Voice and keyboard SKU: HH.HH582-FSC Composed by Henry Holcombe. Edited b...(+)
Voice and keyboard
SKU: HH.HH582-FSC
Composed by Henry
Holcombe. Edited by
Michael Talbot. Full
score. Edition HH Music
Publishers #HH582-FSC.
Published by Edition HH
Music Publishers
(HH.HH582-FSC).
ISBN
9790708185970.
Henr
y Holcombe
(1690–1756), born
in Chester as the son of
a silk weaver, became
between 1720 and his
death one of the leading
English composers in
small-scale forms, mainly
vocal but also
instrumental. His
lifelong interest in
Italian language and
music led him to produce
a charming set of twelve
Italian canzonets
(published in 1753).
These songs for high
voice, male or female,
are unusual for their
genre in drawing their
texts from arias found in
operatic librettos rather
than from purpose-written
poetry. They are well
suited to both domestic
and concert use.
Individual canzonets will
make excellent
‘encore’
items, while short
sequences of them will
provide excellent
material for solo
recitals.
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SKU: WD.080689419362 Composed by Dave Williamson. Choral. Christmas. CD p...(+)
SKU:
WD.080689419362
Composed by Dave
Williamson. Choral.
Christmas. CD preview
pak. Word Music
#080689419362. Published
by Word Music
(WD.080689419362).
UPC:
080689419362.
Give
the women of your church
the tools to sing and
lead your congregation in
worship with arranger
Dave Williamson's
collection of 14 favorite
praise and worship songs.
In Blessing, Honor and
Praise you'll discover
the soaring, simple
beauty of women's voices
blended for a sweet and
fluid sound. The unison,
two and three part
arrangements include
occasional solos for
variety and are all
designed to be
approachable for singers
of all skill levels.
Optional parts for female
worship teams (groups of
three to six voices) are
spread throughout the
collection as well as two
a cappella arrangements.
With heart-moving songs
like We Fall Down, Above
All, and Take This Life,
the entire congregation
can join together in
worship with Blessing,
Honor and Praise.
SKU: WD.080689737428 Composed by Dave Williamson. Choral. Modern Christia...(+)
SKU:
WD.080689737428
Composed by Dave
Williamson. Choral.
Modern Christian.
Accompaniment CD
(stereo). Word Music
#080689737428. Published
by Word Music
(WD.080689737428).
UPC:
080689737428.
Give
the women of your church
the tools to sing and
lead your congregation in
worship with arranger
Dave Williamson's
collection of 14 favorite
praise and worship songs.
In Blessing, Honor and
Praise you'll discover
the soaring, simple
beauty of women's voices
blended for a sweet and
fluid sound. The unison,
two and three part
arrangements include
occasional solos for
variety and are all
designed to be
approachable for singers
of all skill levels.
Optional parts for female
worship teams (groups of
three to six voices) are
spread throughout the
collection as well as two
a cappella arrangements.
With heart-moving songs
like We Fall Down, Above
All, and Take This Life,
the entire congregation
can join together in
worship with Blessing,
Honor and Praise.
SKU: WD.080689737121 Composed by Dave Williamson. Choral. Christmas. Acco...(+)
SKU:
WD.080689737121
Composed by Dave
Williamson. Choral.
Christmas. Accompaniment
CD (split). Word Music
#080689737121. Published
by Word Music
(WD.080689737121).
UPC:
080689737121.
Give
the women of your church
the tools to sing and
lead your congregation in
worship with arranger
Dave Williamson's
collection of 14 favorite
praise and worship songs.
In Blessing, Honor and
Praise you'll discover
the soaring, simple
beauty of women's voices
blended for a sweet and
fluid sound. The unison,
two and three part
arrangements include
occasional solos for
variety and are all
designed to be
approachable for singers
of all skill levels.
Optional parts for female
worship teams (groups of
three to six voices) are
spread throughout the
collection as well as two
a cappella arrangements.
With heart-moving songs
like We Fall Down, Above
All, and Take This Life,
the entire congregation
can join together in
worship with Blessing,
Honor and Praise.
SKU: WD.080689702228 Composed by Dave Williamson. Choral. Modern Christia...(+)
SKU:
WD.080689702228
Composed by Dave
Williamson. Choral.
Modern Christian.
Listening CD. Word Music
#080689702228. Published
by Word Music
(WD.080689702228).
UPC:
080689702228.
Give
the women of your church
the tools to sing and
lead your congregation in
worship with arranger
Dave Williamson's
collection of 14 favorite
praise and worship songs.
In Blessing, Honor and
Praise you'll discover
the soaring, simple
beauty of women's voices
blended for a sweet and
fluid sound. The unison,
two and three part
arrangements include
occasional solos for
variety and are all
designed to be
approachable for singers
of all skill levels.
Optional parts for female
worship teams (groups of
three to six voices) are
spread throughout the
collection as well as two
a cappella arrangements.
With heart-moving songs
like We Fall Down, Above
All, and Take This Life,
the entire congregation
can join together in
worship with Blessing,
Honor and Praise.
Jingle Bells Chorale SATB SATB [Octavo] Alfred Publishing
By James Pierpont. Arranged by Jay Althouse And Russell L. Robinson. For Choir. ...(+)
By James Pierpont.
Arranged by Jay Althouse
And Russell L. Robinson.
For Choir. (SATB).
Choral Octavo. Choral
Designs. Secular,
Christmas. Choral Octavo.
8 pages. Published by
Alfred Publishing.
Choral (SSAATTBB choir) SKU: HL.49044857 SSAATTBB a cappella. Comp...(+)
Choral (SSAATTBB choir)
SKU: HL.49044857
SSAATTBB a
cappella. Composed by
Szymon Godziemba-Trytek.
This edition: Saddle
stitching. Sheet music.
Choral. Classical,
General Worship, Sacred.
Octavo. 16 pages.
Duration 6'. Schott Music
#C 57292. Published by
Schott Music
(HL.49044857).
ISBN
9790001154444. UPC:
841886026537. 7.5x10.75
inches.
Latin.
Szymon
Godziemba-Trytek, born in
Poland in 1988, already
is one of the acclaimed
choral composers of our
time and has been awarded
numerous prizes at
national and
international composition
competitions, as e.g. in
2014 for his 'Miserere
mei Deus, miserere mei',
a musical setting of
Psalm 56 for eight-part
mixed a-cappella choir.
It is the effective
antiphony between female
and male voices,
four-part homophonic
passages including four
bars for two solo
sopranos, rich dynamic
nuances, staggered
entries of the voices in
imitation, and sound
elements to be performed
in an individual
loop-like manner that
make this sacred choral
work special. For this
work, the young composer
was awarded the 3rd prize
at the Composition
Competition Musica
Sacra.
(A Festival of Carols). By Mark Hayes. For SATB choir. Cantatas. Christmas, Sacr...(+)
(A Festival of Carols).
By Mark Hayes. For SATB
choir. Cantatas.
Christmas, Sacred. Bulk
performance CDs (10
pack). Duration 35
minutes. Published by
Lorenz Publishing Company
Female choir (SMezA) with solo voice, flute, clarinet and strings (VC) - easy (+)
Female choir (SMezA) with
solo voice, flute,
clarinet and strings (VC)
- easy
SKU:
HL.49030968
Kantate uber ein altes
Volkslied. Composed
by Friedrich Zipp. Sheet
music. Edition Schott.
Individual part. 2 pages.
Duration 10'. Schott
Music #ED 2918-16.
Published by Schott Music
(HL.49030968).
Missa angelica Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Solo S (T) Voice, SATB Choir, 2 Vl, Va, Vc, Cb, Percussion SKU: CA.2703219(+)
Solo S (T) Voice, SATB
Choir, 2 Vl, Va, Vc, Cb,
Percussion
SKU:
CA.2703219
Composed
by Jozef Swider. Sacred
vocal music, Masses.
Complete orchestral
parts. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts.
Composed 1998. Duration
24 minutes. Carus Verlag
#CV 27.032/19. Published
by Carus Verlag
(CA.2703219).
ISBN
9790007247898. Language:
Latin.
Jozef
Swider, who is Polish,
has written more than 250
choral compositions,
which enjoy great
popularity. He is today
the most frequently
performed Polish
composer. This richly
orchestrated Missa
angelica (1998) exists in
two versions for each
female and mixed choir:
one with orchestra, the
other one with piano or
organ (27.032/03 bzw.
27.032/53). Score and
parts available
separately - see item
CA.2703200.
'Tis a Wonder Chorale SATB - Facile Kjos Music Company
SATB choir - Grade 3 SKU: KJ.9144 Composed by John Jost. Choral. Sacred. ...(+)
SATB choir - Grade 3
SKU: KJ.9144
Composed by John Jost.
Choral. Sacred. Octavo.
Neil A. Kjos Music
Company #9144. Published
by Neil A. Kjos Music
Company (KJ.9144).
UPC:
084027043608.
The
writer of this early
American hymn expresses
wonder over the mystery
that God would come to
earth to bring salvation
to sinners. A male or
female solo voice may be
used on the verses. Your
choir will pick up the
solid foundational
harmonies and flowing
vocal lines quickly.
Composed by Jozef Swider.
This edition: Paperbound.
German title: Missa
Angelica S,Frauenchor
Ssaa,Org. Sacred vocal
music, Masses, Latin.
Full score. Composed
1998. 56 pages. Duration
24 minutes. Carus Verlag
#CV 27.032/50. Published
by Carus Verlag
(CA.2703250).
ISBN
9790007095642. Language:
Latin.
Jozef
Swider, who is Polish,
has written more than 250
choral compositions,
which enjoy great
popularity. He is today
the most frequently
performed Polish
composer. This richly
orchestrated Missa
angelica (1998) exists in
two versions for each
female and mixed choir:
one with orchestra, the
other one with piano or
organ (27.032/03 bzw.
27.032/53). Score
available separately -
see item CA.2703200.
Female choir (SMezA) with solo voice, flute, clarinet and strings (CHP(SAA)) - e...(+)
Female choir (SMezA) with
solo voice, flute,
clarinet and strings
(CHP(SAA)) - easy
SKU:
HL.49030962
Kantate uber ein altes
Volkslied. Composed
by Friedrich Zipp. Sheet
music. Edition Schott.
Choral Score. 12 pages.
Duration 10'. Schott
Music #ED 2918-01.
Published by Schott Music
(HL.49030962).
For SATB Voices (Female and Male Solos) with Keyboard and Optional Percussion. B...(+)
For SATB Voices (Female
and Male Solos) with
Keyboard and Optional
Percussion. By Elizabeth
Campbell. SATB chorus and
keyboard. For SATB,
Keyboard, Clap, Drums,
Hi-Hat. Carl Fischer
Performance Series: for
Chorus. Choral.
Piano/Vocal Score. 11
pages. Published by Carl
Fischer.
SATB chorus divisi,
Soprano Sax (Clt), piano
- Grade 2
SKU:
CA.928400
Mittelalterliches
Liebeslied. Composed
by Wolfgang Konig. Carus
digital: Extra digital
products. Dû bist
mîn. Full Score.
Composed 2020. Duration
3.5 minutes. Carus Verlag
#928400. Published by
Carus Verlag (CA.928400).
ISBN 9790007301002.
German.
Dû bist
mîn is probably the
best-known love song
written in old German
that has survived from
the Middle Ages. It is
often attributed to the
famous poet Walther von
der Vogelweide, who died
around 1230.
Unfortunately, the
original 12th-century
melody to which these
verses were possibly has
not been handed down. In
his setting, Wolfgang
König (*1947)
delightfully interweaves
the sounds of the
medieval period with
21st-century music.
Parallel fifths are
juxtaposed with
major-minor harmonies and
saxophone solos embellish
the choral movements that
are also supported by a
simple piano
accompaniment. The choir
consists of six voices
divided into two groups.
The antiphonal calls
between the male and
female singers mirror the
love song's text:
“Dû bist min,
ich bin dîn: des solt
dû gewis sînâ€
(You are mine; I am
thine; of this you can be
sure).
SATB chorus divisi,
Soprano Sax (Clt), piano
- Grade 2
SKU:
CA.928421
Mittelalterliches
Liebeslied. Composed
by Wolfgang Konig. Dû
bist mîn. Single Part,
soprano saxophone.
Composed 2020. Duration
3.5 minutes. Carus Verlag
#928421. Published by
Carus Verlag (CA.928421).
ISBN 9790007302146.
German.
Dû bist
mîn is probably the
best-known love song
written in old German
that has survived from
the Middle Ages. It is
often attributed to the
famous poet Walther von
der Vogelweide, who died
around 1230.
Unfortunately, the
original 12th-century
melody to which these
verses were possibly has
not been handed down. In
his setting, Wolfgang
König (*1947)
delightfully interweaves
the sounds of the
medieval period with
21st-century music.
Parallel fifths are
juxtaposed with
major-minor harmonies and
saxophone solos embellish
the choral movements that
are also supported by a
simple piano
accompaniment. The choir
consists of six voices
divided into two groups.
The antiphonal calls
between the male and
female singers mirror the
love song's text:
“Dû bist min,
ich bin dîn: des solt
dû gewis sînâ€
(You are mine; I am
thine; of this you can be
sure).
SKU: WD.080689498091 Composed by Lari Goss. Arranged by Lari Goss. Choral...(+)
SKU:
WD.080689498091
Composed by Lari Goss.
Arranged by Lari Goss.
Choral. Sacred Anthem.
Accompaniment video. Word
Music #080689498091.
Published by Word Music
(WD.080689498091).
UPC:
080689498091.
Featu
ring a female solo,
children's voices, and
adult choir, this
lightly-country
reflection on Jesus in
the manger will make a
wonderful Sunday morning
offering during
December.