm once more before
concluding in grand
fashion.