Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Chamber Music Guitar, alto Saxophone

SKU: PR.114419970

Composed by Stacy Garrop. Sws. Set of performance scores. 8 pages. Duration 5 minutes. Theodore Presser Company #114-41997. Published by Theodore Presser Company (PR.114419970).

UPC: 680160684670. 9 x 12 inches.

Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.
Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain’s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia’ s isolated mountain regions to survive. Not surprisingly, the topics of the gypsies’ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.

Chamber Music Clarinet, Guitar

SKU: PR.114422350

Composed by Stacy Garrop. Sws. Set of Score and Parts. 8 pages. Duration 5 minutes. Theodore Presser Company #114-42235. Published by Theodore Presser Company (PR.114422350).

UPC: 680160684687. 9 x 12 inches.

Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.

Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain’s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia’ s isolated mountain regions to survive. Not surprisingly, the topics of the gypsies’ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). In 2020, I made new editions of the piece for clarinet and guitar, and flute and guitar.

By Various. Arranged by Daniel Kelley. For Violin in C. Quartets. Intermediate Music for Four. Classical. Intermediate. Part 3. Published by Last Resort Music Publishing

(Mix and Match Quartets for Strings, Woodwind, Brass and Keyboard). By Various. Arranged by Daniel Kelley. String quartet, woodwind quartet, piano quintet, mixed quartet, clarinet quartet, saxophone quartet. For Keyboard or Guitar. Quartets. Intermediate Music for Four series. Classical. Intermediate. Partbook. Published by Last Resort Music Publishing

By Various. Arranged by Daniel Kelley. For Tenor Saxophone in Bb. Quartets. Intermediate Music for Four. Classical. Intermediate. Part 3

By Various. Arranged by Daniel Kelley. For Baritone Saxophone in Eb. Quartets. Intermediate Music for Four. Classical. Level: Intermediate. Part 4. Published by Last Resort Music Publishing.

A Method for the Recorder Based on Israel Folk Melodies. By Tzipora H. Jochsberger. Transcontinental Music Folios. Size 9x12 inches. 66 pages. Published by Transcontinental Music Publications.

SSATB vocal soli, SATB choir, 2 horns, 2 flutes, 2 oboes, 2 bassoons, 2 violins, viola, basso continuo

SKU: CA.3710309

Der Fromme stirbt. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. 1x 37.103/21 flute 1, 1x 37.103/22 flute 2, 1x 37.103/23 oboe 1, 1x 37.103/24 oboe 2, 2x 37.103/25 bassoon, 1x 37.103/31 horn 1, 1x 37.103/32 horn 2. Gottfried August Homilius - Selected Works. Johannespassion Ga 3. Innovative practice aids, Sacred vocal music, Passions. Set of Orchestra Parts. HoWV I.4. 136 pages. Duration 119 minutes. Carus Verlag #CV 37.103/09. Published by Carus Verlag (CA.3710309).

ISBN 9790007214234. Language: German.

The oratorio Passions by Homilius were among the last compositions of their kind in the 18th century. In an oratorio Passion the chorus is restricted mainly to singing the chorales and the interjections of the crowd; only the conclusion of a Passion provides an opportunity for an extensive choral movement. In the St. John Passion the final chorus emphasizes the supreme importance of the Crucifixion as the climax of St. John's Gospel. The free elements of the composition take the forms customary at the time: da capo arias are predominant. Score and parts available separately - see item CA.3710300.

SSTB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3323809

Oratorio. Composed by Carl Philipp Emanuel Bach. Edited by Reginald L. Sanders. 1x 33.238/21 flute 1, 1x 33.238/22 flute 2, 1x 33.238/23 oboe 1, 1x 33.238/24 oboe 2, 1x 33.238/25 bassoon, 1x 33.238/31 horn 1, 1x 33.238/32 horn 2, 1x 33.238/33 trumpet 1, 1x 33.238/34 trumpet 2, 1x 33.238/35 trumpet 3, 1x 33.238/41 timpani. Harmony parts. Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1769. BR-CPEB D 1 (Wq 238). Duration 75 minutes. Carus Verlag #CV 33.238/09. Published by Carus Verlag (CA.3323809).

ISBN 9790007212193. Text language: German. Text: Schiebeler, Daniel. Text by Daniel Schiebeler.

Vol. IV, 1 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute According to C.P.E. Bach, the oratorio Die Israeliten in der Wuste [The Israelites in the Wilderness] can be performed ... at all times, inside and outside the church, simply to the praise of God. The composition depicts the Israelites' journey, full of privations, through the wilderness, their despair and their pleading. This harmonically bold work was first published in 1775 and received numerous performances during the composer's lifetime in German-speaking countries. Score and parts available separately - see item CA.3323800.

Compiled by Leonard Rose, Nathan Stutch. Orchestral excerpt book for cello. Published by International Music Co..

Compiled by Josef Gingold. Orchestral excerpt book for violin. Published by International Music Co..

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo

SKU: CA.3124582

Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, Laute. Composed 1749. BWV 245. 4 pages. Duration 120 minutes. Carus Verlag #CV 31.245/82. Published by Carus Verlag (CA.3124582).

ISBN 9790007211448. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500.

SATBB soli, SATB choir, 2 flutes, 2 oboe (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violin, viola, basso continuo

SKU: CA.3124569

Version II. Composed by Johann Sebastian Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1725. Sacred vocal music, Passions, Lent and Passiontide. Set of Orchestra Parts. Composed 1725. BWV 245. Duration 120 minutes. Carus Verlag #CV 31.245/69. Published by Carus Verlag (CA.3124569).

ISBN 9790007097097. Language: German/English.

The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach's lifetime. Consequently, the wish often expressed by conductors to perform an authentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach's direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the standard version which is well known today. Score and parts available separately - see item CA.3124500.

(Version II). By Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. For SATBB Soli, SATB Choir, 2 flutes, 2 Oboe (Oboe d'amore), 2 Oboe da caccia, Viola da gamba, 2 Violin, Viola, Basso Continuo. Stuttgart Urtext Edition. German title: Johannespas. set of instrumental parts (except strings). Passions; Lent and Passiontide.

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB choir, SATB voices, 2 flutes, 2 oboes (oboe d'amore, basso continuo), 2 violins, viola, viola da gamba, basso continuo

SKU: CA.3124594

Traditional version (1739/1749). Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Paperback. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. German title: Johannespassion Bwv 245 Tradition.Fassung. Innovative practice aids, Sacred vocal music, Passions, Lent and Passiontide. Vocal score. Composed 1739/1749. BWV 245. 152 pages. Duration 120 minutes. Carus Verlag #CV 31.245/94. Published by Carus Verlag (CA.3124594).

ISBN 9790007181307. Language: German/English. John 1:18-19.

Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach's lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns. Please use full score and performance material of our edition Carus 31.245/00. This edition includes also the traditional version. This work is now available in carus music, the choir app! Score available separately - see item CA.3124500.

(Version IV). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. Arranged by Paul Horn. For solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo. Stuttgart Urtext Edition. German title: Johannespassion 1749. Oratorios, Passions, Lent and Passiontide. Complete orchestral parts. Language: German/English. Composed 1749. BWV 245. Duration 120 minutes. Published by Carus Verlag

(Version II). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. For SATBB soli, SATB choir, 2 flutes, 2 oboe (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violin, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Johannespassion 1725. Passions, Lent and Passiontide. Study score. Language: German/English. Composed 1725. BWV 245. 208 pages. Duration 120 minutes. Published by Carus Verlag

SATBB soli, SATB choir, 2 flutes, 2 oboe (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violin, viola, basso continuo

SKU: CA.3124550

Version II. Composed by Johann Sebastian Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1725. Sacred vocal music, Passions, Lent and Passiontide. Full score. Composed 1725. BWV 245. 208 pages. Duration 120 minutes. Carus Verlag #CV 31.245/50. Published by Carus Verlag (CA.3124550).

ISBN 9790007058272. Language: German/English.

The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach's lifetime. Consequently, the wish often expressed by conductors to perform an authentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach's direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the standard version which is well known today. Score available separately - see item CA.3124500.

SATBB vocal soli, SATB choir, 2 flutes, 2 oboes (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violins, viola, basso continuo

SKU: CA.3124589

Version II. Composed by Johann Sebastian Bach. Edited by Peter Wollny. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Johannespassion 1725. Sacred vocal music, Passions, Lent and Passiontide. Single Part, Organ. Composed 1725. BWV 245. 140 pages. Duration 120 minutes. Carus Verlag #CV 31.245/89. Published by Carus Verlag (CA.3124589).

ISBN 9790007211455. Text language: German/English.

The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach's lifetime. Consequently, the wish often expressed by conductors to perform an authentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach's direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the standard version which is well known today. Score and part available separately - see item CA.3124500.

Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo

SKU: CA.3124581

Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, 2 Violen d'amore. Composed 1749. BWV 245. 8 pages. Duration 120 minutes. Carus Verlag #CV 31.245/81. Published by Carus Verlag (CA.3124581).

ISBN 9790007211431. Language: German/English.

Wit h the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500.

(Version II). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. For SATBB soli, SATB choir, 2 flutes, 2 oboe (oboe d'amore), 2 oboe da caccia, viola da gamba, 2 violin, viola, basso continuo. Stuttgart Urtext Edition. German title: Johannespassion 1725. Erganzg zu 31.245/49. Passions, Lent and Passiontide. Organ part. Language: German/English. Composed 1725. BWV 245. 36 pages. Duration 120 minutes. Published by Carus Verlag