(Choral Medley). By Various. By Various. Arranged by Mac Huff. Pop Choral Series. Female Voices, Inspirational, Medley, Pop, Show Choir, Solos. Octavo. 20 pages. Published by Hal Leonard

Choral (ShowTrax CD)

SKU: HL.275458

(Choral Medley). By Various. By Various. Arranged by Mac Huff. Pop Choral Series. Female Voices, Inspirational, Medley, Pop, Show Choir, Solos. CD. Duration 305 seconds. Published by Hal Leonard (HL.275458).

UPC: 888680744175. 5.0x5.0x0.15 inches.

A medley featuring the songs Girl on Fire by Alicia Keys, Fight Song by Rachel Platten and Roar by Katy Perry. Each of these pop songs speaks to the strength and fortitude of women through belief in yourself and standing up for oneself. These are powerful themes for young women, all wrapped in a well-crafted arrangement.

Soprano, Orchestra

SKU: HL.14028520

Composed by Kaija Saariaho. Music Sales America. 20th Century. Score. Composed 2002. 120 pages. Chester Music #CH61338. Published by Chester Music (HL.14028520).

ISBN 9780711993488. 9.0x12.0x0.34 inches.

Five songs for solo soprano, eight female voices and orchestra. Study Score edition. First performed at the Salzburg Festival 1996. Duration 24 minutes. Conductor's Score, vocal part, and orchestral parts are available on hire only.

Choral (ShowTrax CD)

SKU: HL.266485

By Kesha. By Andrew Joslyn, Ben Abraham, Kesha Sebert, and Ryan Lewis. Arranged by Audrey Snyder. Pop Choral Series. Female Voices, Pop, Show Choir. CD. Duration 240 seconds. Published by Hal Leonard (HL.266485).

UPC: 888680733148. 5.0x5.0x0.15 inches.

Ke$ha's 2017 hit ballad was also the talk of the night at the 2018 Grammy awards. The song, nominated for a 2018 Grammy for best pop solo, is about power and taking control and healing and the message is one that your women will resonate with.

Choral (SSA Choir)

SKU: HL.266484

By Kesha. By Andrew Joslyn, Ben Abraham, Kesha Sebert, and Ryan Lewis. Arranged by Audrey Snyder. Pop Choral Series. Female Voices, Pop, Show Choir. Octavo. 12 pages. Published by Hal Leonard (HL.266484).

UPC: 888680733131. 6.75x10.5 inches.

Kesha's 2017 hit ballad was also the talk of the night at the 2018 Grammy awards. The song, nominated for a 2018 Grammy for best pop solo, is about power and taking control and healing and the message is one that your women will resonate with.

Choral (3-Part Mixed choir)

SKU: HL.35020303

Composed by Thomas Weelkes. Arranged by Patrick M. Liebergen. Shawnee Press. Concert, Contest, Female Voices, Festival, Madrigal, Secular. Octavo. 12 pages. Shawnee Press #D0611. Published by Shawnee Press (HL.35020303).

UPC: 747510059325. 6.75x10.5 inches.

An excellent chorus from the Vivaldi opera, La Fida Nim, this 3-part arrangement of “Sing Out This Day!” is a great opening number for concert, contest, or festival. Optional flute and hand drum parts are provided. The optional solo and keyboard parts are drawn from Vivaldi's original score. A wonderful introduction to Baroque music.

Solo voices, SATB chorus,organ,double bass ad lib (Soprano solo or Alto solo (or Female choir (2voices)) or Tenor solo, Baritone solo, Organ, Double bass ad libitum) - Level 2

SKU: BA.BA25144

Motet for Soprano or Alto (or two-part Female Choir) or Tenor and Baritone, Organ and optional Double Bass. Composed by Gabriel Faure. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Folded. Barenreiter Urtext. Singing Score. Opus 65/1. 4 pages. Baerenreiter Verlag #BA25144_00. Published by Baerenreiter Verlag (BA.BA25144).

ISBN 9790006575107. 29.7 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the â??Cantique de Jean Racineâ? or the â??Messe basseâ? are published in performing editions based on the musical text of the â??Gabriel Faur â?? Å?uvres complètesâ?.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo tenor voice, speaker, female choir: SA (Tenor solo, Speaker, Female choir: SA)

SKU: BA.BA01228-91

Composed by Fritz Dietrich. Stapled. The choral score includes the solo movements. Choral score. Baerenreiter Verlag #BA01228_91. Published by Baerenreiter Verlag (BA.BA01228-91).

ISBN 9790006409426. 27 x 19 cm inches.

Die Chorpartitur enthalt auch die Solopartien

Print on demand (POD).

(SSS and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481620. Published by Boosey and Hawkes

(SSA Chorus, Harp or Piano). By Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481644. Published by Boosey and Hawkes

SATB and Harp (Piano). By Benjamin Britten. Arranged by Julius Harrison. (SATB). Boosey and Hawkes Sacred Choral. Size 6.8x10.5 inches. 8 pages. Published by Boosey and Hawkes.

((from A Ceremony of Carols) SATB and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SATB). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481613. Published by Boosey and Hawkes

(SSA and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481590. Published by Boosey and Hawkes

SATB choir, upper voice choir & organ and (SATB) - Very Easy to Easy

SKU: OU.9780193870130

Composed by Ruth Watson Henderson. Sacred choral - mixed voices. Oxford Music from Canada. Sacred, Choral Leaflet. Vocal score. 12 pages. Duration 3.5'. Oxford University Press #9780193870130. Published by Oxford University Press (OU.9780193870130).

ISBN 9780193870130.

For SATB choir, upper voice choir, and organ The composer skilfully creates a dialogue between the upper-voice choir (or two-female soloists) and SATB choir. O praise the gracious power is especially appropriate for services with a theme of peace and unity.

Orchestra violin, piano

SKU: CF.B3470

Composed by Julia Perry. Set of Score and Parts. 26+13 pages. Duration 17 minutes. Carl Fischer Music #B3470. Published by Carl Fischer Music (CF.B3470).

ISBN 9781491159460. UPC: 680160918058.

The awardee of two Guggenheim fellowships, Julia Perry studied composition with Luigi Dallapiccola and Nadia Boulanger, and conducted her works on a tour throughout Europe with the Vienna Philharmonic and the BBC Orchestra. She would become one of the first African-American female composers to have an orchestral work performed by the New York Philharmonic. Although she had an auspicious and promising career in her early life, it was tragically cut short by a series of strokes leading to partial paralysis and eventually, her death, at age 55 in 1979.Perry’s catalog is widely varied, featuring thirteen symphonies, numerous chamber and solo works, pieces for band, choral and vocal music, and four operas. Her Violin Concerto, completed in 1968, shows the influence of Dallapiccola’s teachings: sharp harmonic dissonances organized around specific pitch centers, short repetitive patterns that establish significant musical materials, and contrapuntal textures. Her fastidious performance markings in the solo violin part indicate her profound understanding of the instrument. Angular, muscled, and sparkling by turns, this piece is a sophisticated entry to the serious violinist's concert repertoire.There is no evidence or documentation that the Violin Concerto was ever premiered or performed during her lifetime, despite the fact that the composer prepared a full score, piano reduction and orchestral parts. Regrettably, this is the case with the majority of her works composed in the final decade of her life.
What is extraordinary about Julia Perry’s musical career was the astonishing success she attained in her early years. In her youth she studied piano, voice, violin and cello. She began to compose in her teenage years, her first publication being a choral work in 1947 by Carl Fischer. Her Stabat Mater was published in 1951 and would become one of her most often performed pieces, with performances in Europe and the United States. In 1953 she was awarded a Guggenheim fellowship to study with the Italian composer Luigi Dallapiccola, first at the Berkshire Music Center in Tanglewood, later in Florence, Italy. During this time, she also pursued studies with Nadia Boulanger in Paris and was awarded a second Guggenheim fellowship. She studied conducting at this time, touring Europe in 1957 to conduct her own works with the Vienna Philharmonic and the BBC Orchestra. During her European sojourns, she learned and mastered French, German and Italian. She would become one of the first African-American female composers to have an orchestral work performed by the New York Philharmonic.Perry� �s circumstances would change dramatically once she reached forty years of age, having returned permanently to the United States. At some point in the spring of 1970, she suffered the first of two strokes that would paralyze her right side and confine her to a wheelchair for the rest of her life. Nonetheless, she continued to compose and to promote her works with publishers and conductors. A second stroke contributed to her death in 1979 at age 55. She likely endured harsh ethnic and gender discrimination in the course of her career, and her later years would witness a period of extreme civil unrest. These matters and the significance of music in her life are undoubtedly what led her to say, “Music has a great role to play in establishing the brotherhood of man.”Perry’s catalog is widely varied, featuring thirteen symphonies, numerous chamber and solo works, pieces for band, choral and vocal music, and four operas. Her Violin Concerto, completed in 1968, is indicative of the influence of Dallapiccola’s teachings: sharp harmonic dissonances organized around specific pitch centers, short repetitive patterns that establish significant musical materials, and contrapuntal textures. The work is a single movement of 392 measures organized around three alternating tempos: Slow (Œ = 60), Moderate (Œ = 84) and Fast (Œ = 120). The opening thirty-measure cadenza for the solo violin introduces most of the thematic material for the piece. The orchestration commonly features antiphonal writing between orchestral groups, for example, strings alternating with brass, or strings alternating with winds. The harp and piano generally appear as solo instruments, rather than as members of the orchestra. Her fastidious performance markings in the solo violin part indicate her profound understanding of the instrument.There is no evidence or documentation that the Violin Concerto was ever premiered or performed during her lifetime, despite the fact that the composer prepared a full score, piano reduction and orchestral parts. Regrettably, this is the case with the majority of her works composed in the final decade of her life.

Choral alto 1, alto 2, alto voice, bass 1, bass 2, bass voice, keyboard, soprano voice, tenor 1, tenor 2, tenor voice

SKU: CF.CM9007

SA(A)T(T)B(B) Voices with Keyboard. Composed by Anonymous. Arranged by Ken Berg. Choral. Performance Score. With Standard notation. 12 pages. Carl Fischer Music #CM9007. Published by Carl Fischer Music (CF.CM9007).

ISBN 9780825864049. UPC: 798408064044. 6.875 X 10.5 inches. Text: Ken Berg. Ken Berg.

This heart-stoppingly lovely folk song setting shows the remarkable musicality of arranger Ken Berg. Written for the Brevard County Middle School All-County Chorus, this is classic choral writing at its best. Opportunities for solo singer (male or female) are included. The piano part is unusually sensitive and well thought out.

Female choir (SMezA) with solovoice, flute, clarinet and strings (FL) - easy

SKU: HL.49030963

Kantate uber ein altes Volkslied. Composed by Friedrich Zipp. Sheet music. Edition Schott. Individual part. 2 pages. Duration 10'. Schott Music #ED 2918-11. Published by Schott Music (HL.49030963).

ISBN 9790001040334. German.

Solo voices, SSAA chorus (Soprano solo, Alto solo, Female choir (SSAA))

SKU: BA.BA25029

Composed by Johannes Brahms. Edited by Peter Schmitz. This edition: urtext edition. Stapled. Barenreiter Urtext. From Drei geistliche Chöre for female choir a cappella. Choral score. Opus 37. 7 pages. Baerenreiter Verlag #BA25029_00. Published by Baerenreiter Verlag (BA.BA25029).

ISBN 9790006569458. 29.7 x 21 cm inches. Language: German.

The sacred a cappella choral works by Johannes Brahms are amongst the most important Romantic works in their genre.

These works published as a collection in BA 7575 are now available separately in performing editions (BA 25018 – BA 25037).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SSAA choir

SKU: ST.CN23P

Composed by Rhiannon Randle. SSAA unaccompanied (with solos). . This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN23P. Published by Stainer & Bell Ltd. (ST.CN23P).

ISBN 9790220225147.

Comm issioned by the BBC as part of the celebrations for International Women's Day, and reflecting its theme of hope, Like a Singing Bird was premiered live on Radio 3 on 8 March 2015 by Sarah Connolly and the St Catharine's Girls' Choir, conducted by Edward Wickham. The distinctive vocal scoring features a small solo group of sopranos or mezzo-sopranos drawn from the upper-voice ensemble. The anthem is the first of three which are collectively entitled Echoes from Willow Wood, the second also being available in Choral Now. The text, Christina Rossetti's poem 'A Birthday', features in Virginia Woolf's classic essay A Room of One's Own, based on lectures delivered at Newnham College and at Randle's own Cambridge alma mater, Girton, an institution at the forefront of women's education for two centuries. Inspired by the clock in Girton's Stanley Library, the 'chiming rhythms' which are a driving force within the piece offer a further level of connection. The music moves from quiet anticipation to bright affirmation, the sense of something life-changing heralded by an Advent plainchant quoted in the second half. The final couplet is set apart in a hushed recitative, reflecting, in the composer's words, 'the hope I and other young female composers can have as we try to make our mark in what has traditionally been a male domain.'.

SKU: WD.080689543173

Composed by Marty Hamby. Choral, cantatas. Southern Gospel Songs. Book. Word Music #080689543173. Published by Word Music (WD.080689543173).

UPC: 080689543173.

Southern Gospel Songs…
< br/>Just mention that phrase, and a certain sound and style immediately come to mind. And it comes simultaneously as both a visual and an audible trigger. It is sight and sound encapsulated in so many shapes and forms…from the original, iconic male quartet with a stride-style piano man, to the famous mixed groups—usually a family; Dad, Mom, sons and daughters, spouses—to the not infrequent trio, sometimes all male, sometimes all female, sometimes mixed voices, and even the occasional solo artist…all delivering soulful, joyful, heartfelt and inspiring songs. Songs for the church. Southern Gospel Songs. Songs about life, about prayer, about joy, about sadness, about Heaven, about victory, about coming home and about going home; songs of cheer, songs of love, songs of conviction, songs of salvation…Sou thern Gospel Songs. And whether you first heard one of these songs sung by a quartet, a mixed group, a trio, a soloist, performed with piano accompaniment only, a full band, or accompanied by an orchestra, you haven’t really heard it until you’ve heard it sung by a choir! Southern Gospel Songs for Southern Gospel Choirs...one of the sweetest sounds this side of Heaven!

Thatâ� �™s what this book, with its dynamic arrangements by Marty Hamby, is all about -- Southern Gospel radio hits, classic Southern Gospel songs, and new and emerging Southern Gospel hits; they are all ready and waiting for you to add the one missing ingredient… your choir! So grab your robes, get your choir folders in hand, do a vocal warm-up or two, and get ready to “sing the glory down” with this great new collection of Southern Gospel Songs!