Composed by Costel Puscoiu. Other Acoustic,Other Acoustic: Pan Flute,Style,Holiday: Christmas. Book and Insert and Online Audio. 56 pages. Published by Mel Bay Publications, Inc

By Karl Dent. For TBB choir, keyboard (rehearsal only). Octavo. 8 pages. Duration 1 minutes, 39 seconds. Published by Carl Fischer

By Allen Pote. For Brass, Timpani. (SATB). Latin Text and Sacred. Print Music Single (SATB w/opt. Brass and Timpani). 12 pages. Published by Hope Publishing Company.

By Antonio Vivaldi. Teaching Singer: Michael Steinberger. For Tenor voice. Choral learning aid. SingleParts. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:20:48. Published by Rehearsal Arts, LLC.

By Antonio Vivaldi. Teaching Singer: Aaron Engebreth. For Bass voice. Choral learning aid. SingleParts. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:20:47. Published by Rehearsal Arts, LLC.

By Antonio Vivaldi. Teaching Singer: Deborah Rentz-Moore. For Alto voice. Choral learning aid. SingleParts. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:20:49. Published by Rehearsal Arts, LLC.

By Antonio Vivaldi. Teaching Singer: Gail Abbey. For Soprano voice. Choral learning aid. SingleParts. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:20:50. Published by Rehearsal Arts, LLC.

Composed by Kevin Memley. For Choral, Percussion, Brass Quintet (BRASS/PERCUSSION PARTS). Pavane Choral. Pavane Publishing #P9063. Published by Pavane Publishing

By Kevin Memley. For Choral (SATB). Pavane Choral. 32 pages. Pavane Publishing #P3015. Published by Pavane Publishing

Composed by Kevin Memley. For Choral (Score). Pavane Choral. 60 pages. Pavane Publishing #P9062. Published by Pavane Publishing

Choral (SATB divisi)

SKU: HL.1412169

Composed by Jasper Randall. Pavane Choral. Christmas. Octavo. 20 pages. Duration 195 seconds. Pavane Publishing #P3020. Published by Pavane Publishing (HL.1412169).

UPC: 196288195627. 6.75x10.5x0.045 inches.

At the Christmas season, “Gloria in Excelsis Deo” is one of the most popular texts to sing. Los Angeles studio musician Jasper Randall brings us a truly spirited rendition to liven any holiday program. Following its dynamic opening it breaks into a flowing melody and toggles back again. Randall breaks from the traditional liturgical text and surprises us with the English statement “For Unto Us ...” then returns to the opening theme which culminates in an exhilarating conclusion.

Gloria by Antonio Vivaldi (1678-1741). Arranged by Elmer Thomas. For SATB choir (with optional orchestration). Major Work, Christmas, Sacred. Choral octavo. Published by Roger Dean Publishing

By K. Lee Scott. For organ, brass quintet (SATB choir). Choral. Christmas. Moderately Difficult. Preview Pack. Published by MorningStar Music Publishers

By Various. Arranged by Dirko Juchem, Achim Brochhausen. Schott. BOOK W/CD. Size 9x12 inches. 24 pages. Published by Schott.

By Johann Sebastian Bach (1685-1750). Edited by Johann Sebastian Bach. For Soprano voice and Tenor voice (Soli), SATB Choir / Piano (Chorus and piano). Baroque; Sacred/Hymns; Christmas. Vocal Score. Text Language: Latin. Composed 1740. 48 pages. Duration 15 minutes

Level 2 Mixed, Teacher. By Michael O'hern, Janice Killian, Linda Rann. (Mixed/Teacher Edition). Essential Elements Choir. Size 8.5x11 inches. 312 pages. Published by Hal Leonard.

Level 2 Mixed, Performance/Accompaniment CD. By Michael O'hern, Janice Killian, Linda Rann. (Mixed Perf/Acc CDs (2)). Essential Elements Choir. CD only. Size 5x5.5 inches. 312 pages. Published by Hal Leonard.

Composed by Karl Jenkins. For Choral (SATB). Boosey and Hawkes Sacred Choral. Boosey and Hawkes #M051482726. Published by Boosey and Hawkes

Concert band - Grade 3

SKU: MH.1-59913-050-5

Composed by traditional English carols. Arranged by William Ryden. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 6:30. Published by Manhattan Beach Music (MH.1-59913-050-5).

ISBN 9781599130507.

Char les Dickens certainly would have known the three carols in A CHARLES DICKENS CHRISTMAS. They were among the best-known and best-loved carols of the Victorian Era, and were a staple of the repertoire of roving waits, or carollers, that appear in his novels. Today this music is as familiar as Santa Claus and Tiny Tim. THE FIRST NOWELL was first collected in Christmas Carols, Ancient and Modern by William Sandys in 1833. It is most probably 200 years older than that. The Oxford Book of Carols contains nine verses, which makes it an ideal processional for Christmas or Epiphany (the feast commemorating the coming of the Magi). COVENTRY CAROL, or Lully, Lullay, comes from the medieval tradition of mystery and miracle plays. In 1534 the Pageant of the Shearman and Tailors Guild included a scene in which the mothers of Jewish children sang this haunting lullaby after hearing the horrifying order: Herod the king, In his raging, All young children to slay. The music is anonymous; the text believed to be by Robert Croo. ANGELS WE HAVE HEARD ON HIGH is probably of French origin, but the English long ago adopted it as their own. Besides the French text, Les Anges dans nos compagnes, it is known in several versions and by several titles, including Angels from the Realms of Glory, When the Crimson Sun Had Set, and Westminster Carol. It belongs to a category known as macaronic carols, which mix vernacular verses with Latin refrains - in this instance, Gloria in Excelsis Deo (Glory be to God on High). Ensemble instrumentation: 1 Piccolo, 8 Flute, 2 Oboe, 1 Bassoon 1, 1 Bassoon 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 1 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1, 2 F Horn 2, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (Bass Clef), 2 Euphonium (Treble Clef), 5 Tubas, 1 Timpani, 2 Bells & Chimes, 3 Percussion 1: small triangle, suspended cymbal, crash cymbal, snare drum, bass drum, 2 Percussion 2: large triangle, finger cymbals.

Choral (SATB)

SKU: HL.35007834

Eartraining. Composed by Tomá and s Luis de Victoria. Arranged by James McKelvy. Mark Foster. Advent, Christmas Sacred, Christmas/Advent Sacred, Classical, Concert. Octavo. 8 pages. Shawnee Press #MF0404. Published by Shawnee Press (HL.35007834).

UPC: 747510051954. 7.0x10.5x0.016 inches. French.

Avoir une bonne oreille musicale fait indéniablement partie des éléments requis pour être ou devenir un bon pianiste. C’est bien simple... tout part de là ! Et tout passe par là !Mais à l’instar des doigts qui sont au contact du clavier, l’oreille doit aussi être formée et entraînée pour devenir performante. Et cela passe inévitablement par des exercicesspécifiqu es, tels que ceux qui vous sont proposés dans cette méthode. Savoir reconnaître les intervalles entre les notes est la base de la formation auditive (ear training, en anglais). C’estpourquoi un premier grand chapitre est consacré ici à leur étude approfondie. Dans les suivants, vous serez alors en mesure d’aborder, pas à pas, les arpèges et accords de 3 et 4 sons,ainsi que les gammes... qui sont autant d’outils indispensables pour identifier à l’oreille les mélodies et accompagnements joués par le piano. Chaque étape de l’apprentissage estponctuée d’un quiz musical, permettant d’évaluer vos acquis, vos progrès... mais aussi votre aptitude à passer à la suite. Vous trouverez sur le disque MP3 joint tous lesenregistrements audios (au format mp3) correspondant aux multiples exercices et autres quiz de la méthode.

Avoir une bonne oreille musicale fait indeniablement partie des elements requis pour etre ou devenir un bon pianiste. C'est bien simple... tout part de la ! Et tout passe par la ! Mais a l'instar des doigts qui sont au contact du clavier, l'oreille doit aussi etre formee et entrainee pour devenir performante. Et cela passe inevitablement par des exercices specifiques, tels que ceux qui vous sont proposes dans cette methode. Savoir reconnaitre les intervalles entre les notes est la base de la formation auditive (ear training, en anglais). C'est pourquoi un premier grand chapitre est consacre ici a leur etude approfondie. Dans les suivants, vous serez alors en mesured'aborder, pas a pas, les arpeges et accords de 3 et 4 sons, ainsi que les gammes... qui sont autant d'outils indispensables pour identifier a l'oreille les melodies et accompagnements joues par le piano. Chaque etape de l'apprentissage est ponctuee d'un quiz musical, permettant d'evaluer vos acquis, vos progres... mais aussi votre aptitude a passer a la suite. Vous trouverez sur le disque MP3 joint tous les enregistrements audios (au format mp3) correspondant aux multiples exercices et autres quiz de la methode.

By Francis Poulenc. Teaching Singer: Michael Steinberger. For Tenor voice. Choral learning aid. SingleParts. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:22:18. Published by Rehearsal Arts, LLC.